Thursday, October 8, 2020

Autumn: A Visual Feast of Images
Baltimore Woods Weeks Art Gallery

Price: Free
Online

Join us as we celebrate autumn through the photographic works of the Syracuse Camera Club. This two-part video series features the works of nearly 20 photographers who have captured nature in its most splendidly colorful season. The Syracuse Camera Club is a local member organization open to everyone who loves photography, from beginners to professionals to those who just enjoy seeing exciting images. All works from this collection can be purchased and a portion of the proceeds will benefit Baltimore Woods Nature Center.

Part 1
Part 2

Being Human: Portraits from the Permanent Collection
Syracuse University Art Museum

Price: Free
Online

This presentation draws out the nuances of portraiture throughout time and place, showing its role in reinforcing or critiquing power, exploring or crafting identity, and expressing the influence of one's community.

Click here to view the exhibition.

Domesticities: The Art of Daily Life
Syracuse University Art Museum

Price: Free
Online

This exhibition explores the representation of domestic structures and spaces, their contents, and the ways they intersect with the lives of those who inhabit them.

Click here to view the exhibition.

A Terrible and Exciting Age: Photography of W. Eugene Smith
Syracuse University Art Museum

Price: Free
Online

Curated by art history M.A. students under the direction of Sascha Scott, this exhibition features Smith's lesser known photographs of industrial spaces from the late 1940s through the 1960s.

Click here to view the exhibition.

In a Silent Way
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Stephen Carlson: contemplative abstract acrylics on paper
Penelope Ravok: handmade glass jewelry
Lauren Bristol: sculptural coiled basketry

A Legacy of Firsts: The Everson Collects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 1911, the Syracuse Museum of Fine Arts (known today as the Everson) made history as the first museum in the country to declare that it would focus on collecting works made by American artists. This decision, implemented by Museum Director Fernando Carter, was the first of many made by directors that ultimately defined the Everson's collection as it exists today. This exhibition examines over one hundred years of the Museum's collecting priorities, from the Museum's earliest acquisitions in 1911 to work acquired in 2019

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

From Domestic to Divine: Andean Ceramics from the Permanent Collection
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimú, and Chavin cultures.

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

Renegades and Reformers: American Art Pottery
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Since acquiring its first works by Adelaide Alsop Robineau in 1916, the Everson Museum of Art has built one of the finest collections of art pottery in the world. "Renegades and Reformers" revolves around two common personality types among potters: the "renegades" who embarked on highly personal artistic quests that pushed clay and glaze to their limits, and the "reformers," whose modern designs and social attitudes pushed back against Victorian mores.

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

Fabiola Jean-Louis: Rewriting History
Point of Contact Gallery

Price: Free; appointment required
Point of Contact Gallery
350 W. Fayette St., Syracuse

Regarding Jean-Louis' exhibition, "Rewriting History," the HuffPost found that the "Victorian era dresses, fashioned almost entirely from paper, become actors in a photographic essay that challenges history, reality, and time. Visual, sculptural and performative at once, the work reels viewers into an alternate realm; one that heroically re-examines the past and thrusts the majesty of African ancestors — real and imagined — to the fore. Each image has its factual, historical connection and a narrative remixed via Fabiola's multi-dimensional lens. The dresses, and their environments, are imbued with vestiges of fantasy and futurism, creating impressions that are otherworldly, palpable, and highly persuasive."

Appointment required. Make an appointment.

Visiting Artist Lecture Series: Set Hernandez Rongkilyo
Syracuse University School of Art and Design

Price: Free
Online

Set Hernandez Rongkilyo is an undocumented immigrant filmmaker and community organizer whose roots come from Bicol, Philippines. They are the fruit of their parents' sacrifices, their siblings' resilience, and their community's nurturing. Set envisions a filmmaking landscape that centers equity and abundance, where all artists have the resources to thrive using the unique skill sets they embody.

Set's short films have been televised, featured, and awarded in film festivals across the U.S. As part of the inaugural cohort of the Disruptors Fellowship by Joey Solloway's 5050by2020 and the Center for Cultural Power, Set is developing a half-hour, TV comedy pilot about the undocumented experience. Set also directed/produced the short documentary "COVER/AGE" (2019) about healthcare expansion for undocumented adults. They served as impact producer for the art activation "In Plain Sight" by renowned artists Cassils and rafa esparza, as well as for PJ Raval's "Call Her Ganda" which premiered at the 2018 Tribeca Film Festival.

Since 2010, Set has been organizing around migrant justice issues from education equity to deportation defense. They are the co-founder of the Undocumented Filmmakers Collective which tackles the inequities that undocumented immigrants face in the media industry. They are the recipient of numerous fellowships including the Firelight Impact Producer Lab and Soros Justice Fellowship. They have spoken about people-centered filmmaking on panels across the country including the Film Independent Forum and the Sundance Film Festival.

The lecture is available to the public via livestream on the Syracuse University Art Museum YouTube channel.

Nikole Hannah-Jones
University Lectures

Price: Free, but pre-registration required
Online

All individuals wishing to virtually attend the lecture must register. You will then be sent a confirmation email with a link to access the online interview. Registration link will be available at lectures.syr.edu.

Nikole Hannah-Jones covers racial injustice for The New York Times Magazine, and has spent years chronicling the way official policy has created—and maintains—racial segregation in housing and schools. Her deeply personal reports on the black experience in America offer a compelling case for greater equity. Hannah-Jones is the creator and lead writer of the New York Times' major multimedia initiative, "The 1619 Project." Named for the year the first enslaved Africans arrived in America, the project features an ongoing series of essays and art on the relationship between slavery and everything from social infrastructure and segregation, to music and sugar—all by Black American authors, activists, journalists and more. Hannah-Jones wrote the project's introductory essay, which ran under the powerful headline "Our Democracy's Founding Ideals Were False When They Were Written. Black Americans Have Fought to Make Them True." The essay earned her her first Pulitzer Prize for commentary.

Nothing we know about American life today has been untouched by the legacy of slavery. "The 1619 Project" quickly went viral—the print issue flew off shelves immediately, prompting hundreds of thousands of extra copies of to be printed—spreading its heartbreaking and absolutely essential message worldwide. Random House announced that it will be adapting the project into a graphic novel and four publications for young readers, while also releasing an extended version of the original publication, including more essays, fiction, and poetry. In 2020, Hannah-Jones appeared on The Daily Show with Trevor Noah to discuss the project. And, an impactful ad about the project—a collaboration with Janelle Monáe—debuted at the Oscars just days later. In addition to Hannah-Jones' Pulitzer, "The 1619 Project" has garnered New York Times Magazine a record-breaking number of finalist nods for the upcoming 2020 National Magazine Awards.

Hannah-Jones has written extensively on the history of racism, school resegregation, and the disarray of hundreds of desegregation orders, as well as the decades-long failure of the federal government to enforce the landmark 1968 Fair Housing Act. She is currently writing a book on school segregation called The Problem We All Live With, to be published on the One World imprint of Penguin/Random House. Her piece "Worlds Apart" in The New York Times Magazine won the National Magazine Award for "journalism that illuminates issues of national importance" as well as the Hillman Prize for Magazine Journalism. In 2016, she was awarded a Peabody Award and George Polk Award for radio reporting for her This American Life story, "The Problem We All Live With." She was named Journalist of the Year by the National Association of Black Journalists, and was also named to 2019's The Root 100 as well as Essenece's Woke 100. Her reporting has also won Deadline Club Awards, Online Journalism Awards, the Sigma Delta Chi Award for Public Service, the Fred M. Hechinger Grand Prize for Distinguished Education Reporting, and the Emerson College President's Award for Civic Leadership. In February 2020, she was profiled by ESSENCE as part of their Black History Month series, celebrating "the accomplishments made by those in the past, as well as those paving the way for the future."

Hannah-Jones co-founded the Ida B. Wells Society for Investigative Reporting with the goal of increasing the number of reporters and editors of color. She holds a Master of Arts in Mass Communication from the University of North Carolina and earned her BA in History and African-American studies from the University of Notre Dame. For the Institute for Advanced Journalism Studies, she investigated social changes under Raul Castro and the impact of universal healthcare on Cuba's educational system. She was also selected by the University of Pennsylvania to report on the impact of the Watts Riots for a study marking the 40th anniversary of the Kerner Commission report. Along with The New York Times, her reporting has been featured in ProPublica, The Atlantic Magazine, Huffington Post, Essence Magazine, The Week Magazine, Grist, Politico Magazine, and on Face the Nation, This American Life, NPR, The Tom Joyner Morning Show, MSNBC, C-SPAN, Democracy Now, and radio stations across the country.

Friday, October 9, 2020

Autumn: A Visual Feast of Images
Baltimore Woods Weeks Art Gallery

Price: Free
Online

Join us as we celebrate autumn through the photographic works of the Syracuse Camera Club. This two-part video series features the works of nearly 20 photographers who have captured nature in its most splendidly colorful season. The Syracuse Camera Club is a local member organization open to everyone who loves photography, from beginners to professionals to those who just enjoy seeing exciting images. All works from this collection can be purchased and a portion of the proceeds will benefit Baltimore Woods Nature Center.

Part 1
Part 2

A Terrible and Exciting Age: Photography of W. Eugene Smith
Syracuse University Art Museum

Price: Free
Online

Curated by art history M.A. students under the direction of Sascha Scott, this exhibition features Smith's lesser known photographs of industrial spaces from the late 1940s through the 1960s.

Click here to view the exhibition.

Domesticities: The Art of Daily Life
Syracuse University Art Museum

Price: Free
Online

This exhibition explores the representation of domestic structures and spaces, their contents, and the ways they intersect with the lives of those who inhabit them.

Click here to view the exhibition.

Being Human: Portraits from the Permanent Collection
Syracuse University Art Museum

Price: Free
Online

This presentation draws out the nuances of portraiture throughout time and place, showing its role in reinforcing or critiquing power, exploring or crafting identity, and expressing the influence of one's community.

Click here to view the exhibition.

In a Silent Way
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Stephen Carlson: contemplative abstract acrylics on paper
Penelope Ravok: handmade glass jewelry
Lauren Bristol: sculptural coiled basketry

A Legacy of Firsts: The Everson Collects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 1911, the Syracuse Museum of Fine Arts (known today as the Everson) made history as the first museum in the country to declare that it would focus on collecting works made by American artists. This decision, implemented by Museum Director Fernando Carter, was the first of many made by directors that ultimately defined the Everson's collection as it exists today. This exhibition examines over one hundred years of the Museum's collecting priorities, from the Museum's earliest acquisitions in 1911 to work acquired in 2019

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

Renegades and Reformers: American Art Pottery
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Since acquiring its first works by Adelaide Alsop Robineau in 1916, the Everson Museum of Art has built one of the finest collections of art pottery in the world. "Renegades and Reformers" revolves around two common personality types among potters: the "renegades" who embarked on highly personal artistic quests that pushed clay and glaze to their limits, and the "reformers," whose modern designs and social attitudes pushed back against Victorian mores.

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

From Domestic to Divine: Andean Ceramics from the Permanent Collection
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimú, and Chavin cultures.

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

Fabiola Jean-Louis: Rewriting History
Point of Contact Gallery

Price: Free; appointment required
Point of Contact Gallery
350 W. Fayette St., Syracuse

Regarding Jean-Louis' exhibition, "Rewriting History," the HuffPost found that the "Victorian era dresses, fashioned almost entirely from paper, become actors in a photographic essay that challenges history, reality, and time. Visual, sculptural and performative at once, the work reels viewers into an alternate realm; one that heroically re-examines the past and thrusts the majesty of African ancestors — real and imagined — to the fore. Each image has its factual, historical connection and a narrative remixed via Fabiola's multi-dimensional lens. The dresses, and their environments, are imbued with vestiges of fantasy and futurism, creating impressions that are otherworldly, palpable, and highly persuasive."

Appointment required. Make an appointment.

Saturday, October 10, 2020

Autumn: A Visual Feast of Images
Baltimore Woods Weeks Art Gallery

Price: Free
Online

Join us as we celebrate autumn through the photographic works of the Syracuse Camera Club. This two-part video series features the works of nearly 20 photographers who have captured nature in its most splendidly colorful season. The Syracuse Camera Club is a local member organization open to everyone who loves photography, from beginners to professionals to those who just enjoy seeing exciting images. All works from this collection can be purchased and a portion of the proceeds will benefit Baltimore Woods Nature Center.

Part 1
Part 2

A Terrible and Exciting Age: Photography of W. Eugene Smith
Syracuse University Art Museum

Price: Free
Online

Curated by art history M.A. students under the direction of Sascha Scott, this exhibition features Smith's lesser known photographs of industrial spaces from the late 1940s through the 1960s.

Click here to view the exhibition.

Being Human: Portraits from the Permanent Collection
Syracuse University Art Museum

Price: Free
Online

This presentation draws out the nuances of portraiture throughout time and place, showing its role in reinforcing or critiquing power, exploring or crafting identity, and expressing the influence of one's community.

Click here to view the exhibition.

Domesticities: The Art of Daily Life
Syracuse University Art Museum

Price: Free
Online

This exhibition explores the representation of domestic structures and spaces, their contents, and the ways they intersect with the lives of those who inhabit them.

Click here to view the exhibition.

In a Silent Way
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Stephen Carlson: contemplative abstract acrylics on paper
Penelope Ravok: handmade glass jewelry
Lauren Bristol: sculptural coiled basketry

A Legacy of Firsts: The Everson Collects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 1911, the Syracuse Museum of Fine Arts (known today as the Everson) made history as the first museum in the country to declare that it would focus on collecting works made by American artists. This decision, implemented by Museum Director Fernando Carter, was the first of many made by directors that ultimately defined the Everson's collection as it exists today. This exhibition examines over one hundred years of the Museum's collecting priorities, from the Museum's earliest acquisitions in 1911 to work acquired in 2019

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

From Domestic to Divine: Andean Ceramics from the Permanent Collection
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimú, and Chavin cultures.

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

Renegades and Reformers: American Art Pottery
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Since acquiring its first works by Adelaide Alsop Robineau in 1916, the Everson Museum of Art has built one of the finest collections of art pottery in the world. "Renegades and Reformers" revolves around two common personality types among potters: the "renegades" who embarked on highly personal artistic quests that pushed clay and glaze to their limits, and the "reformers," whose modern designs and social attitudes pushed back against Victorian mores.

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

Spark Series: Masquerade
Syracuse Orchestra (formerly Symphoria)
Lawrence Loh, conductor
Featuring George Kilpatrick, special guest

Price: $20 individual, $35 family
Online

This masquerade ball is sure to entertain and delight, with music as deceptive as it is well known. Special ensemble performances feature members of Symphoria's percussion and string sections. The theme of the Masquerade is appropriate to what's going on right now — for health and with the approach of Halloween! The music in the concert also reflects the invisible masks people wear, as some of the featured composers were showing one face to the world while hiding their true selves in order to survive.

This performance will be livestreamed.

Sunday, October 11, 2020

Autumn: A Visual Feast of Images
Baltimore Woods Weeks Art Gallery

Price: Free
Online

Join us as we celebrate autumn through the photographic works of the Syracuse Camera Club. This two-part video series features the works of nearly 20 photographers who have captured nature in its most splendidly colorful season. The Syracuse Camera Club is a local member organization open to everyone who loves photography, from beginners to professionals to those who just enjoy seeing exciting images. All works from this collection can be purchased and a portion of the proceeds will benefit Baltimore Woods Nature Center.

Part 1
Part 2

A Terrible and Exciting Age: Photography of W. Eugene Smith
Syracuse University Art Museum

Price: Free
Online

Curated by art history M.A. students under the direction of Sascha Scott, this exhibition features Smith's lesser known photographs of industrial spaces from the late 1940s through the 1960s.

Click here to view the exhibition.

Domesticities: The Art of Daily Life
Syracuse University Art Museum

Price: Free
Online

This exhibition explores the representation of domestic structures and spaces, their contents, and the ways they intersect with the lives of those who inhabit them.

Click here to view the exhibition.

Being Human: Portraits from the Permanent Collection
Syracuse University Art Museum

Price: Free
Online

This presentation draws out the nuances of portraiture throughout time and place, showing its role in reinforcing or critiquing power, exploring or crafting identity, and expressing the influence of one's community.

Click here to view the exhibition.

Renegades and Reformers: American Art Pottery
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Since acquiring its first works by Adelaide Alsop Robineau in 1916, the Everson Museum of Art has built one of the finest collections of art pottery in the world. "Renegades and Reformers" revolves around two common personality types among potters: the "renegades" who embarked on highly personal artistic quests that pushed clay and glaze to their limits, and the "reformers," whose modern designs and social attitudes pushed back against Victorian mores.

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

From Domestic to Divine: Andean Ceramics from the Permanent Collection
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimú, and Chavin cultures.

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

A Legacy of Firsts: The Everson Collects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 1911, the Syracuse Museum of Fine Arts (known today as the Everson) made history as the first museum in the country to declare that it would focus on collecting works made by American artists. This decision, implemented by Museum Director Fernando Carter, was the first of many made by directors that ultimately defined the Everson's collection as it exists today. This exhibition examines over one hundred years of the Museum's collecting priorities, from the Museum's earliest acquisitions in 1911 to work acquired in 2019

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

Student Recital Series: Lingyin Cao, voice
Syracuse University Setnor School of Music

Price: Free
Online

This event will be streamed live. Please note that the video player will not become active until immediately prior to the concert's start time.

Watch live.

Sound Legends I (in person and online)
Society for New Music
Featuring Eliot Fisk, guitar

Price: $20 regular, $15 students/seniors, youth 18 and under free
Park Central Presbyterian Church
504 E. Fayette St., Syracuse

Music by Persis Vehar, Augusta Read Thomas, Christopher Cresswell, and Israel Prize-winner Cheng Jin Koh. Plus, guest artist Eliot Fisk will perform music by Robert Beaser and George Rochberg.

Seating is very limited; advance ticket purchase required. Masks and social distancing will be enforced. Web link will be provided to purchasers not attending the live event.

Monday, October 12, 2020

Autumn: A Visual Feast of Images
Baltimore Woods Weeks Art Gallery

Price: Free
Online

Join us as we celebrate autumn through the photographic works of the Syracuse Camera Club. This two-part video series features the works of nearly 20 photographers who have captured nature in its most splendidly colorful season. The Syracuse Camera Club is a local member organization open to everyone who loves photography, from beginners to professionals to those who just enjoy seeing exciting images. All works from this collection can be purchased and a portion of the proceeds will benefit Baltimore Woods Nature Center.

Part 1
Part 2

A Terrible and Exciting Age: Photography of W. Eugene Smith
Syracuse University Art Museum

Price: Free
Online

Curated by art history M.A. students under the direction of Sascha Scott, this exhibition features Smith's lesser known photographs of industrial spaces from the late 1940s through the 1960s.

Click here to view the exhibition.

Being Human: Portraits from the Permanent Collection
Syracuse University Art Museum

Price: Free
Online

This presentation draws out the nuances of portraiture throughout time and place, showing its role in reinforcing or critiquing power, exploring or crafting identity, and expressing the influence of one's community.

Click here to view the exhibition.

Domesticities: The Art of Daily Life
Syracuse University Art Museum

Price: Free
Online

This exhibition explores the representation of domestic structures and spaces, their contents, and the ways they intersect with the lives of those who inhabit them.

Click here to view the exhibition.

Fabiola Jean-Louis: Rewriting History
Point of Contact Gallery

Price: Free; appointment required
Point of Contact Gallery
350 W. Fayette St., Syracuse

Regarding Jean-Louis' exhibition, "Rewriting History," the HuffPost found that the "Victorian era dresses, fashioned almost entirely from paper, become actors in a photographic essay that challenges history, reality, and time. Visual, sculptural and performative at once, the work reels viewers into an alternate realm; one that heroically re-examines the past and thrusts the majesty of African ancestors — real and imagined — to the fore. Each image has its factual, historical connection and a narrative remixed via Fabiola's multi-dimensional lens. The dresses, and their environments, are imbued with vestiges of fantasy and futurism, creating impressions that are otherworldly, palpable, and highly persuasive."

Appointment required. Make an appointment.

Tuesday, October 13, 2020

Autumn: A Visual Feast of Images
Baltimore Woods Weeks Art Gallery

Price: Free
Online

Join us as we celebrate autumn through the photographic works of the Syracuse Camera Club. This two-part video series features the works of nearly 20 photographers who have captured nature in its most splendidly colorful season. The Syracuse Camera Club is a local member organization open to everyone who loves photography, from beginners to professionals to those who just enjoy seeing exciting images. All works from this collection can be purchased and a portion of the proceeds will benefit Baltimore Woods Nature Center.

Part 1
Part 2

Domesticities: The Art of Daily Life
Syracuse University Art Museum

Price: Free
Online

This exhibition explores the representation of domestic structures and spaces, their contents, and the ways they intersect with the lives of those who inhabit them.

Click here to view the exhibition.

Being Human: Portraits from the Permanent Collection
Syracuse University Art Museum

Price: Free
Online

This presentation draws out the nuances of portraiture throughout time and place, showing its role in reinforcing or critiquing power, exploring or crafting identity, and expressing the influence of one's community.

Click here to view the exhibition.

A Terrible and Exciting Age: Photography of W. Eugene Smith
Syracuse University Art Museum

Price: Free
Online

Curated by art history M.A. students under the direction of Sascha Scott, this exhibition features Smith's lesser known photographs of industrial spaces from the late 1940s through the 1960s.

Click here to view the exhibition.

In a Silent Way
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Stephen Carlson: contemplative abstract acrylics on paper
Penelope Ravok: handmade glass jewelry
Lauren Bristol: sculptural coiled basketry

Fabiola Jean-Louis: Rewriting History
Point of Contact Gallery

Price: Free; appointment required
Point of Contact Gallery
350 W. Fayette St., Syracuse

Regarding Jean-Louis' exhibition, "Rewriting History," the HuffPost found that the "Victorian era dresses, fashioned almost entirely from paper, become actors in a photographic essay that challenges history, reality, and time. Visual, sculptural and performative at once, the work reels viewers into an alternate realm; one that heroically re-examines the past and thrusts the majesty of African ancestors — real and imagined — to the fore. Each image has its factual, historical connection and a narrative remixed via Fabiola's multi-dimensional lens. The dresses, and their environments, are imbued with vestiges of fantasy and futurism, creating impressions that are otherworldly, palpable, and highly persuasive."

Appointment required. Make an appointment.

It Can’t Happen Here
Syracuse Stage
Lisa Peterson, director

Price: Free
Online

Syracuse Stage partners with more than 75 theaters across the country to broadcast a radio adaption of Sinclair Lewis's 1930s politically charged novel It Can't Happen Here. Produced by the Berkeley Repertory Theatre, the show stars Oscar nominated actor David Strathairn. Also in the cast is Greta Oglesby, who starred in Syracuse Stage's production of Caroline, or Change.

Written in 1935 during the rise of fascism in Europe, Lewis's darkly satirical It Can't Happen Here follows the ascent of a demagogue who becomes president of the United States by promising to return the country to greatness. The new stage adaptation, which premiered at the Berkeley Repertory Theater in 2016, closed just one week before the presidential election roiled our nation. Now, Berkeley Rep reprises that production, but this time Syracuse Stage along with theaters across the country will be joining to broadcast this production as a radio play. The broadcast is intended to encourage participation in the upcoming election.

Wednesday, October 14, 2020

Autumn: A Visual Feast of Images
Baltimore Woods Weeks Art Gallery

Price: Free
Online

Join us as we celebrate autumn through the photographic works of the Syracuse Camera Club. This two-part video series features the works of nearly 20 photographers who have captured nature in its most splendidly colorful season. The Syracuse Camera Club is a local member organization open to everyone who loves photography, from beginners to professionals to those who just enjoy seeing exciting images. All works from this collection can be purchased and a portion of the proceeds will benefit Baltimore Woods Nature Center.

Part 1
Part 2

A Terrible and Exciting Age: Photography of W. Eugene Smith
Syracuse University Art Museum

Price: Free
Online

Curated by art history M.A. students under the direction of Sascha Scott, this exhibition features Smith's lesser known photographs of industrial spaces from the late 1940s through the 1960s.

Click here to view the exhibition.

Being Human: Portraits from the Permanent Collection
Syracuse University Art Museum

Price: Free
Online

This presentation draws out the nuances of portraiture throughout time and place, showing its role in reinforcing or critiquing power, exploring or crafting identity, and expressing the influence of one's community.

Click here to view the exhibition.

Domesticities: The Art of Daily Life
Syracuse University Art Museum

Price: Free
Online

This exhibition explores the representation of domestic structures and spaces, their contents, and the ways they intersect with the lives of those who inhabit them.

Click here to view the exhibition.

In a Silent Way
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Stephen Carlson: contemplative abstract acrylics on paper
Penelope Ravok: handmade glass jewelry
Lauren Bristol: sculptural coiled basketry

Fabiola Jean-Louis: Rewriting History
Point of Contact Gallery

Price: Free; appointment required
Point of Contact Gallery
350 W. Fayette St., Syracuse

Regarding Jean-Louis' exhibition, "Rewriting History," the HuffPost found that the "Victorian era dresses, fashioned almost entirely from paper, become actors in a photographic essay that challenges history, reality, and time. Visual, sculptural and performative at once, the work reels viewers into an alternate realm; one that heroically re-examines the past and thrusts the majesty of African ancestors — real and imagined — to the fore. Each image has its factual, historical connection and a narrative remixed via Fabiola's multi-dimensional lens. The dresses, and their environments, are imbued with vestiges of fantasy and futurism, creating impressions that are otherworldly, palpable, and highly persuasive."

Appointment required. Make an appointment.

It Can’t Happen Here
Syracuse Stage
Lisa Peterson, director

Price: Free
Online

Syracuse Stage partners with more than 75 theaters across the country to broadcast a radio adaption of Sinclair Lewis's 1930s politically charged novel It Can't Happen Here. Produced by the Berkeley Repertory Theatre, the show stars Oscar nominated actor David Strathairn. Also in the cast is Greta Oglesby, who starred in Syracuse Stage's production of Caroline, or Change.

Written in 1935 during the rise of fascism in Europe, Lewis's darkly satirical It Can't Happen Here follows the ascent of a demagogue who becomes president of the United States by promising to return the country to greatness. The new stage adaptation, which premiered at the Berkeley Repertory Theater in 2016, closed just one week before the presidential election roiled our nation. Now, Berkeley Rep reprises that production, but this time Syracuse Stage along with theaters across the country will be joining to broadcast this production as a radio play. The broadcast is intended to encourage participation in the upcoming election.

Thursday, October 15, 2020

Autumn: A Visual Feast of Images
Baltimore Woods Weeks Art Gallery

Price: Free
Online

Join us as we celebrate autumn through the photographic works of the Syracuse Camera Club. This two-part video series features the works of nearly 20 photographers who have captured nature in its most splendidly colorful season. The Syracuse Camera Club is a local member organization open to everyone who loves photography, from beginners to professionals to those who just enjoy seeing exciting images. All works from this collection can be purchased and a portion of the proceeds will benefit Baltimore Woods Nature Center.

Part 1
Part 2

Domesticities: The Art of Daily Life
Syracuse University Art Museum

Price: Free
Online

This exhibition explores the representation of domestic structures and spaces, their contents, and the ways they intersect with the lives of those who inhabit them.

Click here to view the exhibition.

Being Human: Portraits from the Permanent Collection
Syracuse University Art Museum

Price: Free
Online

This presentation draws out the nuances of portraiture throughout time and place, showing its role in reinforcing or critiquing power, exploring or crafting identity, and expressing the influence of one's community.

Click here to view the exhibition.

A Terrible and Exciting Age: Photography of W. Eugene Smith
Syracuse University Art Museum

Price: Free
Online

Curated by art history M.A. students under the direction of Sascha Scott, this exhibition features Smith's lesser known photographs of industrial spaces from the late 1940s through the 1960s.

Click here to view the exhibition.

In a Silent Way
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Stephen Carlson: contemplative abstract acrylics on paper
Penelope Ravok: handmade glass jewelry
Lauren Bristol: sculptural coiled basketry

A Legacy of Firsts: The Everson Collects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 1911, the Syracuse Museum of Fine Arts (known today as the Everson) made history as the first museum in the country to declare that it would focus on collecting works made by American artists. This decision, implemented by Museum Director Fernando Carter, was the first of many made by directors that ultimately defined the Everson's collection as it exists today. This exhibition examines over one hundred years of the Museum's collecting priorities, from the Museum's earliest acquisitions in 1911 to work acquired in 2019

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

From Domestic to Divine: Andean Ceramics from the Permanent Collection
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimú, and Chavin cultures.

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

Renegades and Reformers: American Art Pottery
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Since acquiring its first works by Adelaide Alsop Robineau in 1916, the Everson Museum of Art has built one of the finest collections of art pottery in the world. "Renegades and Reformers" revolves around two common personality types among potters: the "renegades" who embarked on highly personal artistic quests that pushed clay and glaze to their limits, and the "reformers," whose modern designs and social attitudes pushed back against Victorian mores.

NOTE: Face masks required of all visitors, staff, and volunteers at all times. Fridays and Saturdays 10:00 am-12:00 pm are reserved for Everson members and high-risk individuals.

Fabiola Jean-Louis: Rewriting History
Point of Contact Gallery

Price: Free; appointment required
Point of Contact Gallery
350 W. Fayette St., Syracuse

Regarding Jean-Louis' exhibition, "Rewriting History," the HuffPost found that the "Victorian era dresses, fashioned almost entirely from paper, become actors in a photographic essay that challenges history, reality, and time. Visual, sculptural and performative at once, the work reels viewers into an alternate realm; one that heroically re-examines the past and thrusts the majesty of African ancestors — real and imagined — to the fore. Each image has its factual, historical connection and a narrative remixed via Fabiola's multi-dimensional lens. The dresses, and their environments, are imbued with vestiges of fantasy and futurism, creating impressions that are otherworldly, palpable, and highly persuasive."

Appointment required. Make an appointment.

Visiting Artist Lecture Series: Arshia Fatima Haq
Syracuse University School of Art and Design

Price: Free
Online

Arshia Fatima Haq (born in Hyderabad, India, based in Los Angeles) works across film, visual art, performance and sound. She is interested in counter-archives, speculative documentaries, and the intersections of fact and fiction, and is currently exploring themes of embodiment and mysticism, particularly within the Islamic Sufi context. Her work emerges from the complexities of inhabiting multiple personas – woman, Muslim, immigrant, citizen – and is conceptualized in feminist modes outside of the Western model. Narrative threads include migration, celebration, warfare, nostalgia, homeland, and borders, often within realms of Islamic influence, through both traditional forms and kaleidoscopic reinventions via pop culture. She is the founder of Discostan, a collaborative decolonial project working with cultural production from the SWANA (South and West Asia and North Africa) region.

Haq's work has been featured at Museum of Contemporary Art Tucson, the Station Museum of Contemporary Art, Broad Museum, LACE, Toronto International Film Festival, MOMA New York, Hammer Museum, LAXArt, Centre Georges Pompidou, and the Pacific Film Archive. Currently, she hosts and produces monthly radio shows on Dublab and NTS, and recently released an album of field recordings from Pakistan on the Sublime Frequencies label. She received an M.F.A. in film and video from California Institute of the Arts in 2005 and is a recipient of the California Community Foundation Visual Artist Fellowship, the Rema Hort Mann Emerging Artist Grant, and the Onassis AIR Fellowship.

The lecture is available to the public via livestream on the Syracuse University Art Museum YouTube channel.

A Gatherin' Place
Syracuse Stage
The Harriet Tubman Troupe
Dr. Juhanna Rogers, director

Price: Free
Online

A group of Black women, residents of the same Brooklyn building, finds strength and courage as they discover the power inherent in telling their own stories in their own voices. When a beloved and iconic writer passes away, the women learn an extraordinary secret of her life—she had lived discreetly among them as a wise and compassionate neighbor. Based on the personal narratives of Central New York women, A Gatherin' Place explores the human truth often concealed beneath the surface of day to day life.

Based on the poem "It's Hard to tell a Black Woman's Story" by Dr. Juhanna Rogers, and presented as a Syracuse Story, by and for the Central New York community. Originally developed and produced at Auburn Public Theater

Available for free video on demand.

It Can’t Happen Here
Syracuse Stage
Lisa Peterson, director

Price: Free
Online

Syracuse Stage partners with more than 75 theaters across the country to broadcast a radio adaption of Sinclair Lewis's 1930s politically charged novel It Can't Happen Here. Produced by the Berkeley Repertory Theatre, the show stars Oscar nominated actor David Strathairn. Also in the cast is Greta Oglesby, who starred in Syracuse Stage's production of Caroline, or Change.

Written in 1935 during the rise of fascism in Europe, Lewis's darkly satirical It Can't Happen Here follows the ascent of a demagogue who becomes president of the United States by promising to return the country to greatness. The new stage adaptation, which premiered at the Berkeley Repertory Theater in 2016, closed just one week before the presidential election roiled our nation. Now, Berkeley Rep reprises that production, but this time Syracuse Stage along with theaters across the country will be joining to broadcast this production as a radio play. The broadcast is intended to encourage participation in the upcoming election.