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Events for Tuesday, February 25, 2020

8:00 AM-9:00 PM Art Exhibit: Works of Richell Castellon Ferreira LeMoyne College

9:00 AM-4:00 PM Quilts by Sue Ellen Romanowski and Watercolors by Christy Lemp Baltimore Woods Weeks Art Gallery

9:00 AM-7:00 PM 2020 CNY Scholastic Art Awards Onondaga Community College

9:00 AM-5:00 PM Fishes Eyes: The Art of Fish Syracuse Technology Garden Gallery

9:00 AM-5:00 PM 150 Years of Tradition at Syracuse University Syracuse University Library Special Collections Research Center

10:00 AM-9:00 PM Dionne Lee: Trap and Lean-to Light Work Gallery

10:00 AM-9:00 PM 2020 Transmedia Photography Annual Light Work Gallery

11:00 AM-4:30 PM Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection Syracuse University Art Museum

11:00 AM-4:30 PM Masterpieces of 17th-Century Dutch Painting from Regional Collections Syracuse University Art Museum

11:00 AM-4:30 PM Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks Syracuse University Art Museum

12:00 PM-5:00 PM Raphael Trelles: The Imagined Word Point of Contact Gallery

Events for Wednesday, February 26, 2020

8:00 AM-9:00 PM Art Exhibit: Works of Richell Castellon Ferreira LeMoyne College

9:00 AM-4:00 PM Quilts by Sue Ellen Romanowski and Watercolors by Christy Lemp Baltimore Woods Weeks Art Gallery

9:00 AM-7:00 PM 2020 CNY Scholastic Art Awards Onondaga Community College

9:00 AM-5:00 PM Fishes Eyes: The Art of Fish Syracuse Technology Garden Gallery

9:00 AM-7:00 PM 150 Years of Tradition at Syracuse University Syracuse University Library Special Collections Research Center

10:00 AM-9:00 PM 2020 Transmedia Photography Annual Light Work Gallery

10:00 AM-9:00 PM Dionne Lee: Trap and Lean-to Light Work Gallery

11:00 AM-4:30 PM Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection Syracuse University Art Museum

11:00 AM-4:30 PM Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks Syracuse University Art Museum

11:00 AM-4:30 PM Masterpieces of 17th-Century Dutch Painting from Regional Collections Syracuse University Art Museum

12:00 PM-5:00 PM A Legacy of Firsts: The Everson Collects Everson Museum of Art

12:00 PM-5:00 PM Jim Ridlon: The Garden Everson Museum of Art

12:00 PM-5:00 PM Gareth Mason: Carnal Flux Everson Museum of Art

12:00 PM-5:00 PM Lasting Impressions: Highlights from the Print Collection Everson Museum of Art

12:00 PM-5:00 PM Casual China: Modernist Dinnerware Everson Museum of Art

12:00 PM-5:00 PM Raphael Trelles: The Imagined Word Point of Contact Gallery

12:15 PM William Ström, tenor; Kristin Ström, violin; Sabine Krantz, piano Civic Morning Musicals

2:00 PM-7:00 PM Carrying the Weight: Fire & Ice: The Art of Zaria Forman and Stuart Palley ArtRage Gallery

5:30 PM Bryan Washington Raymond Carver Reading Series

6:00 PM-9:00 PM Jazz at the Cavalier: Scott Dennis CNY Jazz Arts Foundation

Events for Thursday, February 27, 2020

8:00 AM-9:00 PM Art Exhibit: Works of Richell Castellon Ferreira LeMoyne College

9:00 AM-4:00 PM Quilts by Sue Ellen Romanowski and Watercolors by Christy Lemp Baltimore Woods Weeks Art Gallery

9:00 AM-7:00 PM 2020 CNY Scholastic Art Awards Onondaga Community College

9:00 AM-5:00 PM Fishes Eyes: The Art of Fish Syracuse Technology Garden Gallery

9:00 AM-5:00 PM 150 Years of Tradition at Syracuse University Syracuse University Library Special Collections Research Center

10:00 AM-9:00 PM Dionne Lee: Trap and Lean-to Light Work Gallery

10:00 AM-9:00 PM 2020 Transmedia Photography Annual Light Work Gallery

11:00 AM-8:00 PM Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection Syracuse University Art Museum

11:00 AM-8:00 PM Masterpieces of 17th-Century Dutch Painting from Regional Collections Syracuse University Art Museum

11:00 AM-8:00 PM Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks Syracuse University Art Museum

12:00 PM-8:00 PM Jim Ridlon: The Garden Everson Museum of Art

12:00 PM-8:00 PM A Legacy of Firsts: The Everson Collects Everson Museum of Art

12:00 PM-8:00 PM Casual China: Modernist Dinnerware Everson Museum of Art

12:00 PM-8:00 PM Lasting Impressions: Highlights from the Print Collection Everson Museum of Art

12:00 PM-8:00 PM Gareth Mason: Carnal Flux Everson Museum of Art

12:00 PM-5:00 PM Raphael Trelles: The Imagined Word Point of Contact Gallery

2:00 PM-7:00 PM Carrying the Weight: Fire & Ice: The Art of Zaria Forman and Stuart Palley ArtRage Gallery

6:15 PM-11:00 PM Lawrence Abu Hamdan: Walled Unwalled Urban Video Project

6:30 PM 10th Annual Everson Ceramics Lecture Everson Museum of Art, featuring Michelle Erickson

6:45 PM Fiddler on the Loose Acme Mystery Company

7:00 PM Bye Bye Birdie Westhill High School

7:00 PM Disney's Beauty and the Beast Solvay High School Drama Club

8:00 PM Shakespeare In Love Central New York Playhouse (Read a review!)

8:00 PM Guest Artist Series: SU Wind Ensemble and Akropolis Reed Quintet Syracuse University Setnor School of Music

Events for Friday, February 28, 2020

8:00 AM-4:30 PM Art Exhibit: Works of Richell Castellon Ferreira LeMoyne College

9:00 AM-4:00 PM Quilts by Sue Ellen Romanowski and Watercolors by Christy Lemp Baltimore Woods Weeks Art Gallery

9:00 AM-7:00 PM 2020 CNY Scholastic Art Awards Onondaga Community College

9:00 AM-5:00 PM Fishes Eyes: The Art of Fish Syracuse Technology Garden Gallery

9:00 AM-5:00 PM 150 Years of Tradition at Syracuse University Syracuse University Library Special Collections Research Center

10:00 AM-6:00 PM 2020 Transmedia Photography Annual Light Work Gallery

10:00 AM-6:00 PM Dionne Lee: Trap and Lean-to Light Work Gallery

11:00 AM-4:30 PM Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection Syracuse University Art Museum

11:00 AM-4:30 PM Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks Syracuse University Art Museum

11:00 AM-4:30 PM Masterpieces of 17th-Century Dutch Painting from Regional Collections Syracuse University Art Museum

12:00 PM-5:00 PM A Legacy of Firsts: The Everson Collects Everson Museum of Art

12:00 PM-5:00 PM Jim Ridlon: The Garden Everson Museum of Art

12:00 PM-5:00 PM Gareth Mason: Carnal Flux Everson Museum of Art

12:00 PM-5:00 PM Lasting Impressions: Highlights from the Print Collection Everson Museum of Art

12:00 PM-5:00 PM Casual China: Modernist Dinnerware Everson Museum of Art

12:00 PM-5:00 PM Raphael Trelles: The Imagined Word Point of Contact Gallery

2:00 PM-7:00 PM Carrying the Weight: Fire & Ice: The Art of Zaria Forman and Stuart Palley ArtRage Gallery

5:30 PM Guest Artist Series: JCM: The Dai Wan Za Mo Project Syracuse University Setnor School of Music

6:00 PM-8:00 PM Opening: Birds of a Feather Edgewood Gallery

6:15 PM-11:00 PM Lawrence Abu Hamdan: Walled Unwalled Urban Video Project

6:30 PM Storytelling in Syracuse Syracuse Press CLub, Syracuse St. Patrick's Parade

7:00 PM Poets David Weiss and Charles Coté Downtown Writer's Center

7:00 PM Bye Bye Birdie Westhill High School

7:00 PM Disney's Beauty and the Beast Solvay High School Drama Club

7:00 PM Rockin' the Redhouse Redhouse

7:30 PM Vision of Sound Society for New Music

8:00 PM Shakespeare In Love Central New York Playhouse (Read a review!)

Events for Saturday, February 29, 2020

9:00 AM-4:30 PM Art Exhibit: Works of Richell Castellon Ferreira LeMoyne College

10:00 AM-2:00 PM Birds of a Feather Edgewood Gallery

10:00 AM-5:00 PM Gareth Mason: Carnal Flux Everson Museum of Art

10:00 AM-5:00 PM Casual China: Modernist Dinnerware Everson Museum of Art

10:00 AM-5:00 PM Lasting Impressions: Highlights from the Print Collection Everson Museum of Art

10:00 AM-5:00 PM Jim Ridlon: The Garden Everson Museum of Art

10:00 AM-5:00 PM A Legacy of Firsts: The Everson Collects Everson Museum of Art

11:00 AM-4:30 PM Masterpieces of 17th-Century Dutch Painting from Regional Collections Syracuse University Art Museum

11:00 AM-4:30 PM Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks Syracuse University Art Museum

11:00 AM-4:30 PM Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection Syracuse University Art Museum

12:00 PM-4:00 PM Carrying the Weight: Fire & Ice: The Art of Zaria Forman and Stuart Palley ArtRage Gallery

1:00 PM-9:00 PM Dionne Lee: Trap and Lean-to Light Work Gallery

1:00 PM-9:00 PM 2020 Transmedia Photography Annual Light Work Gallery

2:00 PM Bye Bye Birdie Westhill High School

3:00 PM For the Birds Syracuse Vocal Ensemble

4:00 PM Sex N' the City: A Super Unauthorized Musical Parody The Oncenter

5:30 PM JCM: Vocal Jazz and Morton Schiff Jazz Ensemble Syracuse University Setnor School of Music

6:15 PM-11:00 PM Lawrence Abu Hamdan: Walled Unwalled Urban Video Project

7:00 PM Disney's Beauty and the Beast Solvay High School Drama Club

7:00 PM Bye Bye Birdie Westhill High School

7:30 PM Kleine Schütz Schola Cantorum of Syracuse

7:30 PM Wendy Ramsay and friends Steeple Coffee House

7:30 PM Sex N' the City: A Super Unauthorized Musical Parody The Oncenter

8:00 PM Shakespeare In Love Central New York Playhouse (Read a review!)

Events for Sunday, March 1, 2020

9:00 AM-4:30 PM Art Exhibit: Works of Richell Castellon Ferreira LeMoyne College

11:00 AM-4:30 PM Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection Syracuse University Art Museum

11:00 AM-4:30 PM Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks Syracuse University Art Museum

11:00 AM-4:30 PM Masterpieces of 17th-Century Dutch Painting from Regional Collections Syracuse University Art Museum

12:00 PM-5:00 PM Gareth Mason: Carnal Flux Everson Museum of Art

12:00 PM-5:00 PM Lasting Impressions: Highlights from the Print Collection Everson Museum of Art

12:00 PM-5:00 PM Casual China: Modernist Dinnerware Everson Museum of Art

12:00 PM-5:00 PM A Legacy of Firsts: The Everson Collects Everson Museum of Art

12:00 PM-5:00 PM Jim Ridlon: The Garden Everson Museum of Art

1:00 PM-9:00 PM 2020 Transmedia Photography Annual Light Work Gallery

1:00 PM-9:00 PM Dionne Lee: Trap and Lean-to Light Work Gallery

2:00 PM-5:00 PM Jazz on Tap: Nancy Kelly CNY Jazz Arts Foundation

2:00 PM Disney's Beauty and the Beast Solvay High School Drama Club

2:00 PM Through a Lens Darkly: Black Photographers and the Emergence of a People Syracuse University Art Museum

3:00 PM Casual Series: Mozart and Beethoven Syracuse Orchestra (formerly Symphoria), featuring Peter Rovit, violin; Arvilla Wendland, viola

3:00 PM For the Birds Syracuse Vocal Ensemble

4:00 PM Music for Dancing Hendricks Chapel

8:00 PM Student Recital Series: Kyle Jones, trumpet Syracuse University Setnor School of Music

Events for Monday, March 2, 2020

8:00 AM-9:00 PM Art Exhibit: Works of Richell Castellon Ferreira LeMoyne College

9:00 AM-5:00 PM 150 Years of Tradition at Syracuse University Syracuse University Library Special Collections Research Center

10:00 AM-9:00 PM Dionne Lee: Trap and Lean-to Light Work Gallery

10:00 AM-9:00 PM 2020 Transmedia Photography Annual Light Work Gallery

12:00 PM-5:00 PM Raphael Trelles: The Imagined Word Point of Contact Gallery

Events for Tuesday, March 3, 2020

8:00 AM-9:00 PM Art Exhibit: Works of Richell Castellon Ferreira LeMoyne College

9:00 AM-5:00 PM 150 Years of Tradition at Syracuse University Syracuse University Library Special Collections Research Center

9:30 AM-6:00 PM Birds of a Feather Edgewood Gallery

10:00 AM-9:00 PM 2020 Transmedia Photography Annual Light Work Gallery

10:00 AM-9:00 PM Dionne Lee: Trap and Lean-to Light Work Gallery

11:00 AM-4:30 PM Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection Syracuse University Art Museum

11:00 AM-4:30 PM Masterpieces of 17th-Century Dutch Painting from Regional Collections Syracuse University Art Museum

11:00 AM-4:30 PM Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks Syracuse University Art Museum

12:00 PM-5:00 PM Raphael Trelles: The Imagined Word Point of Contact Gallery

6:00 PM Sesame Street Live! Let’s Party The Oncenter

Next week  >>>

Tuesday, February 25, 2020


Art
 

8:00 AM - 9:00 PM, February 25



Art Exhibit: Works of Richell Castellon Ferreira
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse


Back to list
 

 

9:00 AM - 4:00 PM, February 25



Quilts by Sue Ellen Romanowski and Watercolors by Christy Lemp
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus



Back to list
 

 

9:00 AM - 7:00 PM, February 25



2020 CNY Scholastic Art Awards
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

The Scholastic Art Exhibit is a showcase for the creative artwork of our community's young people, encompassing 13 Central New York counties.


Back to list
 

 

9:00 AM - 5:00 PM, February 25



Fishes Eyes: The Art of Fish
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

All local artists, all fish art.


Back to list
 

 

9:00 AM - 5:00 PM, February 25



150 Years of Tradition at Syracuse University
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

This exhibition brings together the customs and ideas that unite the university, connecting SU's past with its present. Featuring a wide selection of photographs, printed materials, textiles, and other memorabilia, this exhibition presents the numerous traditions of Syracuse University, including commencement, alumni reunions, university spirit, the number 44, the color orange, and first year student traditions. Whether they are old and long gone or newer, these traditions show how the school has rooted itself in the past and passes this heritage forward into the future.


Back to list
 

 

10:00 AM - 9:00 PM, February 25



Dionne Lee: Trap and Lean-to
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Oakland, California-based artist Dionne Lee employs video, collage, photography, and sculpture to explore American landscape and her place within its complex history. As an African American woman, she sees the natural world as both a place of refuge and tranquility, but also the location of racial violence, danger, and vulnerability. More broadly, her work acknowledges the terror of climate change, mass migration, and humanity's ongoing drama of survival. Duality often surfaces in work where she notes that "two things can be true at once."


Back to list
 

 

10:00 AM - 9:00 PM, February 25



2020 Transmedia Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work announces the 2020 Transmedia Photography Annual exhibition of photographs by seniors from the Art Photography program in the Department of Transmedia in the College of Visual and Performing Arts at Syracuse University.

The exhibiting artists are Nathan Baldry, Andrea Bodah, Kali Bowden, Molly Coletta, Laura D'Amelio, Ohemaa Dixon, Jordyn Gelb, Charlotte Howard, George Lambert, Samantha Lane, Meilin Luzadis, Timmy Ok, Jamie Pershing, Duke Plofker, Eliot Raynes, Scott Robinson, and Sabrina Toto.

Jon Feinstein, independent curator and co-founder of Humble Arts Foundation, served as juror.


Back to list
 

 

11:00 AM - 4:30 PM, February 25



Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition features 145 photographs from one of the largest private collections in the nation, offering a glimpse of the complexity and paradoxes of Black visual modernity. Pictures featuring varied themes — Cities, Politics, Work, Kinship, School, Religion, Leisure, Childhood, Colonies, and Portraits — welcome viewers to consider how people, places, and practices were presented as Black subjects to mass audiences via newspapers, magazines, documentary projects, libraries, and advertising. They raise questions such as how photographs composed Black subjects? How and to what extent did Black people present themselves as subjects in settings they chose to occupy, in venues they did not control, and in regimes that rendered them subject peoples? How do titles, captions, and frames limit or alter the focus and contexts of an image? Such inquiries engage a photograph's capacity to convey meaning and invite new interpretations of what it meant to create, be, and see a modern Black subject.

Curated by Joan Bryant, associate professor of African American Studies in the College of Arts and Sciences at Syracuse University.

Please note, this exhibition includes text and photographs that document inequality, racism, and violence. Experiencing such material might be challenging for some viewers. We present it with the aim of promoting historically-informed considerations of social relations and justice.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

11:00 AM - 4:30 PM, February 25



Masterpieces of 17th-Century Dutch Painting from Regional Collections
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

It has been estimated that in The Netherlands over the course of the 17th century, approximately two million paintings were created. This astonishing number reflects the prosperity of the small country that was known at that time as the Dutch Republic. It may have been small compared to its European neighbors but the Dutch Republic was a major power owing to its strong economy and far-reaching mercantile activities. Needless to say, in this prosperous atmosphere painting flourished thanks to sizeable numbers of talented masters, many of whom specialized in the rendition of specific subject matter. Dutch painters portrayed their surrounding world in landscapes, portraits, still-life, and genre paintings (scenes of daily life) and they are still acclaimed today for having done so. Indeed, the ability of their seemingly unassuming yet celebrated pictures to evoke daily existence has led to the recognition of 17th-century painting as a true Golden Age of Dutch art. However, like their European counterparts, Dutch masters just as often focused their efforts on the depiction of subjects drawn from the Bible or from classical mythology.

This exhibition provides a small yet impressive sample of the fruits of their labors. Visitors to this show may not recognize all of the names of the painters whose creations are on display here. Nevertheless, their work provides a glimpse into the wide-ranging subject matter and uncompromisingly high quality of 17th-century Dutch art.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

11:00 AM - 4:30 PM, February 25



Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

As the USA rose in world power in the late 19th and early 20th centuries, a government-led emphasis emerged in promoting a national history in which the conquest of Native peoples was justified. The American Book Company, one of the largest textbook publishers of the time, played a vital role in this process, producing many textbooks that contained illustrated histories featuring Native peoples. A vast audience of impressionable, young minds encountered these textbooks which rely on images mythologizing White heroism and conveying Native savagery and primitivism through scenes such as Daniel Carter Beard's The Perils and Pleasures of the Wilderness—Daniel Boone, circa 1900. These books reflected and shaped widespread rhetoric of Euro-American superiority, which sought to justify the colonization of Native lands and the conquest of Native peoples. This exhibition deconstructs the versions of history and Native peoples presented by the illustrations through four prominent themes found in ABC publications: contact, the construction of history, assimilation and violence, and the vanishing Indian. To further explain the different views, quotes from Native artists, writers, and scholars are included in each section. The authoritative, educational messages communicated in the American Book Company textbooks ensured a lasting legacy for dominant narratives of American history that still marginalize Native peoples today. However, by calling attention to these images and placing them in a more accurate context, this exhibition asks us to consider how images are used and misused to construct historical narratives.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

12:00 PM - 5:00 PM, February 25



Raphael Trelles: The Imagined Word
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Rafael Trelles, from Santurce, Puerto Rico, is a painter, printmaker, installation artist, stage and costume designer. Trelles completed his Bachelors' Degree at the University of Puerto Rico, and his Doctorate from Escuela Nacional de Artes Plásticas (Academia San Carlos). In the mid-1980s, Trelles resided in the Canary Islands, where he produces a series of paintings titled The Universal Tarot, resembling his later works use of mysticism and magic. Returning to Puerto Rico in 1986, he dedicated himself to his art and to the artist group El Alfil (Image and Word), which he co-founded in 1994. Trelles also does public art using a pressure hose on walls, sidewalks, and other surfaces, a genre he calls "urban graphic art" seen in the 2007 documentary En Concreto (On Concrete). The film illustrates this experimental graphic work originally designed for abandoned sectors of worldwide cities.

In "The Imagined Word," Trelles employs references to Hispanic mythology and world literature. Influenced by surrealist Max Ernst, he brings the viewer on a voyage to an esoteric world of characters in dreamlike settings, where solitude reigns.


Back to list
 


 

Wednesday, February 26, 2020


Art
 

8:00 AM - 9:00 PM, February 26



Art Exhibit: Works of Richell Castellon Ferreira
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse


Back to list
 

 

9:00 AM - 4:00 PM, February 26



Quilts by Sue Ellen Romanowski and Watercolors by Christy Lemp
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus



Back to list
 

 

9:00 AM - 7:00 PM, February 26



2020 CNY Scholastic Art Awards
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

The Scholastic Art Exhibit is a showcase for the creative artwork of our community's young people, encompassing 13 Central New York counties.


Back to list
 

 

9:00 AM - 5:00 PM, February 26



Fishes Eyes: The Art of Fish
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

All local artists, all fish art.


Back to list
 

 

9:00 AM - 7:00 PM, February 26



150 Years of Tradition at Syracuse University
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

This exhibition brings together the customs and ideas that unite the university, connecting SU's past with its present. Featuring a wide selection of photographs, printed materials, textiles, and other memorabilia, this exhibition presents the numerous traditions of Syracuse University, including commencement, alumni reunions, university spirit, the number 44, the color orange, and first year student traditions. Whether they are old and long gone or newer, these traditions show how the school has rooted itself in the past and passes this heritage forward into the future.


Back to list
 

 

10:00 AM - 9:00 PM, February 26



2020 Transmedia Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work announces the 2020 Transmedia Photography Annual exhibition of photographs by seniors from the Art Photography program in the Department of Transmedia in the College of Visual and Performing Arts at Syracuse University.

The exhibiting artists are Nathan Baldry, Andrea Bodah, Kali Bowden, Molly Coletta, Laura D'Amelio, Ohemaa Dixon, Jordyn Gelb, Charlotte Howard, George Lambert, Samantha Lane, Meilin Luzadis, Timmy Ok, Jamie Pershing, Duke Plofker, Eliot Raynes, Scott Robinson, and Sabrina Toto.

Jon Feinstein, independent curator and co-founder of Humble Arts Foundation, served as juror.


Back to list
 

 

10:00 AM - 9:00 PM, February 26



Dionne Lee: Trap and Lean-to
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Oakland, California-based artist Dionne Lee employs video, collage, photography, and sculpture to explore American landscape and her place within its complex history. As an African American woman, she sees the natural world as both a place of refuge and tranquility, but also the location of racial violence, danger, and vulnerability. More broadly, her work acknowledges the terror of climate change, mass migration, and humanity's ongoing drama of survival. Duality often surfaces in work where she notes that "two things can be true at once."


Back to list
 

 

11:00 AM - 4:30 PM, February 26



Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition features 145 photographs from one of the largest private collections in the nation, offering a glimpse of the complexity and paradoxes of Black visual modernity. Pictures featuring varied themes — Cities, Politics, Work, Kinship, School, Religion, Leisure, Childhood, Colonies, and Portraits — welcome viewers to consider how people, places, and practices were presented as Black subjects to mass audiences via newspapers, magazines, documentary projects, libraries, and advertising. They raise questions such as how photographs composed Black subjects? How and to what extent did Black people present themselves as subjects in settings they chose to occupy, in venues they did not control, and in regimes that rendered them subject peoples? How do titles, captions, and frames limit or alter the focus and contexts of an image? Such inquiries engage a photograph's capacity to convey meaning and invite new interpretations of what it meant to create, be, and see a modern Black subject.

Curated by Joan Bryant, associate professor of African American Studies in the College of Arts and Sciences at Syracuse University.

Please note, this exhibition includes text and photographs that document inequality, racism, and violence. Experiencing such material might be challenging for some viewers. We present it with the aim of promoting historically-informed considerations of social relations and justice.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

11:00 AM - 4:30 PM, February 26



Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

As the USA rose in world power in the late 19th and early 20th centuries, a government-led emphasis emerged in promoting a national history in which the conquest of Native peoples was justified. The American Book Company, one of the largest textbook publishers of the time, played a vital role in this process, producing many textbooks that contained illustrated histories featuring Native peoples. A vast audience of impressionable, young minds encountered these textbooks which rely on images mythologizing White heroism and conveying Native savagery and primitivism through scenes such as Daniel Carter Beard's The Perils and Pleasures of the Wilderness—Daniel Boone, circa 1900. These books reflected and shaped widespread rhetoric of Euro-American superiority, which sought to justify the colonization of Native lands and the conquest of Native peoples. This exhibition deconstructs the versions of history and Native peoples presented by the illustrations through four prominent themes found in ABC publications: contact, the construction of history, assimilation and violence, and the vanishing Indian. To further explain the different views, quotes from Native artists, writers, and scholars are included in each section. The authoritative, educational messages communicated in the American Book Company textbooks ensured a lasting legacy for dominant narratives of American history that still marginalize Native peoples today. However, by calling attention to these images and placing them in a more accurate context, this exhibition asks us to consider how images are used and misused to construct historical narratives.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

11:00 AM - 4:30 PM, February 26



Masterpieces of 17th-Century Dutch Painting from Regional Collections
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

It has been estimated that in The Netherlands over the course of the 17th century, approximately two million paintings were created. This astonishing number reflects the prosperity of the small country that was known at that time as the Dutch Republic. It may have been small compared to its European neighbors but the Dutch Republic was a major power owing to its strong economy and far-reaching mercantile activities. Needless to say, in this prosperous atmosphere painting flourished thanks to sizeable numbers of talented masters, many of whom specialized in the rendition of specific subject matter. Dutch painters portrayed their surrounding world in landscapes, portraits, still-life, and genre paintings (scenes of daily life) and they are still acclaimed today for having done so. Indeed, the ability of their seemingly unassuming yet celebrated pictures to evoke daily existence has led to the recognition of 17th-century painting as a true Golden Age of Dutch art. However, like their European counterparts, Dutch masters just as often focused their efforts on the depiction of subjects drawn from the Bible or from classical mythology.

This exhibition provides a small yet impressive sample of the fruits of their labors. Visitors to this show may not recognize all of the names of the painters whose creations are on display here. Nevertheless, their work provides a glimpse into the wide-ranging subject matter and uncompromisingly high quality of 17th-century Dutch art.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

12:00 PM - 5:00 PM, February 26



A Legacy of Firsts: The Everson Collects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 1911, the Syracuse Museum of Fine Arts (known today as the Everson) made history as the first museum in the country to declare that it would focus on collecting works made by American artists. This decision, implemented by Museum Director Fernando Carter, was the first of many made by directors that ultimately defined the Everson's collection as it exists today. This exhibition examines over one hundred years of the Museum's collecting priorities, from the Museum's earliest acquisitions in 1911 to work acquired in 2019.


Back to list
 

 

12:00 PM - 5:00 PM, February 26



Jim Ridlon: The Garden
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In this recent series of paintings, Cazenovia-based artist Jim Ridlon creates impressionistic portraits of gardens that are poetic meditations on the passage of time and the impermanence of nature.


Back to list
 

 

12:00 PM - 5:00 PM, February 26



Gareth Mason: Carnal Flux
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For British artist Gareth Mason, porcelain is an all-consuming obsession. His lusty manipulation of clay is brought full-circle through the metamorphic power of fire. His surfaces seethe, buckle, and ooze with a tectonic force that reflects his own passion for process.


Back to list
 

 

12:00 PM - 5:00 PM, February 26



Lasting Impressions: Highlights from the Print Collection
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Featuring works made from a variety of printing processes, including woodcuts, lithographs, etchings, and serigraphs, "Lasting Impressions" explores highlights from the Everson's collection of 20th-century prints.


Back to list
 

 

12:00 PM - 5:00 PM, February 26



Casual China: Modernist Dinnerware
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Syracuse-based Iroquois China began as a manufacturer of Victorian fine china, but produced revolutionary dinnerware in the postwar era by designers like Russel Wright and Ben Seibel. "Casual China" showcases modernist designs produced by Iroquois China, Homer Laughlin, the Hall China Company, and others.


Back to list
 

 

12:00 PM - 5:00 PM, February 26



Raphael Trelles: The Imagined Word
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Rafael Trelles, from Santurce, Puerto Rico, is a painter, printmaker, installation artist, stage and costume designer. Trelles completed his Bachelors' Degree at the University of Puerto Rico, and his Doctorate from Escuela Nacional de Artes Plásticas (Academia San Carlos). In the mid-1980s, Trelles resided in the Canary Islands, where he produces a series of paintings titled The Universal Tarot, resembling his later works use of mysticism and magic. Returning to Puerto Rico in 1986, he dedicated himself to his art and to the artist group El Alfil (Image and Word), which he co-founded in 1994. Trelles also does public art using a pressure hose on walls, sidewalks, and other surfaces, a genre he calls "urban graphic art" seen in the 2007 documentary En Concreto (On Concrete). The film illustrates this experimental graphic work originally designed for abandoned sectors of worldwide cities.

In "The Imagined Word," Trelles employs references to Hispanic mythology and world literature. Influenced by surrealist Max Ernst, he brings the viewer on a voyage to an esoteric world of characters in dreamlike settings, where solitude reigns.


Back to list
 

 

2:00 PM - 7:00 PM, February 26



Carrying the Weight: Fire & Ice: The Art of Zaria Forman and Stuart Palley
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Climate Change is the greatest threat facing our world. In this powerful exhibition, two highly acclaimed artists document our earth, in two distinctly different ways, to bring attention to our fragile planet.


Back to list
 


Music
 

12:15 PM, February 26



William Ström, tenor; Kristin Ström, violin; Sabine Krantz, piano
Civic Morning Musicals

Price: Free
St. David's Episcopal Church
13 Jamar Dr., Dewitt


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6:00 PM - 9:00 PM, February 26



Jazz at the Cavalier: Scott Dennis
CNY Jazz Arts Foundation

Price: Free
Marriott Hotel Syracuse Cavalier Room
500 S. Warren St., Syracuse


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Poetry/Reading
 

5:30 PM, February 26



Bryan Washington
Raymond Carver Reading Series

Price: Free
Gifford Auditorium, Huntington Beard Crouse Hall
Syracuse University, Syracuse

Bryan Washington is the author of Lot (Riverhead) and the forthcoming Memorial (Riverhead). He has written for The New York Times Magazine, The New Yorker, The New York Times Style Magazine, BuzzFeed, the BBC, Vulture, The Paris Review, Boston Review, Tin House, One Story, Bon Appétit, MUNCHIES, American Short Fiction, GQ, FADER, The Awl, The Believer, Hazlitt, and Catapult. He is a National Book Foundation 5 Under 35 recipient, and the winner of the O. Henry Award.

The reading will be preceded by a question-and-answer session from 3:45-4:30.


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Thursday, February 27, 2020


Art
 

8:00 AM - 9:00 PM, February 27



Art Exhibit: Works of Richell Castellon Ferreira
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse


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9:00 AM - 4:00 PM, February 27



Quilts by Sue Ellen Romanowski and Watercolors by Christy Lemp
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus



Back to list
 

 

9:00 AM - 7:00 PM, February 27



2020 CNY Scholastic Art Awards
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

The Scholastic Art Exhibit is a showcase for the creative artwork of our community's young people, encompassing 13 Central New York counties.


Back to list
 

 

9:00 AM - 5:00 PM, February 27



Fishes Eyes: The Art of Fish
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

All local artists, all fish art.


Back to list
 

 

9:00 AM - 5:00 PM, February 27



150 Years of Tradition at Syracuse University
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

This exhibition brings together the customs and ideas that unite the university, connecting SU's past with its present. Featuring a wide selection of photographs, printed materials, textiles, and other memorabilia, this exhibition presents the numerous traditions of Syracuse University, including commencement, alumni reunions, university spirit, the number 44, the color orange, and first year student traditions. Whether they are old and long gone or newer, these traditions show how the school has rooted itself in the past and passes this heritage forward into the future.


Back to list
 

 

10:00 AM - 9:00 PM, February 27



Dionne Lee: Trap and Lean-to
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Oakland, California-based artist Dionne Lee employs video, collage, photography, and sculpture to explore American landscape and her place within its complex history. As an African American woman, she sees the natural world as both a place of refuge and tranquility, but also the location of racial violence, danger, and vulnerability. More broadly, her work acknowledges the terror of climate change, mass migration, and humanity's ongoing drama of survival. Duality often surfaces in work where she notes that "two things can be true at once."


Back to list
 

 

10:00 AM - 9:00 PM, February 27



2020 Transmedia Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work announces the 2020 Transmedia Photography Annual exhibition of photographs by seniors from the Art Photography program in the Department of Transmedia in the College of Visual and Performing Arts at Syracuse University.

The exhibiting artists are Nathan Baldry, Andrea Bodah, Kali Bowden, Molly Coletta, Laura D'Amelio, Ohemaa Dixon, Jordyn Gelb, Charlotte Howard, George Lambert, Samantha Lane, Meilin Luzadis, Timmy Ok, Jamie Pershing, Duke Plofker, Eliot Raynes, Scott Robinson, and Sabrina Toto.

Jon Feinstein, independent curator and co-founder of Humble Arts Foundation, served as juror.


Back to list
 

 

11:00 AM - 8:00 PM, February 27



Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition features 145 photographs from one of the largest private collections in the nation, offering a glimpse of the complexity and paradoxes of Black visual modernity. Pictures featuring varied themes — Cities, Politics, Work, Kinship, School, Religion, Leisure, Childhood, Colonies, and Portraits — welcome viewers to consider how people, places, and practices were presented as Black subjects to mass audiences via newspapers, magazines, documentary projects, libraries, and advertising. They raise questions such as how photographs composed Black subjects? How and to what extent did Black people present themselves as subjects in settings they chose to occupy, in venues they did not control, and in regimes that rendered them subject peoples? How do titles, captions, and frames limit or alter the focus and contexts of an image? Such inquiries engage a photograph's capacity to convey meaning and invite new interpretations of what it meant to create, be, and see a modern Black subject.

Curated by Joan Bryant, associate professor of African American Studies in the College of Arts and Sciences at Syracuse University.

Please note, this exhibition includes text and photographs that document inequality, racism, and violence. Experiencing such material might be challenging for some viewers. We present it with the aim of promoting historically-informed considerations of social relations and justice.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

11:00 AM - 8:00 PM, February 27



Masterpieces of 17th-Century Dutch Painting from Regional Collections
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

It has been estimated that in The Netherlands over the course of the 17th century, approximately two million paintings were created. This astonishing number reflects the prosperity of the small country that was known at that time as the Dutch Republic. It may have been small compared to its European neighbors but the Dutch Republic was a major power owing to its strong economy and far-reaching mercantile activities. Needless to say, in this prosperous atmosphere painting flourished thanks to sizeable numbers of talented masters, many of whom specialized in the rendition of specific subject matter. Dutch painters portrayed their surrounding world in landscapes, portraits, still-life, and genre paintings (scenes of daily life) and they are still acclaimed today for having done so. Indeed, the ability of their seemingly unassuming yet celebrated pictures to evoke daily existence has led to the recognition of 17th-century painting as a true Golden Age of Dutch art. However, like their European counterparts, Dutch masters just as often focused their efforts on the depiction of subjects drawn from the Bible or from classical mythology.

This exhibition provides a small yet impressive sample of the fruits of their labors. Visitors to this show may not recognize all of the names of the painters whose creations are on display here. Nevertheless, their work provides a glimpse into the wide-ranging subject matter and uncompromisingly high quality of 17th-century Dutch art.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

11:00 AM - 8:00 PM, February 27



Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

As the USA rose in world power in the late 19th and early 20th centuries, a government-led emphasis emerged in promoting a national history in which the conquest of Native peoples was justified. The American Book Company, one of the largest textbook publishers of the time, played a vital role in this process, producing many textbooks that contained illustrated histories featuring Native peoples. A vast audience of impressionable, young minds encountered these textbooks which rely on images mythologizing White heroism and conveying Native savagery and primitivism through scenes such as Daniel Carter Beard's The Perils and Pleasures of the Wilderness—Daniel Boone, circa 1900. These books reflected and shaped widespread rhetoric of Euro-American superiority, which sought to justify the colonization of Native lands and the conquest of Native peoples. This exhibition deconstructs the versions of history and Native peoples presented by the illustrations through four prominent themes found in ABC publications: contact, the construction of history, assimilation and violence, and the vanishing Indian. To further explain the different views, quotes from Native artists, writers, and scholars are included in each section. The authoritative, educational messages communicated in the American Book Company textbooks ensured a lasting legacy for dominant narratives of American history that still marginalize Native peoples today. However, by calling attention to these images and placing them in a more accurate context, this exhibition asks us to consider how images are used and misused to construct historical narratives.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

12:00 PM - 8:00 PM, February 27



Jim Ridlon: The Garden
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In this recent series of paintings, Cazenovia-based artist Jim Ridlon creates impressionistic portraits of gardens that are poetic meditations on the passage of time and the impermanence of nature.


Back to list
 

 

12:00 PM - 8:00 PM, February 27



A Legacy of Firsts: The Everson Collects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 1911, the Syracuse Museum of Fine Arts (known today as the Everson) made history as the first museum in the country to declare that it would focus on collecting works made by American artists. This decision, implemented by Museum Director Fernando Carter, was the first of many made by directors that ultimately defined the Everson's collection as it exists today. This exhibition examines over one hundred years of the Museum's collecting priorities, from the Museum's earliest acquisitions in 1911 to work acquired in 2019.


Back to list
 

 

12:00 PM - 8:00 PM, February 27



Casual China: Modernist Dinnerware
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Syracuse-based Iroquois China began as a manufacturer of Victorian fine china, but produced revolutionary dinnerware in the postwar era by designers like Russel Wright and Ben Seibel. "Casual China" showcases modernist designs produced by Iroquois China, Homer Laughlin, the Hall China Company, and others.


Back to list
 

 

12:00 PM - 8:00 PM, February 27



Lasting Impressions: Highlights from the Print Collection
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Featuring works made from a variety of printing processes, including woodcuts, lithographs, etchings, and serigraphs, "Lasting Impressions" explores highlights from the Everson's collection of 20th-century prints.


Back to list
 

 

12:00 PM - 8:00 PM, February 27



Gareth Mason: Carnal Flux
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For British artist Gareth Mason, porcelain is an all-consuming obsession. His lusty manipulation of clay is brought full-circle through the metamorphic power of fire. His surfaces seethe, buckle, and ooze with a tectonic force that reflects his own passion for process.


Back to list
 

 

12:00 PM - 5:00 PM, February 27



Raphael Trelles: The Imagined Word
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Rafael Trelles, from Santurce, Puerto Rico, is a painter, printmaker, installation artist, stage and costume designer. Trelles completed his Bachelors' Degree at the University of Puerto Rico, and his Doctorate from Escuela Nacional de Artes Plásticas (Academia San Carlos). In the mid-1980s, Trelles resided in the Canary Islands, where he produces a series of paintings titled The Universal Tarot, resembling his later works use of mysticism and magic. Returning to Puerto Rico in 1986, he dedicated himself to his art and to the artist group El Alfil (Image and Word), which he co-founded in 1994. Trelles also does public art using a pressure hose on walls, sidewalks, and other surfaces, a genre he calls "urban graphic art" seen in the 2007 documentary En Concreto (On Concrete). The film illustrates this experimental graphic work originally designed for abandoned sectors of worldwide cities.

In "The Imagined Word," Trelles employs references to Hispanic mythology and world literature. Influenced by surrealist Max Ernst, he brings the viewer on a voyage to an esoteric world of characters in dreamlike settings, where solitude reigns.


Back to list
 

 

2:00 PM - 7:00 PM, February 27



Carrying the Weight: Fire & Ice: The Art of Zaria Forman and Stuart Palley
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Climate Change is the greatest threat facing our world. In this powerful exhibition, two highly acclaimed artists document our earth, in two distinctly different ways, to bring attention to our fragile planet.


Back to list
 

 

6:15 PM - 11:00 PM, February 27



Lawrence Abu Hamdan: Walled Unwalled
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Light Work's Urban Video Project (UVP) presents Walled Unwalled, an exhibition by 2019 Turner Prize recipient Lawrence Abu Hamdan. The work is on view at UVP's outdoor projection site on the north facade of the Everson Museum of Art, beginning at dusk.

In our solid, everyday world, the invisible surrounds us. Heat waves, sound waves, radio waves, tiny particles called muons — they seep through walls carrying information that used to surveil, to exonerate, or to incriminate. They can even become weapons. Walled Unwalled comprises an interlinking series of narratives that derive from legal cases whose evidence individuals heard or experienced through walls or doors, bleeding through these seemingly impermeable barriers.


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Lecture
 

6:30 PM, February 27



10th Annual Everson Ceramics Lecture
Everson Museum of Art
Featuring Michelle Erickson

Price: Free with museum admission
Everson Museum of Art
401 Harrison St., Syracuse

Virginia-based artist Michelle Erickson makes objects of the past from an imagined future in the present. She infuses historical pottery forms and techniques with political commentary that ignites conversations about colonialism, slavery, and their 21st-century legacies. Presented in conjunction with Syracuse University Department of Art and the CAC Foundation.


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Music
 

8:00 PM, February 27



Guest Artist Series: SU Wind Ensemble and Akropolis Reed Quintet
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

The Akropolis Reed Quintet visits Syracuse University and performs with the SU Wind Ensemble, under the direction of Dr. Bradley P. Ethington, and the SU Concert Band, under the direction of Dr. Timothy W. Diem.

Now celebrating their 10th anniversary, the Akropolis Reed Quintet was founded in 2009 at the University of Michigan and is the first reed quintet in history to win a Fischoff Gold Medal (2014), Grand Prize at the Plowman and MTNA national competitions, and six national chamber music prizes in total. Hailed by Fanfare for its "imagination, infallible musicality, and huge vitality," Akropolis has performed from Juneau to Abu Dhabi and has won juried showcases at six national conferences. Winner of the 2015 Fischoff Educator Award, Akropolis conducts extensive educational residencies and reached over 10,000 K-12 children in 2018 alone. Winner of a 2018 Chamber Music America Commissioning Grant, Akropolis has premiered more than 50 reed quintet works and recorded three albums, including their 2017 release, The Space Between Us, which the San Francisco Chronicle calls, "pure gold." Akropolis has collaborated with Shara Nova, David Shifrin, the Dover Quartet, and numerous eminent artists.

For most concert events, free and accessible concert parking is available on campus in the Q-1 lot. When parking for concert events, please inform parking attendants that you are attending a music event so they may direct you.


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Theater
 

6:45 PM, February 27



Fiddler on the Loose
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

The milkman, Skeevya, and his family have been forced to leave their beloved little village of Havavodka and immigrate to America. The quaint Russian countryside has been replaced by the bright lights of New York City and the old world traditions have been replaced by the new world permissions. In fact, Skeevya now has a new job . . . with the Russian mafia! At last he is a rich man but how long can it last? Remember: you're gonna get a little on you when you're playing in the borscht.


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7:00 PM, February 27



Bye Bye Birdie
Westhill High School

Price: $10
Westhill High School
4501 Onondaga Blvd., Syracuse


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7:00 PM, February 27



Disney's Beauty and the Beast
Solvay High School Drama Club

Price: $10 regular, $8 students/seniors in advance; $12 and $10 at the door
Solvay High School
600 Gertrude Ave., Solvay


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8:00 PM, February 27



Shakespeare In Love
Central New York Playhouse
Dustin Czarny, director

Price: $17
CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage), Dewitt

Penniless and indebted to two demanding producers, struggling young playwright William Shakespeare is tormented by writer's block until he meets the beautiful Viola de Lesseps, daughter of a wealthy merchant, whose fiery passion for poetry and drama leaves her secretly longing to be an actor. Both are despondent when they learn that Viola's father has promised her to the stuffy Lord Wessex in order to gain a title for their family. Under the veil of secrecy, Will and Viola's passionate love affair becomes the basis of the very play he is writing—Romeo and Juliet. With opening night—and the wedding day—fast approaching, the plots race toward a parallel conclusion. Will it all work out in the end or are the two star-crossed lovers destined for tragedy?

Read a review!


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Friday, February 28, 2020


Art
 

8:00 AM - 4:30 PM, February 28



Art Exhibit: Works of Richell Castellon Ferreira
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse


Back to list
 

 

9:00 AM - 4:00 PM, February 28



Quilts by Sue Ellen Romanowski and Watercolors by Christy Lemp
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus



Back to list
 

 

9:00 AM - 7:00 PM, February 28



2020 CNY Scholastic Art Awards
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

The Scholastic Art Exhibit is a showcase for the creative artwork of our community's young people, encompassing 13 Central New York counties.


Back to list
 

 

9:00 AM - 5:00 PM, February 28



Fishes Eyes: The Art of Fish
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

All local artists, all fish art.


Back to list
 

 

9:00 AM - 5:00 PM, February 28



150 Years of Tradition at Syracuse University
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

This exhibition brings together the customs and ideas that unite the university, connecting SU's past with its present. Featuring a wide selection of photographs, printed materials, textiles, and other memorabilia, this exhibition presents the numerous traditions of Syracuse University, including commencement, alumni reunions, university spirit, the number 44, the color orange, and first year student traditions. Whether they are old and long gone or newer, these traditions show how the school has rooted itself in the past and passes this heritage forward into the future.


Back to list
 

 

10:00 AM - 6:00 PM, February 28



2020 Transmedia Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work announces the 2020 Transmedia Photography Annual exhibition of photographs by seniors from the Art Photography program in the Department of Transmedia in the College of Visual and Performing Arts at Syracuse University.

The exhibiting artists are Nathan Baldry, Andrea Bodah, Kali Bowden, Molly Coletta, Laura D'Amelio, Ohemaa Dixon, Jordyn Gelb, Charlotte Howard, George Lambert, Samantha Lane, Meilin Luzadis, Timmy Ok, Jamie Pershing, Duke Plofker, Eliot Raynes, Scott Robinson, and Sabrina Toto.

Jon Feinstein, independent curator and co-founder of Humble Arts Foundation, served as juror.


Back to list
 

 

10:00 AM - 6:00 PM, February 28



Dionne Lee: Trap and Lean-to
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Oakland, California-based artist Dionne Lee employs video, collage, photography, and sculpture to explore American landscape and her place within its complex history. As an African American woman, she sees the natural world as both a place of refuge and tranquility, but also the location of racial violence, danger, and vulnerability. More broadly, her work acknowledges the terror of climate change, mass migration, and humanity's ongoing drama of survival. Duality often surfaces in work where she notes that "two things can be true at once."


Back to list
 

 

11:00 AM - 4:30 PM, February 28



Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition features 145 photographs from one of the largest private collections in the nation, offering a glimpse of the complexity and paradoxes of Black visual modernity. Pictures featuring varied themes — Cities, Politics, Work, Kinship, School, Religion, Leisure, Childhood, Colonies, and Portraits — welcome viewers to consider how people, places, and practices were presented as Black subjects to mass audiences via newspapers, magazines, documentary projects, libraries, and advertising. They raise questions such as how photographs composed Black subjects? How and to what extent did Black people present themselves as subjects in settings they chose to occupy, in venues they did not control, and in regimes that rendered them subject peoples? How do titles, captions, and frames limit or alter the focus and contexts of an image? Such inquiries engage a photograph's capacity to convey meaning and invite new interpretations of what it meant to create, be, and see a modern Black subject.

Curated by Joan Bryant, associate professor of African American Studies in the College of Arts and Sciences at Syracuse University.

Please note, this exhibition includes text and photographs that document inequality, racism, and violence. Experiencing such material might be challenging for some viewers. We present it with the aim of promoting historically-informed considerations of social relations and justice.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

11:00 AM - 4:30 PM, February 28



Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

As the USA rose in world power in the late 19th and early 20th centuries, a government-led emphasis emerged in promoting a national history in which the conquest of Native peoples was justified. The American Book Company, one of the largest textbook publishers of the time, played a vital role in this process, producing many textbooks that contained illustrated histories featuring Native peoples. A vast audience of impressionable, young minds encountered these textbooks which rely on images mythologizing White heroism and conveying Native savagery and primitivism through scenes such as Daniel Carter Beard's The Perils and Pleasures of the Wilderness—Daniel Boone, circa 1900. These books reflected and shaped widespread rhetoric of Euro-American superiority, which sought to justify the colonization of Native lands and the conquest of Native peoples. This exhibition deconstructs the versions of history and Native peoples presented by the illustrations through four prominent themes found in ABC publications: contact, the construction of history, assimilation and violence, and the vanishing Indian. To further explain the different views, quotes from Native artists, writers, and scholars are included in each section. The authoritative, educational messages communicated in the American Book Company textbooks ensured a lasting legacy for dominant narratives of American history that still marginalize Native peoples today. However, by calling attention to these images and placing them in a more accurate context, this exhibition asks us to consider how images are used and misused to construct historical narratives.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

11:00 AM - 4:30 PM, February 28



Masterpieces of 17th-Century Dutch Painting from Regional Collections
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

It has been estimated that in The Netherlands over the course of the 17th century, approximately two million paintings were created. This astonishing number reflects the prosperity of the small country that was known at that time as the Dutch Republic. It may have been small compared to its European neighbors but the Dutch Republic was a major power owing to its strong economy and far-reaching mercantile activities. Needless to say, in this prosperous atmosphere painting flourished thanks to sizeable numbers of talented masters, many of whom specialized in the rendition of specific subject matter. Dutch painters portrayed their surrounding world in landscapes, portraits, still-life, and genre paintings (scenes of daily life) and they are still acclaimed today for having done so. Indeed, the ability of their seemingly unassuming yet celebrated pictures to evoke daily existence has led to the recognition of 17th-century painting as a true Golden Age of Dutch art. However, like their European counterparts, Dutch masters just as often focused their efforts on the depiction of subjects drawn from the Bible or from classical mythology.

This exhibition provides a small yet impressive sample of the fruits of their labors. Visitors to this show may not recognize all of the names of the painters whose creations are on display here. Nevertheless, their work provides a glimpse into the wide-ranging subject matter and uncompromisingly high quality of 17th-century Dutch art.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

12:00 PM - 5:00 PM, February 28



A Legacy of Firsts: The Everson Collects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 1911, the Syracuse Museum of Fine Arts (known today as the Everson) made history as the first museum in the country to declare that it would focus on collecting works made by American artists. This decision, implemented by Museum Director Fernando Carter, was the first of many made by directors that ultimately defined the Everson's collection as it exists today. This exhibition examines over one hundred years of the Museum's collecting priorities, from the Museum's earliest acquisitions in 1911 to work acquired in 2019.


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12:00 PM - 5:00 PM, February 28



Jim Ridlon: The Garden
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In this recent series of paintings, Cazenovia-based artist Jim Ridlon creates impressionistic portraits of gardens that are poetic meditations on the passage of time and the impermanence of nature.


Back to list
 

 

12:00 PM - 5:00 PM, February 28



Gareth Mason: Carnal Flux
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For British artist Gareth Mason, porcelain is an all-consuming obsession. His lusty manipulation of clay is brought full-circle through the metamorphic power of fire. His surfaces seethe, buckle, and ooze with a tectonic force that reflects his own passion for process.


Back to list
 

 

12:00 PM - 5:00 PM, February 28



Lasting Impressions: Highlights from the Print Collection
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Featuring works made from a variety of printing processes, including woodcuts, lithographs, etchings, and serigraphs, "Lasting Impressions" explores highlights from the Everson's collection of 20th-century prints.


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12:00 PM - 5:00 PM, February 28



Casual China: Modernist Dinnerware
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Syracuse-based Iroquois China began as a manufacturer of Victorian fine china, but produced revolutionary dinnerware in the postwar era by designers like Russel Wright and Ben Seibel. "Casual China" showcases modernist designs produced by Iroquois China, Homer Laughlin, the Hall China Company, and others.


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12:00 PM - 5:00 PM, February 28



Raphael Trelles: The Imagined Word
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Rafael Trelles, from Santurce, Puerto Rico, is a painter, printmaker, installation artist, stage and costume designer. Trelles completed his Bachelors' Degree at the University of Puerto Rico, and his Doctorate from Escuela Nacional de Artes Plásticas (Academia San Carlos). In the mid-1980s, Trelles resided in the Canary Islands, where he produces a series of paintings titled The Universal Tarot, resembling his later works use of mysticism and magic. Returning to Puerto Rico in 1986, he dedicated himself to his art and to the artist group El Alfil (Image and Word), which he co-founded in 1994. Trelles also does public art using a pressure hose on walls, sidewalks, and other surfaces, a genre he calls "urban graphic art" seen in the 2007 documentary En Concreto (On Concrete). The film illustrates this experimental graphic work originally designed for abandoned sectors of worldwide cities.

In "The Imagined Word," Trelles employs references to Hispanic mythology and world literature. Influenced by surrealist Max Ernst, he brings the viewer on a voyage to an esoteric world of characters in dreamlike settings, where solitude reigns.


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2:00 PM - 7:00 PM, February 28



Carrying the Weight: Fire & Ice: The Art of Zaria Forman and Stuart Palley
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Climate Change is the greatest threat facing our world. In this powerful exhibition, two highly acclaimed artists document our earth, in two distinctly different ways, to bring attention to our fragile planet.


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6:00 PM - 8:00 PM, February 28



Opening: Birds of a Feather
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

There will be an opening reception this evening 6:00-8:00 pm.

Candace Rhea: ceramic birds as standing sculpture and wall hangings
Diane Menzies: oil paintings of birds and their environments
Randall Korman: sculptural large scale birdhouses made of driftwood and stone
Dana Stenson: metalsmith jewelry featuring natural subjects including birds and insects
Also showing acrylic paintings on paper by Jill Radway.


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6:15 PM - 11:00 PM, February 28



Lawrence Abu Hamdan: Walled Unwalled
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Light Work's Urban Video Project (UVP) presents Walled Unwalled, an exhibition by 2019 Turner Prize recipient Lawrence Abu Hamdan. The work is on view at UVP's outdoor projection site on the north facade of the Everson Museum of Art, beginning at dusk.

In our solid, everyday world, the invisible surrounds us. Heat waves, sound waves, radio waves, tiny particles called muons — they seep through walls carrying information that used to surveil, to exonerate, or to incriminate. They can even become weapons. Walled Unwalled comprises an interlinking series of narratives that derive from legal cases whose evidence individuals heard or experienced through walls or doors, bleeding through these seemingly impermeable barriers.


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Dance
 

7:30 PM, February 28



Vision of Sound
Society for New Music

Price: $20 regular, $15 students/seniors, children 12 and under free
St. David's Episcopal Church
13 Jamar Dr., Dewitt

New music and modern dance, with composers Mark Olivieri, Octavio Vazquez, Natalie Draper, Ryan Carter, Nic Scherzinger, and Jorge Villavicencio Grossmann collaborating with six of the finest choreographers in Upstate New York. The new works will be performed by nationally renowned dancers and the Society All-Stars.


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Lecture
 

6:30 PM, February 28



Storytelling in Syracuse
Syracuse Press CLub, Syracuse St. Patrick's Parade
Featuring John Tumino, John Francis McCarthy, Sean Kirst, Marnie Eisenstadt

Price: $5 donation to The Hunger Project
Marriott Hotel Syracuse
500 S. Warren St., Syracuse


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Music
 

5:30 PM, February 28



Guest Artist Series: JCM: The Dai Wan Za Mo Project
Syracuse University Setnor School of Music

Price: Free
Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

The Dai Wan Za Mo Project, originated from "Taiwanese Ladies" in Taiwanese Hokkien language, is an all-female combo featuring Taiwanese jazz musicians who are active in the US. The primary music style of the group ranges from classical, traditional jazz to fusion. The mission of the group aims at promoting Taiwanese/Chinese music through jazz and encouraging people to share their diverse backgrounds through playing music of their cultures. The members of the group includes Li Liu on vocal, Chien-Chien Lu on vibraphone, Theresa Chen on piano, and Wen-Ting (Nicole) Wu on drumset.

For most concert events, free and accessible concert parking is available on campus in the Q-1 lot. When parking for concert events, please inform parking attendants that you are attending a music event so they may direct you.


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Poetry/Reading
 

7:00 PM, February 28



Poets David Weiss and Charles Coté
Downtown Writer's Center

Price: Free
YMCA
340 Montgomery St., Syracuse

David Weiss is the author of a novel, The Mensch, and four collections of poems, most recently Per Diem (Tiger Bark Press 2019) and Perfect Crime (Nine Mile Press, 2018). He co-edits Seneca Review, teaches at Hobart and William Smith Colleges, and lives on a farm in the Finger Lakes.

Charles Coté is a graduate of Syracuse University, and a clinical social worker in private practice in Rochester. He is the author of the chapbook Flying for the Window (Finishing Line Press, 2008) and his first full-length collection, I Play His Red Guitar (Tiger Bark Press, 2019). His work has appeared in Barrow Street, Big City Lit, Segue, Salamander, and The Cortland Review, among other journals, and his poem "Conversation" was selected as the Poem of the Month by Cosmographia Books. He teaches poetry at Writers & Books.


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Theater
 

7:00 PM, February 28



Bye Bye Birdie
Westhill High School

Price: $10
Westhill High School
4501 Onondaga Blvd., Syracuse


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7:00 PM, February 28



Disney's Beauty and the Beast
Solvay High School Drama Club

Price: $10 regular, $8 students/seniors in advance; $12 and $10 at the door
Solvay High School
600 Gertrude Ave., Solvay


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7:00 PM, February 28



Rockin' the Redhouse
Redhouse

Price: $10 in advance, $15 at the door
Landmark Theatre
362 S. Salina St., Syracuse

Eight corporate bands compete for the title of Most Rockin' Band at this fundraiser to support Redhouse education scholarships.

This year's competing bands:
Advanced Automation Corporation (The Tyler Band)
Anheuser Busch (Six Pack)
Bond, Schoeneck & King (VagaBONDS)
Bousquet Holstein (The Verdict)
JMA Wireless (JAM Wireless)
Lockheed Martin (Defense Mechanism)
Upstate Medical University (Bronze Puppies)
Young & Franklin Inc./Tactair (The Actuators)


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8:00 PM, February 28



Shakespeare In Love
Central New York Playhouse
Dustin Czarny, director

Price: $20
CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage), Dewitt

Penniless and indebted to two demanding producers, struggling young playwright William Shakespeare is tormented by writer's block until he meets the beautiful Viola de Lesseps, daughter of a wealthy merchant, whose fiery passion for poetry and drama leaves her secretly longing to be an actor. Both are despondent when they learn that Viola's father has promised her to the stuffy Lord Wessex in order to gain a title for their family. Under the veil of secrecy, Will and Viola's passionate love affair becomes the basis of the very play he is writing—Romeo and Juliet. With opening night—and the wedding day—fast approaching, the plots race toward a parallel conclusion. Will it all work out in the end or are the two star-crossed lovers destined for tragedy?

Read a review!


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Saturday, February 29, 2020


Art
 

9:00 AM - 4:30 PM, February 29



Art Exhibit: Works of Richell Castellon Ferreira
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse


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10:00 AM - 2:00 PM, February 29



Birds of a Feather
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Candace Rhea: ceramic birds as standing sculpture and wall hangings
Diane Menzies: oil paintings of birds and their environments
Randall Korman: sculptural large scale birdhouses made of driftwood and stone
Dana Stenson: metalsmith jewelry featuring natural subjects including birds and insects
Also showing acrylic paintings on paper by Jill Radway.


Back to list
 

 

10:00 AM - 5:00 PM, February 29



Gareth Mason: Carnal Flux
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For British artist Gareth Mason, porcelain is an all-consuming obsession. His lusty manipulation of clay is brought full-circle through the metamorphic power of fire. His surfaces seethe, buckle, and ooze with a tectonic force that reflects his own passion for process.


Back to list
 

 

10:00 AM - 5:00 PM, February 29



Casual China: Modernist Dinnerware
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Syracuse-based Iroquois China began as a manufacturer of Victorian fine china, but produced revolutionary dinnerware in the postwar era by designers like Russel Wright and Ben Seibel. "Casual China" showcases modernist designs produced by Iroquois China, Homer Laughlin, the Hall China Company, and others.


Back to list
 

 

10:00 AM - 5:00 PM, February 29



Lasting Impressions: Highlights from the Print Collection
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Featuring works made from a variety of printing processes, including woodcuts, lithographs, etchings, and serigraphs, "Lasting Impressions" explores highlights from the Everson's collection of 20th-century prints.


Back to list
 

 

10:00 AM - 5:00 PM, February 29



Jim Ridlon: The Garden
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In this recent series of paintings, Cazenovia-based artist Jim Ridlon creates impressionistic portraits of gardens that are poetic meditations on the passage of time and the impermanence of nature.


Back to list
 

 

10:00 AM - 5:00 PM, February 29



A Legacy of Firsts: The Everson Collects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 1911, the Syracuse Museum of Fine Arts (known today as the Everson) made history as the first museum in the country to declare that it would focus on collecting works made by American artists. This decision, implemented by Museum Director Fernando Carter, was the first of many made by directors that ultimately defined the Everson's collection as it exists today. This exhibition examines over one hundred years of the Museum's collecting priorities, from the Museum's earliest acquisitions in 1911 to work acquired in 2019.


Back to list
 

 

11:00 AM - 4:30 PM, February 29



Masterpieces of 17th-Century Dutch Painting from Regional Collections
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

It has been estimated that in The Netherlands over the course of the 17th century, approximately two million paintings were created. This astonishing number reflects the prosperity of the small country that was known at that time as the Dutch Republic. It may have been small compared to its European neighbors but the Dutch Republic was a major power owing to its strong economy and far-reaching mercantile activities. Needless to say, in this prosperous atmosphere painting flourished thanks to sizeable numbers of talented masters, many of whom specialized in the rendition of specific subject matter. Dutch painters portrayed their surrounding world in landscapes, portraits, still-life, and genre paintings (scenes of daily life) and they are still acclaimed today for having done so. Indeed, the ability of their seemingly unassuming yet celebrated pictures to evoke daily existence has led to the recognition of 17th-century painting as a true Golden Age of Dutch art. However, like their European counterparts, Dutch masters just as often focused their efforts on the depiction of subjects drawn from the Bible or from classical mythology.

This exhibition provides a small yet impressive sample of the fruits of their labors. Visitors to this show may not recognize all of the names of the painters whose creations are on display here. Nevertheless, their work provides a glimpse into the wide-ranging subject matter and uncompromisingly high quality of 17th-century Dutch art.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

11:00 AM - 4:30 PM, February 29



Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

As the USA rose in world power in the late 19th and early 20th centuries, a government-led emphasis emerged in promoting a national history in which the conquest of Native peoples was justified. The American Book Company, one of the largest textbook publishers of the time, played a vital role in this process, producing many textbooks that contained illustrated histories featuring Native peoples. A vast audience of impressionable, young minds encountered these textbooks which rely on images mythologizing White heroism and conveying Native savagery and primitivism through scenes such as Daniel Carter Beard's The Perils and Pleasures of the Wilderness—Daniel Boone, circa 1900. These books reflected and shaped widespread rhetoric of Euro-American superiority, which sought to justify the colonization of Native lands and the conquest of Native peoples. This exhibition deconstructs the versions of history and Native peoples presented by the illustrations through four prominent themes found in ABC publications: contact, the construction of history, assimilation and violence, and the vanishing Indian. To further explain the different views, quotes from Native artists, writers, and scholars are included in each section. The authoritative, educational messages communicated in the American Book Company textbooks ensured a lasting legacy for dominant narratives of American history that still marginalize Native peoples today. However, by calling attention to these images and placing them in a more accurate context, this exhibition asks us to consider how images are used and misused to construct historical narratives.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

11:00 AM - 4:30 PM, February 29



Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition features 145 photographs from one of the largest private collections in the nation, offering a glimpse of the complexity and paradoxes of Black visual modernity. Pictures featuring varied themes — Cities, Politics, Work, Kinship, School, Religion, Leisure, Childhood, Colonies, and Portraits — welcome viewers to consider how people, places, and practices were presented as Black subjects to mass audiences via newspapers, magazines, documentary projects, libraries, and advertising. They raise questions such as how photographs composed Black subjects? How and to what extent did Black people present themselves as subjects in settings they chose to occupy, in venues they did not control, and in regimes that rendered them subject peoples? How do titles, captions, and frames limit or alter the focus and contexts of an image? Such inquiries engage a photograph's capacity to convey meaning and invite new interpretations of what it meant to create, be, and see a modern Black subject.

Curated by Joan Bryant, associate professor of African American Studies in the College of Arts and Sciences at Syracuse University.

Please note, this exhibition includes text and photographs that document inequality, racism, and violence. Experiencing such material might be challenging for some viewers. We present it with the aim of promoting historically-informed considerations of social relations and justice.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

12:00 PM - 4:00 PM, February 29



Carrying the Weight: Fire & Ice: The Art of Zaria Forman and Stuart Palley
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Climate Change is the greatest threat facing our world. In this powerful exhibition, two highly acclaimed artists document our earth, in two distinctly different ways, to bring attention to our fragile planet.


Back to list
 

 

1:00 PM - 9:00 PM, February 29



Dionne Lee: Trap and Lean-to
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Oakland, California-based artist Dionne Lee employs video, collage, photography, and sculpture to explore American landscape and her place within its complex history. As an African American woman, she sees the natural world as both a place of refuge and tranquility, but also the location of racial violence, danger, and vulnerability. More broadly, her work acknowledges the terror of climate change, mass migration, and humanity's ongoing drama of survival. Duality often surfaces in work where she notes that "two things can be true at once."


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1:00 PM - 9:00 PM, February 29



2020 Transmedia Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work announces the 2020 Transmedia Photography Annual exhibition of photographs by seniors from the Art Photography program in the Department of Transmedia in the College of Visual and Performing Arts at Syracuse University.

The exhibiting artists are Nathan Baldry, Andrea Bodah, Kali Bowden, Molly Coletta, Laura D'Amelio, Ohemaa Dixon, Jordyn Gelb, Charlotte Howard, George Lambert, Samantha Lane, Meilin Luzadis, Timmy Ok, Jamie Pershing, Duke Plofker, Eliot Raynes, Scott Robinson, and Sabrina Toto.

Jon Feinstein, independent curator and co-founder of Humble Arts Foundation, served as juror.


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6:15 PM - 11:00 PM, February 29



Lawrence Abu Hamdan: Walled Unwalled
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Light Work's Urban Video Project (UVP) presents Walled Unwalled, an exhibition by 2019 Turner Prize recipient Lawrence Abu Hamdan. The work is on view at UVP's outdoor projection site on the north facade of the Everson Museum of Art, beginning at dusk.

In our solid, everyday world, the invisible surrounds us. Heat waves, sound waves, radio waves, tiny particles called muons — they seep through walls carrying information that used to surveil, to exonerate, or to incriminate. They can even become weapons. Walled Unwalled comprises an interlinking series of narratives that derive from legal cases whose evidence individuals heard or experienced through walls or doors, bleeding through these seemingly impermeable barriers.


Back to list
 


Music
 

3:00 PM, February 29



For the Birds
Syracuse Vocal Ensemble
Julie Pretzat, conductor

Price: $10 adults, students free
Immanuel United Methodist Church
303 Kasson Rd., Camillus

Nightingales, larks, swans, bluebirds, blackbirds and other feathered friends will be celebrated in song as we collaborate with Baltimore Woods, the Audubon Society, and local artists for an afternoon of music and activities. The program will feature a commissioned piece by Paul Leary and a work by Syracuse native Nick Gianopoulos as well as favorites from the Renaissance through the 21st century.


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5:30 PM, February 29



JCM: Vocal Jazz and Morton Schiff Jazz Ensemble
Syracuse University Setnor School of Music

Price: Free
Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University Vocal Jazz Groups perform under the direction of Jeffrey Welcher. The Morton Schiff Jazz Ensemble performs under the direction of Dr. John Coggiola.

For most concert events, free and accessible concert parking is available on campus in the Q-1 lot. When parking for concert events, please inform parking attendants that you are attending a music event so they may direct you.


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7:30 PM, February 29



Kleine Schütz
Schola Cantorum of Syracuse
Barry Torres, conductor

Price: $20 regular, $15 seniors, $10 under age 30, $5 students, children free
Pebble Hill Presbyterian Church
5299 Jamesville Rd., Dewitt

Small scale masterpieces by the early Baroque master Heinrich Schütz, composed during the Thirty Years' War (1618-1648), when performing forces were severely depleted. While his resources were limited, Schütz's imagination and creativity knew no bounds, with his production of solos, duets, trios and quartets, with continuo accompaniment, in a dazzling array of compositional virtuosity. Included will be selections from his Cantiones Sacrae (1625) and the two books of Kleine geistliche Konzerte (1636 and 1639).


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7:30 PM, February 29



Wendy Ramsay and friends
Steeple Coffee House

Price: $15 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

Covers and originals


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Theater
 

2:00 PM, February 29



Bye Bye Birdie
Westhill High School

Price: $10
Westhill High School
4501 Onondaga Blvd., Syracuse


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4:00 PM, February 29



Sex N' the City: A Super Unauthorized Musical Parody
The Oncenter

Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Sex N' the City: A Super Unauthorized Musical Parody follows Carrie, Miranda, Charlotte, and Samantha on a hilarious trip to find love through New York City in the '90s.

Tickets available online at Ticketmaster.com.


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7:00 PM, February 29



Disney's Beauty and the Beast
Solvay High School Drama Club

Price: $10 regular, $8 students/seniors in advance; $12 and $10 at the door
Solvay High School
600 Gertrude Ave., Solvay


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7:00 PM, February 29



Bye Bye Birdie
Westhill High School

Price: $10
Westhill High School
4501 Onondaga Blvd., Syracuse


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7:30 PM, February 29



Sex N' the City: A Super Unauthorized Musical Parody
The Oncenter

Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Sex N' the City: A Super Unauthorized Musical Parody follows Carrie, Miranda, Charlotte, and Samantha on a hilarious trip to find love through New York City in the '90s.

Tickets available online at Ticketmaster.com.


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8:00 PM, February 29



Shakespeare In Love
Central New York Playhouse
Dustin Czarny, director

Price: $20
CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage), Dewitt

Penniless and indebted to two demanding producers, struggling young playwright William Shakespeare is tormented by writer's block until he meets the beautiful Viola de Lesseps, daughter of a wealthy merchant, whose fiery passion for poetry and drama leaves her secretly longing to be an actor. Both are despondent when they learn that Viola's father has promised her to the stuffy Lord Wessex in order to gain a title for their family. Under the veil of secrecy, Will and Viola's passionate love affair becomes the basis of the very play he is writing—Romeo and Juliet. With opening night—and the wedding day—fast approaching, the plots race toward a parallel conclusion. Will it all work out in the end or are the two star-crossed lovers destined for tragedy?

Read a review!


Back to list
 


 

Sunday, March 1, 2020


Art
 

9:00 AM - 4:30 PM, March 1



Art Exhibit: Works of Richell Castellon Ferreira
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse


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11:00 AM - 4:30 PM, March 1



Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition features 145 photographs from one of the largest private collections in the nation, offering a glimpse of the complexity and paradoxes of Black visual modernity. Pictures featuring varied themes — Cities, Politics, Work, Kinship, School, Religion, Leisure, Childhood, Colonies, and Portraits — welcome viewers to consider how people, places, and practices were presented as Black subjects to mass audiences via newspapers, magazines, documentary projects, libraries, and advertising. They raise questions such as how photographs composed Black subjects? How and to what extent did Black people present themselves as subjects in settings they chose to occupy, in venues they did not control, and in regimes that rendered them subject peoples? How do titles, captions, and frames limit or alter the focus and contexts of an image? Such inquiries engage a photograph's capacity to convey meaning and invite new interpretations of what it meant to create, be, and see a modern Black subject.

Curated by Joan Bryant, associate professor of African American Studies in the College of Arts and Sciences at Syracuse University.

Please note, this exhibition includes text and photographs that document inequality, racism, and violence. Experiencing such material might be challenging for some viewers. We present it with the aim of promoting historically-informed considerations of social relations and justice.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

11:00 AM - 4:30 PM, March 1



Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

As the USA rose in world power in the late 19th and early 20th centuries, a government-led emphasis emerged in promoting a national history in which the conquest of Native peoples was justified. The American Book Company, one of the largest textbook publishers of the time, played a vital role in this process, producing many textbooks that contained illustrated histories featuring Native peoples. A vast audience of impressionable, young minds encountered these textbooks which rely on images mythologizing White heroism and conveying Native savagery and primitivism through scenes such as Daniel Carter Beard's The Perils and Pleasures of the Wilderness—Daniel Boone, circa 1900. These books reflected and shaped widespread rhetoric of Euro-American superiority, which sought to justify the colonization of Native lands and the conquest of Native peoples. This exhibition deconstructs the versions of history and Native peoples presented by the illustrations through four prominent themes found in ABC publications: contact, the construction of history, assimilation and violence, and the vanishing Indian. To further explain the different views, quotes from Native artists, writers, and scholars are included in each section. The authoritative, educational messages communicated in the American Book Company textbooks ensured a lasting legacy for dominant narratives of American history that still marginalize Native peoples today. However, by calling attention to these images and placing them in a more accurate context, this exhibition asks us to consider how images are used and misused to construct historical narratives.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


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11:00 AM - 4:30 PM, March 1



Masterpieces of 17th-Century Dutch Painting from Regional Collections
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

It has been estimated that in The Netherlands over the course of the 17th century, approximately two million paintings were created. This astonishing number reflects the prosperity of the small country that was known at that time as the Dutch Republic. It may have been small compared to its European neighbors but the Dutch Republic was a major power owing to its strong economy and far-reaching mercantile activities. Needless to say, in this prosperous atmosphere painting flourished thanks to sizeable numbers of talented masters, many of whom specialized in the rendition of specific subject matter. Dutch painters portrayed their surrounding world in landscapes, portraits, still-life, and genre paintings (scenes of daily life) and they are still acclaimed today for having done so. Indeed, the ability of their seemingly unassuming yet celebrated pictures to evoke daily existence has led to the recognition of 17th-century painting as a true Golden Age of Dutch art. However, like their European counterparts, Dutch masters just as often focused their efforts on the depiction of subjects drawn from the Bible or from classical mythology.

This exhibition provides a small yet impressive sample of the fruits of their labors. Visitors to this show may not recognize all of the names of the painters whose creations are on display here. Nevertheless, their work provides a glimpse into the wide-ranging subject matter and uncompromisingly high quality of 17th-century Dutch art.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


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12:00 PM - 5:00 PM, March 1



Gareth Mason: Carnal Flux
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For British artist Gareth Mason, porcelain is an all-consuming obsession. His lusty manipulation of clay is brought full-circle through the metamorphic power of fire. His surfaces seethe, buckle, and ooze with a tectonic force that reflects his own passion for process.


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12:00 PM - 5:00 PM, March 1



Lasting Impressions: Highlights from the Print Collection
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Featuring works made from a variety of printing processes, including woodcuts, lithographs, etchings, and serigraphs, "Lasting Impressions" explores highlights from the Everson's collection of 20th-century prints.


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12:00 PM - 5:00 PM, March 1



Casual China: Modernist Dinnerware
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Syracuse-based Iroquois China began as a manufacturer of Victorian fine china, but produced revolutionary dinnerware in the postwar era by designers like Russel Wright and Ben Seibel. "Casual China" showcases modernist designs produced by Iroquois China, Homer Laughlin, the Hall China Company, and others.


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12:00 PM - 5:00 PM, March 1



A Legacy of Firsts: The Everson Collects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 1911, the Syracuse Museum of Fine Arts (known today as the Everson) made history as the first museum in the country to declare that it would focus on collecting works made by American artists. This decision, implemented by Museum Director Fernando Carter, was the first of many made by directors that ultimately defined the Everson's collection as it exists today. This exhibition examines over one hundred years of the Museum's collecting priorities, from the Museum's earliest acquisitions in 1911 to work acquired in 2019.


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12:00 PM - 5:00 PM, March 1



Jim Ridlon: The Garden
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In this recent series of paintings, Cazenovia-based artist Jim Ridlon creates impressionistic portraits of gardens that are poetic meditations on the passage of time and the impermanence of nature.


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1:00 PM - 9:00 PM, March 1



2020 Transmedia Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work announces the 2020 Transmedia Photography Annual exhibition of photographs by seniors from the Art Photography program in the Department of Transmedia in the College of Visual and Performing Arts at Syracuse University.

The exhibiting artists are Nathan Baldry, Andrea Bodah, Kali Bowden, Molly Coletta, Laura D'Amelio, Ohemaa Dixon, Jordyn Gelb, Charlotte Howard, George Lambert, Samantha Lane, Meilin Luzadis, Timmy Ok, Jamie Pershing, Duke Plofker, Eliot Raynes, Scott Robinson, and Sabrina Toto.

Jon Feinstein, independent curator and co-founder of Humble Arts Foundation, served as juror.


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1:00 PM - 9:00 PM, March 1



Dionne Lee: Trap and Lean-to
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Oakland, California-based artist Dionne Lee employs video, collage, photography, and sculpture to explore American landscape and her place within its complex history. As an African American woman, she sees the natural world as both a place of refuge and tranquility, but also the location of racial violence, danger, and vulnerability. More broadly, her work acknowledges the terror of climate change, mass migration, and humanity's ongoing drama of survival. Duality often surfaces in work where she notes that "two things can be true at once."


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Dance
 

4:00 PM, March 1



Music for Dancing
Hendricks Chapel

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

Dance companies from around campus perform to music by Setnor School of Music's Samba Laranja Brazilian Ensemble and the Hendricks Chapel Choir that will make you want to get up and dance.


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Film
 

2:00 PM, March 1



Through a Lens Darkly: Black Photographers and the Emergence of a People
Syracuse University Art Museum

Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

Join us for a screening of Through a Lens Darkly, the first documentary to explore the role of photography in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present.


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Music
 

2:00 PM - 5:00 PM, March 1



Jazz on Tap: Nancy Kelly
CNY Jazz Arts Foundation

Price: No cover charge
Finger Lakes On Tap
35 Fennell St., Skaneateles


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3:00 PM, March 1



Casual Series: Mozart and Beethoven
Syracuse Orchestra (formerly Symphoria)
Lawrence Loh, conductor
Featuring Peter Rovit, violin; Arvilla Wendland, viola

St. Paul's Syracuse
220 E. Fayette St., Syracuse

Beethoven Overture to Fidelio, op. 72c
Mozart Sinfonia concertante, K. 364 (320d), E-flat major
Beethoven Symphony No. 4, op. 60, B-flat major



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3:00 PM, March 1



For the Birds
Syracuse Vocal Ensemble
Julie Pretzat, conductor

Price: $10 adults, students free
Cicero United Methodist Church
8416 North Main St., Cicero

Nightingales, larks, swans, bluebirds, blackbirds and other feathered friends will be celebrated in song as we collaborate with Baltimore Woods, the Audubon Society, and local artists for an afternoon of music and activities. The program will feature a commissioned piece by Paul Leary and a work by Syracuse native Nick Gianopoulos as well as favorites from the Renaissance through the 21st century.


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8:00 PM, March 1



Student Recital Series: Kyle Jones, trumpet
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse



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Theater
 

2:00 PM, March 1



Disney's Beauty and the Beast
Solvay High School Drama Club

Price: $10 regular, $8 students/seniors in advance; $12 and $10 at the door
Solvay High School
600 Gertrude Ave., Solvay


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Monday, March 2, 2020


Art
 

8:00 AM - 9:00 PM, March 2



Art Exhibit: Works of Richell Castellon Ferreira
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse


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9:00 AM - 5:00 PM, March 2



150 Years of Tradition at Syracuse University
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

This exhibition brings together the customs and ideas that unite the university, connecting SU's past with its present. Featuring a wide selection of photographs, printed materials, textiles, and other memorabilia, this exhibition presents the numerous traditions of Syracuse University, including commencement, alumni reunions, university spirit, the number 44, the color orange, and first year student traditions. Whether they are old and long gone or newer, these traditions show how the school has rooted itself in the past and passes this heritage forward into the future.


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10:00 AM - 9:00 PM, March 2



Dionne Lee: Trap and Lean-to
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Oakland, California-based artist Dionne Lee employs video, collage, photography, and sculpture to explore American landscape and her place within its complex history. As an African American woman, she sees the natural world as both a place of refuge and tranquility, but also the location of racial violence, danger, and vulnerability. More broadly, her work acknowledges the terror of climate change, mass migration, and humanity's ongoing drama of survival. Duality often surfaces in work where she notes that "two things can be true at once."


Back to list
 

 

10:00 AM - 9:00 PM, March 2



2020 Transmedia Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work announces the 2020 Transmedia Photography Annual exhibition of photographs by seniors from the Art Photography program in the Department of Transmedia in the College of Visual and Performing Arts at Syracuse University.

The exhibiting artists are Nathan Baldry, Andrea Bodah, Kali Bowden, Molly Coletta, Laura D'Amelio, Ohemaa Dixon, Jordyn Gelb, Charlotte Howard, George Lambert, Samantha Lane, Meilin Luzadis, Timmy Ok, Jamie Pershing, Duke Plofker, Eliot Raynes, Scott Robinson, and Sabrina Toto.

Jon Feinstein, independent curator and co-founder of Humble Arts Foundation, served as juror.


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12:00 PM - 5:00 PM, March 2



Raphael Trelles: The Imagined Word
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Rafael Trelles, from Santurce, Puerto Rico, is a painter, printmaker, installation artist, stage and costume designer. Trelles completed his Bachelors' Degree at the University of Puerto Rico, and his Doctorate from Escuela Nacional de Artes Plásticas (Academia San Carlos). In the mid-1980s, Trelles resided in the Canary Islands, where he produces a series of paintings titled The Universal Tarot, resembling his later works use of mysticism and magic. Returning to Puerto Rico in 1986, he dedicated himself to his art and to the artist group El Alfil (Image and Word), which he co-founded in 1994. Trelles also does public art using a pressure hose on walls, sidewalks, and other surfaces, a genre he calls "urban graphic art" seen in the 2007 documentary En Concreto (On Concrete). The film illustrates this experimental graphic work originally designed for abandoned sectors of worldwide cities.

In "The Imagined Word," Trelles employs references to Hispanic mythology and world literature. Influenced by surrealist Max Ernst, he brings the viewer on a voyage to an esoteric world of characters in dreamlike settings, where solitude reigns.


Back to list
 


 

Tuesday, March 3, 2020


Art
 

8:00 AM - 9:00 PM, March 3



Art Exhibit: Works of Richell Castellon Ferreira
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse


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9:00 AM - 5:00 PM, March 3



150 Years of Tradition at Syracuse University
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

This exhibition brings together the customs and ideas that unite the university, connecting SU's past with its present. Featuring a wide selection of photographs, printed materials, textiles, and other memorabilia, this exhibition presents the numerous traditions of Syracuse University, including commencement, alumni reunions, university spirit, the number 44, the color orange, and first year student traditions. Whether they are old and long gone or newer, these traditions show how the school has rooted itself in the past and passes this heritage forward into the future.


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9:30 AM - 6:00 PM, March 3



Birds of a Feather
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Candace Rhea: ceramic birds as standing sculpture and wall hangings
Diane Menzies: oil paintings of birds and their environments
Randall Korman: sculptural large scale birdhouses made of driftwood and stone
Dana Stenson: metalsmith jewelry featuring natural subjects including birds and insects
Also showing acrylic paintings on paper by Jill Radway.


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10:00 AM - 9:00 PM, March 3



2020 Transmedia Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work announces the 2020 Transmedia Photography Annual exhibition of photographs by seniors from the Art Photography program in the Department of Transmedia in the College of Visual and Performing Arts at Syracuse University.

The exhibiting artists are Nathan Baldry, Andrea Bodah, Kali Bowden, Molly Coletta, Laura D'Amelio, Ohemaa Dixon, Jordyn Gelb, Charlotte Howard, George Lambert, Samantha Lane, Meilin Luzadis, Timmy Ok, Jamie Pershing, Duke Plofker, Eliot Raynes, Scott Robinson, and Sabrina Toto.

Jon Feinstein, independent curator and co-founder of Humble Arts Foundation, served as juror.


Back to list
 

 

10:00 AM - 9:00 PM, March 3



Dionne Lee: Trap and Lean-to
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Oakland, California-based artist Dionne Lee employs video, collage, photography, and sculpture to explore American landscape and her place within its complex history. As an African American woman, she sees the natural world as both a place of refuge and tranquility, but also the location of racial violence, danger, and vulnerability. More broadly, her work acknowledges the terror of climate change, mass migration, and humanity's ongoing drama of survival. Duality often surfaces in work where she notes that "two things can be true at once."


Back to list
 

 

11:00 AM - 4:30 PM, March 3



Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition features 145 photographs from one of the largest private collections in the nation, offering a glimpse of the complexity and paradoxes of Black visual modernity. Pictures featuring varied themes — Cities, Politics, Work, Kinship, School, Religion, Leisure, Childhood, Colonies, and Portraits — welcome viewers to consider how people, places, and practices were presented as Black subjects to mass audiences via newspapers, magazines, documentary projects, libraries, and advertising. They raise questions such as how photographs composed Black subjects? How and to what extent did Black people present themselves as subjects in settings they chose to occupy, in venues they did not control, and in regimes that rendered them subject peoples? How do titles, captions, and frames limit or alter the focus and contexts of an image? Such inquiries engage a photograph's capacity to convey meaning and invite new interpretations of what it meant to create, be, and see a modern Black subject.

Curated by Joan Bryant, associate professor of African American Studies in the College of Arts and Sciences at Syracuse University.

Please note, this exhibition includes text and photographs that document inequality, racism, and violence. Experiencing such material might be challenging for some viewers. We present it with the aim of promoting historically-informed considerations of social relations and justice.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

11:00 AM - 4:30 PM, March 3



Masterpieces of 17th-Century Dutch Painting from Regional Collections
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

It has been estimated that in The Netherlands over the course of the 17th century, approximately two million paintings were created. This astonishing number reflects the prosperity of the small country that was known at that time as the Dutch Republic. It may have been small compared to its European neighbors but the Dutch Republic was a major power owing to its strong economy and far-reaching mercantile activities. Needless to say, in this prosperous atmosphere painting flourished thanks to sizeable numbers of talented masters, many of whom specialized in the rendition of specific subject matter. Dutch painters portrayed their surrounding world in landscapes, portraits, still-life, and genre paintings (scenes of daily life) and they are still acclaimed today for having done so. Indeed, the ability of their seemingly unassuming yet celebrated pictures to evoke daily existence has led to the recognition of 17th-century painting as a true Golden Age of Dutch art. However, like their European counterparts, Dutch masters just as often focused their efforts on the depiction of subjects drawn from the Bible or from classical mythology.

This exhibition provides a small yet impressive sample of the fruits of their labors. Visitors to this show may not recognize all of the names of the painters whose creations are on display here. Nevertheless, their work provides a glimpse into the wide-ranging subject matter and uncompromisingly high quality of 17th-century Dutch art.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

11:00 AM - 4:30 PM, March 3



Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

As the USA rose in world power in the late 19th and early 20th centuries, a government-led emphasis emerged in promoting a national history in which the conquest of Native peoples was justified. The American Book Company, one of the largest textbook publishers of the time, played a vital role in this process, producing many textbooks that contained illustrated histories featuring Native peoples. A vast audience of impressionable, young minds encountered these textbooks which rely on images mythologizing White heroism and conveying Native savagery and primitivism through scenes such as Daniel Carter Beard's The Perils and Pleasures of the Wilderness—Daniel Boone, circa 1900. These books reflected and shaped widespread rhetoric of Euro-American superiority, which sought to justify the colonization of Native lands and the conquest of Native peoples. This exhibition deconstructs the versions of history and Native peoples presented by the illustrations through four prominent themes found in ABC publications: contact, the construction of history, assimilation and violence, and the vanishing Indian. To further explain the different views, quotes from Native artists, writers, and scholars are included in each section. The authoritative, educational messages communicated in the American Book Company textbooks ensured a lasting legacy for dominant narratives of American history that still marginalize Native peoples today. However, by calling attention to these images and placing them in a more accurate context, this exhibition asks us to consider how images are used and misused to construct historical narratives.

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available in Q4 the attendant will direct you to the nearest lot.


Back to list
 

 

12:00 PM - 5:00 PM, March 3



Raphael Trelles: The Imagined Word
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Rafael Trelles, from Santurce, Puerto Rico, is a painter, printmaker, installation artist, stage and costume designer. Trelles completed his Bachelors' Degree at the University of Puerto Rico, and his Doctorate from Escuela Nacional de Artes Plásticas (Academia San Carlos). In the mid-1980s, Trelles resided in the Canary Islands, where he produces a series of paintings titled The Universal Tarot, resembling his later works use of mysticism and magic. Returning to Puerto Rico in 1986, he dedicated himself to his art and to the artist group El Alfil (Image and Word), which he co-founded in 1994. Trelles also does public art using a pressure hose on walls, sidewalks, and other surfaces, a genre he calls "urban graphic art" seen in the 2007 documentary En Concreto (On Concrete). The film illustrates this experimental graphic work originally designed for abandoned sectors of worldwide cities.

In "The Imagined Word," Trelles employs references to Hispanic mythology and world literature. Influenced by surrealist Max Ernst, he brings the viewer on a voyage to an esoteric world of characters in dreamlike settings, where solitude reigns.


Back to list
 


Theater
 

6:00 PM, March 3



Sesame Street Live! Let’s Party
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Jump to the beat with your friends on Sesame Street! Join the fun with an interactive show that unfolds on one of the world's most famous streets at the funniest, furriest party in the neighborhood … get ready for "Sesame Street Live! Let's Party!" Learn new songs and sing along to familiar favorites with Oscar and Cookie Monster; build a snowman with Elmo; flap your wings with Big Bird; marvel at Abby's magic; be amazed when Super Grover flies; and move to the rhythm with Rosita. Anything's possible when everyone who shares something in common gets together. Kick your feet to the beat at Sesame Street Live! Let's Party!


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