Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimu´, and Chavin cultures.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

Empty openings or panes of glass in houses, vehicles, skyscrapers, or storefronts, windows are portals to and from other worlds. Drawn from the Everson's collection, this exhibition examines the formal and symbolic potential of a simple aperture.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimu´, and Chavin cultures.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

Empty openings or panes of glass in houses, vehicles, skyscrapers, or storefronts, windows are portals to and from other worlds. Drawn from the Everson's collection, this exhibition examines the formal and symbolic potential of a simple aperture.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimu´, and Chavin cultures.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

Empty openings or panes of glass in houses, vehicles, skyscrapers, or storefronts, windows are portals to and from other worlds. Drawn from the Everson's collection, this exhibition examines the formal and symbolic potential of a simple aperture.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimu´, and Chavin cultures.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimu´, and Chavin cultures.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimu´, and Chavin cultures.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimu´, and Chavin cultures.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimu´, and Chavin cultures.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimu´, and Chavin cultures.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimu´, and Chavin cultures.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The ancient Andean civilizations of South America were strikingly diverse in their religious beliefs and material cultures, but each developed complex ceramics for both domestic and ritual use. This exhibition features key pieces from the Museum's collection, including several recent acquisitions from the Nazca, Paracas, Moche, Chimu´, and Chavin cultures.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Online

They say good food is just another expression of art. We think so too! That's why the Everson Museum of Art has partnered with Salt City Market to bring you Salt & Pepper, a new art/food series with lively conversations between artists and chefs about culture, history, and technique.

Join us by zoom to hear from artists in their studios and chefs in their Salt City Market kitchens. We've selected artist/chef pairings that will awaken all the senses and introduce you to some incredible Syracuse talent.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

"Jaleel Campbell: Homecoming," the artist's first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works, and a series of his "Jalethal" dolls.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.

Everson Museum of Art
401 Harrison St., Syracuse

Based upon the iconic Carrie Mae Weems' 1998 work of the same name, Who What When Where explores questions of identity, place, and time while investigating the four words fundamental to the construction of narratives.

Everson Museum of Art
401 Harrison St., Syracuse

The Everson began collecting contemporary Japanese ceramics in earnest in the mid 1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today's contemporary ceramic movement in Japan.