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SU Art Galleries

Shaffer Art Building
Syracuse University
Syracuse, NY 13244
Phone: 315-443-4097
Website: suart.syr.edu/
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Hours: Tuesday - Sunday, noon - 5:00 pm



SU Art Galleries Coming Events

Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Sunday, September 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Sunday, September 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Sunday, September 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Sunday, September 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Sunday, September 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Tuesday, September 17, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Tuesday, September 17, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Tuesday, September 17, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Tuesday, September 17, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Tuesday, September 17, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Wednesday, September 18, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Wednesday, September 18, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Wednesday, September 18, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Wednesday, September 18, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Wednesday, September 18, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Thursday, September 19, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Thursday, September 19, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Thursday, September 19, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Thursday, September 19, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Thursday, September 19, 2019, 11:00 PM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Friday, September 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Friday, September 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Friday, September 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Friday, September 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Friday, September 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Saturday, September 21, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Saturday, September 21, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Saturday, September 21, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Saturday, September 21, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Saturday, September 21, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Sunday, September 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Sunday, September 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Sunday, September 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Sunday, September 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Sunday, September 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Tuesday, September 24, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Tuesday, September 24, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Tuesday, September 24, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Tuesday, September 24, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Tuesday, September 24, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Wednesday, September 25, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Wednesday, September 25, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Wednesday, September 25, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Wednesday, September 25, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Wednesday, September 25, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Thursday, September 26, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Thursday, September 26, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Thursday, September 26, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Thursday, September 26, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Thursday, September 26, 2019, 11:00 PM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Friday, September 27, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Friday, September 27, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Friday, September 27, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Friday, September 27, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Friday, September 27, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Saturday, September 28, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Saturday, September 28, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Saturday, September 28, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Saturday, September 28, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Saturday, September 28, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Sunday, September 29, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Sunday, September 29, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Sunday, September 29, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Sunday, September 29, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Sunday, September 29, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Tuesday, October 1, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Tuesday, October 1, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Tuesday, October 1, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Tuesday, October 1, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Tuesday, October 1, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Wednesday, October 2, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Wednesday, October 2, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Wednesday, October 2, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Wednesday, October 2, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Wednesday, October 2, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Thursday, October 3, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Thursday, October 3, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Thursday, October 3, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Thursday, October 3, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Thursday, October 3, 2019, 11:00 PM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Friday, October 4, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Friday, October 4, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Friday, October 4, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Friday, October 4, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Friday, October 4, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Saturday, October 5, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Saturday, October 5, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Saturday, October 5, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Saturday, October 5, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Saturday, October 5, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Sunday, October 6, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Sunday, October 6, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Sunday, October 6, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Sunday, October 6, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Sunday, October 6, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Tuesday, October 8, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Tuesday, October 8, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Tuesday, October 8, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Tuesday, October 8, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Tuesday, October 8, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Wednesday, October 9, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Wednesday, October 9, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Wednesday, October 9, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Wednesday, October 9, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Wednesday, October 9, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Thursday, October 10, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Thursday, October 10, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Thursday, October 10, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Thursday, October 10, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Thursday, October 10, 2019, 11:00 PM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Friday, October 11, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Friday, October 11, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Friday, October 11, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Friday, October 11, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Friday, October 11, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Saturday, October 12, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Saturday, October 12, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Saturday, October 12, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Saturday, October 12, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Saturday, October 12, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Sunday, October 13, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Sunday, October 13, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Sunday, October 13, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Sunday, October 13, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Sunday, October 13, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Tuesday, October 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Tuesday, October 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Tuesday, October 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Tuesday, October 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Tuesday, October 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Wednesday, October 16, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Wednesday, October 16, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Wednesday, October 16, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Wednesday, October 16, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Wednesday, October 16, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Thursday, October 17, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Thursday, October 17, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Thursday, October 17, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Thursday, October 17, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Thursday, October 17, 2019, 11:00 PM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Friday, October 18, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Friday, October 18, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Friday, October 18, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Friday, October 18, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Friday, October 18, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Saturday, October 19, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Saturday, October 19, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Saturday, October 19, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Saturday, October 19, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Saturday, October 19, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Sunday, October 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Sunday, October 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Sunday, October 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Sunday, October 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Sunday, October 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Tuesday, October 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Tuesday, October 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Tuesday, October 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Tuesday, October 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Tuesday, October 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Wednesday, October 23, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Wednesday, October 23, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Wednesday, October 23, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Wednesday, October 23, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Wednesday, October 23, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Thursday, October 24, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Thursday, October 24, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Thursday, October 24, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Thursday, October 24, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Thursday, October 24, 2019, 11:00 PM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Friday, October 25, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Friday, October 25, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Friday, October 25, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Friday, October 25, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Friday, October 25, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Saturday, October 26, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Saturday, October 26, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Saturday, October 26, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Saturday, October 26, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Saturday, October 26, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Sunday, October 27, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Sunday, October 27, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Sunday, October 27, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Sunday, October 27, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Sunday, October 27, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Tuesday, October 29, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Tuesday, October 29, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Tuesday, October 29, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Tuesday, October 29, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Tuesday, October 29, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Wednesday, October 30, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Wednesday, October 30, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Wednesday, October 30, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Wednesday, October 30, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Wednesday, October 30, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Thursday, October 31, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Thursday, October 31, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Thursday, October 31, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Thursday, October 31, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Thursday, October 31, 2019, 11:00 PM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Friday, November 1, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Friday, November 1, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Friday, November 1, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Friday, November 1, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Friday, November 1, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Saturday, November 2, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Saturday, November 2, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Saturday, November 2, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Saturday, November 2, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Saturday, November 2, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Sunday, November 3, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Sunday, November 3, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Sunday, November 3, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Sunday, November 3, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Sunday, November 3, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Tuesday, November 5, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Tuesday, November 5, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Tuesday, November 5, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Tuesday, November 5, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Tuesday, November 5, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Wednesday, November 6, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Wednesday, November 6, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Wednesday, November 6, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Wednesday, November 6, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Wednesday, November 6, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Thursday, November 7, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Thursday, November 7, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Thursday, November 7, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Thursday, November 7, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Thursday, November 7, 2019, 11:00 PM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Friday, November 8, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Friday, November 8, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Friday, November 8, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Friday, November 8, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Friday, November 8, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Saturday, November 9, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Saturday, November 9, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Saturday, November 9, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Saturday, November 9, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Saturday, November 9, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Sunday, November 10, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Sunday, November 10, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Sunday, November 10, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Sunday, November 10, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Sunday, November 10, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Tuesday, November 12, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Tuesday, November 12, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Tuesday, November 12, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Tuesday, November 12, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Tuesday, November 12, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Wednesday, November 13, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Wednesday, November 13, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Wednesday, November 13, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Wednesday, November 13, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Wednesday, November 13, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Thursday, November 14, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Thursday, November 14, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Thursday, November 14, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Thursday, November 14, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Thursday, November 14, 2019, 11:00 PM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Friday, November 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Friday, November 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Friday, November 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Friday, November 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Friday, November 15, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Saturday, November 16, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Saturday, November 16, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Saturday, November 16, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Saturday, November 16, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Saturday, November 16, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Sunday, November 17, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Sunday, November 17, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Sunday, November 17, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Sunday, November 17, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Sunday, November 17, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Tuesday, November 19, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Tuesday, November 19, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Tuesday, November 19, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Tuesday, November 19, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Tuesday, November 19, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Wednesday, November 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Wednesday, November 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Wednesday, November 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Wednesday, November 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Wednesday, November 20, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Thursday, November 21, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Thursday, November 21, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Thursday, November 21, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Thursday, November 21, 2019, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Thursday, November 21, 2019, 11:00 PM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Friday, November 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Friday, November 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Friday, November 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Friday, November 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Friday, November 22, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Saturday, November 23, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Saturday, November 23, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Saturday, November 23, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Saturday, November 23, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Saturday, November 23, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


Boris Margo: The Cellocut and Use of Plastics

Save to Google calendar  Save to desktop calendar    Sunday, November 24, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition highlights 18 original prints by American artist Boris Margo. From early on, Margo had an innate impulse to recycle various materials to create artworks. The result of this curiosity was the invention of the Cellocut process, a versatile medium that permits considerable freedom in ones use of color and forms in their creations. A difficult medium to handle convincingly, this technique has proven to be challenging for many, resulting in only a few masters of the Cellocut, including Margo and his wife, artist Jan Gelb.


Impact! The Photo League and Its Legacy

Save to Google calendar  Save to desktop calendar    Sunday, November 24, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Impact! The Photo League and Its Legacy" presents over 20 black and white photographs by master photographers associated with league, a cooperative of both amateur and professional photographers founded in 1936. The intent of the League was twofold: instruction on the art of photography, and a mission to put cameras in the hands of honest photographers with an intention to photograph America. The advisors, teachers, and students shared a commitment to social realism, specifically with the aim to produce visual images of working-class life. From its beginning to its untimely closure in 1951, the league boasted almost 250 members, including Arthur Rothstein, Aaron Siskind, and Godfrey Frankel, as well as hosted a number of teachers, board of advisors, and special lecturers such as Ansel Adams, Berenice Abbott, Dorothea Lange, and Lewis Hine.


Not a Metric Matters

Save to Google calendar  Save to desktop calendar    Sunday, November 24, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Not a Metric Matters" features new and recent artwork from 16 faculty members from the College of Visual and Performing Arts at Syracuse University. The exhibition highlights artists working in a wide variety of media including painting, photography, drawing, ceramics, art video and site-specific installations. Curated by DJ Hellerman, curator of art and programs at the Everson Museum of Art, this exhibition brings together the eclectic and powerful work of design, studio arts, and transmedia faculty.

Artists include Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Ann Clarke, Deborah Dohne, Holly Greenberg, Heath Hanlin, Margie Hughto, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papaioannu, Tom Sherman, and Chris Wildrick.


Skeptical Gaze: How Photomontage Blurs the Lines of Reality

Save to Google calendar  Save to desktop calendar    Sunday, November 24, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Skeptical Gaze: How Photomontage Blurs the Lines of Reality" explores silver gelatin prints and newsprints which contain the photographic technique of photomontage. Techniques that manipulate images, such as photomontage, have been extensively used throughout the modern analog film photographic process and continue to be used in a prolific capacity within the digital photography realm with programs like Adobe Photoshop. "Skeptical Gaze" specifically connects contemporary ideas about skepticism towards visual imagery with traditional darkroom techniques as a way to encourage the audience to assess their trust and belief in what visual representations they are consuming. Comprised of artwork from the Syracuse University Art Collection, Special Collections Research Center, Light Work Collection, and Visual Studies Workshop, this exhibition highlights images that use both fine art photography and mass media produced photography as a vehicle to begin this conversation.


Teaching Methods: The Legacy of Art and Design Faculty

Save to Google calendar  Save to desktop calendar    Sunday, November 24, 2019, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Syracuse University enjoys the distinction of being the first institution of higher education to confer Baccalaureate of Arts degrees. The founding trustees recognized the importance of the arts and in 1873, George Fisk Comfort was appointed dean of the new College of Fine Arts comprised of the departments of Architecture and Painting. The university allocated funds sufficient for procuring basic supplies and Comfort recruited volunteer faculty from the region. The first class, of 1873, had 15 students, all but one of whom was enrolled in Painting.

Over the nearly 150 years since its founding, the program has evolved, reflecting different aesthetic sensibilities at different times in its history. One constant has been a talented group of faculty who strive to provide the best possible learning opportunities for undergraduate and graduate students. This exhibition presents a sampling of the work by select former faculty in the permanent collection.


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