Thursday, October 22, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

99th Annual Juried Members Exhibit
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

   

Where We Stop and Nature Begins
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gentle margins between ourselves and nature — watercolor paintings by Lucie Wellner

   

Mythic Presence
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Sofia Luz Perez: renderings in colored pencil, pen, and oil paintings; bringing together present and past, personal and mythic
Lauren Bristol: crochet wall hangings and archetypal female figures; with sculptural coiled vessels
Dana Stenson: metalsmith with stone jewelry

   

CNY Artist Initiative: Rich Harrington
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Harrington's work explores how popular culture shapes identity, drawing on toys, games, and icons from his youth to create playful yet incisive autobiographical commentary. Through painting, sculpture, video, and assemblage, he reassigns familiar images and texts to reveal alternative narratives and new intersections of memory, meaning, and belonging.

   

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.

   

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

   

Reclaimed: The Art of Recology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Reclaimed: The Art of Recology presents a survey of 33 artists who were selected to participate in Recology's Artist-in-Residence program, which began in 1990. Armed with safety gear and a shopping cart, each of these artists have scavenging privileges in the Public Reuse and Recycling Area—what most artists refer to as "The Big Store"—to recycle and reclaim the discarded waste as imagined art objects. Through introspective, playful, and highly original explorations, the artists reveal the hidden stories our rubbish tells us about our complex relationship with the world, while highlighting the need to create sustainable communities.

   

Space and the Sacred: Letterio Calapai's Prints
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Between the 1940s and his death in 1993, the printmaker Letterio Calapai produced dozens of works about outer space and Catholic subjects. This exhibition examines how his art transformed as these subjects evolved during his lifetime and reveals how one man understood the changing world around him.

   

The Art Wall Project: Helen Zughaib, Patterns of Migration
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For the sixth iteration of The Art Wall Project, Helen Zughaib '81 uses her characteristic bright color palette and intricate patterns to explore the stories of people's displacement from their homes. By painting migration narratives from her own family's history and our contemporary experiences, Zughaib considers how this global movement of individuals has shaped America as we know it today.

   

Collection Spotlight: Jill Nathanson, Contrapuntal
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibitions spotlights Jill Nathanson's Contrapuntal for a year-long inquiry into light, color, music, and making. Nathanson's use of polymers and acrylic paint in this work will also invite conversations around materials and their properties.

   

Julia Kunin: Electric Dream Machines
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

With their lustrous surfaces and evocative shapes, the ceramic works of Brooklyn-based artist Julia Kunin aim for maximum sensory overload. Kunin forges disparate influences like Art Deco, Surrealism, and queer abstraction into shimmering ceramic sculptures. For Kunin, discovery and free association reign supreme. Kunin's mental process echoes her physical process, ping-ponging from one concept to the next. An allusion to a surrealist artist might lead to a rabbit hole about geopolitics or queer identity. Kunin follows her trail of breadcrumbs with rigorous research—she has even learned entire languages to facilitate her work.

   

America 250: Rebels, Radicals, and Revolutionaries
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The American story is a tangle of aspiration and contradiction, triumph and struggle, liberty and oppression. From the nation's founding, rebels, radicals, and revolutionaries have shaped the course of American history through acts of courage and innovation as well as challenges to convention and authority. This exhibition presents artists whose works reflect that journey, celebrating moments of courage and progress while also confronting inequity and inaction.

Organized to commemorate America's 250th anniversary, America 250: Rebels, Radicals, and Revolutionaries invites visitors to reflect on the individuals, events, and ideas that continuously shape (and reshape) the United States. Rather than offering a single, linear narrative, the exhibition embraces the nation's messy, complex history and recognizes that the "American story" is different for every individual living within the country's borders. Some works celebrate defining moments in American history. Others turn our attention to often overlooked or deliberately omitted histories: the enduring legacies of slavery and Indigenous oppression, the struggles for civil rights, the fight for gender equality, and the ongoing pursuit of equity. Shown together, these works remind us that patriotism is strongest when we have the courage to face uncomfortable truths.

   

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

   

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

   

Sincerely, Beato
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

We remember Beatrice Wood, who signed her pithy correspondence as "Beato," for her cutting wit, outrageous stories, lustrous ceramics, and complex relationship with artist Marcel Duchamp, a leader of the Dada movement. Determined to resist the life her wealthy parents envisioned for her, Wood became a defining figure of New York City's Dada scene, embracing the art movement that reveled in absurdity, nonsense, and humor.

Sincerely, Beato features self-portraits, sketches, and illustrations that Wood made primarily in the latter half of her life, after she settled in Ojai, California. They function as a pictorial diary, revealing the inner worries, emotions, and desires of the "Mama of Dada."

   

Street Pop / Take 2
art haus SYR

120 Walton St.
Syracuse

art haus SYR in collaboration with Midoma NYC is proud to present the Street Pop ???????? (Take 2) Exhibition. This 2-part exhibit pays homage to MIDOMA's final exhibition in NYC during the COVID pandemic in 2020. Featured artists include Cameron Alexander, Mr Sampson, Stetz, and Not Miscellaneous.

   

Yoichi Okimoto: Photographer in Service of Democracy
Art in the Atrium

Price: Free
Art in the Atrium Gallery (formerly City Hall Commons)
201 East Washington St., Syracuse

Before the White House, there was Central New York ...

Long before Yoichi Okamoto entered the Oval Office with a camera, he was finding his way in Central New York. A Colgate alumni, he refined his trade in the ballrooms of the Hotel Syracuse and at the Syracuse Post Standard. When the Army turned him away, people here stood up for him. His extraordinary career did not just pass through this region. It began here.

   

Mosaic Narratives
Brewer Harris Projects

138 Bank Alley (University Building)
Syracuse

Rooted in one of America's oldest and most enduring art traditions, Mosaic Narratives brings quilting, textiles, and fiber-based practices into the gallery through an exhibition centering Black women artists and their vital contributions to the evolution of these forms. Works by Ellen M. Blalock, Tina Williams Brewer, Isis Davis Marks, and Beverly Y. Smith

   

Quinceañera Dreams Exhibition
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Marking its 15th anniversary in 2026, La Casita presents "Quinceañera Dreams," a new exhibition that explores one of the most cherished traditions in Latino cultures: the quinceañera celebration. Through community-sourced photographs, video, oral histories, family memorabilia, stunning gowns, and multimedia installations, Quinceañera Dreams explores the history, beauty, and cultural significance of this beloved coming-of-age tradition that connects generations of women.

Guided tours in English and Spanish by appointment.

   

Katie Mulligan: No Man’s Land: Reimagining the Myth of Cicero Swamp
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"No Man's Land: Reimagining the Myth of Cicero Swamp" offers a look into Cicero Swamp Wildlife Management Area, often known to locals as Rattlesnake Gulch. Cicero Swamp is a complex network of ecosystems that stretches across nearly 5,000 acres. The swamp was deemed a 'wasteland' throughout its early history, and local perception and myth evolved into attempts to drain and alter the swamp. Cicero Swamp is a sample of a larger story; throughout the history of the United States, wetlands were perceived by settlers as mysterious, dangerous, and evil. This perception has led to the draining and destruction of 50% of the nation's wetlands in the present day. "No Man's Land" glimpses into a wetland ecosystem through fibers and illustration, and attempts to combat bias and misconception of wetlands, particularly swamps; before it is too late.

   

Dream Deep Enough to Remember: The Films of Tamika Galanis
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Dream Deep Enough to Remember is a survey of moving image works by filmmaker and multimedia artist Tamika Galanis. Galanis produces counter-archives through her art, mending the holes in the historical record through re-enactment, reclamation, and speculation grounded in research, allowing us to encounter stories and experiences that are systematically erased.

Screening begins at dusk on the Everson Museum facade.

   

Beyond the Dress
La Casita Cultural Center

La Casita Cultural Center
109 Otisco St., Syracuse

Join author Yamile Saied Méndez for an engaging conversation exploring how the quinceañera tradition shapes identity, family, memory, and belonging across generations. Drawing on her acclaimed books Dreaming of a Quinceañera and Twice a Quinceañera, Méndez examines the cultural significance of this coming-of-age ritual, followed by an audience Q&A and an opportunity for participants to share their own stories and reflections. A reception with Latin American refreshments concludes the evening, inviting continued conversation and community connection.

This event is part of the 2026 Syracuse Symposium on "Dreams" organized and sponsored by the Syracuse University Humanities Center.

   

*SOLD OUT* Neil Minet Band
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Neil loves performing almost as much as he loves adventuring in solitude. Born, raised, and currently working in rural, upstate New York, Neil is a singer-songwriter and guitarist. He's on a never-ending search for the right sound, the right word, and the right story. Had he lived in another time, he might've been an explorer, returning only to share his findings with the world. Perhaps in some small way he's able to do this through his songs. He enjoys playing small listening rooms as much as he enjoys large stages and as a listener first, finds his purpose in making music that can give back some small sliver of the joy and meaning he's experienced from it himself.

Join the waitlist

   

Composition Department Recital
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

   

Ragtime
Baldwinsville Theatre Guild

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Set in turn-of-the-century America, Ragtime weaves together the stories of three very different groups: a wealthy white family, a determined Black musician and his family, and Jewish immigrants pursuing a better life. As their lives intersect, the musical explores hope, injustice, love, prejudice, and the changing American Dream against the backdrop of a nation entering a new century. Featuring music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally, Ragtime is based on the acclaimed novel by E.L. Doctorow.

Tickets

   

The Comedy of Errors
LeMoyne College
Boot and Buskin
Matt Chiorini, director

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Shakespeare meets Margaritaville in this tropical retelling of his hilarious slapstick farce.

Tickets

   

Rent
Syracuse University Drama Department
Lainie Sakakura, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

La Vie Boheme!

Jonathan Larson's iconic Pulitzer Prize-winning musical showcases a year in the life of a group of impoverished, artistic friends living in Manhattan's East Village: Aspiring filmmaker Mark, musician Roger, free-spirited Mimi and Angel, buttoned-up Joanne, and wild-child performance artist Maureen. Their dreams, losses, and loves weave through this bohemian portrait of 1980s New York City, under the shadow of HIV and AIDS.

   

Friday, October 23, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

Where We Stop and Nature Begins
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gentle margins between ourselves and nature — watercolor paintings by Lucie Wellner

   

Mythic Presence
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Sofia Luz Perez: renderings in colored pencil, pen, and oil paintings; bringing together present and past, personal and mythic
Lauren Bristol: crochet wall hangings and archetypal female figures; with sculptural coiled vessels
Dana Stenson: metalsmith with stone jewelry

   

99th Annual Juried Members Exhibit
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

   

CNY Artist Initiative: Rich Harrington
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Harrington's work explores how popular culture shapes identity, drawing on toys, games, and icons from his youth to create playful yet incisive autobiographical commentary. Through painting, sculpture, video, and assemblage, he reassigns familiar images and texts to reveal alternative narratives and new intersections of memory, meaning, and belonging.

   

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

   

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.

   

Reclaimed: The Art of Recology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Reclaimed: The Art of Recology presents a survey of 33 artists who were selected to participate in Recology's Artist-in-Residence program, which began in 1990. Armed with safety gear and a shopping cart, each of these artists have scavenging privileges in the Public Reuse and Recycling Area—what most artists refer to as "The Big Store"—to recycle and reclaim the discarded waste as imagined art objects. Through introspective, playful, and highly original explorations, the artists reveal the hidden stories our rubbish tells us about our complex relationship with the world, while highlighting the need to create sustainable communities.

   

The Art Wall Project: Helen Zughaib, Patterns of Migration
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For the sixth iteration of The Art Wall Project, Helen Zughaib '81 uses her characteristic bright color palette and intricate patterns to explore the stories of people's displacement from their homes. By painting migration narratives from her own family's history and our contemporary experiences, Zughaib considers how this global movement of individuals has shaped America as we know it today.

   

Space and the Sacred: Letterio Calapai's Prints
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Between the 1940s and his death in 1993, the printmaker Letterio Calapai produced dozens of works about outer space and Catholic subjects. This exhibition examines how his art transformed as these subjects evolved during his lifetime and reveals how one man understood the changing world around him.

   

Collection Spotlight: Jill Nathanson, Contrapuntal
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibitions spotlights Jill Nathanson's Contrapuntal for a year-long inquiry into light, color, music, and making. Nathanson's use of polymers and acrylic paint in this work will also invite conversations around materials and their properties.

   

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

   

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

   

America 250: Rebels, Radicals, and Revolutionaries
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The American story is a tangle of aspiration and contradiction, triumph and struggle, liberty and oppression. From the nation's founding, rebels, radicals, and revolutionaries have shaped the course of American history through acts of courage and innovation as well as challenges to convention and authority. This exhibition presents artists whose works reflect that journey, celebrating moments of courage and progress while also confronting inequity and inaction.

Organized to commemorate America's 250th anniversary, America 250: Rebels, Radicals, and Revolutionaries invites visitors to reflect on the individuals, events, and ideas that continuously shape (and reshape) the United States. Rather than offering a single, linear narrative, the exhibition embraces the nation's messy, complex history and recognizes that the "American story" is different for every individual living within the country's borders. Some works celebrate defining moments in American history. Others turn our attention to often overlooked or deliberately omitted histories: the enduring legacies of slavery and Indigenous oppression, the struggles for civil rights, the fight for gender equality, and the ongoing pursuit of equity. Shown together, these works remind us that patriotism is strongest when we have the courage to face uncomfortable truths.

   

Julia Kunin: Electric Dream Machines
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

With their lustrous surfaces and evocative shapes, the ceramic works of Brooklyn-based artist Julia Kunin aim for maximum sensory overload. Kunin forges disparate influences like Art Deco, Surrealism, and queer abstraction into shimmering ceramic sculptures. For Kunin, discovery and free association reign supreme. Kunin's mental process echoes her physical process, ping-ponging from one concept to the next. An allusion to a surrealist artist might lead to a rabbit hole about geopolitics or queer identity. Kunin follows her trail of breadcrumbs with rigorous research—she has even learned entire languages to facilitate her work.

   

Sincerely, Beato
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

We remember Beatrice Wood, who signed her pithy correspondence as "Beato," for her cutting wit, outrageous stories, lustrous ceramics, and complex relationship with artist Marcel Duchamp, a leader of the Dada movement. Determined to resist the life her wealthy parents envisioned for her, Wood became a defining figure of New York City's Dada scene, embracing the art movement that reveled in absurdity, nonsense, and humor.

Sincerely, Beato features self-portraits, sketches, and illustrations that Wood made primarily in the latter half of her life, after she settled in Ojai, California. They function as a pictorial diary, revealing the inner worries, emotions, and desires of the "Mama of Dada."

   

Street Pop / Take 2
art haus SYR

120 Walton St.
Syracuse

art haus SYR in collaboration with Midoma NYC is proud to present the Street Pop ???????? (Take 2) Exhibition. This 2-part exhibit pays homage to MIDOMA's final exhibition in NYC during the COVID pandemic in 2020. Featured artists include Cameron Alexander, Mr Sampson, Stetz, and Not Miscellaneous.

   

Yoichi Okimoto: Photographer in Service of Democracy
Art in the Atrium

Price: Free
Art in the Atrium Gallery (formerly City Hall Commons)
201 East Washington St., Syracuse

Before the White House, there was Central New York ...

Long before Yoichi Okamoto entered the Oval Office with a camera, he was finding his way in Central New York. A Colgate alumni, he refined his trade in the ballrooms of the Hotel Syracuse and at the Syracuse Post Standard. When the Army turned him away, people here stood up for him. His extraordinary career did not just pass through this region. It began here.

   

Mosaic Narratives
Brewer Harris Projects

138 Bank Alley (University Building)
Syracuse

Rooted in one of America's oldest and most enduring art traditions, Mosaic Narratives brings quilting, textiles, and fiber-based practices into the gallery through an exhibition centering Black women artists and their vital contributions to the evolution of these forms. Works by Ellen M. Blalock, Tina Williams Brewer, Isis Davis Marks, and Beverly Y. Smith

   

Quinceañera Dreams Exhibition
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Marking its 15th anniversary in 2026, La Casita presents "Quinceañera Dreams," a new exhibition that explores one of the most cherished traditions in Latino cultures: the quinceañera celebration. Through community-sourced photographs, video, oral histories, family memorabilia, stunning gowns, and multimedia installations, Quinceañera Dreams explores the history, beauty, and cultural significance of this beloved coming-of-age tradition that connects generations of women.

Guided tours in English and Spanish by appointment.

   

Katie Mulligan: No Man’s Land: Reimagining the Myth of Cicero Swamp
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"No Man's Land: Reimagining the Myth of Cicero Swamp" offers a look into Cicero Swamp Wildlife Management Area, often known to locals as Rattlesnake Gulch. Cicero Swamp is a complex network of ecosystems that stretches across nearly 5,000 acres. The swamp was deemed a 'wasteland' throughout its early history, and local perception and myth evolved into attempts to drain and alter the swamp. Cicero Swamp is a sample of a larger story; throughout the history of the United States, wetlands were perceived by settlers as mysterious, dangerous, and evil. This perception has led to the draining and destruction of 50% of the nation's wetlands in the present day. "No Man's Land" glimpses into a wetland ecosystem through fibers and illustration, and attempts to combat bias and misconception of wetlands, particularly swamps; before it is too late.

   

Dream Deep Enough to Remember: The Films of Tamika Galanis
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Dream Deep Enough to Remember is a survey of moving image works by filmmaker and multimedia artist Tamika Galanis. Galanis produces counter-archives through her art, mending the holes in the historical record through re-enactment, reclamation, and speculation grounded in research, allowing us to encounter stories and experiences that are systematically erased.

Screening begins at dusk on the Everson Museum facade.

   

Bored Teachers: "Is It Friday Yet?!" Comedy Tour
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

They've graded the papers, survived the staff meetings, and lost their last ounce of patience ... and now they're taking it out on stage!

Bored Teachers is BACK with brand-new jokes, bigger laughs, and the most relatable teacher comedy you'll ever hear. For nearly a decade, Bored Teachers has been the #1 voice of teacher humor—racking up over 1 billion views, amassing 10 million+ followers, and hosting the #1 teacher-comedy podcast on the planet.

Tickets

   

Benefit Show for ArtRage Gallery
ArtRage Gallery

Price: $10 suggested donation
ArtRage Gallery
505 Hawley Ave., Syracuse

Know Nothing, Youth Medium, Shande, and Matthew Klane w/Mouth Trumpet will be hosting a benefit show for ArtRage Gallery.

Vegan treats will also be available during the concert. Don't miss a fun night of supporting independent music and art for social change.

Tickets

   

Sticks, Keys, Bows: Music for Percussion, Piano, and Violin
Society for New Music

Price: $15 regular, students free
OCC Recital Hall
Onondaga Community College, Syracuse

The concert will feature contemporary pieces composed for piano, percussion, and violin in various combinations. Music by Viet Cuong, Natalie Draper, Judd Greenstein, Sky Macklay, Meredith Monk, Jessie Montgomery, and Alyssa Weinberg.

Tickets

   

Richard Shindell
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Richard Shindell lives as both an immigrant and emigrant, crossing thresholds that inform his illumination of the human experience through narrative song. Shindell has inhabited a Zen Buddhist monastery and busked in the streets of Paris. Originally from New York, now living in Buenos Aires, Shindell is a writer whose songs paint pictures, tell stories, juxtapose ideas and images, inhabit characters, vividly evoking entire worlds along the way and expanding our sense of just what it is a song may be. Meticulously recorded over three years in New York and Buenos Aires, his most recent release, Careless, offers an ambitious, luxurious, full-length statement. Shindell immersed himself in the studio, allowing the time and latitude to explore, experiment, take risks—to play—as each of these 11 songs was given form and substance.

Tickets

   

Ragtime
Baldwinsville Theatre Guild

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Set in turn-of-the-century America, Ragtime weaves together the stories of three very different groups: a wealthy white family, a determined Black musician and his family, and Jewish immigrants pursuing a better life. As their lives intersect, the musical explores hope, injustice, love, prejudice, and the changing American Dream against the backdrop of a nation entering a new century. Featuring music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally, Ragtime is based on the acclaimed novel by E.L. Doctorow.

Tickets

   

We Are the Tigers
CNY Playhouse
Emily Harrington, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

The Tigers' high school cheerleading squad is meeting for their annual sleepover at captain Riley's house, and they've brought plenty of their teenage troubles with them. Love triangles, a lustful boyfriend, and hurt feelings over a now-viral cheer stunt gone wrong complicate their team-bonding activities. So does the untimely death of one of their own in the front yard. Will that be the only murder? Who did it?

With a pop-driven, belting score and a seriously silly book, We Are the Tigers will have audiences cheering for The Tigers as these girls learn to cheer for themselves.

Book, music, and lyrics by Preston Max Allen.

Tickets

   

The Utterly Predictable Rise and Fall of Congressman Cassidy Brown
Covey Theatre Company
Chelsea Colton, director

Jazz Central
441 E. Washington St., Syracuse

Sick of politics? So are we! Written by Covey artistic director Garrett August Heater, this diabolically funny new comedy skewers the hypocrisy of American politics. Featuring an all-star cast, this full production will have you doubled over in laughter from lights up until bows.

Politicians only face accountability in comedies! The meteoric rise and spectacular flameout of America's youngest congressman enjoys a world premiere right before the mid-term elections! Does he have your vote?

Tickets

   

The Comedy of Errors
LeMoyne College
Boot and Buskin
Matt Chiorini, director

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Shakespeare meets Margaritaville in this tropical retelling of his hilarious slapstick farce.

Tickets

   

Rent
Syracuse University Drama Department
Lainie Sakakura, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

La Vie Boheme!

Jonathan Larson's iconic Pulitzer Prize-winning musical showcases a year in the life of a group of impoverished, artistic friends living in Manhattan's East Village: Aspiring filmmaker Mark, musician Roger, free-spirited Mimi and Angel, buttoned-up Joanne, and wild-child performance artist Maureen. Their dreams, losses, and loves weave through this bohemian portrait of 1980s New York City, under the shadow of HIV and AIDS.

   

Saturday, October 24, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

99th Annual Juried Members Exhibit
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

   

Where We Stop and Nature Begins
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gentle margins between ourselves and nature — watercolor paintings by Lucie Wellner

   

Mythic Presence
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Sofia Luz Perez: renderings in colored pencil, pen, and oil paintings; bringing together present and past, personal and mythic
Lauren Bristol: crochet wall hangings and archetypal female figures; with sculptural coiled vessels
Dana Stenson: metalsmith with stone jewelry

   

Julia Kunin: Electric Dream Machines
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

With their lustrous surfaces and evocative shapes, the ceramic works of Brooklyn-based artist Julia Kunin aim for maximum sensory overload. Kunin forges disparate influences like Art Deco, Surrealism, and queer abstraction into shimmering ceramic sculptures. For Kunin, discovery and free association reign supreme. Kunin's mental process echoes her physical process, ping-ponging from one concept to the next. An allusion to a surrealist artist might lead to a rabbit hole about geopolitics or queer identity. Kunin follows her trail of breadcrumbs with rigorous research—she has even learned entire languages to facilitate her work.

   

America 250: Rebels, Radicals, and Revolutionaries
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The American story is a tangle of aspiration and contradiction, triumph and struggle, liberty and oppression. From the nation's founding, rebels, radicals, and revolutionaries have shaped the course of American history through acts of courage and innovation as well as challenges to convention and authority. This exhibition presents artists whose works reflect that journey, celebrating moments of courage and progress while also confronting inequity and inaction.

Organized to commemorate America's 250th anniversary, America 250: Rebels, Radicals, and Revolutionaries invites visitors to reflect on the individuals, events, and ideas that continuously shape (and reshape) the United States. Rather than offering a single, linear narrative, the exhibition embraces the nation's messy, complex history and recognizes that the "American story" is different for every individual living within the country's borders. Some works celebrate defining moments in American history. Others turn our attention to often overlooked or deliberately omitted histories: the enduring legacies of slavery and Indigenous oppression, the struggles for civil rights, the fight for gender equality, and the ongoing pursuit of equity. Shown together, these works remind us that patriotism is strongest when we have the courage to face uncomfortable truths.

   

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

   

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

   

Sincerely, Beato
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

We remember Beatrice Wood, who signed her pithy correspondence as "Beato," for her cutting wit, outrageous stories, lustrous ceramics, and complex relationship with artist Marcel Duchamp, a leader of the Dada movement. Determined to resist the life her wealthy parents envisioned for her, Wood became a defining figure of New York City's Dada scene, embracing the art movement that reveled in absurdity, nonsense, and humor.

Sincerely, Beato features self-portraits, sketches, and illustrations that Wood made primarily in the latter half of her life, after she settled in Ojai, California. They function as a pictorial diary, revealing the inner worries, emotions, and desires of the "Mama of Dada."

   

CNY Artist Initiative: Rich Harrington
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Harrington's work explores how popular culture shapes identity, drawing on toys, games, and icons from his youth to create playful yet incisive autobiographical commentary. Through painting, sculpture, video, and assemblage, he reassigns familiar images and texts to reveal alternative narratives and new intersections of memory, meaning, and belonging.

   

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.

   

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

   

Street Pop / Take 2
art haus SYR

120 Walton St.
Syracuse

art haus SYR in collaboration with Midoma NYC is proud to present the Street Pop ???????? (Take 2) Exhibition. This 2-part exhibit pays homage to MIDOMA's final exhibition in NYC during the COVID pandemic in 2020. Featured artists include Cameron Alexander, Mr Sampson, Stetz, and Not Miscellaneous.

   

Yoichi Okimoto: Photographer in Service of Democracy
Art in the Atrium

Price: Free
Art in the Atrium Gallery (formerly City Hall Commons)
201 East Washington St., Syracuse

Before the White House, there was Central New York ...

Long before Yoichi Okamoto entered the Oval Office with a camera, he was finding his way in Central New York. A Colgate alumni, he refined his trade in the ballrooms of the Hotel Syracuse and at the Syracuse Post Standard. When the Army turned him away, people here stood up for him. His extraordinary career did not just pass through this region. It began here.

   

Katie Mulligan: No Man’s Land: Reimagining the Myth of Cicero Swamp
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"No Man's Land: Reimagining the Myth of Cicero Swamp" offers a look into Cicero Swamp Wildlife Management Area, often known to locals as Rattlesnake Gulch. Cicero Swamp is a complex network of ecosystems that stretches across nearly 5,000 acres. The swamp was deemed a 'wasteland' throughout its early history, and local perception and myth evolved into attempts to drain and alter the swamp. Cicero Swamp is a sample of a larger story; throughout the history of the United States, wetlands were perceived by settlers as mysterious, dangerous, and evil. This perception has led to the draining and destruction of 50% of the nation's wetlands in the present day. "No Man's Land" glimpses into a wetland ecosystem through fibers and illustration, and attempts to combat bias and misconception of wetlands, particularly swamps; before it is too late.

   

Mosaic Narratives
Brewer Harris Projects

138 Bank Alley (University Building)
Syracuse

Rooted in one of America's oldest and most enduring art traditions, Mosaic Narratives brings quilting, textiles, and fiber-based practices into the gallery through an exhibition centering Black women artists and their vital contributions to the evolution of these forms. Works by Ellen M. Blalock, Tina Williams Brewer, Isis Davis Marks, and Beverly Y. Smith

   

Reclaimed: The Art of Recology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Reclaimed: The Art of Recology presents a survey of 33 artists who were selected to participate in Recology's Artist-in-Residence program, which began in 1990. Armed with safety gear and a shopping cart, each of these artists have scavenging privileges in the Public Reuse and Recycling Area—what most artists refer to as "The Big Store"—to recycle and reclaim the discarded waste as imagined art objects. Through introspective, playful, and highly original explorations, the artists reveal the hidden stories our rubbish tells us about our complex relationship with the world, while highlighting the need to create sustainable communities.

   

Space and the Sacred: Letterio Calapai's Prints
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Between the 1940s and his death in 1993, the printmaker Letterio Calapai produced dozens of works about outer space and Catholic subjects. This exhibition examines how his art transformed as these subjects evolved during his lifetime and reveals how one man understood the changing world around him.

   

The Art Wall Project: Helen Zughaib, Patterns of Migration
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For the sixth iteration of The Art Wall Project, Helen Zughaib '81 uses her characteristic bright color palette and intricate patterns to explore the stories of people's displacement from their homes. By painting migration narratives from her own family's history and our contemporary experiences, Zughaib considers how this global movement of individuals has shaped America as we know it today.

   

Collection Spotlight: Jill Nathanson, Contrapuntal
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibitions spotlights Jill Nathanson's Contrapuntal for a year-long inquiry into light, color, music, and making. Nathanson's use of polymers and acrylic paint in this work will also invite conversations around materials and their properties.

   

Dream Deep Enough to Remember: The Films of Tamika Galanis
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Dream Deep Enough to Remember is a survey of moving image works by filmmaker and multimedia artist Tamika Galanis. Galanis produces counter-archives through her art, mending the holes in the historical record through re-enactment, reclamation, and speculation grounded in research, allowing us to encounter stories and experiences that are systematically erased.

Screening begins at dusk on the Everson Museum facade.

   

*CANCELLED* Andrew Dice Clay
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Andrew Dice Clay is unapologetic and uncensored, and he is ready to deliver a night of outrageous comedy!

Tickets

   

Kids Series: The Haunted Orchestra
Syracuse Orchestra (formerly Symphoria)
Ho-Yin Kwok, conductor

Inspiration Hall (formerly St. Peter's Church)
709 James St., Syracuse

Get ready for a fun (and slightly spooky) adventure in music. Come in costume and march in our costume parade!

Tickets

   

Interlaced: Album Release Concert
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Join Natalie Draper, assistant professor of theory and composition, and Anne Laver, associate professor of applied music and performance (organ), to celebrate the release of their album, "Interlaced."

   

Kids Series: The Haunted Orchestra
Syracuse Orchestra (formerly Symphoria)
Ho-Yin Kwok, conductor

Inspiration Hall (formerly St. Peter's Church)
709 James St., Syracuse

Get ready for a fun (and slightly spooky) adventure in music. Come in costume and march in our costume parade!

Tickets

   

Candlelight Series: Halloween by Candlelight
Syracuse Orchestra (formerly Symphoria)
Ho-Yin Kwok, conductor

Inspiration Hall (formerly St. Peter's Church)
709 James St., Syracuse

From John Williams to Danny Elfman to the Monster Mash, this candlelit concert has no shortage of recognizable Halloween tunes. Principal cellist Heidi Hoffman is featured in Diane Jones' Soul Dance.

Tickets

   

Dana Cooke & McWilliams Hardware
Steeple Coffee House

Price: $15–$20 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

   

Camerata RCO
Syracuse Friends of Chamber Music

Price: $30 regular, $25 seniors
Grant Middle School
2400 Grant Blvd., Syracuse

Beethoven String Trio op. 9, no. 3 in C minor
Mozart Quintet for Piano and Winds K.452 in E-flat Major
Beethoven Septet for String and Winds op. 20 in E-flat Major?

   

Jazz Concert: The Riches of Harmony and Rhythm
Syracuse Vocal Ensemble
Jeff Welcher, conductor

Price: $15 regular, kids under 18 free
Park Central Presbyterian Church
504 E. Fayette St., Syracuse

A cornucopia of choral favorites

   

Method Man and Redman
The Oncenter

War Memorial at Oncenter
800 S. State St., Syracuse

Tickets

   

The Comedy of Errors
LeMoyne College
Boot and Buskin
Matt Chiorini, director

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Shakespeare meets Margaritaville in this tropical retelling of his hilarious slapstick farce.

Tickets

   

Rent
Syracuse University Drama Department
Lainie Sakakura, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

La Vie Boheme!

Jonathan Larson's iconic Pulitzer Prize-winning musical showcases a year in the life of a group of impoverished, artistic friends living in Manhattan's East Village: Aspiring filmmaker Mark, musician Roger, free-spirited Mimi and Angel, buttoned-up Joanne, and wild-child performance artist Maureen. Their dreams, losses, and loves weave through this bohemian portrait of 1980s New York City, under the shadow of HIV and AIDS.

   

Ragtime
Baldwinsville Theatre Guild

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Set in turn-of-the-century America, Ragtime weaves together the stories of three very different groups: a wealthy white family, a determined Black musician and his family, and Jewish immigrants pursuing a better life. As their lives intersect, the musical explores hope, injustice, love, prejudice, and the changing American Dream against the backdrop of a nation entering a new century. Featuring music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally, Ragtime is based on the acclaimed novel by E.L. Doctorow.

Tickets

   

We Are the Tigers
CNY Playhouse
Emily Harrington, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

The Tigers' high school cheerleading squad is meeting for their annual sleepover at captain Riley's house, and they've brought plenty of their teenage troubles with them. Love triangles, a lustful boyfriend, and hurt feelings over a now-viral cheer stunt gone wrong complicate their team-bonding activities. So does the untimely death of one of their own in the front yard. Will that be the only murder? Who did it?

With a pop-driven, belting score and a seriously silly book, We Are the Tigers will have audiences cheering for The Tigers as these girls learn to cheer for themselves.

Book, music, and lyrics by Preston Max Allen.

Tickets

   

The Utterly Predictable Rise and Fall of Congressman Cassidy Brown
Covey Theatre Company
Chelsea Colton, director

Jazz Central
441 E. Washington St., Syracuse

Sick of politics? So are we! Written by Covey artistic director Garrett August Heater, this diabolically funny new comedy skewers the hypocrisy of American politics. Featuring an all-star cast, this full production will have you doubled over in laughter from lights up until bows.

Politicians only face accountability in comedies! The meteoric rise and spectacular flameout of America's youngest congressman enjoys a world premiere right before the mid-term elections! Does he have your vote?

Tickets

   

The Comedy of Errors
LeMoyne College
Boot and Buskin
Matt Chiorini, director

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Shakespeare meets Margaritaville in this tropical retelling of his hilarious slapstick farce.

Tickets

   

Rent
Syracuse University Drama Department
Lainie Sakakura, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

La Vie Boheme!

Jonathan Larson's iconic Pulitzer Prize-winning musical showcases a year in the life of a group of impoverished, artistic friends living in Manhattan's East Village: Aspiring filmmaker Mark, musician Roger, free-spirited Mimi and Angel, buttoned-up Joanne, and wild-child performance artist Maureen. Their dreams, losses, and loves weave through this bohemian portrait of 1980s New York City, under the shadow of HIV and AIDS.

   

Sunday, October 25, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

Sincerely, Beato
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

We remember Beatrice Wood, who signed her pithy correspondence as "Beato," for her cutting wit, outrageous stories, lustrous ceramics, and complex relationship with artist Marcel Duchamp, a leader of the Dada movement. Determined to resist the life her wealthy parents envisioned for her, Wood became a defining figure of New York City's Dada scene, embracing the art movement that reveled in absurdity, nonsense, and humor.

Sincerely, Beato features self-portraits, sketches, and illustrations that Wood made primarily in the latter half of her life, after she settled in Ojai, California. They function as a pictorial diary, revealing the inner worries, emotions, and desires of the "Mama of Dada."

   

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

   

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

   

America 250: Rebels, Radicals, and Revolutionaries
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The American story is a tangle of aspiration and contradiction, triumph and struggle, liberty and oppression. From the nation's founding, rebels, radicals, and revolutionaries have shaped the course of American history through acts of courage and innovation as well as challenges to convention and authority. This exhibition presents artists whose works reflect that journey, celebrating moments of courage and progress while also confronting inequity and inaction.

Organized to commemorate America's 250th anniversary, America 250: Rebels, Radicals, and Revolutionaries invites visitors to reflect on the individuals, events, and ideas that continuously shape (and reshape) the United States. Rather than offering a single, linear narrative, the exhibition embraces the nation's messy, complex history and recognizes that the "American story" is different for every individual living within the country's borders. Some works celebrate defining moments in American history. Others turn our attention to often overlooked or deliberately omitted histories: the enduring legacies of slavery and Indigenous oppression, the struggles for civil rights, the fight for gender equality, and the ongoing pursuit of equity. Shown together, these works remind us that patriotism is strongest when we have the courage to face uncomfortable truths.

   

Julia Kunin: Electric Dream Machines
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

With their lustrous surfaces and evocative shapes, the ceramic works of Brooklyn-based artist Julia Kunin aim for maximum sensory overload. Kunin forges disparate influences like Art Deco, Surrealism, and queer abstraction into shimmering ceramic sculptures. For Kunin, discovery and free association reign supreme. Kunin's mental process echoes her physical process, ping-ponging from one concept to the next. An allusion to a surrealist artist might lead to a rabbit hole about geopolitics or queer identity. Kunin follows her trail of breadcrumbs with rigorous research—she has even learned entire languages to facilitate her work.

   

CNY Artist Initiative: Rich Harrington
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Harrington's work explores how popular culture shapes identity, drawing on toys, games, and icons from his youth to create playful yet incisive autobiographical commentary. Through painting, sculpture, video, and assemblage, he reassigns familiar images and texts to reveal alternative narratives and new intersections of memory, meaning, and belonging.

   

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

   

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.

   

Yoichi Okimoto: Photographer in Service of Democracy
Art in the Atrium

Price: Free
Art in the Atrium Gallery (formerly City Hall Commons)
201 East Washington St., Syracuse

Before the White House, there was Central New York ...

Long before Yoichi Okamoto entered the Oval Office with a camera, he was finding his way in Central New York. A Colgate alumni, he refined his trade in the ballrooms of the Hotel Syracuse and at the Syracuse Post Standard. When the Army turned him away, people here stood up for him. His extraordinary career did not just pass through this region. It began here.

   

Reclaimed: The Art of Recology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Reclaimed: The Art of Recology presents a survey of 33 artists who were selected to participate in Recology's Artist-in-Residence program, which began in 1990. Armed with safety gear and a shopping cart, each of these artists have scavenging privileges in the Public Reuse and Recycling Area—what most artists refer to as "The Big Store"—to recycle and reclaim the discarded waste as imagined art objects. Through introspective, playful, and highly original explorations, the artists reveal the hidden stories our rubbish tells us about our complex relationship with the world, while highlighting the need to create sustainable communities.

   

The Art Wall Project: Helen Zughaib, Patterns of Migration
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For the sixth iteration of The Art Wall Project, Helen Zughaib '81 uses her characteristic bright color palette and intricate patterns to explore the stories of people's displacement from their homes. By painting migration narratives from her own family's history and our contemporary experiences, Zughaib considers how this global movement of individuals has shaped America as we know it today.

   

Space and the Sacred: Letterio Calapai's Prints
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Between the 1940s and his death in 1993, the printmaker Letterio Calapai produced dozens of works about outer space and Catholic subjects. This exhibition examines how his art transformed as these subjects evolved during his lifetime and reveals how one man understood the changing world around him.

   

Collection Spotlight: Jill Nathanson, Contrapuntal
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibitions spotlights Jill Nathanson's Contrapuntal for a year-long inquiry into light, color, music, and making. Nathanson's use of polymers and acrylic paint in this work will also invite conversations around materials and their properties.

   

Symphony Samplers
Syracuse Chamber Orchestra

Price: Free
Park Central Presbyterian Church
504 E. Fayette St., Syracuse

Movements from works by J.C. Bach, Mozart, Mendelssohn, Chevalier de Saint-Georges, Beethoven, and Haydn.

   

Malmgren Series: Merz Trio
Hendricks Chapel

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

Music by Clara and Robert Schumann, Beethoven, Schubert, and Loren Loiacono.

   

Psalmody: Psalms through the Ages
Schola Cantorum of Syracuse
Barry Torres, conductor

Price: $20 regular, $5 students and children
Pebble Hill Presbyterian Church
5299 Jamesville Rd., Dewitt

Concert features Gregorian and Anglican Chant; Miserere mei Deus (Ps.51) by Josquin Des Prez; works by Stolzer, Bach's Lobet den Herrn, Schütz, McFerrin, and Ives.

   

Ragtime
Baldwinsville Theatre Guild

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Set in turn-of-the-century America, Ragtime weaves together the stories of three very different groups: a wealthy white family, a determined Black musician and his family, and Jewish immigrants pursuing a better life. As their lives intersect, the musical explores hope, injustice, love, prejudice, and the changing American Dream against the backdrop of a nation entering a new century. Featuring music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally, Ragtime is based on the acclaimed novel by E.L. Doctorow.

Tickets

   

We Are the Tigers
CNY Playhouse
Emily Harrington, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

The Tigers' high school cheerleading squad is meeting for their annual sleepover at captain Riley's house, and they've brought plenty of their teenage troubles with them. Love triangles, a lustful boyfriend, and hurt feelings over a now-viral cheer stunt gone wrong complicate their team-bonding activities. So does the untimely death of one of their own in the front yard. Will that be the only murder? Who did it?

With a pop-driven, belting score and a seriously silly book, We Are the Tigers will have audiences cheering for The Tigers as these girls learn to cheer for themselves.

Book, music, and lyrics by Preston Max Allen.

Tickets

   

The Utterly Predictable Rise and Fall of Congressman Cassidy Brown
Covey Theatre Company
Chelsea Colton, director

Jazz Central
441 E. Washington St., Syracuse

Sick of politics? So are we! Written by Covey artistic director Garrett August Heater, this diabolically funny new comedy skewers the hypocrisy of American politics. Featuring an all-star cast, this full production will have you doubled over in laughter from lights up until bows.

Politicians only face accountability in comedies! The meteoric rise and spectacular flameout of America's youngest congressman enjoys a world premiere right before the mid-term elections! Does he have your vote?

Tickets

   

Rent
Syracuse University Drama Department
Lainie Sakakura, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

La Vie Boheme!

Jonathan Larson's iconic Pulitzer Prize-winning musical showcases a year in the life of a group of impoverished, artistic friends living in Manhattan's East Village: Aspiring filmmaker Mark, musician Roger, free-spirited Mimi and Angel, buttoned-up Joanne, and wild-child performance artist Maureen. Their dreams, losses, and loves weave through this bohemian portrait of 1980s New York City, under the shadow of HIV and AIDS.

   

Monday, October 26, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

Where We Stop and Nature Begins
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gentle margins between ourselves and nature — watercolor paintings by Lucie Wellner

   

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.

   

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

   

Tuesday, October 27, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

Where We Stop and Nature Begins
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gentle margins between ourselves and nature — watercolor paintings by Lucie Wellner

   

Mythic Presence
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Sofia Luz Perez: renderings in colored pencil, pen, and oil paintings; bringing together present and past, personal and mythic
Lauren Bristol: crochet wall hangings and archetypal female figures; with sculptural coiled vessels
Dana Stenson: metalsmith with stone jewelry

   

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

   

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.

   

Collection Spotlight: Jill Nathanson, Contrapuntal
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibitions spotlights Jill Nathanson's Contrapuntal for a year-long inquiry into light, color, music, and making. Nathanson's use of polymers and acrylic paint in this work will also invite conversations around materials and their properties.

   

Space and the Sacred: Letterio Calapai's Prints
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Between the 1940s and his death in 1993, the printmaker Letterio Calapai produced dozens of works about outer space and Catholic subjects. This exhibition examines how his art transformed as these subjects evolved during his lifetime and reveals how one man understood the changing world around him.

   

The Art Wall Project: Helen Zughaib, Patterns of Migration
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For the sixth iteration of The Art Wall Project, Helen Zughaib '81 uses her characteristic bright color palette and intricate patterns to explore the stories of people's displacement from their homes. By painting migration narratives from her own family's history and our contemporary experiences, Zughaib considers how this global movement of individuals has shaped America as we know it today.

   

Reclaimed: The Art of Recology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Reclaimed: The Art of Recology presents a survey of 33 artists who were selected to participate in Recology's Artist-in-Residence program, which began in 1990. Armed with safety gear and a shopping cart, each of these artists have scavenging privileges in the Public Reuse and Recycling Area—what most artists refer to as "The Big Store"—to recycle and reclaim the discarded waste as imagined art objects. Through introspective, playful, and highly original explorations, the artists reveal the hidden stories our rubbish tells us about our complex relationship with the world, while highlighting the need to create sustainable communities.

   

Street Pop / Take 2
art haus SYR

120 Walton St.
Syracuse

art haus SYR in collaboration with Midoma NYC is proud to present the Street Pop ???????? (Take 2) Exhibition. This 2-part exhibit pays homage to MIDOMA's final exhibition in NYC during the COVID pandemic in 2020. Featured artists include Cameron Alexander, Mr Sampson, Stetz, and Not Miscellaneous.

   

Quinceañera Dreams Exhibition
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Marking its 15th anniversary in 2026, La Casita presents "Quinceañera Dreams," a new exhibition that explores one of the most cherished traditions in Latino cultures: the quinceañera celebration. Through community-sourced photographs, video, oral histories, family memorabilia, stunning gowns, and multimedia installations, Quinceañera Dreams explores the history, beauty, and cultural significance of this beloved coming-of-age tradition that connects generations of women.

Guided tours in English and Spanish by appointment.

   

Abby Jimenez
Friends of the Central Library Author Series

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Abby Jimenez is a popular romance novelist and winner of Food Network's Cupcake Wars. Her books have landed her on the NY Times and USA Today bestseller lists. Jimenez's book, The Friend Zone, is on Oprah Magazine's list of most addicting romance novels. The Night We Met is her newest romance novel.

Tickets

   

Wednesday, October 28, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

Where We Stop and Nature Begins
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gentle margins between ourselves and nature — watercolor paintings by Lucie Wellner

   

Mythic Presence
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Sofia Luz Perez: renderings in colored pencil, pen, and oil paintings; bringing together present and past, personal and mythic
Lauren Bristol: crochet wall hangings and archetypal female figures; with sculptural coiled vessels
Dana Stenson: metalsmith with stone jewelry

   

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.

   

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

   

Collection Spotlight: Jill Nathanson, Contrapuntal
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibitions spotlights Jill Nathanson's Contrapuntal for a year-long inquiry into light, color, music, and making. Nathanson's use of polymers and acrylic paint in this work will also invite conversations around materials and their properties.

   

Reclaimed: The Art of Recology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Reclaimed: The Art of Recology presents a survey of 33 artists who were selected to participate in Recology's Artist-in-Residence program, which began in 1990. Armed with safety gear and a shopping cart, each of these artists have scavenging privileges in the Public Reuse and Recycling Area—what most artists refer to as "The Big Store"—to recycle and reclaim the discarded waste as imagined art objects. Through introspective, playful, and highly original explorations, the artists reveal the hidden stories our rubbish tells us about our complex relationship with the world, while highlighting the need to create sustainable communities.

   

The Art Wall Project: Helen Zughaib, Patterns of Migration
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For the sixth iteration of The Art Wall Project, Helen Zughaib '81 uses her characteristic bright color palette and intricate patterns to explore the stories of people's displacement from their homes. By painting migration narratives from her own family's history and our contemporary experiences, Zughaib considers how this global movement of individuals has shaped America as we know it today.

   

Space and the Sacred: Letterio Calapai's Prints
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Between the 1940s and his death in 1993, the printmaker Letterio Calapai produced dozens of works about outer space and Catholic subjects. This exhibition examines how his art transformed as these subjects evolved during his lifetime and reveals how one man understood the changing world around him.

   

Julia Kunin: Electric Dream Machines
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

With their lustrous surfaces and evocative shapes, the ceramic works of Brooklyn-based artist Julia Kunin aim for maximum sensory overload. Kunin forges disparate influences like Art Deco, Surrealism, and queer abstraction into shimmering ceramic sculptures. For Kunin, discovery and free association reign supreme. Kunin's mental process echoes her physical process, ping-ponging from one concept to the next. An allusion to a surrealist artist might lead to a rabbit hole about geopolitics or queer identity. Kunin follows her trail of breadcrumbs with rigorous research—she has even learned entire languages to facilitate her work.

   

America 250: Rebels, Radicals, and Revolutionaries
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The American story is a tangle of aspiration and contradiction, triumph and struggle, liberty and oppression. From the nation's founding, rebels, radicals, and revolutionaries have shaped the course of American history through acts of courage and innovation as well as challenges to convention and authority. This exhibition presents artists whose works reflect that journey, celebrating moments of courage and progress while also confronting inequity and inaction.

Organized to commemorate America's 250th anniversary, America 250: Rebels, Radicals, and Revolutionaries invites visitors to reflect on the individuals, events, and ideas that continuously shape (and reshape) the United States. Rather than offering a single, linear narrative, the exhibition embraces the nation's messy, complex history and recognizes that the "American story" is different for every individual living within the country's borders. Some works celebrate defining moments in American history. Others turn our attention to often overlooked or deliberately omitted histories: the enduring legacies of slavery and Indigenous oppression, the struggles for civil rights, the fight for gender equality, and the ongoing pursuit of equity. Shown together, these works remind us that patriotism is strongest when we have the courage to face uncomfortable truths.

   

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

   

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

   

Sincerely, Beato
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

We remember Beatrice Wood, who signed her pithy correspondence as "Beato," for her cutting wit, outrageous stories, lustrous ceramics, and complex relationship with artist Marcel Duchamp, a leader of the Dada movement. Determined to resist the life her wealthy parents envisioned for her, Wood became a defining figure of New York City's Dada scene, embracing the art movement that reveled in absurdity, nonsense, and humor.

Sincerely, Beato features self-portraits, sketches, and illustrations that Wood made primarily in the latter half of her life, after she settled in Ojai, California. They function as a pictorial diary, revealing the inner worries, emotions, and desires of the "Mama of Dada."

   

Street Pop / Take 2
art haus SYR

120 Walton St.
Syracuse

art haus SYR in collaboration with Midoma NYC is proud to present the Street Pop ???????? (Take 2) Exhibition. This 2-part exhibit pays homage to MIDOMA's final exhibition in NYC during the COVID pandemic in 2020. Featured artists include Cameron Alexander, Mr Sampson, Stetz, and Not Miscellaneous.

   

Yoichi Okimoto: Photographer in Service of Democracy
Art in the Atrium

Price: Free
Art in the Atrium Gallery (formerly City Hall Commons)
201 East Washington St., Syracuse

Before the White House, there was Central New York ...

Long before Yoichi Okamoto entered the Oval Office with a camera, he was finding his way in Central New York. A Colgate alumni, he refined his trade in the ballrooms of the Hotel Syracuse and at the Syracuse Post Standard. When the Army turned him away, people here stood up for him. His extraordinary career did not just pass through this region. It began here.

   

Quinceañera Dreams Exhibition
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Marking its 15th anniversary in 2026, La Casita presents "Quinceañera Dreams," a new exhibition that explores one of the most cherished traditions in Latino cultures: the quinceañera celebration. Through community-sourced photographs, video, oral histories, family memorabilia, stunning gowns, and multimedia installations, Quinceañera Dreams explores the history, beauty, and cultural significance of this beloved coming-of-age tradition that connects generations of women.

Guided tours in English and Spanish by appointment.

   

Snaps & Taps Open Mic Night
Community Folk Art Center

Price: Pay what you can
Community Folk Art Center
805 E. Genesee St., Syracuse

Join us for a night of poetry, music, and good vibes, hosted by Randum. Halloween costumes are optional. Whether you're a poet, musician, comedian, or storyteller, this is your chance to shine! Bring your friends, grab a seat, and get ready to be entertained.

Tickets

   

Christopher Kennedy
Raymond Carver Reading Series

Price: Free
Slocum 214
Syracuse University campus, Syracuse

Christopher Kennedy is the author of the novel Stealing Marquee Moon (Rose Books), six poetry collections, Clues from the Animal Kingdom (BOA Editions, Ltd.), Ennui Prophet (BOA Editions, Ltd.), Encouragement for a Man Falling to His Death (BOA Editions, Ltd.), which received the Isabella Gardner Poetry Award in 2007, Trouble with the Machine (Low Fidelity Press), and Nietzsche's Horse (Mitki/Mitki Press). He is also one of the translators of Light and Heavy Things: Selected Poems of Zeeshan Sahil (BOA Editions, Ltd.), published in 2013 as part of The Lannan Translation Series. His work has appeared in numerous print and on-line journals and magazines, including Ploughshares, Epoch, The Threepenny Review, Alaska Quarterly Review, Mississippi Review, Ninth Letter, and New York Tyrant. He has received fellowships from the National Endowment for the Arts and the New York Foundation for the Arts, and a grant from the Constance Saltonstall Foundation for the Arts. He is a professor of English in the MFA Program in Creative Writing at Syracuse University.

The reading is preceded by a question-and-answer session that begins at 4:00 pm.

   

Thursday, October 29, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.