Monday, August 10, 2026

CNY Jazz Youth Orchestra
CNY Jazz Arts Foundation

Price: Free
Manlius Amphitheater
Behind the swan pond, Manlius

Rain location: Village Auditorium

FabCats
Liverpool is the Place

Price: Free
Johnson Park
Corner of Vine and Oswego Streets, Liverpool

British Invasion

Wednesday, August 12, 2026

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

CNY Artist Initiative: Renqian Yang: Neither Here nor Elsewhere
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Renqian Yang has consistently embraced duality. It is unsurprising that her favored material is porcelain, whose dual properties are fragility and permanence. Porcelain's uses range from industrial materials like insulators and laboratory ware to Ming vases and Meissen figurines. Porcelain begins as earth but, after firing, evokes transcendence. Despite its solidity, porcelain is translucent when held up to the light. Porcelain has beguiled and seduced artists and collectors for centuries.

Neither Here nor Elsewhere features works Yang made in her home studio in Oswego and during residencies in China and North Carolina, all deeply rooted in place while simultaneously reflecting porcelain's ubiquity and universality. Yang makes porcelain a vehicle for inquiry, reflection, and self-expression. She brings together organic and constructed forms, personal experience and collective histories, her work exploring how emotions persist, transform, and connect humanity across time, place, and culture.

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.

Deborah Roberts: Consequences of being
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Consequences of being brings together large-format paintings, works on paper, and— for the first time in Deborah Roberts' career—ceramic sculpture. The exhibition marks a significant expansion of the Austin, Texas–based artist's practice and a deepening investigation into the histories and legacies of colonialism. Roberts, who received her MFA from Syracuse University, uses collage to approach identity as something fragmented and continually reconstructed, reclaiming found materials and images to examine how Black bodies are seen, positioned, and understood globally.

Amy Lincoln: Fractured Light
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

New York-based artist Amy Lincoln paints dreamy, atmospheric landscapes and seascapes recalling her childhood under the overcast skies of the Pacific Northwest. At once tranquil and vibrant, otherworldly and familiar, Lincoln's imagined scenes of radiant suns, calm seas, and vivid foliage present a stylized version of the natural world in every color of the rainbow. An exploration of the phenomena of light reflection and refraction, Fractured Light is Lincoln's first solo museum exhibition.

LIFE: Six Women Photographers
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

LIFE founder and editor-in-chief, Henry R. Luce, was convinced that American political, economic, and cultural power would, and should, dominate the era he defined as the "American Century." Photojournalism, or "photo essays" as he coined them, could effectively shape an authentically American vision of the United States as an international power, inspiring its people, in Luce's words, "to live and work and fight with vigor and enthusiasm." By giving readers vivid images of industrial strength, women and the family, race relations, World War II, labor, and the Cold War, the photographers in this exhibition contributed to this view of the United States as a global player seeking its identity on the world stage.

Six pioneering female photographers were among those who contributed to LIFE's pursuit of this American character: Margaret Bourke-White, Marie Hansen, Martha Holmes, Lisa Larsen, Nina Leen, and Hansel Mieth.

Nanni Valentini: Interspaces
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the half-century span of its Ceramic National exhibitions, the Everson launched the career of countless American ceramists. In 1942 and 1958, the scope of the Ceramic Nationals became international, showcasing talents from both the Western hemisphere and Europe. On the advice of Italian artist Lucio Fontana, a brilliant ceramist in his own right, the 1958 Ceramic International introduced Nanni Valentini to the world. Valentini received a coveted purchase prize, and his work was exhibited on that year's circuit, which included the Metropolitan Museum of Art in New York, the Museum of Fine Arts Boston, the Cleveland Museum of Art, and the Detroit Institute of Arts.

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

Matinée: Afternoon with Friends
Skaneateles Festival

First Presbyterian Church of Skaneateles
97 E. Genesee St., Skaneateles

Mozart Violin Sonata No. 21 in E minor, K. 304
Bernstein Two movements from "Mass for Cello and Piano"
Valerie Coleman Maombi Asante
Dvorak Trio No. 4 in E minor, Dumky

Works performed by Julia Bruskin, cello; Aaron Wunsch, piano; David McCarroll, violin; and Erin Lesser, flute.

Prime Time Horn
Liverpool is the Place

Price: Free
Johnson Park
Corner of Vine and Oswego Streets, Liverpool

Classic rock and R&B

On the Lash
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

On The Lash formed in early 2022, with their very first set of shows being a tour through PA and DE. Since then, OTL has been busy performing at festivals and concert venues across the US, as well as sharing their unique background and experience in the genre through educational workshops. Some notable festivals include the KVMR Celtic Fest in Grass Valley, CA; the Yachats Celtic Fest in Yachats, OR; the Longs Peak Highland Fest in Estes Park, CO; the Celtic Classic in Bethlehem, PA; and the Michigan Irish Music Festival in Muskegon, MI. During their travels, On The Lash has had the opportunity to share the stage with renowned artists such as Jeremy Kittel, Talisk, Alasdair Fraser and Natalie Hass, as well as opening for Altan within their first year of performing.

Thursday, August 13, 2026

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

Nanni Valentini: Interspaces
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the half-century span of its Ceramic National exhibitions, the Everson launched the career of countless American ceramists. In 1942 and 1958, the scope of the Ceramic Nationals became international, showcasing talents from both the Western hemisphere and Europe. On the advice of Italian artist Lucio Fontana, a brilliant ceramist in his own right, the 1958 Ceramic International introduced Nanni Valentini to the world. Valentini received a coveted purchase prize, and his work was exhibited on that year's circuit, which included the Metropolitan Museum of Art in New York, the Museum of Fine Arts Boston, the Cleveland Museum of Art, and the Detroit Institute of Arts.

LIFE: Six Women Photographers
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

LIFE founder and editor-in-chief, Henry R. Luce, was convinced that American political, economic, and cultural power would, and should, dominate the era he defined as the "American Century." Photojournalism, or "photo essays" as he coined them, could effectively shape an authentically American vision of the United States as an international power, inspiring its people, in Luce's words, "to live and work and fight with vigor and enthusiasm." By giving readers vivid images of industrial strength, women and the family, race relations, World War II, labor, and the Cold War, the photographers in this exhibition contributed to this view of the United States as a global player seeking its identity on the world stage.

Six pioneering female photographers were among those who contributed to LIFE's pursuit of this American character: Margaret Bourke-White, Marie Hansen, Martha Holmes, Lisa Larsen, Nina Leen, and Hansel Mieth.

Amy Lincoln: Fractured Light
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

New York-based artist Amy Lincoln paints dreamy, atmospheric landscapes and seascapes recalling her childhood under the overcast skies of the Pacific Northwest. At once tranquil and vibrant, otherworldly and familiar, Lincoln's imagined scenes of radiant suns, calm seas, and vivid foliage present a stylized version of the natural world in every color of the rainbow. An exploration of the phenomena of light reflection and refraction, Fractured Light is Lincoln's first solo museum exhibition.

Deborah Roberts: Consequences of being
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Consequences of being brings together large-format paintings, works on paper, and— for the first time in Deborah Roberts' career—ceramic sculpture. The exhibition marks a significant expansion of the Austin, Texas–based artist's practice and a deepening investigation into the histories and legacies of colonialism. Roberts, who received her MFA from Syracuse University, uses collage to approach identity as something fragmented and continually reconstructed, reclaiming found materials and images to examine how Black bodies are seen, positioned, and understood globally.

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.

CNY Artist Initiative: Renqian Yang: Neither Here nor Elsewhere
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Renqian Yang has consistently embraced duality. It is unsurprising that her favored material is porcelain, whose dual properties are fragility and permanence. Porcelain's uses range from industrial materials like insulators and laboratory ware to Ming vases and Meissen figurines. Porcelain begins as earth but, after firing, evokes transcendence. Despite its solidity, porcelain is translucent when held up to the light. Porcelain has beguiled and seduced artists and collectors for centuries.

Neither Here nor Elsewhere features works Yang made in her home studio in Oswego and during residencies in China and North Carolina, all deeply rooted in place while simultaneously reflecting porcelain's ubiquity and universality. Yang makes porcelain a vehicle for inquiry, reflection, and self-expression. She brings together organic and constructed forms, personal experience and collective histories, her work exploring how emotions persist, transform, and connect humanity across time, place, and culture.

Zelikha Zohra Shoja: In Search of Bluer Tongues
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

In 2021, artist Zelikha Zohra Shoja planned to shoot a new film at the site of her maternal home in Kabul, Afghanistan, but due to the return of the Taliban and ensuing violence, the project could not be realized. In Search of Bluer Tongues reimagines the domestic scenes Shoja hoped to play out in Kabul, working instead with members of resettled communities in the city of Syracuse and in Queens, NY. The resulting piece is an act of collaborative memory-making and a meditation on the diasporic experience of longing to be in a place that can only be watched from afar.

Screening begins at dusk.

*CANCELLED* Richard Smith
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Inspired by iconic guitarists like Chet Atkins, Merle Travis, Jerry Reed, Django Reinhardt and Joe Pass, Smith's unique style blends country, jazz, classical and ragtime influences. In his very early years, he received mentorship from guitar greats, laying the foundation for his future success.

American Revolutions
Skaneateles Festival

First Presbyterian Church of Skaneateles
97 E. Genesee St., Skaneateles

Copland Duo for Flute and Piano
Song selections by Bernstein, Barber, Ives, and Amy Beach
Ives Trio for Violin, Cello, and Piano
New Work, commissioned by the Skaneateles Festival

Works performed by Elizabeth Sutphen, soprano and former Robinson Award winner; Erin Lesser, flute; and David McCarroll, violin.

Friday, August 14, 2026

CNY Artist Initiative: Renqian Yang: Neither Here nor Elsewhere
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Renqian Yang has consistently embraced duality. It is unsurprising that her favored material is porcelain, whose dual properties are fragility and permanence. Porcelain's uses range from industrial materials like insulators and laboratory ware to Ming vases and Meissen figurines. Porcelain begins as earth but, after firing, evokes transcendence. Despite its solidity, porcelain is translucent when held up to the light. Porcelain has beguiled and seduced artists and collectors for centuries.

Neither Here nor Elsewhere features works Yang made in her home studio in Oswego and during residencies in China and North Carolina, all deeply rooted in place while simultaneously reflecting porcelain's ubiquity and universality. Yang makes porcelain a vehicle for inquiry, reflection, and self-expression. She brings together organic and constructed forms, personal experience and collective histories, her work exploring how emotions persist, transform, and connect humanity across time, place, and culture.

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.

Deborah Roberts: Consequences of being
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Consequences of being brings together large-format paintings, works on paper, and— for the first time in Deborah Roberts' career—ceramic sculpture. The exhibition marks a significant expansion of the Austin, Texas–based artist's practice and a deepening investigation into the histories and legacies of colonialism. Roberts, who received her MFA from Syracuse University, uses collage to approach identity as something fragmented and continually reconstructed, reclaiming found materials and images to examine how Black bodies are seen, positioned, and understood globally.

Amy Lincoln: Fractured Light
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

New York-based artist Amy Lincoln paints dreamy, atmospheric landscapes and seascapes recalling her childhood under the overcast skies of the Pacific Northwest. At once tranquil and vibrant, otherworldly and familiar, Lincoln's imagined scenes of radiant suns, calm seas, and vivid foliage present a stylized version of the natural world in every color of the rainbow. An exploration of the phenomena of light reflection and refraction, Fractured Light is Lincoln's first solo museum exhibition.

LIFE: Six Women Photographers
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

LIFE founder and editor-in-chief, Henry R. Luce, was convinced that American political, economic, and cultural power would, and should, dominate the era he defined as the "American Century." Photojournalism, or "photo essays" as he coined them, could effectively shape an authentically American vision of the United States as an international power, inspiring its people, in Luce's words, "to live and work and fight with vigor and enthusiasm." By giving readers vivid images of industrial strength, women and the family, race relations, World War II, labor, and the Cold War, the photographers in this exhibition contributed to this view of the United States as a global player seeking its identity on the world stage.

Six pioneering female photographers were among those who contributed to LIFE's pursuit of this American character: Margaret Bourke-White, Marie Hansen, Martha Holmes, Lisa Larsen, Nina Leen, and Hansel Mieth.

Nanni Valentini: Interspaces
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the half-century span of its Ceramic National exhibitions, the Everson launched the career of countless American ceramists. In 1942 and 1958, the scope of the Ceramic Nationals became international, showcasing talents from both the Western hemisphere and Europe. On the advice of Italian artist Lucio Fontana, a brilliant ceramist in his own right, the 1958 Ceramic International introduced Nanni Valentini to the world. Valentini received a coveted purchase prize, and his work was exhibited on that year's circuit, which included the Metropolitan Museum of Art in New York, the Museum of Fine Arts Boston, the Cleveland Museum of Art, and the Detroit Institute of Arts.

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

Zelikha Zohra Shoja: In Search of Bluer Tongues
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

In 2021, artist Zelikha Zohra Shoja planned to shoot a new film at the site of her maternal home in Kabul, Afghanistan, but due to the return of the Taliban and ensuing violence, the project could not be realized. In Search of Bluer Tongues reimagines the domestic scenes Shoja hoped to play out in Kabul, working instead with members of resettled communities in the city of Syracuse and in Queens, NY. The resulting piece is an act of collaborative memory-making and a meditation on the diasporic experience of longing to be in a place that can only be watched from afar.

Screening begins at dusk.

*CANCELLED* Noah Guthrie
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Americana singer-songwriter, Noah Guthrie's sound has been described as possessing Chris Stapleton's country/rock grit with the authenticity of Jason Isbell. The unique soulfulness in his richly textured voice and the unmistakable Southern influence in his music makes him capable of conveying emotion as only a handful of artists can in today's musical landscape. Noah's latest album, BLUE WALL, honors the Blue Ridge Mountains where he grew up and still resides. Noah is passionate about making good, honest music – music that sounds like him – music that relates – music that makes the listener feel something.

From the Forest to the Ocean
Skaneateles Festival

First Presbyterian Church of Skaneateles
97 E. Genesee St., Skaneateles

Beethoven Cello Sonata No. 4, Op. 102, No. 1
George Crumb Voice of the Whale
Brahms Piano Quartet No. 2 in A Major

Works performed by Erin Lesser, flute; David McCarroll, violin; Aaron Wunsch, piano; and Julia Bruskin, cello.

The Taming of the Shrew
Syracuse Shakespeare-in-the-Park
Hannah Malone, director

Price: $10
Thornden Park Amphitheater
Ostrom Ave., Syracuse

Saturday, August 15, 2026

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

CNY Artist Initiative: Renqian Yang: Neither Here nor Elsewhere
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Renqian Yang has consistently embraced duality. It is unsurprising that her favored material is porcelain, whose dual properties are fragility and permanence. Porcelain's uses range from industrial materials like insulators and laboratory ware to Ming vases and Meissen figurines. Porcelain begins as earth but, after firing, evokes transcendence. Despite its solidity, porcelain is translucent when held up to the light. Porcelain has beguiled and seduced artists and collectors for centuries.

Neither Here nor Elsewhere features works Yang made in her home studio in Oswego and during residencies in China and North Carolina, all deeply rooted in place while simultaneously reflecting porcelain's ubiquity and universality. Yang makes porcelain a vehicle for inquiry, reflection, and self-expression. She brings together organic and constructed forms, personal experience and collective histories, her work exploring how emotions persist, transform, and connect humanity across time, place, and culture.

Deborah Roberts: Consequences of being
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Consequences of being brings together large-format paintings, works on paper, and— for the first time in Deborah Roberts' career—ceramic sculpture. The exhibition marks a significant expansion of the Austin, Texas–based artist's practice and a deepening investigation into the histories and legacies of colonialism. Roberts, who received her MFA from Syracuse University, uses collage to approach identity as something fragmented and continually reconstructed, reclaiming found materials and images to examine how Black bodies are seen, positioned, and understood globally.

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

Nanni Valentini: Interspaces
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the half-century span of its Ceramic National exhibitions, the Everson launched the career of countless American ceramists. In 1942 and 1958, the scope of the Ceramic Nationals became international, showcasing talents from both the Western hemisphere and Europe. On the advice of Italian artist Lucio Fontana, a brilliant ceramist in his own right, the 1958 Ceramic International introduced Nanni Valentini to the world. Valentini received a coveted purchase prize, and his work was exhibited on that year's circuit, which included the Metropolitan Museum of Art in New York, the Museum of Fine Arts Boston, the Cleveland Museum of Art, and the Detroit Institute of Arts.

LIFE: Six Women Photographers
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

LIFE founder and editor-in-chief, Henry R. Luce, was convinced that American political, economic, and cultural power would, and should, dominate the era he defined as the "American Century." Photojournalism, or "photo essays" as he coined them, could effectively shape an authentically American vision of the United States as an international power, inspiring its people, in Luce's words, "to live and work and fight with vigor and enthusiasm." By giving readers vivid images of industrial strength, women and the family, race relations, World War II, labor, and the Cold War, the photographers in this exhibition contributed to this view of the United States as a global player seeking its identity on the world stage.

Six pioneering female photographers were among those who contributed to LIFE's pursuit of this American character: Margaret Bourke-White, Marie Hansen, Martha Holmes, Lisa Larsen, Nina Leen, and Hansel Mieth.

Amy Lincoln: Fractured Light
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

New York-based artist Amy Lincoln paints dreamy, atmospheric landscapes and seascapes recalling her childhood under the overcast skies of the Pacific Northwest. At once tranquil and vibrant, otherworldly and familiar, Lincoln's imagined scenes of radiant suns, calm seas, and vivid foliage present a stylized version of the natural world in every color of the rainbow. An exploration of the phenomena of light reflection and refraction, Fractured Light is Lincoln's first solo museum exhibition.

Annual Pottery and Hot Airs Fair
Syracuse Ceramic Guild

Price: $5 regular, children 12 and under free
Dewitt Community Church
3600 Erie Blvd. East, Dewitt

Fair features more than 20 artists with work including pottery, jewelry, garden art, sculpture, enameling, and glass. There will be glaze-your-own Raku pottery, Clay Town for children to create a piece of work to take home, art demos, and a food truck.

Zelikha Zohra Shoja: In Search of Bluer Tongues
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

In 2021, artist Zelikha Zohra Shoja planned to shoot a new film at the site of her maternal home in Kabul, Afghanistan, but due to the return of the Taliban and ensuing violence, the project could not be realized. In Search of Bluer Tongues reimagines the domestic scenes Shoja hoped to play out in Kabul, working instead with members of resettled communities in the city of Syracuse and in Queens, NY. The resulting piece is an act of collaborative memory-making and a meditation on the diasporic experience of longing to be in a place that can only be watched from afar.

Screening begins at dusk.

Billy Idol: It's A Nice Day To ... Tour Again!
Lakeview Empower FCU Amphitheater

Lakeview Amphitheater
490 Restoration Way, Syracuse

Bluegrass with Jason Carter and Michael Cleveland
Skaneateles Festival

Robinson Pavilion at Anyela's Vineyards
2433 W. Lake Rd., Skaneateles

Two of the most decorated and dynamic bluegrass fiddlers join forces! Jason Carter is a three-time Grammy Award winner and veteran bandleader. 12-time fiddle champion Michael Cleveland caused a stir at the Skaneateles Festival in 2023 while performing with Béla Fleck; he won a Grammy in 2019 for his album, Tall Fiddler. Carter and Cleveland perform both new and classic bluegrass songs, joined by a full band.

The Taming of the Shrew
Syracuse Shakespeare-in-the-Park
Hannah Malone, director

Price: $10
Thornden Park Amphitheater
Ostrom Ave., Syracuse

Sunday, August 16, 2026

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

CNY Artist Initiative: Renqian Yang: Neither Here nor Elsewhere
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Renqian Yang has consistently embraced duality. It is unsurprising that her favored material is porcelain, whose dual properties are fragility and permanence. Porcelain's uses range from industrial materials like insulators and laboratory ware to Ming vases and Meissen figurines. Porcelain begins as earth but, after firing, evokes transcendence. Despite its solidity, porcelain is translucent when held up to the light. Porcelain has beguiled and seduced artists and collectors for centuries.

Neither Here nor Elsewhere features works Yang made in her home studio in Oswego and during residencies in China and North Carolina, all deeply rooted in place while simultaneously reflecting porcelain's ubiquity and universality. Yang makes porcelain a vehicle for inquiry, reflection, and self-expression. She brings together organic and constructed forms, personal experience and collective histories, her work exploring how emotions persist, transform, and connect humanity across time, place, and culture.

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.

Deborah Roberts: Consequences of being
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Consequences of being brings together large-format paintings, works on paper, and— for the first time in Deborah Roberts' career—ceramic sculpture. The exhibition marks a significant expansion of the Austin, Texas–based artist's practice and a deepening investigation into the histories and legacies of colonialism. Roberts, who received her MFA from Syracuse University, uses collage to approach identity as something fragmented and continually reconstructed, reclaiming found materials and images to examine how Black bodies are seen, positioned, and understood globally.

Amy Lincoln: Fractured Light
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

New York-based artist Amy Lincoln paints dreamy, atmospheric landscapes and seascapes recalling her childhood under the overcast skies of the Pacific Northwest. At once tranquil and vibrant, otherworldly and familiar, Lincoln's imagined scenes of radiant suns, calm seas, and vivid foliage present a stylized version of the natural world in every color of the rainbow. An exploration of the phenomena of light reflection and refraction, Fractured Light is Lincoln's first solo museum exhibition.

LIFE: Six Women Photographers
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

LIFE founder and editor-in-chief, Henry R. Luce, was convinced that American political, economic, and cultural power would, and should, dominate the era he defined as the "American Century." Photojournalism, or "photo essays" as he coined them, could effectively shape an authentically American vision of the United States as an international power, inspiring its people, in Luce's words, "to live and work and fight with vigor and enthusiasm." By giving readers vivid images of industrial strength, women and the family, race relations, World War II, labor, and the Cold War, the photographers in this exhibition contributed to this view of the United States as a global player seeking its identity on the world stage.

Six pioneering female photographers were among those who contributed to LIFE's pursuit of this American character: Margaret Bourke-White, Marie Hansen, Martha Holmes, Lisa Larsen, Nina Leen, and Hansel Mieth.

Nanni Valentini: Interspaces
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the half-century span of its Ceramic National exhibitions, the Everson launched the career of countless American ceramists. In 1942 and 1958, the scope of the Ceramic Nationals became international, showcasing talents from both the Western hemisphere and Europe. On the advice of Italian artist Lucio Fontana, a brilliant ceramist in his own right, the 1958 Ceramic International introduced Nanni Valentini to the world. Valentini received a coveted purchase prize, and his work was exhibited on that year's circuit, which included the Metropolitan Museum of Art in New York, the Museum of Fine Arts Boston, the Cleveland Museum of Art, and the Detroit Institute of Arts.

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

Annual Pottery and Hot Airs Fair
Syracuse Ceramic Guild

Price: $5 regular, children 12 and under free
Dewitt Community Church
3600 Erie Blvd. East, Dewitt

Fair features more than 20 artists with work including pottery, jewelry, garden art, sculpture, enameling, and glass. There will be glaze-your-own Raku pottery, Clay Town for children to create a piece of work to take home, art demos, and a food truck.

KlezFest

Price: Free
Jewish Community Center
5655 Thompson Rd., Dewitt

An afternoon of food, fun, and great Jewish music.

For more information, visit syracusejewishfestival.org

Shakedown Sunday
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Shakedown Sunday is a monthly series hosted by Jeffrey Pepper Rodgers and members of Dead to the Core, with special guests, that celebrates the Grateful Dead—not just the band's originals but songs from across the roots and rock worlds they made their own.

Jes Sheldon started singing in church when she was just three. She won CNY Radio Group's ultimate idol contest in 2010. She was the lead vocalist of Thistle Dew, a blues/rock band out of Chenango County, as well as a founding member of the Lightkeepers, winners of the 2016 Brian Bourke Award for Best New Artist at the Syracuse Area Music Awards. Her current projects include Transient Kicks and Jes Sheldon and the Stewards of Sol.

Slightly Stoopid: Road Trippin’ Summer Tour, with guests Denm and Bumpin’ Uglies
Beak & Skiff Apple Orchard

Beak & Skiff
2708 Lords Hill Rd., Lafayette

The Taming of the Shrew
Syracuse Shakespeare-in-the-Park
Hannah Malone, director

Price: $10
Thornden Park Amphitheater
Ostrom Ave., Syracuse

Monday, August 17, 2026

Monday Night Sessions with Actual Proof
CNY Jazz Arts Foundation

Price: $15
Jazz Central
441 E. Washington St., Syracuse

A night of jazz fusion and friendship.

   

Four on the Floor
Liverpool is the Place

Price: Free
Johnson Park
Corner of Vine and Oswego Streets, Liverpool

R&B

   

Chris Cain
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Chris Cain was born in San Jose, California in 1955. His parents were huge music fans and shared their love of blues, jazz and popular songs with Chris. His African American father and Greek mother had a huge, shared record collection, which fascinated Chris from an early age. Chris was three years old when his father first took him to see B.B. King. His father gave him his first guitar at age eight and Chris learned lick after lick, song after song. He'd listen to his father's records over and over until the music had seeped into his soul.

Tickets