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SU Art Galleries

Shaffer Art Building
Syracuse University
Syracuse, NY 13244
Phone: 315-443-4097
Website: suart.syr.edu/
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Hours: Tuesday - Sunday, noon - 5:00 pm



SU Art Galleries Coming Events

Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, January 18, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Thursday, January 18, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, January 18, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Thursday, January 18, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Thursday, January 18, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Thursday, January 18, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, January 19, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Friday, January 19, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, January 19, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Friday, January 19, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Friday, January 19, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Friday, January 19, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, January 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Saturday, January 20, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, January 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Saturday, January 20, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Saturday, January 20, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Saturday, January 20, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, January 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Sunday, January 21, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, January 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Sunday, January 21, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Sunday, January 21, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Sunday, January 21, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, January 23, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Tuesday, January 23, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, January 23, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Tuesday, January 23, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Tuesday, January 23, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Tuesday, January 23, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, January 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Wednesday, January 24, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, January 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Wednesday, January 24, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Wednesday, January 24, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Wednesday, January 24, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, January 25, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Thursday, January 25, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, January 25, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Thursday, January 25, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Thursday, January 25, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Thursday, January 25, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, January 26, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Friday, January 26, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, January 26, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Friday, January 26, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Friday, January 26, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Friday, January 26, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, January 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Saturday, January 27, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, January 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Saturday, January 27, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Saturday, January 27, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Saturday, January 27, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, January 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Sunday, January 28, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, January 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Sunday, January 28, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Sunday, January 28, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Sunday, January 28, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, January 30, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Tuesday, January 30, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, January 30, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Tuesday, January 30, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Tuesday, January 30, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Tuesday, January 30, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, January 31, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Wednesday, January 31, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, January 31, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Wednesday, January 31, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Wednesday, January 31, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Wednesday, January 31, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Lunchtime Lecture: Gallery Tour of "Kiki Smith and Paper" with Domenic Iacono

Save to Google calendar  Save to desktop calendar    Wednesday, January 31, 2018, 12:15 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Join SUArt for a tour through the galleries featuring work by contemporary artist, Kiki Smith.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, February 1, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Thursday, February 1, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, February 1, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Thursday, February 1, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Thursday, February 1, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Thursday, February 1, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, February 2, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Friday, February 2, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, February 2, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Friday, February 2, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Friday, February 2, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Friday, February 2, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, February 3, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Saturday, February 3, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, February 3, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Saturday, February 3, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Saturday, February 3, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Saturday, February 3, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, February 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Sunday, February 4, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, February 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Sunday, February 4, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Sunday, February 4, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Sunday, February 4, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, February 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Tuesday, February 6, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, February 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Tuesday, February 6, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Tuesday, February 6, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Tuesday, February 6, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, February 7, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Wednesday, February 7, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, February 7, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Wednesday, February 7, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Wednesday, February 7, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Wednesday, February 7, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, February 8, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Thursday, February 8, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, February 8, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Thursday, February 8, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Thursday, February 8, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Thursday, February 8, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, February 9, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Friday, February 9, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, February 9, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Friday, February 9, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Friday, February 9, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Friday, February 9, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, February 10, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Saturday, February 10, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, February 10, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Saturday, February 10, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Saturday, February 10, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Saturday, February 10, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, February 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Sunday, February 11, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, February 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Sunday, February 11, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Sunday, February 11, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Sunday, February 11, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, February 13, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Tuesday, February 13, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, February 13, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Tuesday, February 13, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Tuesday, February 13, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Tuesday, February 13, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, February 14, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Wednesday, February 14, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, February 14, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Wednesday, February 14, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Wednesday, February 14, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Wednesday, February 14, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Lunchtime Lecture: Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Wednesday, February 14, 2018, 12:15 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Join SUArt's director, Domenic Iacono, for a gallery tour of the exhibition "Hidden Beauty: Exploring the Aesthetics of Medical Science."


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, February 15, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Thursday, February 15, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, February 15, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Thursday, February 15, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Thursday, February 15, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Thursday, February 15, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Artist Talk: Kiki Smith

Save to Google calendar  Save to desktop calendar    Thursday, February 15, 2018, 6:30 PM


Price: Free


Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, February 16, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Friday, February 16, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, February 16, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Friday, February 16, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Friday, February 16, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Friday, February 16, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, February 17, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Saturday, February 17, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, February 17, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Saturday, February 17, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Saturday, February 17, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Saturday, February 17, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, February 18, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Sunday, February 18, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, February 18, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Sunday, February 18, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Sunday, February 18, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Sunday, February 18, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, February 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Tuesday, February 20, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, February 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Tuesday, February 20, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Tuesday, February 20, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Tuesday, February 20, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, February 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Wednesday, February 21, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, February 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Wednesday, February 21, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Wednesday, February 21, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Wednesday, February 21, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Lunchtime Lecture: Gallery Tour of "Kiki Smith and Paper" with curator Wendy Weitman

Save to Google calendar  Save to desktop calendar    Wednesday, February 21, 2018, 12:15 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Wendy Weitman, curator of "Kiki Smith and Paper," was a curator in the department of prints and illustrated books at The Museum of Modern Art, New York, and is an author of several books on contemporary art.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, February 22, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Thursday, February 22, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, February 22, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Thursday, February 22, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Thursday, February 22, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Thursday, February 22, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, February 23, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Friday, February 23, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, February 23, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Friday, February 23, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Friday, February 23, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Friday, February 23, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, February 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Saturday, February 24, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, February 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Saturday, February 24, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Saturday, February 24, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Saturday, February 24, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, February 25, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Sunday, February 25, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, February 25, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Sunday, February 25, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Sunday, February 25, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Sunday, February 25, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, February 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Tuesday, February 27, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, February 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Tuesday, February 27, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Tuesday, February 27, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Tuesday, February 27, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, February 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Wednesday, February 28, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, February 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Wednesday, February 28, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Wednesday, February 28, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Wednesday, February 28, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Lunchtime Lecture: Gallery Tour of "North and South: Berenice Abbott's U.S. Route 1"

Save to Google calendar  Save to desktop calendar    Wednesday, February 28, 2018, 12:15 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Join SUArt's associate director, David Prince for a gallery tour of the exhibition "North and South: Berenice Abbott's U.S. Route 1."


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, March 1, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Thursday, March 1, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, March 1, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Thursday, March 1, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Thursday, March 1, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Thursday, March 1, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, March 2, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Friday, March 2, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, March 2, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Friday, March 2, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Friday, March 2, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Friday, March 2, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, March 3, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Saturday, March 3, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, March 3, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Saturday, March 3, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Saturday, March 3, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Saturday, March 3, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, March 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Sunday, March 4, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, March 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Sunday, March 4, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Sunday, March 4, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Sunday, March 4, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, March 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Tuesday, March 6, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, March 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Tuesday, March 6, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Tuesday, March 6, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Tuesday, March 6, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, March 7, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Wednesday, March 7, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, March 7, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Wednesday, March 7, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Wednesday, March 7, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Wednesday, March 7, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, March 8, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Thursday, March 8, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, March 8, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Thursday, March 8, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Thursday, March 8, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Thursday, March 8, 2018, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, March 9, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


Hidden Beauty: Exploring the Aesthetics of Medical Science

Save to Google calendar  Save to desktop calendar    Friday, March 9, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

Organized by Norman Barker and Christine Iacobuzio-Donahue.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, March 9, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Kiki Smith and Paper: The Body, the Muse, and the Spirit

Save to Google calendar  Save to desktop calendar    Friday, March 9, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.


Lake Effect Editions

Save to Google calendar  Save to desktop calendar    Friday, March 9, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.


North and South: Berenice Abbott's U.S. Route 1

Save to Google calendar  Save to desktop calendar    Friday, March 9, 2018, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, March 10, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, March 10, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, March 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, March 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, March 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, March 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, March 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, March 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, March 22, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, March 22, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, March 23, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, March 23, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, March 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, March 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, March 25, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, March 25, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, March 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, March 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, March 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, March 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, March 29, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, March 29, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, March 30, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, March 30, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, March 31, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, March 31, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, April 1, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, April 1, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, April 3, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, April 3, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, April 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, April 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, April 5, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, April 5, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, April 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, April 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, April 7, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, April 7, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, April 8, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, April 8, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, April 10, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, April 10, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, April 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, April 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Lunchtime Lecture: Gallery tour of the M.F.A. 2018 exhibition

Save to Google calendar  Save to desktop calendar    Wednesday, April 11, 2018, 12:15 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Join SUArt for a gallery tour of work presented by the College of Visual and Performing Art's M.F.A candidates for 2018.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, April 12, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, April 12, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, April 13, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, April 13, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, April 14, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, April 14, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, April 15, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, April 15, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, April 17, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, April 17, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, April 18, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, April 18, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Lunchtime Lecture: Gallery Tour of James McNeill Whistler

Save to Google calendar  Save to desktop calendar    Wednesday, April 18, 2018, 12:15 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Join Department of Art and Music Histories professor Sascha Scott for a gallery tour of James McNeill Whistler.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, April 19, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, April 19, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, April 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, April 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, April 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, April 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, April 22, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, April 22, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, April 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, April 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, April 25, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, April 25, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Lunchtime Lecture: Gallery Tour of "Crisis: A Visual Exploration of Conflict"

Save to Google calendar  Save to desktop calendar    Wednesday, April 25, 2018, 12:15 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Join SUArt and Museum Studies professor Andrew Saluti for a gallery tour of "Crisis: A Visual Exploration of Conflict."


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, April 26, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, April 26, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, April 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, April 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, April 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, April 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, April 29, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, April 29, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, May 1, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, May 1, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, May 2, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, May 2, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, May 3, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, May 3, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, May 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, May 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, May 5, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, May 5, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, May 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, May 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, May 8, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, May 8, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, May 9, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, May 9, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Lunchtime Lecture: Exhibition Preview 2018-2019

Save to Google calendar  Save to desktop calendar    Wednesday, May 9, 2018, 12:15 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Join SUArt as we preview the upcoming exhibitions for the 2018-2019 academic year.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, May 10, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, May 10, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, May 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, May 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, May 12, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, May 12, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, May 13, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, May 13, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


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