Saturday, March 7, 2026

Arts and Minds: A Showcase for Creative Aging
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

This exhibit features 21 works by 12 elder artists in the Syracuse Jewish Family Service (SJFS) Arts and Minds Program. Through their participation in various creative projects, the artists expressed themselves and made choices that reflect their aesthetic preferences while also learning about and exploring new artistic techniques. Most importantly, the participants unlocked a feeling of achievement and success. SJFS is a nonprofit agency dedicated to helping individuals and families of any faith and age in Central New York.

Opening: Gary Quirk: The Nature I See Through Clay
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

There will be an opening reception this afternoon 2:00-4:00 pm.

Gary Quirk creates images in slabs of clay as a way of remembering and celebrating the world around him. According to Quirk, the images emerge from chance sightings or from dreams of sightings yet hoped for. They are derived from encounters with the outdoors that range from grand vistas to familiar urban settings, some from his own neighborhood. It is his wish that his tiles will serve as a focal point for other people to observe the beauty we find in our world.

Healing Forward: Rituals of Self Repair, Cultivation of Community, and Collective Activation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A retrospective exhibition of over 60 multimedia and quilted works by Amber Robles-Gordon, an interdisciplinary visual artist of Puerto Rican and Caribbean descent who resides in Washington, DC. This body of work traces the through-line of healing — personal, communal, spiritual, and ecological frameworks — across the artistic career of Amber Robles-Gordon. Bringing together installations, quilts, assemblages, and collages created over more than a decade, the exhibition reveals how healing has functioned not only as a thematic concern, but as a methodology and ethical framework within the artist's practice.

Whimsy and Joy
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Kathleen Crinnin: acrylic paintings
Linda Malik: sculptural ceramics
Eva Hunter: mixed media jewelry, alcohol ink paintings, oils, pastels, and silk scarves

Federico Solmi: Adrift
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Visually sumptuous and incisively satirical, Federico Solmi's multimedia works expose the excesses and contradictions of power across history and contemporary culture. Adrift presents new and recent "video paintings" alongside the monumental canvas The Ship of Fools, which reimagines Théodore Géricault's Raft of the Medusa (1818–19) through Solmi's irreverent visual language. The painting assembles historical and present-day figures, from Christopher Columbus to Elon Musk, into a chaotic allegory of a society unmoored. Evoking a contemporary America adrift amid spectacle, instability, and competing claims to power, the exhibition also includes a Virtual Reality experience that immerses visitors in Solmi's destabilizing world.

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

Tal Placido: Meeting Place
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Tal Placido's large-scale abstract paintings begin with a conversation. Instead of working on blank primed canvas, Placido paints on vintage linens, embracing their stains, snags, and embellishments. A native of the Philippines, Placido is attuned to the family stories and lived experiences that she literally weaves into her work. The images she presents in Meeting Place are a record of the dialogue between experience-laden objects and an artist more concerned about thoughtful questions than concrete answers.

Soulscapes
art haus SYR

120 Walton St.
Syracuse

"Soulscapes" brings together an eclectic mix of mediums — from global photography to surrealist painting — to create a dialogue between the internal psyche and the external world.

Featured Artists
• CJ Hodge lll: Presents a collection of surreal mixed-media portraits and bold abstract paintings that challenge traditional boundaries of form and color.

• Marc Safran: Showcases global portrait photography that highlights the profound beauty of human rituals, cultural traditions, and the dignity of everyday individual life.

• Karen Tashkovski: Offers a delicate and textured series of mixed-media butterfly paintings, symbolizing transformation and fragile beauty.

• Meghan Murphy: Explores the extremes of scale and subject matter, featuring a series of tiny landscape watercolors paired with a collection of outlandish looking portraits.

Visions of Hope: Moving Images by Teens with a Movie Camera
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

The voices and visions of teenagers rarely take center stage in professional exhibition spaces. Yet, young people in our communities hold valuable perspectives on the world.

Forging a new network of neighbors, Teens with a Movie Camera's hands-on workshops embrace the artistic potential of everyday tools such as smartphones, envisioning movies as a mode of personal expression and artistic exploration rather than a commercial product. The TwMC artist collective asks: can we reimagine filmmaking as an inclusive art practice, open to all? What can it look like to nurture new safe spaces for playful and imaginative engagement with media arts, as a way of building local community? Featured works will center upon themes of creativity and hope, emphasizing imagination as a pathway toward meaningful futures.

Freedom and Control
Brewer Harris Projects

138 Bank Alley (University Building)
Syracuse

"Freedom and Control" explores the passport as a real and imagined object, a repository of dreams and nightmares. The document's fundamental purpose has always been tied to freedom of movement — passports make it possible for some individuals to cross international borders and allow the State to convey and govern the permission to do so. While the the document may seem to provide a kind of freedom to its bearer, it often does the opposite. Passports from some countries carry almost no restrictions on travel, while passports from others severely constrain citizens' ability to leave their home country.

Working in sculpture, photography, book arts and installation, the artists in this exhibition consider, critique and deconstruct this charged document to highlight its myriad uses; as a tool of State control, an indispensable object that fixes or erases national identity, or a portal through which we might imagine other ways of being in and moving through the world.

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

Afterimages: Legacies of the Thirteenth Amendment
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Afterimages examines the visual, social, and political legacies of the Thirteenth Amendment, which abolished slavery except as a punishment for a convicted crime. Curated by first-year graduate students of art history under the direction of Professor Sascha Scott, the exhibition highlights works in the SU Art Museum collection created by artists working in the United States from the 19th century to the present.

Alisha B Wormsley: The Temple of Our Survival
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

The Temple of Our Survival is new video work commissioned by Light Work for projection at UVP exploring what survival means and looks like through a series of interviews conducted by the artist with local care workers, land stewards, and cultural workers in her nomadic film set and project space.

Screening begins at dusk.

SCDC In Concert 2026
Syracuse Contemporary Dance Company

Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

A two-night contemporary dance festival celebrating the creativity and diversity of talented choreographers and dancers from Central New York and beyond.

Joey Stempien Big Band
CNY Jazz Arts Foundation

Price: $25
Jazz Central
441 E. Washington St., Syracuse

Comprised of 18 young musicians from the Eastman School of Music and University of Rochester, the Joey Stempien Big Band will present a full evening concert of their new album "Wind Vane."

Cool Club with Grace Lipker
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Down-home chic and big-city sound plus small-town charm. Cool Club & The Lipker Sisters are an intoxicating blend of intricate harmonies and the sophistication of jazz, the soul of R&B mixed with Latin and good old rock & roll.

Be sure to wear your dancing shoes ... Cool Club will have you moving and grooving!

Cool Club brings their unique style to everything they do, be it the Great American Songbook, an R&B classic or one of their infectious originals, never forgetting – it don't mean a thing if it can't got that swing!

Masterworks Series: Awadagin Plays Mozart
Syracuse Orchestra (formerly Symphoria)
Jacob Joyce, conductor
Featuring Awadagin Pratt, piano

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Guillaume Connesson Celephais from Les Cités de Lovecraft
Mozart Concerto No. 23 in A major for Piano and Orchestra, K. 488
Prokofiev Symphony No. 5 in B-flat major, op. 100

Sunday, March 8, 2026

Arts and Minds: A Showcase for Creative Aging
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

This exhibit features 21 works by 12 elder artists in the Syracuse Jewish Family Service (SJFS) Arts and Minds Program. Through their participation in various creative projects, the artists expressed themselves and made choices that reflect their aesthetic preferences while also learning about and exploring new artistic techniques. Most importantly, the participants unlocked a feeling of achievement and success. SJFS is a nonprofit agency dedicated to helping individuals and families of any faith and age in Central New York.

Federico Solmi: Adrift
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Visually sumptuous and incisively satirical, Federico Solmi's multimedia works expose the excesses and contradictions of power across history and contemporary culture. Adrift presents new and recent "video paintings" alongside the monumental canvas The Ship of Fools, which reimagines Théodore Géricault's Raft of the Medusa (1818–19) through Solmi's irreverent visual language. The painting assembles historical and present-day figures, from Christopher Columbus to Elon Musk, into a chaotic allegory of a society unmoored. Evoking a contemporary America adrift amid spectacle, instability, and competing claims to power, the exhibition also includes a Virtual Reality experience that immerses visitors in Solmi's destabilizing world.

Tal Placido: Meeting Place
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Tal Placido's large-scale abstract paintings begin with a conversation. Instead of working on blank primed canvas, Placido paints on vintage linens, embracing their stains, snags, and embellishments. A native of the Philippines, Placido is attuned to the family stories and lived experiences that she literally weaves into her work. The images she presents in Meeting Place are a record of the dialogue between experience-laden objects and an artist more concerned about thoughtful questions than concrete answers.

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

Soulscapes
art haus SYR

120 Walton St.
Syracuse

"Soulscapes" brings together an eclectic mix of mediums — from global photography to surrealist painting — to create a dialogue between the internal psyche and the external world.

Featured Artists
• CJ Hodge lll: Presents a collection of surreal mixed-media portraits and bold abstract paintings that challenge traditional boundaries of form and color.

• Marc Safran: Showcases global portrait photography that highlights the profound beauty of human rituals, cultural traditions, and the dignity of everyday individual life.

• Karen Tashkovski: Offers a delicate and textured series of mixed-media butterfly paintings, symbolizing transformation and fragile beauty.

• Meghan Murphy: Explores the extremes of scale and subject matter, featuring a series of tiny landscape watercolors paired with a collection of outlandish looking portraits.

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

Afterimages: Legacies of the Thirteenth Amendment
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Afterimages examines the visual, social, and political legacies of the Thirteenth Amendment, which abolished slavery except as a punishment for a convicted crime. Curated by first-year graduate students of art history under the direction of Professor Sascha Scott, the exhibition highlights works in the SU Art Museum collection created by artists working in the United States from the 19th century to the present.

The Music of Stevie Wonder
LeMoyne College
Jazzuits

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
James Commons
Le Moyne College, Syracuse

The Le Moyne College Jazzuits present the music of Stevie Wonder with special guests Letizia Pinkel and Todd Hobin.

Youth Concerto Competition Winner Concert
Onondaga Civic Symphony Orchestra
Erik Kibelsbeck, conductor

Park Central Presbyterian Church
504 E. Fayette St., Syracuse

Mozart Overture to Cosi fan Tutte
Mozart Piano Concerto No. 20 (first movement), with Daniel Yang, piano
Beethoven Coriolan Overture
Beethoven Symphony No. 6

Monday, March 9, 2026

Arts and Minds: A Showcase for Creative Aging
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

This exhibit features 21 works by 12 elder artists in the Syracuse Jewish Family Service (SJFS) Arts and Minds Program. Through their participation in various creative projects, the artists expressed themselves and made choices that reflect their aesthetic preferences while also learning about and exploring new artistic techniques. Most importantly, the participants unlocked a feeling of achievement and success. SJFS is a nonprofit agency dedicated to helping individuals and families of any faith and age in Central New York.

Gary Quirk: The Nature I See Through Clay
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gary Quirk creates images in slabs of clay as a way of remembering and celebrating the world around him. According to Quirk, the images emerge from chance sightings or from dreams of sightings yet hoped for. They are derived from encounters with the outdoors that range from grand vistas to familiar urban settings, some from his own neighborhood. It is his wish that his tiles will serve as a focal point for other people to observe the beauty we find in our world.

Healing Forward: Rituals of Self Repair, Cultivation of Community, and Collective Activation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A retrospective exhibition of over 60 multimedia and quilted works by Amber Robles-Gordon, an interdisciplinary visual artist of Puerto Rican and Caribbean descent who resides in Washington, DC. This body of work traces the through-line of healing — personal, communal, spiritual, and ecological frameworks — across the artistic career of Amber Robles-Gordon. Bringing together installations, quilts, assemblages, and collages created over more than a decade, the exhibition reveals how healing has functioned not only as a thematic concern, but as a methodology and ethical framework within the artist's practice.

Tuesday, March 10, 2026

Arts and Minds: A Showcase for Creative Aging
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

This exhibit features 21 works by 12 elder artists in the Syracuse Jewish Family Service (SJFS) Arts and Minds Program. Through their participation in various creative projects, the artists expressed themselves and made choices that reflect their aesthetic preferences while also learning about and exploring new artistic techniques. Most importantly, the participants unlocked a feeling of achievement and success. SJFS is a nonprofit agency dedicated to helping individuals and families of any faith and age in Central New York.

Gary Quirk: The Nature I See Through Clay
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gary Quirk creates images in slabs of clay as a way of remembering and celebrating the world around him. According to Quirk, the images emerge from chance sightings or from dreams of sightings yet hoped for. They are derived from encounters with the outdoors that range from grand vistas to familiar urban settings, some from his own neighborhood. It is his wish that his tiles will serve as a focal point for other people to observe the beauty we find in our world.

Whimsy and Joy
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Kathleen Crinnin: acrylic paintings
Linda Malik: sculptural ceramics
Eva Hunter: mixed media jewelry, alcohol ink paintings, oils, pastels, and silk scarves

Healing Forward: Rituals of Self Repair, Cultivation of Community, and Collective Activation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A retrospective exhibition of over 60 multimedia and quilted works by Amber Robles-Gordon, an interdisciplinary visual artist of Puerto Rican and Caribbean descent who resides in Washington, DC. This body of work traces the through-line of healing — personal, communal, spiritual, and ecological frameworks — across the artistic career of Amber Robles-Gordon. Bringing together installations, quilts, assemblages, and collages created over more than a decade, the exhibition reveals how healing has functioned not only as a thematic concern, but as a methodology and ethical framework within the artist's practice.

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

Soulscapes
art haus SYR

120 Walton St.
Syracuse

"Soulscapes" brings together an eclectic mix of mediums — from global photography to surrealist painting — to create a dialogue between the internal psyche and the external world.

Featured Artists
• CJ Hodge lll: Presents a collection of surreal mixed-media portraits and bold abstract paintings that challenge traditional boundaries of form and color.

• Marc Safran: Showcases global portrait photography that highlights the profound beauty of human rituals, cultural traditions, and the dignity of everyday individual life.

• Karen Tashkovski: Offers a delicate and textured series of mixed-media butterfly paintings, symbolizing transformation and fragile beauty.

• Meghan Murphy: Explores the extremes of scale and subject matter, featuring a series of tiny landscape watercolors paired with a collection of outlandish looking portraits.

Natasha Alford
Friends of the Central Library Author Series

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Natasha Alford is an award-winning journalist, host, author, and media executive recognized for harnessing the power of storytelling to inspire and educate. With degrees from Harvard University and Northwestern University, Alford was born in Syracuse. In 2024, she published her critically acclaimed memoir, American Negra, which earned an International Latino Book Award for Best First Book. The book explores identity, resilience and the complexities of Black womanhood in America.

Wednesday, March 11, 2026

Arts and Minds: A Showcase for Creative Aging
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

This exhibit features 21 works by 12 elder artists in the Syracuse Jewish Family Service (SJFS) Arts and Minds Program. Through their participation in various creative projects, the artists expressed themselves and made choices that reflect their aesthetic preferences while also learning about and exploring new artistic techniques. Most importantly, the participants unlocked a feeling of achievement and success. SJFS is a nonprofit agency dedicated to helping individuals and families of any faith and age in Central New York.

Gary Quirk: The Nature I See Through Clay
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gary Quirk creates images in slabs of clay as a way of remembering and celebrating the world around him. According to Quirk, the images emerge from chance sightings or from dreams of sightings yet hoped for. They are derived from encounters with the outdoors that range from grand vistas to familiar urban settings, some from his own neighborhood. It is his wish that his tiles will serve as a focal point for other people to observe the beauty we find in our world.

Whimsy and Joy
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Kathleen Crinnin: acrylic paintings
Linda Malik: sculptural ceramics
Eva Hunter: mixed media jewelry, alcohol ink paintings, oils, pastels, and silk scarves

Healing Forward: Rituals of Self Repair, Cultivation of Community, and Collective Activation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A retrospective exhibition of over 60 multimedia and quilted works by Amber Robles-Gordon, an interdisciplinary visual artist of Puerto Rican and Caribbean descent who resides in Washington, DC. This body of work traces the through-line of healing — personal, communal, spiritual, and ecological frameworks — across the artistic career of Amber Robles-Gordon. Bringing together installations, quilts, assemblages, and collages created over more than a decade, the exhibition reveals how healing has functioned not only as a thematic concern, but as a methodology and ethical framework within the artist's practice.

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

Tal Placido: Meeting Place
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Tal Placido's large-scale abstract paintings begin with a conversation. Instead of working on blank primed canvas, Placido paints on vintage linens, embracing their stains, snags, and embellishments. A native of the Philippines, Placido is attuned to the family stories and lived experiences that she literally weaves into her work. The images she presents in Meeting Place are a record of the dialogue between experience-laden objects and an artist more concerned about thoughtful questions than concrete answers.

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

Federico Solmi: Adrift
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Visually sumptuous and incisively satirical, Federico Solmi's multimedia works expose the excesses and contradictions of power across history and contemporary culture. Adrift presents new and recent "video paintings" alongside the monumental canvas The Ship of Fools, which reimagines Théodore Géricault's Raft of the Medusa (1818–19) through Solmi's irreverent visual language. The painting assembles historical and present-day figures, from Christopher Columbus to Elon Musk, into a chaotic allegory of a society unmoored. Evoking a contemporary America adrift amid spectacle, instability, and competing claims to power, the exhibition also includes a Virtual Reality experience that immerses visitors in Solmi's destabilizing world.

Soulscapes
art haus SYR

120 Walton St.
Syracuse

"Soulscapes" brings together an eclectic mix of mediums — from global photography to surrealist painting — to create a dialogue between the internal psyche and the external world.

Featured Artists
• CJ Hodge lll: Presents a collection of surreal mixed-media portraits and bold abstract paintings that challenge traditional boundaries of form and color.

• Marc Safran: Showcases global portrait photography that highlights the profound beauty of human rituals, cultural traditions, and the dignity of everyday individual life.

• Karen Tashkovski: Offers a delicate and textured series of mixed-media butterfly paintings, symbolizing transformation and fragile beauty.

• Meghan Murphy: Explores the extremes of scale and subject matter, featuring a series of tiny landscape watercolors paired with a collection of outlandish looking portraits.

Visions of Hope: Moving Images by Teens with a Movie Camera
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

The voices and visions of teenagers rarely take center stage in professional exhibition spaces. Yet, young people in our communities hold valuable perspectives on the world.

Forging a new network of neighbors, Teens with a Movie Camera's hands-on workshops embrace the artistic potential of everyday tools such as smartphones, envisioning movies as a mode of personal expression and artistic exploration rather than a commercial product. The TwMC artist collective asks: can we reimagine filmmaking as an inclusive art practice, open to all? What can it look like to nurture new safe spaces for playful and imaginative engagement with media arts, as a way of building local community? Featured works will center upon themes of creativity and hope, emphasizing imagination as a pathway toward meaningful futures.

Curator’s Tour: Contested Territories
Everson Museum of Art

Price: Pay what you wish
Everson Museum of Art
401 Harrison St., Syracuse

Join Everson Museum Director & CEO, Elizabeth Dunbar, for an enriching guided tour of the special exhibition "Joyce Kozloff: Contested Territories, 1983-2023." Learn about contemporary artist Joyce Kozloff, a founding figure of the Pattern and Decoration movement, whose work combines meticulous craftsmanship with political critique. For more than four decades, Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps, and how maps shape our understanding of the world — not as neutral tools, but as instruments of influence, ideology, and control. Explore how Kozloff reimagines educational globes and deconstructs colonial-era charts, transforming maps from static documents into contested, dynamic spaces, encouraging viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

Gabe Stillman
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

The Gabe Stillman Band hits the stage in high gear and only goes higher as they embrace all corners of American Roots Music with their impromptu selection of original gems and carefully chosen covers.

Preview: Joe Turner's Come and Gone
Syracuse Stage
Timothy Douglas, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

August Wilson's mystical and heartbreaking masterpiece.

1911. Pittsburgh. Seth Holly's boarding house is home to drifters and broken hearts, a waystation for folks biding their time. The residents include a restless musician with a wandering eye, a young woman waiting on a husband who's not coming back, and an eccentric mystic who performs rituals in the yard while helping others find their song. Enter Herald Loomis, recently freed from a Southern chain gang with his young daughter in tow and desperate to reunite with a wife who might not want to be found. A lyrical triumph from Wilson's magnificent Century Cycle, Joe Turner's Come and Gone is a haunting and poetic tale of lost souls searching for spiritual mooring in the raging sea that is America.

Thursday, March 12, 2026

Arts and Minds: A Showcase for Creative Aging
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

This exhibit features 21 works by 12 elder artists in the Syracuse Jewish Family Service (SJFS) Arts and Minds Program. Through their participation in various creative projects, the artists expressed themselves and made choices that reflect their aesthetic preferences while also learning about and exploring new artistic techniques. Most importantly, the participants unlocked a feeling of achievement and success. SJFS is a nonprofit agency dedicated to helping individuals and families of any faith and age in Central New York.

Gary Quirk: The Nature I See Through Clay
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gary Quirk creates images in slabs of clay as a way of remembering and celebrating the world around him. According to Quirk, the images emerge from chance sightings or from dreams of sightings yet hoped for. They are derived from encounters with the outdoors that range from grand vistas to familiar urban settings, some from his own neighborhood. It is his wish that his tiles will serve as a focal point for other people to observe the beauty we find in our world.

Whimsy and Joy
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Kathleen Crinnin: acrylic paintings
Linda Malik: sculptural ceramics
Eva Hunter: mixed media jewelry, alcohol ink paintings, oils, pastels, and silk scarves

Healing Forward: Rituals of Self Repair, Cultivation of Community, and Collective Activation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A retrospective exhibition of over 60 multimedia and quilted works by Amber Robles-Gordon, an interdisciplinary visual artist of Puerto Rican and Caribbean descent who resides in Washington, DC. This body of work traces the through-line of healing — personal, communal, spiritual, and ecological frameworks — across the artistic career of Amber Robles-Gordon. Bringing together installations, quilts, assemblages, and collages created over more than a decade, the exhibition reveals how healing has functioned not only as a thematic concern, but as a methodology and ethical framework within the artist's practice.

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

Tal Placido: Meeting Place
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Tal Placido's large-scale abstract paintings begin with a conversation. Instead of working on blank primed canvas, Placido paints on vintage linens, embracing their stains, snags, and embellishments. A native of the Philippines, Placido is attuned to the family stories and lived experiences that she literally weaves into her work. The images she presents in Meeting Place are a record of the dialogue between experience-laden objects and an artist more concerned about thoughtful questions than concrete answers.

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

Federico Solmi: Adrift
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Visually sumptuous and incisively satirical, Federico Solmi's multimedia works expose the excesses and contradictions of power across history and contemporary culture. Adrift presents new and recent "video paintings" alongside the monumental canvas The Ship of Fools, which reimagines Théodore Géricault's Raft of the Medusa (1818–19) through Solmi's irreverent visual language. The painting assembles historical and present-day figures, from Christopher Columbus to Elon Musk, into a chaotic allegory of a society unmoored. Evoking a contemporary America adrift amid spectacle, instability, and competing claims to power, the exhibition also includes a Virtual Reality experience that immerses visitors in Solmi's destabilizing world.

Soulscapes
art haus SYR

120 Walton St.
Syracuse

"Soulscapes" brings together an eclectic mix of mediums — from global photography to surrealist painting — to create a dialogue between the internal psyche and the external world.

Featured Artists
• CJ Hodge lll: Presents a collection of surreal mixed-media portraits and bold abstract paintings that challenge traditional boundaries of form and color.

• Marc Safran: Showcases global portrait photography that highlights the profound beauty of human rituals, cultural traditions, and the dignity of everyday individual life.

• Karen Tashkovski: Offers a delicate and textured series of mixed-media butterfly paintings, symbolizing transformation and fragile beauty.

• Meghan Murphy: Explores the extremes of scale and subject matter, featuring a series of tiny landscape watercolors paired with a collection of outlandish looking portraits.

Freedom and Control
Brewer Harris Projects

138 Bank Alley (University Building)
Syracuse

"Freedom and Control" explores the passport as a real and imagined object, a repository of dreams and nightmares. The document's fundamental purpose has always been tied to freedom of movement — passports make it possible for some individuals to cross international borders and allow the State to convey and govern the permission to do so. While the the document may seem to provide a kind of freedom to its bearer, it often does the opposite. Passports from some countries carry almost no restrictions on travel, while passports from others severely constrain citizens' ability to leave their home country.

Working in sculpture, photography, book arts and installation, the artists in this exhibition consider, critique and deconstruct this charged document to highlight its myriad uses; as a tool of State control, an indispensable object that fixes or erases national identity, or a portal through which we might imagine other ways of being in and moving through the world.

Visions of Hope: Moving Images by Teens with a Movie Camera
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

The voices and visions of teenagers rarely take center stage in professional exhibition spaces. Yet, young people in our communities hold valuable perspectives on the world.

Forging a new network of neighbors, Teens with a Movie Camera's hands-on workshops embrace the artistic potential of everyday tools such as smartphones, envisioning movies as a mode of personal expression and artistic exploration rather than a commercial product. The TwMC artist collective asks: can we reimagine filmmaking as an inclusive art practice, open to all? What can it look like to nurture new safe spaces for playful and imaginative engagement with media arts, as a way of building local community? Featured works will center upon themes of creativity and hope, emphasizing imagination as a pathway toward meaningful futures.

Alisha B Wormsley: The Temple of Our Survival
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

The Temple of Our Survival is new video work commissioned by Light Work for projection at UVP exploring what survival means and looks like through a series of interviews conducted by the artist with local care workers, land stewards, and cultural workers in her nomadic film set and project space.

Screening begins at dusk.

Stars of Tomorrow Cabaret
CNY Jazz Arts Foundation

Price: $10 adults, $5 under 18
Jazz Central
441 E. Washington St., Syracuse

Vocalists from Saturday's Vocal Jazz Jam coaching sessions will present a cabaret, accompanied by the CNY Jazz Trio.

Preview: Joe Turner's Come and Gone
Syracuse Stage
Timothy Douglas, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

August Wilson's mystical and heartbreaking masterpiece.

1911. Pittsburgh. Seth Holly's boarding house is home to drifters and broken hearts, a waystation for folks biding their time. The residents include a restless musician with a wandering eye, a young woman waiting on a husband who's not coming back, and an eccentric mystic who performs rituals in the yard while helping others find their song. Enter Herald Loomis, recently freed from a Southern chain gang with his young daughter in tow and desperate to reunite with a wife who might not want to be found. A lyrical triumph from Wilson's magnificent Century Cycle, Joe Turner's Come and Gone is a haunting and poetic tale of lost souls searching for spiritual mooring in the raging sea that is America.

Friday, March 13, 2026

Arts and Minds: A Showcase for Creative Aging
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

This exhibit features 21 works by 12 elder artists in the Syracuse Jewish Family Service (SJFS) Arts and Minds Program. Through their participation in various creative projects, the artists expressed themselves and made choices that reflect their aesthetic preferences while also learning about and exploring new artistic techniques. Most importantly, the participants unlocked a feeling of achievement and success. SJFS is a nonprofit agency dedicated to helping individuals and families of any faith and age in Central New York.

Gary Quirk: The Nature I See Through Clay
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gary Quirk creates images in slabs of clay as a way of remembering and celebrating the world around him. According to Quirk, the images emerge from chance sightings or from dreams of sightings yet hoped for. They are derived from encounters with the outdoors that range from grand vistas to familiar urban settings, some from his own neighborhood. It is his wish that his tiles will serve as a focal point for other people to observe the beauty we find in our world.

Whimsy and Joy
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Kathleen Crinnin: acrylic paintings
Linda Malik: sculptural ceramics
Eva Hunter: mixed media jewelry, alcohol ink paintings, oils, pastels, and silk scarves

Healing Forward: Rituals of Self Repair, Cultivation of Community, and Collective Activation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A retrospective exhibition of over 60 multimedia and quilted works by Amber Robles-Gordon, an interdisciplinary visual artist of Puerto Rican and Caribbean descent who resides in Washington, DC. This body of work traces the through-line of healing — personal, communal, spiritual, and ecological frameworks — across the artistic career of Amber Robles-Gordon. Bringing together installations, quilts, assemblages, and collages created over more than a decade, the exhibition reveals how healing has functioned not only as a thematic concern, but as a methodology and ethical framework within the artist's practice.

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

Tal Placido: Meeting Place
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Tal Placido's large-scale abstract paintings begin with a conversation. Instead of working on blank primed canvas, Placido paints on vintage linens, embracing their stains, snags, and embellishments. A native of the Philippines, Placido is attuned to the family stories and lived experiences that she literally weaves into her work. The images she presents in Meeting Place are a record of the dialogue between experience-laden objects and an artist more concerned about thoughtful questions than concrete answers.

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

Federico Solmi: Adrift
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Visually sumptuous and incisively satirical, Federico Solmi's multimedia works expose the excesses and contradictions of power across history and contemporary culture. Adrift presents new and recent "video paintings" alongside the monumental canvas The Ship of Fools, which reimagines Théodore Géricault's Raft of the Medusa (1818–19) through Solmi's irreverent visual language. The painting assembles historical and present-day figures, from Christopher Columbus to Elon Musk, into a chaotic allegory of a society unmoored. Evoking a contemporary America adrift amid spectacle, instability, and competing claims to power, the exhibition also includes a Virtual Reality experience that immerses visitors in Solmi's destabilizing world.

Soulscapes
art haus SYR

120 Walton St.
Syracuse

"Soulscapes" brings together an eclectic mix of mediums — from global photography to surrealist painting — to create a dialogue between the internal psyche and the external world.

Featured Artists
• CJ Hodge lll: Presents a collection of surreal mixed-media portraits and bold abstract paintings that challenge traditional boundaries of form and color.

• Marc Safran: Showcases global portrait photography that highlights the profound beauty of human rituals, cultural traditions, and the dignity of everyday individual life.

• Karen Tashkovski: Offers a delicate and textured series of mixed-media butterfly paintings, symbolizing transformation and fragile beauty.

• Meghan Murphy: Explores the extremes of scale and subject matter, featuring a series of tiny landscape watercolors paired with a collection of outlandish looking portraits.

Beginnings: A New Century of Associated Artists of CNY
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

Celebrating the 100th year of Associated Artists of CNY, the exhibit, which will feature paintings, drawings, photography, fiber art, sculpture, and fused enamel pieces.

Freedom and Control
Brewer Harris Projects

138 Bank Alley (University Building)
Syracuse

"Freedom and Control" explores the passport as a real and imagined object, a repository of dreams and nightmares. The document's fundamental purpose has always been tied to freedom of movement — passports make it possible for some individuals to cross international borders and allow the State to convey and govern the permission to do so. While the the document may seem to provide a kind of freedom to its bearer, it often does the opposite. Passports from some countries carry almost no restrictions on travel, while passports from others severely constrain citizens' ability to leave their home country.

Working in sculpture, photography, book arts and installation, the artists in this exhibition consider, critique and deconstruct this charged document to highlight its myriad uses; as a tool of State control, an indispensable object that fixes or erases national identity, or a portal through which we might imagine other ways of being in and moving through the world.

Visions of Hope: Moving Images by Teens with a Movie Camera
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

The voices and visions of teenagers rarely take center stage in professional exhibition spaces. Yet, young people in our communities hold valuable perspectives on the world.

Forging a new network of neighbors, Teens with a Movie Camera's hands-on workshops embrace the artistic potential of everyday tools such as smartphones, envisioning movies as a mode of personal expression and artistic exploration rather than a commercial product. The TwMC artist collective asks: can we reimagine filmmaking as an inclusive art practice, open to all? What can it look like to nurture new safe spaces for playful and imaginative engagement with media arts, as a way of building local community? Featured works will center upon themes of creativity and hope, emphasizing imagination as a pathway toward meaningful futures.

Alisha B Wormsley: The Temple of Our Survival
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

The Temple of Our Survival is new video work commissioned by Light Work for projection at UVP exploring what survival means and looks like through a series of interviews conducted by the artist with local care workers, land stewards, and cultural workers in her nomadic film set and project space.

Screening begins at dusk.

Jeffrey Gaines
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Jeffrey Gaines has been heralded for his soul-searching lyrics and his powerful live performances. With only his voice and a guitar for accompaniment, Gaines has earned a reputation as a captivating performer, entertaining his audiences worldwide. Throughout his three-decade recording career, Gaines has maintained an impressive standard for soul-searching, introspective lyrics and catchy, uplifting melodies.

Opening: Joe Turner's Come and Gone
Syracuse Stage
Timothy Douglas, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

August Wilson's mystical and heartbreaking masterpiece.

1911. Pittsburgh. Seth Holly's boarding house is home to drifters and broken hearts, a waystation for folks biding their time. The residents include a restless musician with a wandering eye, a young woman waiting on a husband who's not coming back, and an eccentric mystic who performs rituals in the yard while helping others find their song. Enter Herald Loomis, recently freed from a Southern chain gang with his young daughter in tow and desperate to reunite with a wife who might not want to be found. A lyrical triumph from Wilson's magnificent Century Cycle, Joe Turner's Come and Gone is a haunting and poetic tale of lost souls searching for spiritual mooring in the raging sea that is America.

Saturday, March 14, 2026

Arts and Minds: A Showcase for Creative Aging
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

This exhibit features 21 works by 12 elder artists in the Syracuse Jewish Family Service (SJFS) Arts and Minds Program. Through their participation in various creative projects, the artists expressed themselves and made choices that reflect their aesthetic preferences while also learning about and exploring new artistic techniques. Most importantly, the participants unlocked a feeling of achievement and success. SJFS is a nonprofit agency dedicated to helping individuals and families of any faith and age in Central New York.

   

Gary Quirk: The Nature I See Through Clay
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gary Quirk creates images in slabs of clay as a way of remembering and celebrating the world around him. According to Quirk, the images emerge from chance sightings or from dreams of sightings yet hoped for. They are derived from encounters with the outdoors that range from grand vistas to familiar urban settings, some from his own neighborhood. It is his wish that his tiles will serve as a focal point for other people to observe the beauty we find in our world.

   

Healing Forward: Rituals of Self Repair, Cultivation of Community, and Collective Activation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A retrospective exhibition of over 60 multimedia and quilted works by Amber Robles-Gordon, an interdisciplinary visual artist of Puerto Rican and Caribbean descent who resides in Washington, DC. This body of work traces the through-line of healing — personal, communal, spiritual, and ecological frameworks — across the artistic career of Amber Robles-Gordon. Bringing together installations, quilts, assemblages, and collages created over more than a decade, the exhibition reveals how healing has functioned not only as a thematic concern, but as a methodology and ethical framework within the artist's practice.

   

Whimsy and Joy
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Kathleen Crinnin: acrylic paintings
Linda Malik: sculptural ceramics
Eva Hunter: mixed media jewelry, alcohol ink paintings, oils, pastels, and silk scarves

   

Federico Solmi: Adrift
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Visually sumptuous and incisively satirical, Federico Solmi's multimedia works expose the excesses and contradictions of power across history and contemporary culture. Adrift presents new and recent "video paintings" alongside the monumental canvas The Ship of Fools, which reimagines Théodore Géricault's Raft of the Medusa (1818–19) through Solmi's irreverent visual language. The painting assembles historical and present-day figures, from Christopher Columbus to Elon Musk, into a chaotic allegory of a society unmoored. Evoking a contemporary America adrift amid spectacle, instability, and competing claims to power, the exhibition also includes a Virtual Reality experience that immerses visitors in Solmi's destabilizing world.

   

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

   

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

   

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

   

Tal Placido: Meeting Place
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Tal Placido's large-scale abstract paintings begin with a conversation. Instead of working on blank primed canvas, Placido paints on vintage linens, embracing their stains, snags, and embellishments. A native of the Philippines, Placido is attuned to the family stories and lived experiences that she literally weaves into her work. The images she presents in Meeting Place are a record of the dialogue between experience-laden objects and an artist more concerned about thoughtful questions than concrete answers.

   

Soulscapes
art haus SYR

120 Walton St.
Syracuse

"Soulscapes" brings together an eclectic mix of mediums — from global photography to surrealist painting — to create a dialogue between the internal psyche and the external world.

Featured Artists
• CJ Hodge lll: Presents a collection of surreal mixed-media portraits and bold abstract paintings that challenge traditional boundaries of form and color.

• Marc Safran: Showcases global portrait photography that highlights the profound beauty of human rituals, cultural traditions, and the dignity of everyday individual life.

• Karen Tashkovski: Offers a delicate and textured series of mixed-media butterfly paintings, symbolizing transformation and fragile beauty.

• Meghan Murphy: Explores the extremes of scale and subject matter, featuring a series of tiny landscape watercolors paired with a collection of outlandish looking portraits.

   

Beginnings: A New Century of Associated Artists of CNY
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

Celebrating the 100th year of Associated Artists of CNY, the exhibit, which will feature paintings, drawings, photography, fiber art, sculpture, and fused enamel pieces.

   

Visions of Hope: Moving Images by Teens with a Movie Camera
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

The voices and visions of teenagers rarely take center stage in professional exhibition spaces. Yet, young people in our communities hold valuable perspectives on the world.

Forging a new network of neighbors, Teens with a Movie Camera's hands-on workshops embrace the artistic potential of everyday tools such as smartphones, envisioning movies as a mode of personal expression and artistic exploration rather than a commercial product. The TwMC artist collective asks: can we reimagine filmmaking as an inclusive art practice, open to all? What can it look like to nurture new safe spaces for playful and imaginative engagement with media arts, as a way of building local community? Featured works will center upon themes of creativity and hope, emphasizing imagination as a pathway toward meaningful futures.

   

Freedom and Control
Brewer Harris Projects

138 Bank Alley (University Building)
Syracuse

"Freedom and Control" explores the passport as a real and imagined object, a repository of dreams and nightmares. The document's fundamental purpose has always been tied to freedom of movement — passports make it possible for some individuals to cross international borders and allow the State to convey and govern the permission to do so. While the the document may seem to provide a kind of freedom to its bearer, it often does the opposite. Passports from some countries carry almost no restrictions on travel, while passports from others severely constrain citizens' ability to leave their home country.

Working in sculpture, photography, book arts and installation, the artists in this exhibition consider, critique and deconstruct this charged document to highlight its myriad uses; as a tool of State control, an indispensable object that fixes or erases national identity, or a portal through which we might imagine other ways of being in and moving through the world.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Alisha B Wormsley: The Temple of Our Survival
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

The Temple of Our Survival is new video work commissioned by Light Work for projection at UVP exploring what survival means and looks like through a series of interviews conducted by the artist with local care workers, land stewards, and cultural workers in her nomadic film set and project space.

Screening begins at dusk.

   

Kids Series: Windy Day
Syracuse Orchestra (formerly Symphoria)

Inspiration Hall (formerly St. Peter's Church)
709 James St., Syracuse

Come learn all about The Syracuse Orchestra Wind Section in this fun concert featuring all of the woodwind instruments.

Tickets

   

Kids Series: Windy Day
Syracuse Orchestra (formerly Symphoria)

Inspiration Hall (formerly St. Peter's Church)
709 James St., Syracuse

Come learn all about The Syracuse Orchestra Wind Section in this fun concert featuring all of the woodwind instruments.

Tickets

   

Miller & the Other Sinners
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Miller and The Other Sinners is: David Michael Miller ("Miller") on vocals & guitars, Steve Davis on keys, organ, key bass, and vocals, Isaiah Griffin on drums & percussion, Dalton Sharp on saxophone, and for the last 2 years, Paul Gaspar on trumpet. These five together tracked this latest effort, a full-length album, recorded in a studio that Miller built in his mid-1800s farm house during the COVID shutdown. "Thieves In The Breadline," is an amazing step in defining this band's last 4+ years of work together, finding their sound and capturing their live chemistry. Inspired by the Marcus King record produced by Warren Haynes, both strong influences on Miller, Thieves sets to capture that fat warm sound reminiscent of iconic recordings, yet with a modern presence and push. Miller engineered, arranged, produced, mixed, and mastered this project as a labor of love and passion, yet had to hit the high water mark of his first solo album in 2014, "Poisons Sipped."

Tickets

   

The Bandwitts
Steeple Coffee House

Price: $15 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

The bandwitts are Hymie and Brandy Witthoft, a Marcellus-based couple who write, record, and perform original music of various styles. Hymie plays drums and a wide range of percussion instruments, while Brandy plays bass guitar and is lead vocalist. During Brandy's 17-year career in the U.S. foreign service, their family lived in Africa, Central Asia, the Caribbean, and the Middle East, where they performed in bands that shared and showcased American roots music. They loved having the opportunity to learn about and experience the musical traditions of these places. Now that they have returned stateside permanently, Hymie and Brandy are thrilled to be joined by Jason King on electric and acoustic guitar and by Joanne Perry on mandolin and vocals.

   

Joe Turner's Come and Gone
Syracuse Stage
Timothy Douglas, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

August Wilson's mystical and heartbreaking masterpiece.

1911. Pittsburgh. Seth Holly's boarding house is home to drifters and broken hearts, a waystation for folks biding their time. The residents include a restless musician with a wandering eye, a young woman waiting on a husband who's not coming back, and an eccentric mystic who performs rituals in the yard while helping others find their song. Enter Herald Loomis, recently freed from a Southern chain gang with his young daughter in tow and desperate to reunite with a wife who might not want to be found. A lyrical triumph from Wilson's magnificent Century Cycle, Joe Turner's Come and Gone is a haunting and poetic tale of lost souls searching for spiritual mooring in the raging sea that is America.

   

Joe Turner's Come and Gone
Syracuse Stage
Timothy Douglas, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

August Wilson's mystical and heartbreaking masterpiece.

1911. Pittsburgh. Seth Holly's boarding house is home to drifters and broken hearts, a waystation for folks biding their time. The residents include a restless musician with a wandering eye, a young woman waiting on a husband who's not coming back, and an eccentric mystic who performs rituals in the yard while helping others find their song. Enter Herald Loomis, recently freed from a Southern chain gang with his young daughter in tow and desperate to reunite with a wife who might not want to be found. A lyrical triumph from Wilson's magnificent Century Cycle, Joe Turner's Come and Gone is a haunting and poetic tale of lost souls searching for spiritual mooring in the raging sea that is America.