Monday, October 5, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

99th Annual Juried Members Exhibit
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Where We Stop and Nature Begins
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gentle margins between ourselves and nature — watercolor paintings by Lucie Wellner

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

Tuesday, October 6, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

99th Annual Juried Members Exhibit
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Where We Stop and Nature Begins
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gentle margins between ourselves and nature — watercolor paintings by Lucie Wellner

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.

Reclaimed: The Art of Recology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Reclaimed: The Art of Recology presents a survey of 33 artists who were selected to participate in Recology's Artist-in-Residence program, which began in 1990. Armed with safety gear and a shopping cart, each of these artists have scavenging privileges in the Public Reuse and Recycling Area—what most artists refer to as "The Big Store"—to recycle and reclaim the discarded waste as imagined art objects. Through introspective, playful, and highly original explorations, the artists reveal the hidden stories our rubbish tells us about our complex relationship with the world, while highlighting the need to create sustainable communities.

Space and the Sacred: Letterio Calapai's Prints
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Between the 1940s and his death in 1993, the printmaker Letterio Calapai produced dozens of works about outer space and Catholic subjects. This exhibition examines how his art transformed as these subjects evolved during his lifetime and reveals how one man understood the changing world around him.

The Art Wall Project: Helen Zughaib, Patterns of Migration
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For the sixth iteration of The Art Wall Project, Helen Zughaib '81 uses her characteristic bright color palette and intricate patterns to explore the stories of people's displacement from their homes. By painting migration narratives from her own family's history and our contemporary experiences, Zughaib considers how this global movement of individuals has shaped America as we know it today.

Collection Spotlight: Jill Nathanson, Contrapuntal
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibitions spotlights Jill Nathanson's Contrapuntal for a year-long inquiry into light, color, music, and making. Nathanson's use of polymers and acrylic paint in this work will also invite conversations around materials and their properties.

Quinceañera Dreams Exhibition
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Marking its 15th anniversary in 2026, La Casita presents "Quinceañera Dreams," a new exhibition that explores one of the most cherished traditions in Latino cultures: the quinceañera celebration. Through community-sourced photographs, video, oral histories, family memorabilia, stunning gowns, and multimedia installations, Quinceañera Dreams explores the history, beauty, and cultural significance of this beloved coming-of-age tradition that connects generations of women.

Guided tours in English and Spanish by appointment.

*SOLD OUT* Maria Muldaur with Bruce Katz
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Join us for an intimate acoustic evening with Maria Muldaur accompanied by Bruce Katz on piano.

This very special intimate acoustic concert features a fun repertoire of Naughty Bawdy Blues & Swingin' Syncopatin' Jazz tunes from the '20s & '30s!

Setnor Ensemble Series: Syracuse University Symphony Orchestra
Syracuse University Setnor School of Music
Diego Barbosa-Vásquez, conductor

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Together We Are Stronger marks Maestro Diego Barbosa-Vásquez's inaugural concert as music and artistic director of the Syracuse University Symphony Orchestra and the beginning of a new artistic chapter of one of Setnor's flagship ensembles.

Conceived as a musical journey rather than simply a collection of works, the program moves from resilience and reflection toward transformation, belonging, and collective celebration through Beethoven's Egmont Overture, Sibelius's ???????Valse Triste, the fourth movement of Dvorák's Symphony No. 9, "???????From the New World", and Lucho Bermúdez's Colombia Tierra Querida in a symphonic arrangement by LATAMScores. Each work brings a distinct musical tradition and perspective into the same artistic conversation, asking a central question: What can we become together?

Come From Away
Syracuse Stage
James Vásquez, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

An uplifting musical about open doors and open hearts.

On September 11, 2001, 38 planes were diverted to Gander Airport after U.S. airspace was indefinitely closed, stranding 7,000 international travelers in Newfoundland and immediately doubling the population of a tiny, isolated island town. The townspeople quickly respond with heroic hospitality, inviting the beleaguered travelers into their bars, their homes, and their hearts. Set to rousing, rowdy, and rough-hewn folk songs, Come From Away is the Tony Award-winning true story of human decency, a triumphant and inspiring tribute to an unforgettable moment in history, and a one-of-a-kind musical that proves "no man is an island, but an island makes a man."

Wednesday, October 7, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

99th Annual Juried Members Exhibit
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Where We Stop and Nature Begins
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gentle margins between ourselves and nature — watercolor paintings by Lucie Wellner

CNY Artist Initiative: Rich Harrington
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Harrington's work explores how popular culture shapes identity, drawing on toys, games, and icons from his youth to create playful yet incisive autobiographical commentary. Through painting, sculpture, video, and assemblage, he reassigns familiar images and texts to reveal alternative narratives and new intersections of memory, meaning, and belonging.

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

Collection Spotlight: Jill Nathanson, Contrapuntal
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibitions spotlights Jill Nathanson's Contrapuntal for a year-long inquiry into light, color, music, and making. Nathanson's use of polymers and acrylic paint in this work will also invite conversations around materials and their properties.

The Art Wall Project: Helen Zughaib, Patterns of Migration
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For the sixth iteration of The Art Wall Project, Helen Zughaib '81 uses her characteristic bright color palette and intricate patterns to explore the stories of people's displacement from their homes. By painting migration narratives from her own family's history and our contemporary experiences, Zughaib considers how this global movement of individuals has shaped America as we know it today.

Space and the Sacred: Letterio Calapai's Prints
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Between the 1940s and his death in 1993, the printmaker Letterio Calapai produced dozens of works about outer space and Catholic subjects. This exhibition examines how his art transformed as these subjects evolved during his lifetime and reveals how one man understood the changing world around him.

Reclaimed: The Art of Recology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Reclaimed: The Art of Recology presents a survey of 33 artists who were selected to participate in Recology's Artist-in-Residence program, which began in 1990. Armed with safety gear and a shopping cart, each of these artists have scavenging privileges in the Public Reuse and Recycling Area—what most artists refer to as "The Big Store"—to recycle and reclaim the discarded waste as imagined art objects. Through introspective, playful, and highly original explorations, the artists reveal the hidden stories our rubbish tells us about our complex relationship with the world, while highlighting the need to create sustainable communities.

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

Julia Kunin: Electric Dream Machines
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

With their lustrous surfaces and evocative shapes, the ceramic works of Brooklyn-based artist Julia Kunin aim for maximum sensory overload. Kunin forges disparate influences like Art Deco, Surrealism, and queer abstraction into shimmering ceramic sculptures. For Kunin, discovery and free association reign supreme. Kunin's mental process echoes her physical process, ping-ponging from one concept to the next. An allusion to a surrealist artist might lead to a rabbit hole about geopolitics or queer identity. Kunin follows her trail of breadcrumbs with rigorous research—she has even learned entire languages to facilitate her work.

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

Sincerely, Beato
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

We remember Beatrice Wood, who signed her pithy correspondence as "Beato," for her cutting wit, outrageous stories, lustrous ceramics, and complex relationship with artist Marcel Duchamp, a leader of the Dada movement. Determined to resist the life her wealthy parents envisioned for her, Wood became a defining figure of New York City's Dada scene, embracing the art movement that reveled in absurdity, nonsense, and humor.

Sincerely, Beato features self-portraits, sketches, and illustrations that Wood made primarily in the latter half of her life, after she settled in Ojai, California. They function as a pictorial diary, revealing the inner worries, emotions, and desires of the "Mama of Dada."

Yoichi Okimoto: Photographer in Service of Democracy
Art in the Atrium

Price: Free
Art in the Atrium Gallery (formerly City Hall Commons)
201 East Washington St., Syracuse

Before the White House, there was Central New York ...

Long before Yoichi Okamoto entered the Oval Office with a camera, he was finding his way in Central New York. A Colgate alumni, he refined his trade in the ballrooms of the Hotel Syracuse and at the Syracuse Post Standard. When the Army turned him away, people here stood up for him. His extraordinary career did not just pass through this region. It began here.

Quinceañera Dreams Exhibition
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Marking its 15th anniversary in 2026, La Casita presents "Quinceañera Dreams," a new exhibition that explores one of the most cherished traditions in Latino cultures: the quinceañera celebration. Through community-sourced photographs, video, oral histories, family memorabilia, stunning gowns, and multimedia installations, Quinceañera Dreams explores the history, beauty, and cultural significance of this beloved coming-of-age tradition that connects generations of women.

Guided tours in English and Spanish by appointment.

Katie Mulligan: No Man’s Land: Reimagining the Myth of Cicero Swamp
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"No Man's Land: Reimagining the Myth of Cicero Swamp" offers a look into Cicero Swamp Wildlife Management Area, often known to locals as Rattlesnake Gulch. Cicero Swamp is a complex network of ecosystems that stretches across nearly 5,000 acres. The swamp was deemed a 'wasteland' throughout its early history, and local perception and myth evolved into attempts to drain and alter the swamp. Cicero Swamp is a sample of a larger story; throughout the history of the United States, wetlands were perceived by settlers as mysterious, dangerous, and evil. This perception has led to the draining and destruction of 50% of the nation's wetlands in the present day. "No Man's Land" glimpses into a wetland ecosystem through fibers and illustration, and attempts to combat bias and misconception of wetlands, particularly swamps; before it is too late.

Lil' Ed & the Blues Imperials
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Lil' Ed Williams comes to the blues naturally. His uncle, Chicago slide guitar king and master songwriter J.B. Hutto, taught him how to feel, not just play the blues. Nine albums and thousands of performances later, Lil' Ed is now universally hailed as a giant of the genre. Lil' Ed and The Blues Imperials — bassist (and Ed's half-brother) James "Pookie" Young, guitarist Mike Garrett and drummer Kelly Littleton — have remained together for nearly 30 years (an extraordinary feat for any group), the band fueling Ed's songs with their rock-solid, road-tested, telepathic musicianship.

Come From Away
Syracuse Stage
James Vásquez, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

An uplifting musical about open doors and open hearts.

On September 11, 2001, 38 planes were diverted to Gander Airport after U.S. airspace was indefinitely closed, stranding 7,000 international travelers in Newfoundland and immediately doubling the population of a tiny, isolated island town. The townspeople quickly respond with heroic hospitality, inviting the beleaguered travelers into their bars, their homes, and their hearts. Set to rousing, rowdy, and rough-hewn folk songs, Come From Away is the Tony Award-winning true story of human decency, a triumphant and inspiring tribute to an unforgettable moment in history, and a one-of-a-kind musical that proves "no man is an island, but an island makes a man."

Thursday, October 8, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

99th Annual Juried Members Exhibit
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Where We Stop and Nature Begins
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gentle margins between ourselves and nature — watercolor paintings by Lucie Wellner

CNY Artist Initiative: Rich Harrington
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Harrington's work explores how popular culture shapes identity, drawing on toys, games, and icons from his youth to create playful yet incisive autobiographical commentary. Through painting, sculpture, video, and assemblage, he reassigns familiar images and texts to reveal alternative narratives and new intersections of memory, meaning, and belonging.

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.

Reclaimed: The Art of Recology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Reclaimed: The Art of Recology presents a survey of 33 artists who were selected to participate in Recology's Artist-in-Residence program, which began in 1990. Armed with safety gear and a shopping cart, each of these artists have scavenging privileges in the Public Reuse and Recycling Area—what most artists refer to as "The Big Store"—to recycle and reclaim the discarded waste as imagined art objects. Through introspective, playful, and highly original explorations, the artists reveal the hidden stories our rubbish tells us about our complex relationship with the world, while highlighting the need to create sustainable communities.

Space and the Sacred: Letterio Calapai's Prints
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Between the 1940s and his death in 1993, the printmaker Letterio Calapai produced dozens of works about outer space and Catholic subjects. This exhibition examines how his art transformed as these subjects evolved during his lifetime and reveals how one man understood the changing world around him.

The Art Wall Project: Helen Zughaib, Patterns of Migration
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For the sixth iteration of The Art Wall Project, Helen Zughaib '81 uses her characteristic bright color palette and intricate patterns to explore the stories of people's displacement from their homes. By painting migration narratives from her own family's history and our contemporary experiences, Zughaib considers how this global movement of individuals has shaped America as we know it today.

Collection Spotlight: Jill Nathanson, Contrapuntal
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibitions spotlights Jill Nathanson's Contrapuntal for a year-long inquiry into light, color, music, and making. Nathanson's use of polymers and acrylic paint in this work will also invite conversations around materials and their properties.

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

Julia Kunin: Electric Dream Machines
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

With their lustrous surfaces and evocative shapes, the ceramic works of Brooklyn-based artist Julia Kunin aim for maximum sensory overload. Kunin forges disparate influences like Art Deco, Surrealism, and queer abstraction into shimmering ceramic sculptures. For Kunin, discovery and free association reign supreme. Kunin's mental process echoes her physical process, ping-ponging from one concept to the next. An allusion to a surrealist artist might lead to a rabbit hole about geopolitics or queer identity. Kunin follows her trail of breadcrumbs with rigorous research—she has even learned entire languages to facilitate her work.

Sincerely, Beato
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

We remember Beatrice Wood, who signed her pithy correspondence as "Beato," for her cutting wit, outrageous stories, lustrous ceramics, and complex relationship with artist Marcel Duchamp, a leader of the Dada movement. Determined to resist the life her wealthy parents envisioned for her, Wood became a defining figure of New York City's Dada scene, embracing the art movement that reveled in absurdity, nonsense, and humor.

Sincerely, Beato features self-portraits, sketches, and illustrations that Wood made primarily in the latter half of her life, after she settled in Ojai, California. They function as a pictorial diary, revealing the inner worries, emotions, and desires of the "Mama of Dada."

Yoichi Okimoto: Photographer in Service of Democracy
Art in the Atrium

Price: Free
Art in the Atrium Gallery (formerly City Hall Commons)
201 East Washington St., Syracuse

Before the White House, there was Central New York ...

Long before Yoichi Okamoto entered the Oval Office with a camera, he was finding his way in Central New York. A Colgate alumni, he refined his trade in the ballrooms of the Hotel Syracuse and at the Syracuse Post Standard. When the Army turned him away, people here stood up for him. His extraordinary career did not just pass through this region. It began here.

Mosaic Narratives
Brewer Harris Projects

138 Bank Alley (University Building)
Syracuse

Rooted in one of America's oldest and most enduring art traditions, Mosaic Narratives brings quilting, textiles, and fiber-based practices into the gallery through an exhibition centering Black women artists and their vital contributions to the evolution of these forms. Works by Ellen M. Blalock, Tina Williams Brewer, Isis Davis Marks, and Beverly Y. Smith

Quinceañera Dreams Exhibition
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Marking its 15th anniversary in 2026, La Casita presents "Quinceañera Dreams," a new exhibition that explores one of the most cherished traditions in Latino cultures: the quinceañera celebration. Through community-sourced photographs, video, oral histories, family memorabilia, stunning gowns, and multimedia installations, Quinceañera Dreams explores the history, beauty, and cultural significance of this beloved coming-of-age tradition that connects generations of women.

Guided tours in English and Spanish by appointment.

Katie Mulligan: No Man’s Land: Reimagining the Myth of Cicero Swamp
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"No Man's Land: Reimagining the Myth of Cicero Swamp" offers a look into Cicero Swamp Wildlife Management Area, often known to locals as Rattlesnake Gulch. Cicero Swamp is a complex network of ecosystems that stretches across nearly 5,000 acres. The swamp was deemed a 'wasteland' throughout its early history, and local perception and myth evolved into attempts to drain and alter the swamp. Cicero Swamp is a sample of a larger story; throughout the history of the United States, wetlands were perceived by settlers as mysterious, dangerous, and evil. This perception has led to the draining and destruction of 50% of the nation's wetlands in the present day. "No Man's Land" glimpses into a wetland ecosystem through fibers and illustration, and attempts to combat bias and misconception of wetlands, particularly swamps; before it is too late.

Airplane! Live with Julie Hagerty and Robert Hays!
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

You ever seen a ... screening of the greatest comedy to ever hit the skies? Well surely you've seen Airplane! — but not like this!

We have clearance, Clarence, to show the beloved comedy classic, on the BIG screen joined live by two stars of the film!

Assuming they don't have the fish for dinner ... Robert Hays (reluctant pilot "Ted Striker") and Julie Hagerty (flight attendant "Elaine Dickinson") will take the stage for a live discussion and Q&A after the film to share behind-the-scenes stories, insights, and personal memories from working on this genre-defining comedy masterpiece.

So put down that glue, because SURELY this is the wrong week to miss Robert Hays & Julie Hagerty with a screening of Airplane! (And don't call them Shirley!)

Concert by Charlie King, Annie Patterson and Colleen Kattau
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Join us for an evening of powerful singing with three of North America's finest activist folk singers: Charlie King, Annie Patterson, and Colleen Kattau.

Low Lily
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Low Lily is the colloquial name for the Trout Lily, a wildflower that grows in the northeast and in regions further afield. Like its namesake, Low Lily the band has been blooming across the musical landscape since 2015- throughout the northeast and beyond. Liz Simmons (guitar, banjo, and vocals), Flynn Cohen (guitar, mandolin, and vocals), and Lily Sexton (fiddle and vocals) blend their considerable individual talents into a stylistic bouquet of energetic fiddle music, introspective folk, bluegrass, and Americana. The trio has deep roots in the fiddle tune and singing traditions of North America and the Celtic diaspora.

Babelfest 2026: Festival of New American Plays
Redhouse

Redhouse at City Center
400 S. Salina St., Syracuse

The United States of Us, book and lyrics by Alan Gordon, music by Joy Son (staged reading)

Returning after a high-energy inaugural year, Babelfest showcases new and developing plays as part of a 4-day festival that centers bold voices and fearless experimentation.

Because the future of theatre doesn't wait for a mainstage slot. It explodes onto the scene.

Come From Away
Syracuse Stage
James Vásquez, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

An uplifting musical about open doors and open hearts.

On September 11, 2001, 38 planes were diverted to Gander Airport after U.S. airspace was indefinitely closed, stranding 7,000 international travelers in Newfoundland and immediately doubling the population of a tiny, isolated island town. The townspeople quickly respond with heroic hospitality, inviting the beleaguered travelers into their bars, their homes, and their hearts. Set to rousing, rowdy, and rough-hewn folk songs, Come From Away is the Tony Award-winning true story of human decency, a triumphant and inspiring tribute to an unforgettable moment in history, and a one-of-a-kind musical that proves "no man is an island, but an island makes a man."

Friday, October 9, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

Where We Stop and Nature Begins
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gentle margins between ourselves and nature — watercolor paintings by Lucie Wellner

99th Annual Juried Members Exhibit
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

CNY Artist Initiative: Rich Harrington
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Harrington's work explores how popular culture shapes identity, drawing on toys, games, and icons from his youth to create playful yet incisive autobiographical commentary. Through painting, sculpture, video, and assemblage, he reassigns familiar images and texts to reveal alternative narratives and new intersections of memory, meaning, and belonging.

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

Collection Spotlight: Jill Nathanson, Contrapuntal
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibitions spotlights Jill Nathanson's Contrapuntal for a year-long inquiry into light, color, music, and making. Nathanson's use of polymers and acrylic paint in this work will also invite conversations around materials and their properties.

The Art Wall Project: Helen Zughaib, Patterns of Migration
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For the sixth iteration of The Art Wall Project, Helen Zughaib '81 uses her characteristic bright color palette and intricate patterns to explore the stories of people's displacement from their homes. By painting migration narratives from her own family's history and our contemporary experiences, Zughaib considers how this global movement of individuals has shaped America as we know it today.

Space and the Sacred: Letterio Calapai's Prints
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Between the 1940s and his death in 1993, the printmaker Letterio Calapai produced dozens of works about outer space and Catholic subjects. This exhibition examines how his art transformed as these subjects evolved during his lifetime and reveals how one man understood the changing world around him.

Reclaimed: The Art of Recology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Reclaimed: The Art of Recology presents a survey of 33 artists who were selected to participate in Recology's Artist-in-Residence program, which began in 1990. Armed with safety gear and a shopping cart, each of these artists have scavenging privileges in the Public Reuse and Recycling Area—what most artists refer to as "The Big Store"—to recycle and reclaim the discarded waste as imagined art objects. Through introspective, playful, and highly original explorations, the artists reveal the hidden stories our rubbish tells us about our complex relationship with the world, while highlighting the need to create sustainable communities.

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

Julia Kunin: Electric Dream Machines
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

With their lustrous surfaces and evocative shapes, the ceramic works of Brooklyn-based artist Julia Kunin aim for maximum sensory overload. Kunin forges disparate influences like Art Deco, Surrealism, and queer abstraction into shimmering ceramic sculptures. For Kunin, discovery and free association reign supreme. Kunin's mental process echoes her physical process, ping-ponging from one concept to the next. An allusion to a surrealist artist might lead to a rabbit hole about geopolitics or queer identity. Kunin follows her trail of breadcrumbs with rigorous research—she has even learned entire languages to facilitate her work.

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

Sincerely, Beato
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

We remember Beatrice Wood, who signed her pithy correspondence as "Beato," for her cutting wit, outrageous stories, lustrous ceramics, and complex relationship with artist Marcel Duchamp, a leader of the Dada movement. Determined to resist the life her wealthy parents envisioned for her, Wood became a defining figure of New York City's Dada scene, embracing the art movement that reveled in absurdity, nonsense, and humor.

Sincerely, Beato features self-portraits, sketches, and illustrations that Wood made primarily in the latter half of her life, after she settled in Ojai, California. They function as a pictorial diary, revealing the inner worries, emotions, and desires of the "Mama of Dada."

Yoichi Okimoto: Photographer in Service of Democracy
Art in the Atrium

Price: Free
Art in the Atrium Gallery (formerly City Hall Commons)
201 East Washington St., Syracuse

Before the White House, there was Central New York ...

Long before Yoichi Okamoto entered the Oval Office with a camera, he was finding his way in Central New York. A Colgate alumni, he refined his trade in the ballrooms of the Hotel Syracuse and at the Syracuse Post Standard. When the Army turned him away, people here stood up for him. His extraordinary career did not just pass through this region. It began here.

Mosaic Narratives
Brewer Harris Projects

138 Bank Alley (University Building)
Syracuse

Rooted in one of America's oldest and most enduring art traditions, Mosaic Narratives brings quilting, textiles, and fiber-based practices into the gallery through an exhibition centering Black women artists and their vital contributions to the evolution of these forms. Works by Ellen M. Blalock, Tina Williams Brewer, Isis Davis Marks, and Beverly Y. Smith

Quinceañera Dreams Exhibition
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Marking its 15th anniversary in 2026, La Casita presents "Quinceañera Dreams," a new exhibition that explores one of the most cherished traditions in Latino cultures: the quinceañera celebration. Through community-sourced photographs, video, oral histories, family memorabilia, stunning gowns, and multimedia installations, Quinceañera Dreams explores the history, beauty, and cultural significance of this beloved coming-of-age tradition that connects generations of women.

Guided tours in English and Spanish by appointment.

Katie Mulligan: No Man’s Land: Reimagining the Myth of Cicero Swamp
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"No Man's Land: Reimagining the Myth of Cicero Swamp" offers a look into Cicero Swamp Wildlife Management Area, often known to locals as Rattlesnake Gulch. Cicero Swamp is a complex network of ecosystems that stretches across nearly 5,000 acres. The swamp was deemed a 'wasteland' throughout its early history, and local perception and myth evolved into attempts to drain and alter the swamp. Cicero Swamp is a sample of a larger story; throughout the history of the United States, wetlands were perceived by settlers as mysterious, dangerous, and evil. This perception has led to the draining and destruction of 50% of the nation's wetlands in the present day. "No Man's Land" glimpses into a wetland ecosystem through fibers and illustration, and attempts to combat bias and misconception of wetlands, particularly swamps; before it is too late.

Mythic Presence
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

There will be an opening reception this evening 6:00-8:00 pm.

Sofia Luz Perez: renderings in colored pencil, pen, and oil paintings; bringing together present and past, personal and mythic
Lauren Bristol: crochet wall hangings and archetypal female figures; with sculptural coiled vessels
Dana Stenson: metalsmith with stone jewelry

Beth Nielsen Chapman
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Beth Nielsen Chapman's diverse body of work spans 15 albums and seven #1 hits, including compositions that have been recorded by Elton John, Bonnie Raitt, Mary Chapin Carpenter, Bette Midler, Willie Nelson, Neil Diamond, the Indigo Girls, and Keb Mo' and her music has been featured in film and TV.

Poet Carl Dennis
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Carl Dennis is the author of nine books of poetry, including Practical Gods, winner of the 2001 Pulitzer Prize for Poetry. A recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts, in 2000 he was awarded the Ruth Lilly Prize from Poetry Magazine and the Modern Poetry Association for his contribution to American poetry. He teaches in the English Department at the State University of New York at Buffalo, and is a sometime member of the faculty of the MFA program in creative writing at Warren Wilson College. His latest book of poems is Earthly Virtues, published earlier this year.

Babelfest 2026: Festival of New American Plays
Redhouse

Redhouse at City Center
400 S. Salina St., Syracuse

6:00 pm: So What If You Love Me?, by Blondean Young (staged reading)
8:00 pm: Harry, Bess, and Alonzo, An Imagined History, by Fred Grandy (staged reading)

Returning after a high-energy inaugural year, Babelfest showcases new and developing plays as part of a 4-day festival that centers bold voices and fearless experimentation.

Because the future of theatre doesn't wait for a mainstage slot. It explodes onto the scene.

Come From Away
Syracuse Stage
James Vásquez, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

An uplifting musical about open doors and open hearts.

On September 11, 2001, 38 planes were diverted to Gander Airport after U.S. airspace was indefinitely closed, stranding 7,000 international travelers in Newfoundland and immediately doubling the population of a tiny, isolated island town. The townspeople quickly respond with heroic hospitality, inviting the beleaguered travelers into their bars, their homes, and their hearts. Set to rousing, rowdy, and rough-hewn folk songs, Come From Away is the Tony Award-winning true story of human decency, a triumphant and inspiring tribute to an unforgettable moment in history, and a one-of-a-kind musical that proves "no man is an island, but an island makes a man."

Saturday, October 10, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

99th Annual Juried Members Exhibit
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Where We Stop and Nature Begins
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gentle margins between ourselves and nature — watercolor paintings by Lucie Wellner

Mythic Presence
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Sofia Luz Perez: renderings in colored pencil, pen, and oil paintings; bringing together present and past, personal and mythic
Lauren Bristol: crochet wall hangings and archetypal female figures; with sculptural coiled vessels
Dana Stenson: metalsmith with stone jewelry

Sincerely, Beato
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

We remember Beatrice Wood, who signed her pithy correspondence as "Beato," for her cutting wit, outrageous stories, lustrous ceramics, and complex relationship with artist Marcel Duchamp, a leader of the Dada movement. Determined to resist the life her wealthy parents envisioned for her, Wood became a defining figure of New York City's Dada scene, embracing the art movement that reveled in absurdity, nonsense, and humor.

Sincerely, Beato features self-portraits, sketches, and illustrations that Wood made primarily in the latter half of her life, after she settled in Ojai, California. They function as a pictorial diary, revealing the inner worries, emotions, and desires of the "Mama of Dada."

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

Julia Kunin: Electric Dream Machines
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

With their lustrous surfaces and evocative shapes, the ceramic works of Brooklyn-based artist Julia Kunin aim for maximum sensory overload. Kunin forges disparate influences like Art Deco, Surrealism, and queer abstraction into shimmering ceramic sculptures. For Kunin, discovery and free association reign supreme. Kunin's mental process echoes her physical process, ping-ponging from one concept to the next. An allusion to a surrealist artist might lead to a rabbit hole about geopolitics or queer identity. Kunin follows her trail of breadcrumbs with rigorous research—she has even learned entire languages to facilitate her work.

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

CNY Artist Initiative: Rich Harrington
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Harrington's work explores how popular culture shapes identity, drawing on toys, games, and icons from his youth to create playful yet incisive autobiographical commentary. Through painting, sculpture, video, and assemblage, he reassigns familiar images and texts to reveal alternative narratives and new intersections of memory, meaning, and belonging.

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.

Street Pop / Take 2
art haus SYR

120 Walton St.
Syracuse

art haus SYR in collaboration with Midoma NYC is proud to present the Street Pop ???????? (Take 2) Exhibition. This 2-part exhibit pays homage to MIDOMA's final exhibition in NYC during the COVID pandemic in 2020. Featured artists include Cameron Alexander, Mr Sampson, Stetz, and Not Miscellaneous.

Yoichi Okimoto: Photographer in Service of Democracy
Art in the Atrium

Price: Free
Art in the Atrium Gallery (formerly City Hall Commons)
201 East Washington St., Syracuse

Before the White House, there was Central New York ...

Long before Yoichi Okamoto entered the Oval Office with a camera, he was finding his way in Central New York. A Colgate alumni, he refined his trade in the ballrooms of the Hotel Syracuse and at the Syracuse Post Standard. When the Army turned him away, people here stood up for him. His extraordinary career did not just pass through this region. It began here.

Katie Mulligan: No Man’s Land: Reimagining the Myth of Cicero Swamp
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"No Man's Land: Reimagining the Myth of Cicero Swamp" offers a look into Cicero Swamp Wildlife Management Area, often known to locals as Rattlesnake Gulch. Cicero Swamp is a complex network of ecosystems that stretches across nearly 5,000 acres. The swamp was deemed a 'wasteland' throughout its early history, and local perception and myth evolved into attempts to drain and alter the swamp. Cicero Swamp is a sample of a larger story; throughout the history of the United States, wetlands were perceived by settlers as mysterious, dangerous, and evil. This perception has led to the draining and destruction of 50% of the nation's wetlands in the present day. "No Man's Land" glimpses into a wetland ecosystem through fibers and illustration, and attempts to combat bias and misconception of wetlands, particularly swamps; before it is too late.

Mosaic Narratives
Brewer Harris Projects

138 Bank Alley (University Building)
Syracuse

Rooted in one of America's oldest and most enduring art traditions, Mosaic Narratives brings quilting, textiles, and fiber-based practices into the gallery through an exhibition centering Black women artists and their vital contributions to the evolution of these forms. Works by Ellen M. Blalock, Tina Williams Brewer, Isis Davis Marks, and Beverly Y. Smith

Reclaimed: The Art of Recology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Reclaimed: The Art of Recology presents a survey of 33 artists who were selected to participate in Recology's Artist-in-Residence program, which began in 1990. Armed with safety gear and a shopping cart, each of these artists have scavenging privileges in the Public Reuse and Recycling Area—what most artists refer to as "The Big Store"—to recycle and reclaim the discarded waste as imagined art objects. Through introspective, playful, and highly original explorations, the artists reveal the hidden stories our rubbish tells us about our complex relationship with the world, while highlighting the need to create sustainable communities.

Space and the Sacred: Letterio Calapai's Prints
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Between the 1940s and his death in 1993, the printmaker Letterio Calapai produced dozens of works about outer space and Catholic subjects. This exhibition examines how his art transformed as these subjects evolved during his lifetime and reveals how one man understood the changing world around him.

The Art Wall Project: Helen Zughaib, Patterns of Migration
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For the sixth iteration of The Art Wall Project, Helen Zughaib '81 uses her characteristic bright color palette and intricate patterns to explore the stories of people's displacement from their homes. By painting migration narratives from her own family's history and our contemporary experiences, Zughaib considers how this global movement of individuals has shaped America as we know it today.

Collection Spotlight: Jill Nathanson, Contrapuntal
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibitions spotlights Jill Nathanson's Contrapuntal for a year-long inquiry into light, color, music, and making. Nathanson's use of polymers and acrylic paint in this work will also invite conversations around materials and their properties.

Beauty and the Beast
Central New York Ballet

CNY Ballet Black Box Theater
932 Spencer St., Syracuse

A magical ballet adaptation of Beauty and the Beast brings a timeless tale of love and transformation to life through stunning professional classical ballet, enchanting visual storytelling, and gorgeous original music by composer David Goldstein. All performances are narrated in English and signed in American Sign Language.

?Choreographed by Claire Solis, Beauty and the Beast is an experience for the entire family.

Dracula
Syracuse City Ballet

Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Experience the haunting beauty of Dracula, a thrilling full-length ballet featuring dramatic choreography, captivating music, and a timeless story of love, mystery, and the supernatural.

Beauty and the Beast
Central New York Ballet

CNY Ballet Black Box Theater
932 Spencer St., Syracuse

A magical ballet adaptation of Beauty and the Beast brings a timeless tale of love and transformation to life through stunning professional classical ballet, enchanting visual storytelling, and gorgeous original music by composer David Goldstein. All performances are narrated in English and signed in American Sign Language.

?Choreographed by Claire Solis, Beauty and the Beast is an experience for the entire family.

Dracula
Syracuse City Ballet

Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Experience the haunting beauty of Dracula, a thrilling full-length ballet featuring dramatic choreography, captivating music, and a timeless story of love, mystery, and the supernatural.

Miller & the Other Sinners
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Miller and The Other Sinners is: David Michael Miller ("Miller") on vocals & guitars, Steve Davis on keys, organ, key bass, and vocals, Isaiah Griffin on drums & percussion, Dalton Sharp on saxophone, and for the last 2 years, Paul Gaspar on trumpet.

Mira Grimm and the Reapers
Steeple Coffee House

Price: $15–$20 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

Babelfest 2026: Festival of New American Plays
Redhouse

Redhouse at City Center
400 S. Salina St., Syracuse

2:00 pm: The United States of Us, book and lyrics by Alan Gordon, music by Joy Son (staged reading)
4:00 pm: So What If You Love Me?, by Blondean Young (staged reading)
6:00 pm: Harry, Bess, and Alonzo, An Imagined History, by Fred Grandy (staged reading)
8:00 pm: Mini-Babel Short Play Festival:
    Someone Enters, by Binaifer Dabu
    Spring Again, by Jacob Lutsky
    No Honor Among Squirrels, by Len Fonte
     Sing It Again, by Gemma Cooper-Novack
    To Raqqa with Love, by Zizi Majid

Returning after a high-energy inaugural year, Babelfest showcases new and developing plays as part of a 4-day festival that centers bold voices and fearless experimentation.

Because the future of theatre doesn't wait for a mainstage slot. It explodes onto the scene.

Come From Away
Syracuse Stage
James Vásquez, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

An uplifting musical about open doors and open hearts.

On September 11, 2001, 38 planes were diverted to Gander Airport after U.S. airspace was indefinitely closed, stranding 7,000 international travelers in Newfoundland and immediately doubling the population of a tiny, isolated island town. The townspeople quickly respond with heroic hospitality, inviting the beleaguered travelers into their bars, their homes, and their hearts. Set to rousing, rowdy, and rough-hewn folk songs, Come From Away is the Tony Award-winning true story of human decency, a triumphant and inspiring tribute to an unforgettable moment in history, and a one-of-a-kind musical that proves "no man is an island, but an island makes a man."

Come From Away
Syracuse Stage
James Vásquez, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

An uplifting musical about open doors and open hearts.

On September 11, 2001, 38 planes were diverted to Gander Airport after U.S. airspace was indefinitely closed, stranding 7,000 international travelers in Newfoundland and immediately doubling the population of a tiny, isolated island town. The townspeople quickly respond with heroic hospitality, inviting the beleaguered travelers into their bars, their homes, and their hearts. Set to rousing, rowdy, and rough-hewn folk songs, Come From Away is the Tony Award-winning true story of human decency, a triumphant and inspiring tribute to an unforgettable moment in history, and a one-of-a-kind musical that proves "no man is an island, but an island makes a man."

Sunday, October 11, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

Sincerely, Beato
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

We remember Beatrice Wood, who signed her pithy correspondence as "Beato," for her cutting wit, outrageous stories, lustrous ceramics, and complex relationship with artist Marcel Duchamp, a leader of the Dada movement. Determined to resist the life her wealthy parents envisioned for her, Wood became a defining figure of New York City's Dada scene, embracing the art movement that reveled in absurdity, nonsense, and humor.

Sincerely, Beato features self-portraits, sketches, and illustrations that Wood made primarily in the latter half of her life, after she settled in Ojai, California. They function as a pictorial diary, revealing the inner worries, emotions, and desires of the "Mama of Dada."

New Works in Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson has a long history of working with important contemporary artists. Over the last 58 years, the Everson has produced solo exhibitions for Yoko Ono, Morris Louis, Joan Mitchell, Bill Viola, William Wegman, Carrie Mae Weems, and a host of artists who loom large on the world stage. No exhibition in the Everson's history can compare to New Works in Clay by Contemporary Painters and Sculptors, a 1976 exhibition that involved bringing well-known painters and sculptors to Syracuse to produce a body of work in ceramics. The project was the brainchild of Margie Hughto, who served as both a professor at Syracuse University and as a curator at the Everson.

For the first time in 50 years, the Everson will bring together ceramic works by the original 11 participants, as well as works by artists like Kenneth Noland and Mary Frank who participated in subsequent projects in 1978 and 1981. Five decades later, it is not unusual for clay to be a part of an artist's repertoire. New Works in Clay explores how the Everson broke down barriers between art and craft and set the stage for the current ceramic renaissance in the art world.

Julia Kunin: Electric Dream Machines
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

With their lustrous surfaces and evocative shapes, the ceramic works of Brooklyn-based artist Julia Kunin aim for maximum sensory overload. Kunin forges disparate influences like Art Deco, Surrealism, and queer abstraction into shimmering ceramic sculptures. For Kunin, discovery and free association reign supreme. Kunin's mental process echoes her physical process, ping-ponging from one concept to the next. An allusion to a surrealist artist might lead to a rabbit hole about geopolitics or queer identity. Kunin follows her trail of breadcrumbs with rigorous research—she has even learned entire languages to facilitate her work.

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

CNY Artist Initiative: Rich Harrington
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Harrington's work explores how popular culture shapes identity, drawing on toys, games, and icons from his youth to create playful yet incisive autobiographical commentary. Through painting, sculpture, video, and assemblage, he reassigns familiar images and texts to reveal alternative narratives and new intersections of memory, meaning, and belonging.

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

Yoichi Okimoto: Photographer in Service of Democracy
Art in the Atrium

Price: Free
Art in the Atrium Gallery (formerly City Hall Commons)
201 East Washington St., Syracuse

Before the White House, there was Central New York ...

Long before Yoichi Okamoto entered the Oval Office with a camera, he was finding his way in Central New York. A Colgate alumni, he refined his trade in the ballrooms of the Hotel Syracuse and at the Syracuse Post Standard. When the Army turned him away, people here stood up for him. His extraordinary career did not just pass through this region. It began here.

Collection Spotlight: Jill Nathanson, Contrapuntal
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibitions spotlights Jill Nathanson's Contrapuntal for a year-long inquiry into light, color, music, and making. Nathanson's use of polymers and acrylic paint in this work will also invite conversations around materials and their properties.

The Art Wall Project: Helen Zughaib, Patterns of Migration
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For the sixth iteration of The Art Wall Project, Helen Zughaib '81 uses her characteristic bright color palette and intricate patterns to explore the stories of people's displacement from their homes. By painting migration narratives from her own family's history and our contemporary experiences, Zughaib considers how this global movement of individuals has shaped America as we know it today.

Space and the Sacred: Letterio Calapai's Prints
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Between the 1940s and his death in 1993, the printmaker Letterio Calapai produced dozens of works about outer space and Catholic subjects. This exhibition examines how his art transformed as these subjects evolved during his lifetime and reveals how one man understood the changing world around him.

Reclaimed: The Art of Recology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Reclaimed: The Art of Recology presents a survey of 33 artists who were selected to participate in Recology's Artist-in-Residence program, which began in 1990. Armed with safety gear and a shopping cart, each of these artists have scavenging privileges in the Public Reuse and Recycling Area—what most artists refer to as "The Big Store"—to recycle and reclaim the discarded waste as imagined art objects. Through introspective, playful, and highly original explorations, the artists reveal the hidden stories our rubbish tells us about our complex relationship with the world, while highlighting the need to create sustainable communities.

99th Annual Juried Members Exhibit
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Beauty and the Beast
Central New York Ballet

CNY Ballet Black Box Theater
932 Spencer St., Syracuse

A magical ballet adaptation of Beauty and the Beast brings a timeless tale of love and transformation to life through stunning professional classical ballet, enchanting visual storytelling, and gorgeous original music by composer David Goldstein. All performances are narrated in English and signed in American Sign Language.

?Choreographed by Claire Solis, Beauty and the Beast is an experience for the entire family.

Casual Series: Harmonious Winds
Syracuse Orchestra (formerly Symphoria)

St. Paul's Syracuse
220 E. Fayette St., Syracuse

Gounod Petite Symphonie (Little Symphony for Wind Instruments)
Dvorak Serenade in D Minor, Op. 44, B. 77

Nachos & Blancos
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Join us for our once-a-month rockin' rhythm and roots par-tay! It's the best hang in town, and we can't think of a better way to spend Sunday afternoon than grooving to the tasty tunes of the mighty Los Blancos.

Babelfest 2026: Festival of New American Plays
Redhouse

Redhouse at City Center
400 S. Salina St., Syracuse

2:00 pm: Harry, Bess, and Alonzo, An Imagined History, by Fred Grandy (staged reading)
2:00 pm: Mini-Babel Short Play Festival:
    Someone Enters, by Binaifer Dabu
    Spring Again, by Jacob Lutsky
    No Honor Among Squirrels, by Len Fonte
     Sing It Again, by Gemma Cooper-Novack
    To Raqqa with Love, by Zizi Majid
6:00 pm: Mini-Babel Short Play Festival:
    Someone Enters, by Binaifer Dabu
    Spring Again, by Jacob Lutsky
    No Honor Among Squirrels, by Len Fonte
     Sing It Again, by Gemma Cooper-Novack
    To Raqqa with Love, by Zizi Majid

Returning after a high-energy inaugural year, Babelfest showcases new and developing plays as part of a 4-day festival that centers bold voices and fearless experimentation.

Because the future of theatre doesn't wait for a mainstage slot. It explodes onto the scene.

Come From Away
Syracuse Stage
James Vásquez, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

An uplifting musical about open doors and open hearts.

On September 11, 2001, 38 planes were diverted to Gander Airport after U.S. airspace was indefinitely closed, stranding 7,000 international travelers in Newfoundland and immediately doubling the population of a tiny, isolated island town. The townspeople quickly respond with heroic hospitality, inviting the beleaguered travelers into their bars, their homes, and their hearts. Set to rousing, rowdy, and rough-hewn folk songs, Come From Away is the Tony Award-winning true story of human decency, a triumphant and inspiring tribute to an unforgettable moment in history, and a one-of-a-kind musical that proves "no man is an island, but an island makes a man."

Monday, October 12, 2026

Stages of the Swirl: Animations, Drawings, and Paintings of John Knecht
Chamot Gallery

Chamot Gallery
11 Woodview Terrace, Fayetteville

John Knecht is one of the longest-practicing experimental animators in the US. His films, videos and installations have been exhibited internationally, including at MoMA, Vienna Festival, Bard College, UnionDocs, Westbeth Gallery and the Urban Video Project.

He is the Russell Colgate Distinguished Professor of Art & Art History and Film and Media Studies, Emeritus, at Colgate University, where he taught from 1981 until retirement.

Knecht's work fuses horror and humor, producing images that feel both uncanny and playful. His films and installations often draw on the apocalyptic and supernatural, resulting in vivid, hand-drawn animation and immersive video environments that explore philosophical, perceptual, and Anthropocene themes.

Gallery is open by appointment. Contact charleschamot@yahoo.com or 347-228-8890.

99th Annual Juried Members Exhibit
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Where We Stop and Nature Begins
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gentle margins between ourselves and nature — watercolor paintings by Lucie Wellner

The Thing Itself
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents The Thing Itself, a selection of self-portrait photographs from our collection highlighting 18 artists from over nine decades of picture-making. Presented are works by Ellen Carey, Dylan Everett, Jermaine Francis, Robert Giard, Rita Hammond, Tommy Kha, Mark Klett, Yi Hsuan Lai, Ernesto Pujol, Cindy Sherman, Kerry Skarbakka, Ralph Steiner, riel and Bianca Sturchio, Piotr Szyhalski, Carrie Mae Weems, Dahveed Wilkins, and Albert J. Winn.

museum: Sayler/Morris and Christina Seely
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work is pleased to present museum, a collaborative photographic exhibition by the artists Sayler/Morris (Susannah Sayler and Ed Morris) and Christina Seely.

The images in this installation were made in 2014 during the artists' time as Smithsonian Artist Research Fellows, when they photographed the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History. More than a decade later, during a 2025 studio visit, the artists rediscovered the photographs and saw them in a new light. Time had changed the images; it had amplified their disorienting, dreamlike qualities. What is presented inside this exhibition at Light Work is the breaking down of a museum exhibit. The idea of a museum, its authority, certainty, and clarity, is replaced with the rediscovery of the original meaning of museum—a site for muses, a site where knowledge is not fixed but in perpetual development.