Wednesday, December 25, 2024

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Thursday, December 26, 2024

Colorful Realms
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Diana Godfrey: acrylic abstract paintings
Terry Askey-Cole: ceramics from "Torn" series
Judy McCumber: beaded jewelry

39th Annual Gingerbread Gallery
Erie Canal Museum

Price: $10 regular, $7 seniors, $4 ages 3-17, free for ages 2 and under
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Each year the Erie Canal Museum transforms into a festive 1800s canal town street scene with gingerbread creations on display in storefront windows.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

art haus SYR

120 Walton St.
Syracuse

Art haus SYR is proud to present JOY, a group exhibition, featuring all New York art by Helen Bishop-Santelli, Michelle Keib, Barbara Krause, James Leach, Smile it's Healthy, CJ Hodge lll, Tyrone Johnson-Neuland, Andrea Deschambeault-Porter and Mary Stanley. This show is on view at 120 Walton St #downtownsyracuse Tuesday- Friday 12-pm -8pm / Saturday 12pm-6pm through January 4th 2025. A meet the artists reception will be held November 22nd 6pm-8:30pm, all are welcome to attend.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Pirates of the Yuletide
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Ho, ho, ho and a bottle of rum! Avast ye, maties! It be Christmas time in the year 1757 in Merry Olde England. The scuttlebutt is that all the famous pirates of the day be gathering down by the docks at London's infamous Finch and Pickle Tavern. 'Tis true, me hardies, and they be cooking up the most dastardly deed of all time. Come the tide, they be sailing to the North Pole to kidnap old Saint Nick himself! Hold on to your parrot, bucco. This meeting could get rowdy!

Friday, December 27, 2024

Colorful Realms
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Diana Godfrey: acrylic abstract paintings
Terry Askey-Cole: ceramics from "Torn" series
Judy McCumber: beaded jewelry

'Tis the Season Members Exhibit
Associated Artists of Central New York

Fayetteville Free Library
300 Orchard St., Fayetteville

Original work in a variety of media will be featured, including painting, photography, fiber art, sculpture and jewelry.

Two "Off the Wall" sales opportunities will be offered: December 7, 2:00-4:00 pm, and December 14, 11:00 am-1:00 pm. At those times, work may be removed from the exhibit at the time of purchase.

39th Annual Gingerbread Gallery
Erie Canal Museum

Price: $10 regular, $7 seniors, $4 ages 3-17, free for ages 2 and under
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Each year the Erie Canal Museum transforms into a festive 1800s canal town street scene with gingerbread creations on display in storefront windows.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

art haus SYR

120 Walton St.
Syracuse

Art haus SYR is proud to present JOY, a group exhibition, featuring all New York art by Helen Bishop-Santelli, Michelle Keib, Barbara Krause, James Leach, Smile it's Healthy, CJ Hodge lll, Tyrone Johnson-Neuland, Andrea Deschambeault-Porter and Mary Stanley. This show is on view at 120 Walton St #downtownsyracuse Tuesday- Friday 12-pm -8pm / Saturday 12pm-6pm through January 4th 2025. A meet the artists reception will be held November 22nd 6pm-8:30pm, all are welcome to attend.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Chords & Confessions with Just Joe
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Please join us for a very special night of stories, insights, and music with Syracuse's own piano man Just Joe. Joe has done storyteller shows in the past, but this one will be a bit different, pushing his creative side and trying out new ideas. It's a concept he'll be woodshedding over the next year or two and he would love to share it with you as it develops.

Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Saturday, December 28, 2024

'Tis the Season Members Exhibit
Associated Artists of Central New York

Fayetteville Free Library
300 Orchard St., Fayetteville

Original work in a variety of media will be featured, including painting, photography, fiber art, sculpture and jewelry.

Two "Off the Wall" sales opportunities will be offered: December 7, 2:00-4:00 pm, and December 14, 11:00 am-1:00 pm. At those times, work may be removed from the exhibit at the time of purchase.

Colorful Realms
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Diana Godfrey: acrylic abstract paintings
Terry Askey-Cole: ceramics from "Torn" series
Judy McCumber: beaded jewelry

39th Annual Gingerbread Gallery
Erie Canal Museum

Price: $10 regular, $7 seniors, $4 ages 3-17, free for ages 2 and under
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Each year the Erie Canal Museum transforms into a festive 1800s canal town street scene with gingerbread creations on display in storefront windows.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

art haus SYR

120 Walton St.
Syracuse

Art haus SYR is proud to present JOY, a group exhibition, featuring all New York art by Helen Bishop-Santelli, Michelle Keib, Barbara Krause, James Leach, Smile it's Healthy, CJ Hodge lll, Tyrone Johnson-Neuland, Andrea Deschambeault-Porter and Mary Stanley. This show is on view at 120 Walton St #downtownsyracuse Tuesday- Friday 12-pm -8pm / Saturday 12pm-6pm through January 4th 2025. A meet the artists reception will be held November 22nd 6pm-8:30pm, all are welcome to attend.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Loren & LJ Barrigar
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Loren Barrigar started playing guitar when he was only four years old, and by the time he was six, played the Chet Atkins hit "Yackety Axe" in front of thousands of country music fans at the Grand Ole Opry in Nashville. He went on to study with Jimmy Atkins (Chet's brother) which led to a touring career with his family band from Nashville to Las Vegas. Since settling down in Central New York, he has been in constant demand as a studio musician. His solo concerts include favorite songs from seven decades, as well as his originals all featuring exciting guitar work and memorable vocal stylings.

These days, his talented son LJ joins him on stage, following in the family business.

Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Sunday, December 29, 2024

39th Annual Gingerbread Gallery
Erie Canal Museum

Price: $10 regular, $7 seniors, $4 ages 3-17, free for ages 2 and under
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Each year the Erie Canal Museum transforms into a festive 1800s canal town street scene with gingerbread creations on display in storefront windows.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Monday, December 30, 2024

39th Annual Gingerbread Gallery
Erie Canal Museum

Price: $10 regular, $7 seniors, $4 ages 3-17, free for ages 2 and under
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Each year the Erie Canal Museum transforms into a festive 1800s canal town street scene with gingerbread creations on display in storefront windows.

Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Tuesday, December 31, 2024

Colorful Realms
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Diana Godfrey: acrylic abstract paintings
Terry Askey-Cole: ceramics from "Torn" series
Judy McCumber: beaded jewelry

39th Annual Gingerbread Gallery
Erie Canal Museum

Price: $10 regular, $7 seniors, $4 ages 3-17, free for ages 2 and under
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Each year the Erie Canal Museum transforms into a festive 1800s canal town street scene with gingerbread creations on display in storefront windows.

art haus SYR

120 Walton St.
Syracuse

Art haus SYR is proud to present JOY, a group exhibition, featuring all New York art by Helen Bishop-Santelli, Michelle Keib, Barbara Krause, James Leach, Smile it's Healthy, CJ Hodge lll, Tyrone Johnson-Neuland, Andrea Deschambeault-Porter and Mary Stanley. This show is on view at 120 Walton St #downtownsyracuse Tuesday- Friday 12-pm -8pm / Saturday 12pm-6pm through January 4th 2025. A meet the artists reception will be held November 22nd 6pm-8:30pm, all are welcome to attend.

Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Pirates of the Yuletide
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Ho, ho, ho and a bottle of rum! Avast ye, maties! It be Christmas time in the year 1757 in Merry Olde England. The scuttlebutt is that all the famous pirates of the day be gathering down by the docks at London's infamous Finch and Pickle Tavern. 'Tis true, me hardies, and they be cooking up the most dastardly deed of all time. Come the tide, they be sailing to the North Pole to kidnap old Saint Nick himself! Hold on to your parrot, bucco. This meeting could get rowdy!

Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.