Friday, September 1, 2006

Visual Arts Showcase Committee Annual Members' Show
CNY Arts

Price: Free
WCNY
415 W. Fayette St., Syracuse

Refugee Art Exhibit

Price: Free
Center for New Americans
503 N. Prospect Ave., Syracuse

Works of 4 artists from Cuba, Sudan, and Vietnam.

For more information, phone Anh Nguyen at 315-422-1593 x210.

Icons & Images: Processing the Work of Art

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

The Syracuse Technology Garden is pleased to present the first all digital art showcase in the Syracuse area. As part of a larger exhibition that includes painting and photography, nine digital artists have come together to show what this unique art form can offer.

For more information please call Lynn Hughes or Katie Rapp at 315-474-0910, x7902.

Gallery Exhibit: Jim Dwyer
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Contemporary artwork, non-representational paintings focusing on the energy of color, fabricated from canvas and wood.

Perspectives: Contemporary Asian Art, Culture and Identity
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Featuring works by: Vinh Dang, Lisa Jong-Soon Goodlin, Joshua Harris, Bea Lee, Mai Lee, Mao Yang Lee, Hye Yeon Nam, Anh Thao and Phong Vu.

Vietnam: Journey of the Heart, Photographs By Geoffrey Clifford, 1985-2000
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Organized by the Smithsonian Institution Traveling Exhibition Service (SITES)

Off Shoots: Post-Standard Staff Photographers
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features the work that the staff photographers of The Post-Standard make in their off hours. The images capture such subjects as family, friends, vacations, or personal projects.

Members Only: Beatrix Reinhardt
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

German photographer Beatrix Reinhardt's images in the exhibition take an inside look at members-only clubs worldwide, which Reinhardt views as special entities that provide a community for their members while excluding everyone else. Her images capture the marks left behind by members of the club. They are devoid of people but speak volumes about club members.

Reinhardt spends most of her time making phone calls and knocking on doors to gain permission to enter clubs. Since starting the series in 2003, she has traveled to places as far away as Australia, Great Britain and China to capture these images. She is currently photographing in Queens, NY, where membership clubs are plentiful and rich in visuals. Some of these exclusive clubs can require years on a waiting list, and many have membership dues ranging from minimal to tens of thousands of dollars per year.

Reinhardt grew up in Jena, Germany, and has lived in the United States on and off for more than 10 years. She completed a residency at Light Work in January 2006 and has also participated in residencies in Australia, India and China. Her photographs have been exhibited internationally, most recently at the Minnesota Center of Photography in Minneapolis, the Silver Eye Center of Photography in Pittsburgh, and Sam Romo in Atlanta. She will also have an exhibition this year in Finland.

Through a Glass Dimly: Works of Willam Finch, painter
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Overcoming Inertia: Works of Kathryn Rose Martini, fibers artist
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Kathryn Rose Martini graduated from Syracuse University with a BFA in Fiber Structure and Interlocking. Beyond exhibitions over the past 6 years she has used her interest in creativity within the community working with children, both in the visual arts and conducting dance interactive workshops hoping to promote a comfort and curiousity in the arts. She has donated her time and efforts to several local non-profit institutions and organizations. Recent work is on view through September 30 at the Delavan Art Gallery in their Fashion Fashion exhibition. Martini lives and works in Syracuse.

CMAC: The Roots of Collaboration
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Vibrant hand-painted vines lace the gallery walls, cleverly tying together the diverse works and accentuating the "family tree" theme of the exhibition, "CMAC: The Roots of Collaboration". This family consists of members in the recently formed Coalition of Museum and Art Centers. CMAC, an initiative by Syracuse University Chancellor Nancy Cantor, has a mission to celebrate and explore the visual and electronic arts through exhibitions, publications, education, and scholarship. CMAC brings together the programs, services, and projects of several different campus art centers and affiliated non-profit organizations in a collaborative effort to expand the public's awareness, understanding, and involvement in the arts.

CMAC: The Roots of Collaboration is a visual guide to the coalition organizations:

* SUArt Galleries is the new amalgamation of the Lowe Art Gallery and the University Art Collection. The Galleries' contribution to the exhibition illustrates the rich diversity of the permanent collection, from the haunting Renaissance images by Albrecht Dürer and Lucas Cranach to the sharp social commentary of Goya. The department's strength in 20th century American art is seen in Martin Lewis' sweltering New York nocturne, Glow of the City, and in a pair of chromed Art Deco poodles by Boris Lovet-Lorski.

* Light Work's Permanent Collection includes work donated by participants in the Artist-in-Residence program. Selected for the exhibition is a photo from Chan Chao's series of Burmese Rebels, also chosen for the 2002 Whitney Biennial. A sense of calm and tenderness is captured, while also bringing greater awareness of the democracy movement in Burma. Carrie Mae Weems investigates the power of racial jokes and the tradition of oral history in a black-and-white photograph incorporating text. The signature weaving technique of Dinh Q. Lê is on view, combining images from the Vietnam War with stills from popular movies. Recognizing how Hollywood's representation of the war stretches from the hyper-real to the surreal, Lê suggests it produces a new kind of memory which is 'neither fact nor fiction.' Also exploring the border of culture and representation are the collaborative team Max Becher and Andrea Robbins. Their series German Indians looks at a long-standing German romanticization of the American West.

* The Special Collections Research Center of Syracuse University Library displays classic images taken for Life magazine by Margaret Bourke-White, alongside her view camera and its travel case; 19th century sideshow performers from the Ronald G. Becker Collection of Charles Eisenmann Photographs; the first comic strip character, the Yellow Kid, created by Richard Outcault; and playful sketches by the Bauhaus architect Marcel Breuer.

* Community Folk Art Center contrasts fearsome masks from West Africa with carnivalesque ones from Mexico. The wooden Liberian visors, once part of the National Museum of African Art, Smithsonian Institution, and now in CFAC's permanent collection, incorporate natural materials such as feathers and hair. The devil faces flourished with festive paint are from the Mexican folk art collection of Alejandro Garcia, director of SU's School of Social Work.

* The finale of the show is the back room (the former vault of the building), devoted to The Warehouse Gallery's dreamy projection of the future. An enticing list of upcoming initiatives includes an Art Happy Hour for downtowners, a series highlighting young art collectives across North America, and a store for affordable, handcrafted art objects, among others. The gallery's mission is to engage the community in a dialogue regarding the role the arts can play in illuminating the critical issues of our times. Visitors can interact with the displays: a plant-shaped chalkboard asks viewers what they'd like to see in The Warehouse Gallery, clipboards gather information from potential collaborators, labeled Polaroids virtually introduce audiences to one another, and submission applications are dispensed. The gallery will commission Central New York artists to create unique installations for their street-level windows facing the busy intersection of West Fayette and West Streets.

Coalition members are each matched to an indigenous tree for the exhibition. This organizational strategy is in line with The Warehouse Gallery's lively, organic growth and novel way of incorporating regional idiosyncrasies into its international exhibitions.

Modern Prints from the International Graphic Arts Society
Syracuse University Art Museum

Price: Free
University Art Collection
Sims Hall, Syracuse University, Syracuse

Included are prints by Garo Antresian, Gabor Peterdi, and Donald Saff, three printmakers who taught a generation of artists and had a profound impact on the art of printmaking in the latter half of the 20th century.

W. Eugene Smith: From Light into Darkness
Syracuse University Art Museum

Price: Free
University Art Collection
Sims Hall, Syracuse University, Syracuse

This exhibition of photojournalist Eugene Smith includes his service as a World War II photographer in the Pacific theater, a group from a 1950s Life magazine photo essay on the rise of America's chemical industry, and a selection of images from his Pittsburgh project.

Wendell Rotter, ESTMIM House Organist
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

ESTMIM Presents a Silent Film with Theatre Organ
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

ESTMIM Presents a Silent Film with Theatre Organ
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

Wendell Rotter, ESTMIM House Organist
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

ESTMIM Presents a Silent Film with Theatre Organ
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

ESTMIM Presents a Silent Film with Theatre Organ
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

Chamber Music Concert
Skaneateles Festival

Price: $21, $16 regular; $18, $13 students/seniors
First Presbyterian Church of Skaneateles
97 E. Genesee St., Skaneateles

Rossini String Sonata No. 3 for 2 violins, cello, and bass
Ravel Chansons Madécasses for soprano, flute, cello, and piano
Libby Larsen Four on the Floor for violin, cello, bass and piano
Libby Larsen Firebrand for flute, violin, viola, and cello
Mendelssohn Quartet in C minor for Piano and Strings, Op. 60

Edward Castilano, bass; Steven Copes, violin; Steven Doane, cello; Rosemary Elliott, cello; Elinor Freer, piano; Ilya Kaler, violin; Olga Kaler, violin; Seth Knopp, piano; Masumi Per Rostad, viola; Marina Piccinini, flute; Lauren Skuce, soprano; David Ying, cello

Saturday, September 2, 2006

CMAC: The Roots of Collaboration
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Vibrant hand-painted vines lace the gallery walls, cleverly tying together the diverse works and accentuating the "family tree" theme of the exhibition, "CMAC: The Roots of Collaboration". This family consists of members in the recently formed Coalition of Museum and Art Centers. CMAC, an initiative by Syracuse University Chancellor Nancy Cantor, has a mission to celebrate and explore the visual and electronic arts through exhibitions, publications, education, and scholarship. CMAC brings together the programs, services, and projects of several different campus art centers and affiliated non-profit organizations in a collaborative effort to expand the public's awareness, understanding, and involvement in the arts.

CMAC: The Roots of Collaboration is a visual guide to the coalition organizations:

* SUArt Galleries is the new amalgamation of the Lowe Art Gallery and the University Art Collection. The Galleries' contribution to the exhibition illustrates the rich diversity of the permanent collection, from the haunting Renaissance images by Albrecht Dürer and Lucas Cranach to the sharp social commentary of Goya. The department's strength in 20th century American art is seen in Martin Lewis' sweltering New York nocturne, Glow of the City, and in a pair of chromed Art Deco poodles by Boris Lovet-Lorski.

* Light Work's Permanent Collection includes work donated by participants in the Artist-in-Residence program. Selected for the exhibition is a photo from Chan Chao's series of Burmese Rebels, also chosen for the 2002 Whitney Biennial. A sense of calm and tenderness is captured, while also bringing greater awareness of the democracy movement in Burma. Carrie Mae Weems investigates the power of racial jokes and the tradition of oral history in a black-and-white photograph incorporating text. The signature weaving technique of Dinh Q. Lê is on view, combining images from the Vietnam War with stills from popular movies. Recognizing how Hollywood's representation of the war stretches from the hyper-real to the surreal, Lê suggests it produces a new kind of memory which is 'neither fact nor fiction.' Also exploring the border of culture and representation are the collaborative team Max Becher and Andrea Robbins. Their series German Indians looks at a long-standing German romanticization of the American West.

* The Special Collections Research Center of Syracuse University Library displays classic images taken for Life magazine by Margaret Bourke-White, alongside her view camera and its travel case; 19th century sideshow performers from the Ronald G. Becker Collection of Charles Eisenmann Photographs; the first comic strip character, the Yellow Kid, created by Richard Outcault; and playful sketches by the Bauhaus architect Marcel Breuer.

* Community Folk Art Center contrasts fearsome masks from West Africa with carnivalesque ones from Mexico. The wooden Liberian visors, once part of the National Museum of African Art, Smithsonian Institution, and now in CFAC's permanent collection, incorporate natural materials such as feathers and hair. The devil faces flourished with festive paint are from the Mexican folk art collection of Alejandro Garcia, director of SU's School of Social Work.

* The finale of the show is the back room (the former vault of the building), devoted to The Warehouse Gallery's dreamy projection of the future. An enticing list of upcoming initiatives includes an Art Happy Hour for downtowners, a series highlighting young art collectives across North America, and a store for affordable, handcrafted art objects, among others. The gallery's mission is to engage the community in a dialogue regarding the role the arts can play in illuminating the critical issues of our times. Visitors can interact with the displays: a plant-shaped chalkboard asks viewers what they'd like to see in The Warehouse Gallery, clipboards gather information from potential collaborators, labeled Polaroids virtually introduce audiences to one another, and submission applications are dispensed. The gallery will commission Central New York artists to create unique installations for their street-level windows facing the busy intersection of West Fayette and West Streets.

Coalition members are each matched to an indigenous tree for the exhibition. This organizational strategy is in line with The Warehouse Gallery's lively, organic growth and novel way of incorporating regional idiosyncrasies into its international exhibitions.

Overcoming Inertia: Works of Kathryn Rose Martini, fibers artist
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Kathryn Rose Martini graduated from Syracuse University with a BFA in Fiber Structure and Interlocking. Beyond exhibitions over the past 6 years she has used her interest in creativity within the community working with children, both in the visual arts and conducting dance interactive workshops hoping to promote a comfort and curiousity in the arts. She has donated her time and efforts to several local non-profit institutions and organizations. Recent work is on view through September 30 at the Delavan Art Gallery in their Fashion Fashion exhibition. Martini lives and works in Syracuse.

Through a Glass Dimly: Works of Willam Finch, painter
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Vietnam: Journey of the Heart, Photographs By Geoffrey Clifford, 1985-2000
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Organized by the Smithsonian Institution Traveling Exhibition Service (SITES)

Perspectives: Contemporary Asian Art, Culture and Identity
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Featuring works by: Vinh Dang, Lisa Jong-Soon Goodlin, Joshua Harris, Bea Lee, Mai Lee, Mao Yang Lee, Hye Yeon Nam, Anh Thao and Phong Vu.

W. Eugene Smith: From Light into Darkness
Syracuse University Art Museum

Price: Free
University Art Collection
Sims Hall, Syracuse University, Syracuse

This exhibition of photojournalist Eugene Smith includes his service as a World War II photographer in the Pacific theater, a group from a 1950s Life magazine photo essay on the rise of America's chemical industry, and a selection of images from his Pittsburgh project.

Modern Prints from the International Graphic Arts Society
Syracuse University Art Museum

Price: Free
University Art Collection
Sims Hall, Syracuse University, Syracuse

Included are prints by Garo Antresian, Gabor Peterdi, and Donald Saff, three printmakers who taught a generation of artists and had a profound impact on the art of printmaking in the latter half of the 20th century.

Wendell Rotter, ESTMIM House Organist
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

Richard Sherman from the Utica Theatre Organ Society
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

ESTMIM Presents a Silent Film with Theatre Organ
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

Festival Finale
Skaneateles Festival
Featuring Ilya Kaler, violin; Marina Piccinini, flute

Price: $30, $24
Brook Farm
2.5 miles south of the village on Route 41A, Skaneateles

Bach Brandenburg Concerto No. 3 in G major, BWV 1048
Mozart Flute Concerto in D Major, K. 314
Vivaldi The Four Seasons, op. 8

Sunday, September 3, 2006

CMAC: The Roots of Collaboration
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Vibrant hand-painted vines lace the gallery walls, cleverly tying together the diverse works and accentuating the "family tree" theme of the exhibition, "CMAC: The Roots of Collaboration". This family consists of members in the recently formed Coalition of Museum and Art Centers. CMAC, an initiative by Syracuse University Chancellor Nancy Cantor, has a mission to celebrate and explore the visual and electronic arts through exhibitions, publications, education, and scholarship. CMAC brings together the programs, services, and projects of several different campus art centers and affiliated non-profit organizations in a collaborative effort to expand the public's awareness, understanding, and involvement in the arts.

CMAC: The Roots of Collaboration is a visual guide to the coalition organizations:

* SUArt Galleries is the new amalgamation of the Lowe Art Gallery and the University Art Collection. The Galleries' contribution to the exhibition illustrates the rich diversity of the permanent collection, from the haunting Renaissance images by Albrecht Dürer and Lucas Cranach to the sharp social commentary of Goya. The department's strength in 20th century American art is seen in Martin Lewis' sweltering New York nocturne, Glow of the City, and in a pair of chromed Art Deco poodles by Boris Lovet-Lorski.

* Light Work's Permanent Collection includes work donated by participants in the Artist-in-Residence program. Selected for the exhibition is a photo from Chan Chao's series of Burmese Rebels, also chosen for the 2002 Whitney Biennial. A sense of calm and tenderness is captured, while also bringing greater awareness of the democracy movement in Burma. Carrie Mae Weems investigates the power of racial jokes and the tradition of oral history in a black-and-white photograph incorporating text. The signature weaving technique of Dinh Q. Lê is on view, combining images from the Vietnam War with stills from popular movies. Recognizing how Hollywood's representation of the war stretches from the hyper-real to the surreal, Lê suggests it produces a new kind of memory which is 'neither fact nor fiction.' Also exploring the border of culture and representation are the collaborative team Max Becher and Andrea Robbins. Their series German Indians looks at a long-standing German romanticization of the American West.

* The Special Collections Research Center of Syracuse University Library displays classic images taken for Life magazine by Margaret Bourke-White, alongside her view camera and its travel case; 19th century sideshow performers from the Ronald G. Becker Collection of Charles Eisenmann Photographs; the first comic strip character, the Yellow Kid, created by Richard Outcault; and playful sketches by the Bauhaus architect Marcel Breuer.

* Community Folk Art Center contrasts fearsome masks from West Africa with carnivalesque ones from Mexico. The wooden Liberian visors, once part of the National Museum of African Art, Smithsonian Institution, and now in CFAC's permanent collection, incorporate natural materials such as feathers and hair. The devil faces flourished with festive paint are from the Mexican folk art collection of Alejandro Garcia, director of SU's School of Social Work.

* The finale of the show is the back room (the former vault of the building), devoted to The Warehouse Gallery's dreamy projection of the future. An enticing list of upcoming initiatives includes an Art Happy Hour for downtowners, a series highlighting young art collectives across North America, and a store for affordable, handcrafted art objects, among others. The gallery's mission is to engage the community in a dialogue regarding the role the arts can play in illuminating the critical issues of our times. Visitors can interact with the displays: a plant-shaped chalkboard asks viewers what they'd like to see in The Warehouse Gallery, clipboards gather information from potential collaborators, labeled Polaroids virtually introduce audiences to one another, and submission applications are dispensed. The gallery will commission Central New York artists to create unique installations for their street-level windows facing the busy intersection of West Fayette and West Streets.

Coalition members are each matched to an indigenous tree for the exhibition. This organizational strategy is in line with The Warehouse Gallery's lively, organic growth and novel way of incorporating regional idiosyncrasies into its international exhibitions.

Modern Prints from the International Graphic Arts Society
Syracuse University Art Museum

Price: Free
University Art Collection
Sims Hall, Syracuse University, Syracuse

Included are prints by Garo Antresian, Gabor Peterdi, and Donald Saff, three printmakers who taught a generation of artists and had a profound impact on the art of printmaking in the latter half of the 20th century.

W. Eugene Smith: From Light into Darkness
Syracuse University Art Museum

Price: Free
University Art Collection
Sims Hall, Syracuse University, Syracuse

This exhibition of photojournalist Eugene Smith includes his service as a World War II photographer in the Pacific theater, a group from a 1950s Life magazine photo essay on the rise of America's chemical industry, and a selection of images from his Pittsburgh project.

Wendell Rotter, ESTMIM House Organist
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

Andrew Wos from Buffalo, organ
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

ESTMIM Presents a Silent Film with Theatre Organ
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

Andrew Wos from Buffalo, organ
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

Tim Schramm & Dennis Overholt from Rochester Theatre Organ Society
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

ESTMIM Presents a Silent Film with Theatre Organ
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

Monday, September 4, 2006

Visual Arts Showcase Committee Annual Members' Show
CNY Arts

Price: Free
WCNY
415 W. Fayette St., Syracuse

Icons & Images: Processing the Work of Art

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

The Syracuse Technology Garden is pleased to present the first all digital art showcase in the Syracuse area. As part of a larger exhibition that includes painting and photography, nine digital artists have come together to show what this unique art form can offer.

For more information please call Lynn Hughes or Katie Rapp at 315-474-0910, x7902.

Refugee Art Exhibit

Price: Free
Center for New Americans
503 N. Prospect Ave., Syracuse

Works of 4 artists from Cuba, Sudan, and Vietnam.

For more information, phone Anh Nguyen at 315-422-1593 x210.

Gallery Exhibit: Jim Dwyer
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Contemporary artwork, non-representational paintings focusing on the energy of color, fabricated from canvas and wood.

Off Shoots: Post-Standard Staff Photographers
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features the work that the staff photographers of The Post-Standard make in their off hours. The images capture such subjects as family, friends, vacations, or personal projects.

Members Only: Beatrix Reinhardt
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

German photographer Beatrix Reinhardt's images in the exhibition take an inside look at members-only clubs worldwide, which Reinhardt views as special entities that provide a community for their members while excluding everyone else. Her images capture the marks left behind by members of the club. They are devoid of people but speak volumes about club members.

Reinhardt spends most of her time making phone calls and knocking on doors to gain permission to enter clubs. Since starting the series in 2003, she has traveled to places as far away as Australia, Great Britain and China to capture these images. She is currently photographing in Queens, NY, where membership clubs are plentiful and rich in visuals. Some of these exclusive clubs can require years on a waiting list, and many have membership dues ranging from minimal to tens of thousands of dollars per year.

Reinhardt grew up in Jena, Germany, and has lived in the United States on and off for more than 10 years. She completed a residency at Light Work in January 2006 and has also participated in residencies in Australia, India and China. Her photographs have been exhibited internationally, most recently at the Minnesota Center of Photography in Minneapolis, the Silver Eye Center of Photography in Pittsburgh, and Sam Romo in Atlanta. She will also have an exhibition this year in Finland.

Wendell Rotter, ESTMIM House Organist
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

Tim Schramm & Dennis Overholt from Rochester Theatre Organ Society
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

James Morgan from the Rochester Theatre Organ Society
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

Tim Schramm & Dennis Overholt from Rochester Theatre Organ Society
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

ESTMIM Presents a Silent Film with Theatre Organ
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

Tuesday, September 5, 2006

Visual Arts Showcase Committee Annual Members' Show
CNY Arts

Price: Free
WCNY
415 W. Fayette St., Syracuse

Refugee Art Exhibit

Price: Free
Center for New Americans
503 N. Prospect Ave., Syracuse

Works of 4 artists from Cuba, Sudan, and Vietnam.

For more information, phone Anh Nguyen at 315-422-1593 x210.

Icons & Images: Processing the Work of Art

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

The Syracuse Technology Garden is pleased to present the first all digital art showcase in the Syracuse area. As part of a larger exhibition that includes painting and photography, nine digital artists have come together to show what this unique art form can offer.

For more information please call Lynn Hughes or Katie Rapp at 315-474-0910, x7902.

Gallery Exhibit: Jim Dwyer
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Contemporary artwork, non-representational paintings focusing on the energy of color, fabricated from canvas and wood.

Perspectives: Contemporary Asian Art, Culture and Identity
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Featuring works by: Vinh Dang, Lisa Jong-Soon Goodlin, Joshua Harris, Bea Lee, Mai Lee, Mao Yang Lee, Hye Yeon Nam, Anh Thao and Phong Vu.

Vietnam: Journey of the Heart, Photographs By Geoffrey Clifford, 1985-2000
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Organized by the Smithsonian Institution Traveling Exhibition Service (SITES)

Off Shoots: Post-Standard Staff Photographers
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features the work that the staff photographers of The Post-Standard make in their off hours. The images capture such subjects as family, friends, vacations, or personal projects.

Members Only: Beatrix Reinhardt
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

German photographer Beatrix Reinhardt's images in the exhibition take an inside look at members-only clubs worldwide, which Reinhardt views as special entities that provide a community for their members while excluding everyone else. Her images capture the marks left behind by members of the club. They are devoid of people but speak volumes about club members.

Reinhardt spends most of her time making phone calls and knocking on doors to gain permission to enter clubs. Since starting the series in 2003, she has traveled to places as far away as Australia, Great Britain and China to capture these images. She is currently photographing in Queens, NY, where membership clubs are plentiful and rich in visuals. Some of these exclusive clubs can require years on a waiting list, and many have membership dues ranging from minimal to tens of thousands of dollars per year.

Reinhardt grew up in Jena, Germany, and has lived in the United States on and off for more than 10 years. She completed a residency at Light Work in January 2006 and has also participated in residencies in Australia, India and China. Her photographs have been exhibited internationally, most recently at the Minnesota Center of Photography in Minneapolis, the Silver Eye Center of Photography in Pittsburgh, and Sam Romo in Atlanta. She will also have an exhibition this year in Finland.

Through a Glass Dimly: Works of Willam Finch, painter
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Overcoming Inertia: Works of Kathryn Rose Martini, fibers artist
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Kathryn Rose Martini graduated from Syracuse University with a BFA in Fiber Structure and Interlocking. Beyond exhibitions over the past 6 years she has used her interest in creativity within the community working with children, both in the visual arts and conducting dance interactive workshops hoping to promote a comfort and curiousity in the arts. She has donated her time and efforts to several local non-profit institutions and organizations. Recent work is on view through September 30 at the Delavan Art Gallery in their Fashion Fashion exhibition. Martini lives and works in Syracuse.

CMAC: The Roots of Collaboration
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Vibrant hand-painted vines lace the gallery walls, cleverly tying together the diverse works and accentuating the "family tree" theme of the exhibition, "CMAC: The Roots of Collaboration". This family consists of members in the recently formed Coalition of Museum and Art Centers. CMAC, an initiative by Syracuse University Chancellor Nancy Cantor, has a mission to celebrate and explore the visual and electronic arts through exhibitions, publications, education, and scholarship. CMAC brings together the programs, services, and projects of several different campus art centers and affiliated non-profit organizations in a collaborative effort to expand the public's awareness, understanding, and involvement in the arts.

CMAC: The Roots of Collaboration is a visual guide to the coalition organizations:

* SUArt Galleries is the new amalgamation of the Lowe Art Gallery and the University Art Collection. The Galleries' contribution to the exhibition illustrates the rich diversity of the permanent collection, from the haunting Renaissance images by Albrecht Dürer and Lucas Cranach to the sharp social commentary of Goya. The department's strength in 20th century American art is seen in Martin Lewis' sweltering New York nocturne, Glow of the City, and in a pair of chromed Art Deco poodles by Boris Lovet-Lorski.

* Light Work's Permanent Collection includes work donated by participants in the Artist-in-Residence program. Selected for the exhibition is a photo from Chan Chao's series of Burmese Rebels, also chosen for the 2002 Whitney Biennial. A sense of calm and tenderness is captured, while also bringing greater awareness of the democracy movement in Burma. Carrie Mae Weems investigates the power of racial jokes and the tradition of oral history in a black-and-white photograph incorporating text. The signature weaving technique of Dinh Q. Lê is on view, combining images from the Vietnam War with stills from popular movies. Recognizing how Hollywood's representation of the war stretches from the hyper-real to the surreal, Lê suggests it produces a new kind of memory which is 'neither fact nor fiction.' Also exploring the border of culture and representation are the collaborative team Max Becher and Andrea Robbins. Their series German Indians looks at a long-standing German romanticization of the American West.

* The Special Collections Research Center of Syracuse University Library displays classic images taken for Life magazine by Margaret Bourke-White, alongside her view camera and its travel case; 19th century sideshow performers from the Ronald G. Becker Collection of Charles Eisenmann Photographs; the first comic strip character, the Yellow Kid, created by Richard Outcault; and playful sketches by the Bauhaus architect Marcel Breuer.

* Community Folk Art Center contrasts fearsome masks from West Africa with carnivalesque ones from Mexico. The wooden Liberian visors, once part of the National Museum of African Art, Smithsonian Institution, and now in CFAC's permanent collection, incorporate natural materials such as feathers and hair. The devil faces flourished with festive paint are from the Mexican folk art collection of Alejandro Garcia, director of SU's School of Social Work.

* The finale of the show is the back room (the former vault of the building), devoted to The Warehouse Gallery's dreamy projection of the future. An enticing list of upcoming initiatives includes an Art Happy Hour for downtowners, a series highlighting young art collectives across North America, and a store for affordable, handcrafted art objects, among others. The gallery's mission is to engage the community in a dialogue regarding the role the arts can play in illuminating the critical issues of our times. Visitors can interact with the displays: a plant-shaped chalkboard asks viewers what they'd like to see in The Warehouse Gallery, clipboards gather information from potential collaborators, labeled Polaroids virtually introduce audiences to one another, and submission applications are dispensed. The gallery will commission Central New York artists to create unique installations for their street-level windows facing the busy intersection of West Fayette and West Streets.

Coalition members are each matched to an indigenous tree for the exhibition. This organizational strategy is in line with The Warehouse Gallery's lively, organic growth and novel way of incorporating regional idiosyncrasies into its international exhibitions.

W. Eugene Smith: From Light into Darkness
Syracuse University Art Museum

Price: Free
University Art Collection
Sims Hall, Syracuse University, Syracuse

This exhibition of photojournalist Eugene Smith includes his service as a World War II photographer in the Pacific theater, a group from a 1950s Life magazine photo essay on the rise of America's chemical industry, and a selection of images from his Pittsburgh project.

Modern Prints from the International Graphic Arts Society
Syracuse University Art Museum

Price: Free
University Art Collection
Sims Hall, Syracuse University, Syracuse

Included are prints by Garo Antresian, Gabor Peterdi, and Donald Saff, three printmakers who taught a generation of artists and had a profound impact on the art of printmaking in the latter half of the 20th century.

Wednesday, September 6, 2006

Visual Arts Showcase Committee Annual Members' Show
CNY Arts

Price: Free
WCNY
415 W. Fayette St., Syracuse

Icons & Images: Processing the Work of Art

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

The Syracuse Technology Garden is pleased to present the first all digital art showcase in the Syracuse area. As part of a larger exhibition that includes painting and photography, nine digital artists have come together to show what this unique art form can offer.

For more information please call Lynn Hughes or Katie Rapp at 315-474-0910, x7902.

Refugee Art Exhibit

Price: Free
Center for New Americans
503 N. Prospect Ave., Syracuse

Works of 4 artists from Cuba, Sudan, and Vietnam.

For more information, phone Anh Nguyen at 315-422-1593 x210.

Gallery Exhibit: Jim Dwyer
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Contemporary artwork, non-representational paintings focusing on the energy of color, fabricated from canvas and wood.

Vietnam: Journey of the Heart, Photographs By Geoffrey Clifford, 1985-2000
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Organized by the Smithsonian Institution Traveling Exhibition Service (SITES)

Perspectives: Contemporary Asian Art, Culture and Identity
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Featuring works by: Vinh Dang, Lisa Jong-Soon Goodlin, Joshua Harris, Bea Lee, Mai Lee, Mao Yang Lee, Hye Yeon Nam, Anh Thao and Phong Vu.

Off Shoots: Post-Standard Staff Photographers
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features the work that the staff photographers of The Post-Standard make in their off hours. The images capture such subjects as family, friends, vacations, or personal projects.

Members Only: Beatrix Reinhardt
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

German photographer Beatrix Reinhardt's images in the exhibition take an inside look at members-only clubs worldwide, which Reinhardt views as special entities that provide a community for their members while excluding everyone else. Her images capture the marks left behind by members of the club. They are devoid of people but speak volumes about club members.

Reinhardt spends most of her time making phone calls and knocking on doors to gain permission to enter clubs. Since starting the series in 2003, she has traveled to places as far away as Australia, Great Britain and China to capture these images. She is currently photographing in Queens, NY, where membership clubs are plentiful and rich in visuals. Some of these exclusive clubs can require years on a waiting list, and many have membership dues ranging from minimal to tens of thousands of dollars per year.

Reinhardt grew up in Jena, Germany, and has lived in the United States on and off for more than 10 years. She completed a residency at Light Work in January 2006 and has also participated in residencies in Australia, India and China. Her photographs have been exhibited internationally, most recently at the Minnesota Center of Photography in Minneapolis, the Silver Eye Center of Photography in Pittsburgh, and Sam Romo in Atlanta. She will also have an exhibition this year in Finland.

CMAC: The Roots of Collaboration
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Vibrant hand-painted vines lace the gallery walls, cleverly tying together the diverse works and accentuating the "family tree" theme of the exhibition, "CMAC: The Roots of Collaboration". This family consists of members in the recently formed Coalition of Museum and Art Centers. CMAC, an initiative by Syracuse University Chancellor Nancy Cantor, has a mission to celebrate and explore the visual and electronic arts through exhibitions, publications, education, and scholarship. CMAC brings together the programs, services, and projects of several different campus art centers and affiliated non-profit organizations in a collaborative effort to expand the public's awareness, understanding, and involvement in the arts.

CMAC: The Roots of Collaboration is a visual guide to the coalition organizations:

* SUArt Galleries is the new amalgamation of the Lowe Art Gallery and the University Art Collection. The Galleries' contribution to the exhibition illustrates the rich diversity of the permanent collection, from the haunting Renaissance images by Albrecht Dürer and Lucas Cranach to the sharp social commentary of Goya. The department's strength in 20th century American art is seen in Martin Lewis' sweltering New York nocturne, Glow of the City, and in a pair of chromed Art Deco poodles by Boris Lovet-Lorski.

* Light Work's Permanent Collection includes work donated by participants in the Artist-in-Residence program. Selected for the exhibition is a photo from Chan Chao's series of Burmese Rebels, also chosen for the 2002 Whitney Biennial. A sense of calm and tenderness is captured, while also bringing greater awareness of the democracy movement in Burma. Carrie Mae Weems investigates the power of racial jokes and the tradition of oral history in a black-and-white photograph incorporating text. The signature weaving technique of Dinh Q. Lê is on view, combining images from the Vietnam War with stills from popular movies. Recognizing how Hollywood's representation of the war stretches from the hyper-real to the surreal, Lê suggests it produces a new kind of memory which is 'neither fact nor fiction.' Also exploring the border of culture and representation are the collaborative team Max Becher and Andrea Robbins. Their series German Indians looks at a long-standing German romanticization of the American West.

* The Special Collections Research Center of Syracuse University Library displays classic images taken for Life magazine by Margaret Bourke-White, alongside her view camera and its travel case; 19th century sideshow performers from the Ronald G. Becker Collection of Charles Eisenmann Photographs; the first comic strip character, the Yellow Kid, created by Richard Outcault; and playful sketches by the Bauhaus architect Marcel Breuer.

* Community Folk Art Center contrasts fearsome masks from West Africa with carnivalesque ones from Mexico. The wooden Liberian visors, once part of the National Museum of African Art, Smithsonian Institution, and now in CFAC's permanent collection, incorporate natural materials such as feathers and hair. The devil faces flourished with festive paint are from the Mexican folk art collection of Alejandro Garcia, director of SU's School of Social Work.

* The finale of the show is the back room (the former vault of the building), devoted to The Warehouse Gallery's dreamy projection of the future. An enticing list of upcoming initiatives includes an Art Happy Hour for downtowners, a series highlighting young art collectives across North America, and a store for affordable, handcrafted art objects, among others. The gallery's mission is to engage the community in a dialogue regarding the role the arts can play in illuminating the critical issues of our times. Visitors can interact with the displays: a plant-shaped chalkboard asks viewers what they'd like to see in The Warehouse Gallery, clipboards gather information from potential collaborators, labeled Polaroids virtually introduce audiences to one another, and submission applications are dispensed. The gallery will commission Central New York artists to create unique installations for their street-level windows facing the busy intersection of West Fayette and West Streets.

Coalition members are each matched to an indigenous tree for the exhibition. This organizational strategy is in line with The Warehouse Gallery's lively, organic growth and novel way of incorporating regional idiosyncrasies into its international exhibitions.

Overcoming Inertia: Works of Kathryn Rose Martini, fibers artist
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Kathryn Rose Martini graduated from Syracuse University with a BFA in Fiber Structure and Interlocking. Beyond exhibitions over the past 6 years she has used her interest in creativity within the community working with children, both in the visual arts and conducting dance interactive workshops hoping to promote a comfort and curiousity in the arts. She has donated her time and efforts to several local non-profit institutions and organizations. Recent work is on view through September 30 at the Delavan Art Gallery in their Fashion Fashion exhibition. Martini lives and works in Syracuse.

Through a Glass Dimly: Works of Willam Finch, painter
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Modern Prints from the International Graphic Arts Society
Syracuse University Art Museum

Price: Free
University Art Collection
Sims Hall, Syracuse University, Syracuse

Included are prints by Garo Antresian, Gabor Peterdi, and Donald Saff, three printmakers who taught a generation of artists and had a profound impact on the art of printmaking in the latter half of the 20th century.

W. Eugene Smith: From Light into Darkness
Syracuse University Art Museum

Price: Free
University Art Collection
Sims Hall, Syracuse University, Syracuse

This exhibition of photojournalist Eugene Smith includes his service as a World War II photographer in the Pacific theater, a group from a 1950s Life magazine photo essay on the rise of America's chemical industry, and a selection of images from his Pittsburgh project.

Thursday, September 7, 2006

Visual Arts Showcase Committee Annual Members' Show
CNY Arts

Price: Free
WCNY
415 W. Fayette St., Syracuse

Refugee Art Exhibit

Price: Free
Center for New Americans
503 N. Prospect Ave., Syracuse

Works of 4 artists from Cuba, Sudan, and Vietnam.

For more information, phone Anh Nguyen at 315-422-1593 x210.

Icons & Images: Processing the Work of Art

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

The Syracuse Technology Garden is pleased to present the first all digital art showcase in the Syracuse area. As part of a larger exhibition that includes painting and photography, nine digital artists have come together to show what this unique art form can offer.

For more information please call Lynn Hughes or Katie Rapp at 315-474-0910, x7902.

Gallery Exhibit: Jim Dwyer
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Contemporary artwork, non-representational paintings focusing on the energy of color, fabricated from canvas and wood.

Perspectives: Contemporary Asian Art, Culture and Identity
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Featuring works by: Vinh Dang, Lisa Jong-Soon Goodlin, Joshua Harris, Bea Lee, Mai Lee, Mao Yang Lee, Hye Yeon Nam, Anh Thao and Phong Vu.

Vietnam: Journey of the Heart, Photographs By Geoffrey Clifford, 1985-2000
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Organized by the Smithsonian Institution Traveling Exhibition Service (SITES)

Off Shoots: Post-Standard Staff Photographers
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features the work that the staff photographers of The Post-Standard make in their off hours. The images capture such subjects as family, friends, vacations, or personal projects.

Members Only: Beatrix Reinhardt
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

German photographer Beatrix Reinhardt's images in the exhibition take an inside look at members-only clubs worldwide, which Reinhardt views as special entities that provide a community for their members while excluding everyone else. Her images capture the marks left behind by members of the club. They are devoid of people but speak volumes about club members.

Reinhardt spends most of her time making phone calls and knocking on doors to gain permission to enter clubs. Since starting the series in 2003, she has traveled to places as far away as Australia, Great Britain and China to capture these images. She is currently photographing in Queens, NY, where membership clubs are plentiful and rich in visuals. Some of these exclusive clubs can require years on a waiting list, and many have membership dues ranging from minimal to tens of thousands of dollars per year.

Reinhardt grew up in Jena, Germany, and has lived in the United States on and off for more than 10 years. She completed a residency at Light Work in January 2006 and has also participated in residencies in Australia, India and China. Her photographs have been exhibited internationally, most recently at the Minnesota Center of Photography in Minneapolis, the Silver Eye Center of Photography in Pittsburgh, and Sam Romo in Atlanta. She will also have an exhibition this year in Finland.

Through a Glass Dimly: Works of Willam Finch, painter
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Overcoming Inertia: Works of Kathryn Rose Martini, fibers artist
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Kathryn Rose Martini graduated from Syracuse University with a BFA in Fiber Structure and Interlocking. Beyond exhibitions over the past 6 years she has used her interest in creativity within the community working with children, both in the visual arts and conducting dance interactive workshops hoping to promote a comfort and curiousity in the arts. She has donated her time and efforts to several local non-profit institutions and organizations. Recent work is on view through September 30 at the Delavan Art Gallery in their Fashion Fashion exhibition. Martini lives and works in Syracuse.

CMAC: The Roots of Collaboration
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Vibrant hand-painted vines lace the gallery walls, cleverly tying together the diverse works and accentuating the "family tree" theme of the exhibition, "CMAC: The Roots of Collaboration". This family consists of members in the recently formed Coalition of Museum and Art Centers. CMAC, an initiative by Syracuse University Chancellor Nancy Cantor, has a mission to celebrate and explore the visual and electronic arts through exhibitions, publications, education, and scholarship. CMAC brings together the programs, services, and projects of several different campus art centers and affiliated non-profit organizations in a collaborative effort to expand the public's awareness, understanding, and involvement in the arts.

CMAC: The Roots of Collaboration is a visual guide to the coalition organizations:

* SUArt Galleries is the new amalgamation of the Lowe Art Gallery and the University Art Collection. The Galleries' contribution to the exhibition illustrates the rich diversity of the permanent collection, from the haunting Renaissance images by Albrecht Dürer and Lucas Cranach to the sharp social commentary of Goya. The department's strength in 20th century American art is seen in Martin Lewis' sweltering New York nocturne, Glow of the City, and in a pair of chromed Art Deco poodles by Boris Lovet-Lorski.

* Light Work's Permanent Collection includes work donated by participants in the Artist-in-Residence program. Selected for the exhibition is a photo from Chan Chao's series of Burmese Rebels, also chosen for the 2002 Whitney Biennial. A sense of calm and tenderness is captured, while also bringing greater awareness of the democracy movement in Burma. Carrie Mae Weems investigates the power of racial jokes and the tradition of oral history in a black-and-white photograph incorporating text. The signature weaving technique of Dinh Q. Lê is on view, combining images from the Vietnam War with stills from popular movies. Recognizing how Hollywood's representation of the war stretches from the hyper-real to the surreal, Lê suggests it produces a new kind of memory which is 'neither fact nor fiction.' Also exploring the border of culture and representation are the collaborative team Max Becher and Andrea Robbins. Their series German Indians looks at a long-standing German romanticization of the American West.

* The Special Collections Research Center of Syracuse University Library displays classic images taken for Life magazine by Margaret Bourke-White, alongside her view camera and its travel case; 19th century sideshow performers from the Ronald G. Becker Collection of Charles Eisenmann Photographs; the first comic strip character, the Yellow Kid, created by Richard Outcault; and playful sketches by the Bauhaus architect Marcel Breuer.

* Community Folk Art Center contrasts fearsome masks from West Africa with carnivalesque ones from Mexico. The wooden Liberian visors, once part of the National Museum of African Art, Smithsonian Institution, and now in CFAC's permanent collection, incorporate natural materials such as feathers and hair. The devil faces flourished with festive paint are from the Mexican folk art collection of Alejandro Garcia, director of SU's School of Social Work.

* The finale of the show is the back room (the former vault of the building), devoted to The Warehouse Gallery's dreamy projection of the future. An enticing list of upcoming initiatives includes an Art Happy Hour for downtowners, a series highlighting young art collectives across North America, and a store for affordable, handcrafted art objects, among others. The gallery's mission is to engage the community in a dialogue regarding the role the arts can play in illuminating the critical issues of our times. Visitors can interact with the displays: a plant-shaped chalkboard asks viewers what they'd like to see in The Warehouse Gallery, clipboards gather information from potential collaborators, labeled Polaroids virtually introduce audiences to one another, and submission applications are dispensed. The gallery will commission Central New York artists to create unique installations for their street-level windows facing the busy intersection of West Fayette and West Streets.

Coalition members are each matched to an indigenous tree for the exhibition. This organizational strategy is in line with The Warehouse Gallery's lively, organic growth and novel way of incorporating regional idiosyncrasies into its international exhibitions.

W. Eugene Smith: From Light into Darkness
Syracuse University Art Museum

Price: Free
University Art Collection
Sims Hall, Syracuse University, Syracuse

This exhibition of photojournalist Eugene Smith includes his service as a World War II photographer in the Pacific theater, a group from a 1950s Life magazine photo essay on the rise of America's chemical industry, and a selection of images from his Pittsburgh project.

Modern Prints from the International Graphic Arts Society
Syracuse University Art Museum

Price: Free
University Art Collection
Sims Hall, Syracuse University, Syracuse

Included are prints by Garo Antresian, Gabor Peterdi, and Donald Saff, three printmakers who taught a generation of artists and had a profound impact on the art of printmaking in the latter half of the 20th century.

Eye on Cinema
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Photographic art by Judy Pfaff, Sandy Skoglund, and Rob Van Erve.

Imagine! Painters and Poets of the New York School
SU Library's Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

On display will be material from the recently processed Grace Hartigan Papers, as well as from the University Art Collection, the Grove Press Archives, and SCRC's extensive holdings of art and literary magazines from the 1950s. Grace Hartigan (1922*) was a major participant in the explosion of creative energy that was the New York artistic and literary scene of the early 1950s. An important abstract expressionist painter, Hartigan was included in the famous show Twelve Americans at the Museum of Modern Art in 1956. Her friends and correspondents included Frank O'Hara, Larry Rivers, Barbara Guest, and Joan Mitchell.

The exhibition is part of the Syracuse Symposium, which for 2006/2007 has chosen imagination as its theme.

Paid parking is available in the Marion visitor lot.

Fashion Fashion
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

Presenting fashion as fine art. There are many designers of high quality fashion art living and producing their work in the Central New York area. The intent of this show, three years in planning, is to acquaint the people of this area with the rich diversity of talent in their midst. "FASHION FASHION" features the work of area designers, jewelers, fashion illustrators and fashion photographers and also includes Cazenovia College's "Look Again" label as well as theatrical costumes by Syracuse Stage.

"FASHION FASHION" includes fashions and accessories by Gail Calloway, Cazenovia College Fashion Studies, Barbara Conte-Gaugel, Hilary Gifford, Jean Henry, Jakobine, Amanda Jensen, Paul Kench, Kathryn Rose Martini, Laurel Morton, Lisa A. Morrill, Mary Ann Niemczura, Kristin Palazzoli, Vi Ransel, Reyen Design Studios, Markie Roe, Kathleen Schneider and Christine Sickler; jewelry by Leslie Banach, Michelle DaRin, Barbara A. Floch, Christine More, Deborah Rogers, Jeni Rose Designs, C. Thomas and DeeAnn vonHunke; fashion photography by Robert Carroll, Ron Goodrich and Kätlin Kool; fashion illustration by Angela DeVita; as well as theatrical costumes by Syracuse Stage.

Redhouse Readings Series: A Naked Girl on the Appian Way
Redhouse

Price: Free
Barnes & Noble
3454 Erie Blvd. E., Dewitt

Actors from the upcoming theater production of A Naked Girl on the Appian Way by Tony Award-winning playwright Richard Greenberg will read excerpts from the play and explore its subject matter with the audience. Reading, breeding and sibling rivalry take on a whole new twist in this smart and irreverent comedy about a wildly non-traditional family testing tolerance, acceptance, and the outer limits of love.

Friday, September 8, 2006

Visual Arts Showcase Committee Annual Members' Show
CNY Arts

Price: Free
WCNY
415 W. Fayette St., Syracuse

Icons & Images: Processing the Work of Art

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

The Syracuse Technology Garden is pleased to present the first all digital art showcase in the Syracuse area. As part of a larger exhibition that includes painting and photography, nine digital artists have come together to show what this unique art form can offer.

For more information please call Lynn Hughes or Katie Rapp at 315-474-0910, x7902.

Imagine! Painters and Poets of the New York School
SU Library's Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

On display will be material from the recently processed Grace Hartigan Papers, as well as from the University Art Collection, the Grove Press Archives, and SCRC's extensive holdings of art and literary magazines from the 1950s. Grace Hartigan (1922*) was a major participant in the explosion of creative energy that was the New York artistic and literary scene of the early 1950s. An important abstract expressionist painter, Hartigan was included in the famous show Twelve Americans at the Museum of Modern Art in 1956. Her friends and correspondents included Frank O'Hara, Larry Rivers, Barbara Guest, and Joan Mitchell.

The exhibition is part of the Syracuse Symposium, which for 2006/2007 has chosen imagination as its theme.

Paid parking is available in the Marion visitor lot.

Refugee Art Exhibit

Price: Free
Center for New Americans
503 N. Prospect Ave., Syracuse

Works of 4 artists from Cuba, Sudan, and Vietnam.

For more information, phone Anh Nguyen at 315-422-1593 x210.

Gallery Exhibit: Jim Dwyer
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Contemporary artwork, non-representational paintings focusing on the energy of color, fabricated from canvas and wood.

Vietnam: Journey of the Heart, Photographs By Geoffrey Clifford, 1985-2000
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Organized by the Smithsonian Institution Traveling Exhibition Service (SITES)

Perspectives: Contemporary Asian Art, Culture and Identity
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Featuring works by: Vinh Dang, Lisa Jong-Soon Goodlin, Joshua Harris, Bea Lee, Mai Lee, Mao Yang Lee, Hye Yeon Nam, Anh Thao and Phong Vu.

Off Shoots: Post-Standard Staff Photographers
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features the work that the staff photographers of The Post-Standard make in their off hours. The images capture such subjects as family, friends, vacations, or personal projects.

Members Only: Beatrix Reinhardt
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

German photographer Beatrix Reinhardt's images in the exhibition take an inside look at members-only clubs worldwide, which Reinhardt views as special entities that provide a community for their members while excluding everyone else. Her images capture the marks left behind by members of the club. They are devoid of people but speak volumes about club members.

Reinhardt spends most of her time making phone calls and knocking on doors to gain permission to enter clubs. Since starting the series in 2003, she has traveled to places as far away as Australia, Great Britain and China to capture these images. She is currently photographing in Queens, NY, where membership clubs are plentiful and rich in visuals. Some of these exclusive clubs can require years on a waiting list, and many have membership dues ranging from minimal to tens of thousands of dollars per year.

Reinhardt grew up in Jena, Germany, and has lived in the United States on and off for more than 10 years. She completed a residency at Light Work in January 2006 and has also participated in residencies in Australia, India and China. Her photographs have been exhibited internationally, most recently at the Minnesota Center of Photography in Minneapolis, the Silver Eye Center of Photography in Pittsburgh, and Sam Romo in Atlanta. She will also have an exhibition this year in Finland.

CMAC: The Roots of Collaboration
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Vibrant hand-painted vines lace the gallery walls, cleverly tying together the diverse works and accentuating the "family tree" theme of the exhibition, "CMAC: The Roots of Collaboration". This family consists of members in the recently formed Coalition of Museum and Art Centers. CMAC, an initiative by Syracuse University Chancellor Nancy Cantor, has a mission to celebrate and explore the visual and electronic arts through exhibitions, publications, education, and scholarship. CMAC brings together the programs, services, and projects of several different campus art centers and affiliated non-profit organizations in a collaborative effort to expand the public's awareness, understanding, and involvement in the arts.

CMAC: The Roots of Collaboration is a visual guide to the coalition organizations:

* SUArt Galleries is the new amalgamation of the Lowe Art Gallery and the University Art Collection. The Galleries' contribution to the exhibition illustrates the rich diversity of the permanent collection, from the haunting Renaissance images by Albrecht Dürer and Lucas Cranach to the sharp social commentary of Goya. The department's strength in 20th century American art is seen in Martin Lewis' sweltering New York nocturne, Glow of the City, and in a pair of chromed Art Deco poodles by Boris Lovet-Lorski.

* Light Work's Permanent Collection includes work donated by participants in the Artist-in-Residence program. Selected for the exhibition is a photo from Chan Chao's series of Burmese Rebels, also chosen for the 2002 Whitney Biennial. A sense of calm and tenderness is captured, while also bringing greater awareness of the democracy movement in Burma. Carrie Mae Weems investigates the power of racial jokes and the tradition of oral history in a black-and-white photograph incorporating text. The signature weaving technique of Dinh Q. Lê is on view, combining images from the Vietnam War with stills from popular movies. Recognizing how Hollywood's representation of the war stretches from the hyper-real to the surreal, Lê suggests it produces a new kind of memory which is 'neither fact nor fiction.' Also exploring the border of culture and representation are the collaborative team Max Becher and Andrea Robbins. Their series German Indians looks at a long-standing German romanticization of the American West.

* The Special Collections Research Center of Syracuse University Library displays classic images taken for Life magazine by Margaret Bourke-White, alongside her view camera and its travel case; 19th century sideshow performers from the Ronald G. Becker Collection of Charles Eisenmann Photographs; the first comic strip character, the Yellow Kid, created by Richard Outcault; and playful sketches by the Bauhaus architect Marcel Breuer.

* Community Folk Art Center contrasts fearsome masks from West Africa with carnivalesque ones from Mexico. The wooden Liberian visors, once part of the National Museum of African Art, Smithsonian Institution, and now in CFAC's permanent collection, incorporate natural materials such as feathers and hair. The devil faces flourished with festive paint are from the Mexican folk art collection of Alejandro Garcia, director of SU's School of Social Work.

* The finale of the show is the back room (the former vault of the building), devoted to The Warehouse Gallery's dreamy projection of the future. An enticing list of upcoming initiatives includes an Art Happy Hour for downtowners, a series highlighting young art collectives across North America, and a store for affordable, handcrafted art objects, among others. The gallery's mission is to engage the community in a dialogue regarding the role the arts can play in illuminating the critical issues of our times. Visitors can interact with the displays: a plant-shaped chalkboard asks viewers what they'd like to see in The Warehouse Gallery, clipboards gather information from potential collaborators, labeled Polaroids virtually introduce audiences to one another, and submission applications are dispensed. The gallery will commission Central New York artists to create unique installations for their street-level windows facing the busy intersection of West Fayette and West Streets.

Coalition members are each matched to an indigenous tree for the exhibition. This organizational strategy is in line with The Warehouse Gallery's lively, organic growth and novel way of incorporating regional idiosyncrasies into its international exhibitions.

Overcoming Inertia: Works of Kathryn Rose Martini, fibers artist
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Kathryn Rose Martini graduated from Syracuse University with a BFA in Fiber Structure and Interlocking. Beyond exhibitions over the past 6 years she has used her interest in creativity within the community working with children, both in the visual arts and conducting dance interactive workshops hoping to promote a comfort and curiousity in the arts. She has donated her time and efforts to several local non-profit institutions and organizations. Recent work is on view through September 30 at the Delavan Art Gallery in their Fashion Fashion exhibition. Martini lives and works in Syracuse.

Through a Glass Dimly: Works of Willam Finch, painter
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Modern Prints from the International Graphic Arts Society
Syracuse University Art Museum

Price: Free
University Art Collection
Sims Hall, Syracuse University, Syracuse

Included are prints by Garo Antresian, Gabor Peterdi, and Donald Saff, three printmakers who taught a generation of artists and had a profound impact on the art of printmaking in the latter half of the 20th century.

W. Eugene Smith: From Light into Darkness
Syracuse University Art Museum

Price: Free
University Art Collection
Sims Hall, Syracuse University, Syracuse

This exhibition of photojournalist Eugene Smith includes his service as a World War II photographer in the Pacific theater, a group from a 1950s Life magazine photo essay on the rise of America's chemical industry, and a selection of images from his Pittsburgh project.

Fashion Fashion
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

Presenting fashion as fine art. There are many designers of high quality fashion art living and producing their work in the Central New York area. The intent of this show, three years in planning, is to acquaint the people of this area with the rich diversity of talent in their midst. "FASHION FASHION" features the work of area designers, jewelers, fashion illustrators and fashion photographers and also includes Cazenovia College's "Look Again" label as well as theatrical costumes by Syracuse Stage.

"FASHION FASHION" includes fashions and accessories by Gail Calloway, Cazenovia College Fashion Studies, Barbara Conte-Gaugel, Hilary Gifford, Jean Henry, Jakobine, Amanda Jensen, Paul Kench, Kathryn Rose Martini, Laurel Morton, Lisa A. Morrill, Mary Ann Niemczura, Kristin Palazzoli, Vi Ransel, Reyen Design Studios, Markie Roe, Kathleen Schneider and Christine Sickler; jewelry by Leslie Banach, Michelle DaRin, Barbara A. Floch, Christine More, Deborah Rogers, Jeni Rose Designs, C. Thomas and DeeAnn vonHunke; fashion photography by Robert Carroll, Ron Goodrich and Kätlin Kool; fashion illustration by Angela DeVita; as well as theatrical costumes by Syracuse Stage.

Eye on Cinema
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Photographic art by Judy Pfaff, Sandy Skoglund, and Rob Van Erve.

Onondaga Community College
Joe Carello Jazz Trio

Price: Free
Storer Auditorium
Onondaga Community College, Syracuse

Saxophonist Joe Carello, pianist Rick Montalbano and drummer Jimmy Johns join forces for this exciting jazz performance.

A Musicale with Jeffrey Siegel, pianist
WCNY-FM

Price: $20 regular, free for WCNY members
St. James Roman Catholic Church
4845 S. Salina St., Syracuse

Tickets must be reserved in advance by calling 315-453-2424.

Torch Song Trilogy
Rarely Done Productions
Moe Harrington, director

Price: $20
Jazz Central
441 E. Washington St., Syracuse

A very personal story that is both funny and poignant, Torch Song Trilogy, by Tony Award-winning actor and playwright Harvey Fierstein, chronicles a New Yorker's search for love, respect and tradition in a world that seems not especially made for him. From Arnold's hilarious steps toward domestic bliss with a reluctant school teacher, to his first truly promising love affair with a young fashion model, Arnold's greatest challenge remains his complicated relationship with his mother. But armed with a keenly developed sense of humor and often times piercing wit, Arnold continues to test the commonly accepted terms of endearment -- and endurance -- in a universally affecting story that confirms that happiness is well worth carrying a torch for.

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Playing Doctor
Appleseed Productions
Greg J. Hipius, director

Price: $15 regular; $12 seniors/students
Atonement Lutheran Church
116 W. Glen Ave., Syracuse

Rob Brewster's parents are very, very proud of their son the doctor. What they don't know is that Rob has used all the money they gave him for medical school to live on as he as has pursued his fledgling writing career. Inevitably, Rob's day of reckoning comes when his parents arrive for a visit. Quickly, he enlists the help of his secretary to be his nurse and his roommate Jimmy to round up his actor friends to pretend to be patients. Complications ensue when Jimmy decides he is such a good actor that he can impersonate all the patients, with the help of a trunk of costumes and bad dialects! William Van Zandt and Jane Milmore have written some zany farces, but this one may just be their zaniest. It is great fun to perform, and great fun to see.

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