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Urban Video Project

The Warehouse
350 W. Fayette St., Suite 405
Syracuse, NY 13244
adam@urbanvideoproject.com
Website: www.urbanvideoproject.com
Urban Video Project is on Facebook     Urban Video Project is on Twitter



Urban Video Project Coming Events

Ben Russell: Good Luck (Portraits)

Save to Google calendar  Save to desktop calendar    Thursday, April 26, 2018, 8:30 PM - 11:00 PM

Save to Google calendar  Save to desktop calendar    Friday, April 27, 2018, 8:30 PM - 11:00 PM

Save to Google calendar  Save to desktop calendar    Saturday, April 28, 2018, 8:30 PM - 11:00 PM

Save to Google calendar  Save to desktop calendar    Thursday, May 3, 2018, 8:45 PM - 11:00 PM

Save to Google calendar  Save to desktop calendar    Friday, May 4, 2018, 8:45 PM - 11:00 PM

Save to Google calendar  Save to desktop calendar    Saturday, May 5, 2018, 8:45 PM - 11:00 PM

Save to Google calendar  Save to desktop calendar    Thursday, May 10, 2018, 8:45 PM - 11:00 PM

Save to Google calendar  Save to desktop calendar    Friday, May 11, 2018, 8:45 PM - 11:00 PM

Save to Google calendar  Save to desktop calendar    Saturday, May 12, 2018, 8:45 PM - 11:00 PM

Save to Google calendar  Save to desktop calendar    Thursday, May 17, 2018, 9:00 PM - 11:00 PM

Save to Google calendar  Save to desktop calendar    Friday, May 18, 2018, 9:00 PM - 11:00 PM

Save to Google calendar  Save to desktop calendar    Saturday, May 19, 2018, 9:00 PM - 11:00 PM

Save to Google calendar  Save to desktop calendar    Thursday, May 24, 2018, 9:00 PM - 11:00 PM

Save to Google calendar  Save to desktop calendar    Friday, May 25, 2018, 9:00 PM - 11:00 PM

Save to Google calendar  Save to desktop calendar    Saturday, May 26, 2018, 9:00 PM - 11:00 PM


Price: Free


Everson Museum of Art Plaza
401 Harrison St., Syracuse

Ben Russell (b.1976, USA) is a media artist and curator whose films, installations, and performances foster a deep engagement with the history and semiotics of the moving image. Formal investigations of the historical and conceptual relationships between early cinema, documentary practices, and structuralist filmmaking result in immersive experiences concerned at once with ritual, communal spectatorship and the pursuit of a "psychedelic ethnography."

Screening begins at dusk.


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