Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alexander Gronsky is a self-described landscape photographer with an uncanny ability to capture scenes in nature as elegant allegories that include rolling hills, spectacular lighting, and far reaching horizons. His skilled use of perspective and composition, reminiscent of centuries-old traditions in European landscape painting, draw the viewer's eye deep into the landscape and generate a sense of awe for each place. The photographs in this exhibit were taken along the outlying areas of Moscow where the human need to find solace away from the city collides with urban sprawl, and the fragility of nature.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition was curated by English Professor Cassandra Jackson and Gallery Director Sarah Cunningham, both from The College of New Jersey (TCNJ). The exhibition was on view in the TCNJ Art Gallery in 2011. The central ideas of the exhibit are rooted in Jackson's most recent book, Violence, Visual Culture, and the Black Male Body (Routledge, 2010). Her book deals with the ways in which the black male body has been visually exploited, and the ways in which contemporary artists have called into question the paradigmatic construction of the black body in American society. The exhibit displays 31 photographs by 19 contemporary artists of African descent, 17 from the United States, two from Britain. Their work comments on the various representations of black bodies in Western visual culture. These artists confront stereotypes about black male appearance, sexuality, violence, and family, and highlight the ways that visual culture has contributed to the marginalization and exclusion of the black community.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alexander Gronsky is a self-described landscape photographer with an uncanny ability to capture scenes in nature as elegant allegories that include rolling hills, spectacular lighting, and far reaching horizons. His skilled use of perspective and composition, reminiscent of centuries-old traditions in European landscape painting, draw the viewer's eye deep into the landscape and generate a sense of awe for each place. The photographs in this exhibit were taken along the outlying areas of Moscow where the human need to find solace away from the city collides with urban sprawl, and the fragility of nature.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition was curated by English Professor Cassandra Jackson and Gallery Director Sarah Cunningham, both from The College of New Jersey (TCNJ). The exhibition was on view in the TCNJ Art Gallery in 2011. The central ideas of the exhibit are rooted in Jackson's most recent book, Violence, Visual Culture, and the Black Male Body (Routledge, 2010). Her book deals with the ways in which the black male body has been visually exploited, and the ways in which contemporary artists have called into question the paradigmatic construction of the black body in American society. The exhibit displays 31 photographs by 19 contemporary artists of African descent, 17 from the United States, two from Britain. Their work comments on the various representations of black bodies in Western visual culture. These artists confront stereotypes about black male appearance, sexuality, violence, and family, and highlight the ways that visual culture has contributed to the marginalization and exclusion of the black community.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alexander Gronsky is a self-described landscape photographer with an uncanny ability to capture scenes in nature as elegant allegories that include rolling hills, spectacular lighting, and far reaching horizons. His skilled use of perspective and composition, reminiscent of centuries-old traditions in European landscape painting, draw the viewer's eye deep into the landscape and generate a sense of awe for each place. The photographs in this exhibit were taken along the outlying areas of Moscow where the human need to find solace away from the city collides with urban sprawl, and the fragility of nature.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition was curated by English Professor Cassandra Jackson and Gallery Director Sarah Cunningham, both from The College of New Jersey (TCNJ). The exhibition was on view in the TCNJ Art Gallery in 2011. The central ideas of the exhibit are rooted in Jackson's most recent book, Violence, Visual Culture, and the Black Male Body (Routledge, 2010). Her book deals with the ways in which the black male body has been visually exploited, and the ways in which contemporary artists have called into question the paradigmatic construction of the black body in American society. The exhibit displays 31 photographs by 19 contemporary artists of African descent, 17 from the United States, two from Britain. Their work comments on the various representations of black bodies in Western visual culture. These artists confront stereotypes about black male appearance, sexuality, violence, and family, and highlight the ways that visual culture has contributed to the marginalization and exclusion of the black community.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alexander Gronsky is a self-described landscape photographer with an uncanny ability to capture scenes in nature as elegant allegories that include rolling hills, spectacular lighting, and far reaching horizons. His skilled use of perspective and composition, reminiscent of centuries-old traditions in European landscape painting, draw the viewer's eye deep into the landscape and generate a sense of awe for each place. The photographs in this exhibit were taken along the outlying areas of Moscow where the human need to find solace away from the city collides with urban sprawl, and the fragility of nature.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition was curated by English Professor Cassandra Jackson and Gallery Director Sarah Cunningham, both from The College of New Jersey (TCNJ). The exhibition was on view in the TCNJ Art Gallery in 2011. The central ideas of the exhibit are rooted in Jackson's most recent book, Violence, Visual Culture, and the Black Male Body (Routledge, 2010). Her book deals with the ways in which the black male body has been visually exploited, and the ways in which contemporary artists have called into question the paradigmatic construction of the black body in American society. The exhibit displays 31 photographs by 19 contemporary artists of African descent, 17 from the United States, two from Britain. Their work comments on the various representations of black bodies in Western visual culture. These artists confront stereotypes about black male appearance, sexuality, violence, and family, and highlight the ways that visual culture has contributed to the marginalization and exclusion of the black community.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alexander Gronsky is a self-described landscape photographer with an uncanny ability to capture scenes in nature as elegant allegories that include rolling hills, spectacular lighting, and far reaching horizons. His skilled use of perspective and composition, reminiscent of centuries-old traditions in European landscape painting, draw the viewer's eye deep into the landscape and generate a sense of awe for each place. The photographs in this exhibit were taken along the outlying areas of Moscow where the human need to find solace away from the city collides with urban sprawl, and the fragility of nature.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition was curated by English Professor Cassandra Jackson and Gallery Director Sarah Cunningham, both from The College of New Jersey (TCNJ). The exhibition was on view in the TCNJ Art Gallery in 2011. The central ideas of the exhibit are rooted in Jackson's most recent book, Violence, Visual Culture, and the Black Male Body (Routledge, 2010). Her book deals with the ways in which the black male body has been visually exploited, and the ways in which contemporary artists have called into question the paradigmatic construction of the black body in American society. The exhibit displays 31 photographs by 19 contemporary artists of African descent, 17 from the United States, two from Britain. Their work comments on the various representations of black bodies in Western visual culture. These artists confront stereotypes about black male appearance, sexuality, violence, and family, and highlight the ways that visual culture has contributed to the marginalization and exclusion of the black community.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alexander Gronsky is a self-described landscape photographer with an uncanny ability to capture scenes in nature as elegant allegories that include rolling hills, spectacular lighting, and far reaching horizons. His skilled use of perspective and composition, reminiscent of centuries-old traditions in European landscape painting, draw the viewer's eye deep into the landscape and generate a sense of awe for each place. The photographs in this exhibit were taken along the outlying areas of Moscow where the human need to find solace away from the city collides with urban sprawl, and the fragility of nature.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition was curated by English Professor Cassandra Jackson and Gallery Director Sarah Cunningham, both from The College of New Jersey (TCNJ). The exhibition was on view in the TCNJ Art Gallery in 2011. The central ideas of the exhibit are rooted in Jackson's most recent book, Violence, Visual Culture, and the Black Male Body (Routledge, 2010). Her book deals with the ways in which the black male body has been visually exploited, and the ways in which contemporary artists have called into question the paradigmatic construction of the black body in American society. The exhibit displays 31 photographs by 19 contemporary artists of African descent, 17 from the United States, two from Britain. Their work comments on the various representations of black bodies in Western visual culture. These artists confront stereotypes about black male appearance, sexuality, violence, and family, and highlight the ways that visual culture has contributed to the marginalization and exclusion of the black community.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alexander Gronsky is a self-described landscape photographer with an uncanny ability to capture scenes in nature as elegant allegories that include rolling hills, spectacular lighting, and far reaching horizons. His skilled use of perspective and composition, reminiscent of centuries-old traditions in European landscape painting, draw the viewer's eye deep into the landscape and generate a sense of awe for each place. The photographs in this exhibit were taken along the outlying areas of Moscow where the human need to find solace away from the city collides with urban sprawl, and the fragility of nature.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition was curated by English Professor Cassandra Jackson and Gallery Director Sarah Cunningham, both from The College of New Jersey (TCNJ). The exhibition was on view in the TCNJ Art Gallery in 2011. The central ideas of the exhibit are rooted in Jackson's most recent book, Violence, Visual Culture, and the Black Male Body (Routledge, 2010). Her book deals with the ways in which the black male body has been visually exploited, and the ways in which contemporary artists have called into question the paradigmatic construction of the black body in American society. The exhibit displays 31 photographs by 19 contemporary artists of African descent, 17 from the United States, two from Britain. Their work comments on the various representations of black bodies in Western visual culture. These artists confront stereotypes about black male appearance, sexuality, violence, and family, and highlight the ways that visual culture has contributed to the marginalization and exclusion of the black community.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alexander Gronsky is a self-described landscape photographer with an uncanny ability to capture scenes in nature as elegant allegories that include rolling hills, spectacular lighting, and far reaching horizons. His skilled use of perspective and composition, reminiscent of centuries-old traditions in European landscape painting, draw the viewer's eye deep into the landscape and generate a sense of awe for each place. The photographs in this exhibit were taken along the outlying areas of Moscow where the human need to find solace away from the city collides with urban sprawl, and the fragility of nature.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition was curated by English Professor Cassandra Jackson and Gallery Director Sarah Cunningham, both from The College of New Jersey (TCNJ). The exhibition was on view in the TCNJ Art Gallery in 2011. The central ideas of the exhibit are rooted in Jackson's most recent book, Violence, Visual Culture, and the Black Male Body (Routledge, 2010). Her book deals with the ways in which the black male body has been visually exploited, and the ways in which contemporary artists have called into question the paradigmatic construction of the black body in American society. The exhibit displays 31 photographs by 19 contemporary artists of African descent, 17 from the United States, two from Britain. Their work comments on the various representations of black bodies in Western visual culture. These artists confront stereotypes about black male appearance, sexuality, violence, and family, and highlight the ways that visual culture has contributed to the marginalization and exclusion of the black community.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alexander Gronsky is a self-described landscape photographer with an uncanny ability to capture scenes in nature as elegant allegories that include rolling hills, spectacular lighting, and far reaching horizons. His skilled use of perspective and composition, reminiscent of centuries-old traditions in European landscape painting, draw the viewer's eye deep into the landscape and generate a sense of awe for each place. The photographs in this exhibit were taken along the outlying areas of Moscow where the human need to find solace away from the city collides with urban sprawl, and the fragility of nature.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition was curated by English Professor Cassandra Jackson and Gallery Director Sarah Cunningham, both from The College of New Jersey (TCNJ). The exhibition was on view in the TCNJ Art Gallery in 2011. The central ideas of the exhibit are rooted in Jackson's most recent book, Violence, Visual Culture, and the Black Male Body (Routledge, 2010). Her book deals with the ways in which the black male body has been visually exploited, and the ways in which contemporary artists have called into question the paradigmatic construction of the black body in American society. The exhibit displays 31 photographs by 19 contemporary artists of African descent, 17 from the United States, two from Britain. Their work comments on the various representations of black bodies in Western visual culture. These artists confront stereotypes about black male appearance, sexuality, violence, and family, and highlight the ways that visual culture has contributed to the marginalization and exclusion of the black community.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alexander Gronsky is a self-described landscape photographer with an uncanny ability to capture scenes in nature as elegant allegories that include rolling hills, spectacular lighting, and far reaching horizons. His skilled use of perspective and composition, reminiscent of centuries-old traditions in European landscape painting, draw the viewer's eye deep into the landscape and generate a sense of awe for each place. The photographs in this exhibit were taken along the outlying areas of Moscow where the human need to find solace away from the city collides with urban sprawl, and the fragility of nature.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition was curated by English Professor Cassandra Jackson and Gallery Director Sarah Cunningham, both from The College of New Jersey (TCNJ). The exhibition was on view in the TCNJ Art Gallery in 2011. The central ideas of the exhibit are rooted in Jackson's most recent book, Violence, Visual Culture, and the Black Male Body (Routledge, 2010). Her book deals with the ways in which the black male body has been visually exploited, and the ways in which contemporary artists have called into question the paradigmatic construction of the black body in American society. The exhibit displays 31 photographs by 19 contemporary artists of African descent, 17 from the United States, two from Britain. Their work comments on the various representations of black bodies in Western visual culture. These artists confront stereotypes about black male appearance, sexuality, violence, and family, and highlight the ways that visual culture has contributed to the marginalization and exclusion of the black community.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alexander Gronsky is a self-described landscape photographer with an uncanny ability to capture scenes in nature as elegant allegories that include rolling hills, spectacular lighting, and far reaching horizons. His skilled use of perspective and composition, reminiscent of centuries-old traditions in European landscape painting, draw the viewer's eye deep into the landscape and generate a sense of awe for each place. The photographs in this exhibit were taken along the outlying areas of Moscow where the human need to find solace away from the city collides with urban sprawl, and the fragility of nature.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition was curated by English Professor Cassandra Jackson and Gallery Director Sarah Cunningham, both from The College of New Jersey (TCNJ). The exhibition was on view in the TCNJ Art Gallery in 2011. The central ideas of the exhibit are rooted in Jackson's most recent book, Violence, Visual Culture, and the Black Male Body (Routledge, 2010). Her book deals with the ways in which the black male body has been visually exploited, and the ways in which contemporary artists have called into question the paradigmatic construction of the black body in American society. The exhibit displays 31 photographs by 19 contemporary artists of African descent, 17 from the United States, two from Britain. Their work comments on the various representations of black bodies in Western visual culture. These artists confront stereotypes about black male appearance, sexuality, violence, and family, and highlight the ways that visual culture has contributed to the marginalization and exclusion of the black community.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alexander Gronsky is a self-described landscape photographer with an uncanny ability to capture scenes in nature as elegant allegories that include rolling hills, spectacular lighting, and far reaching horizons. His skilled use of perspective and composition, reminiscent of centuries-old traditions in European landscape painting, draw the viewer's eye deep into the landscape and generate a sense of awe for each place. The photographs in this exhibit were taken along the outlying areas of Moscow where the human need to find solace away from the city collides with urban sprawl, and the fragility of nature.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition was curated by English Professor Cassandra Jackson and Gallery Director Sarah Cunningham, both from The College of New Jersey (TCNJ). The exhibition was on view in the TCNJ Art Gallery in 2011. The central ideas of the exhibit are rooted in Jackson's most recent book, Violence, Visual Culture, and the Black Male Body (Routledge, 2010). Her book deals with the ways in which the black male body has been visually exploited, and the ways in which contemporary artists have called into question the paradigmatic construction of the black body in American society. The exhibit displays 31 photographs by 19 contemporary artists of African descent, 17 from the United States, two from Britain. Their work comments on the various representations of black bodies in Western visual culture. These artists confront stereotypes about black male appearance, sexuality, violence, and family, and highlight the ways that visual culture has contributed to the marginalization and exclusion of the black community.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alexander Gronsky is a self-described landscape photographer with an uncanny ability to capture scenes in nature as elegant allegories that include rolling hills, spectacular lighting, and far reaching horizons. His skilled use of perspective and composition, reminiscent of centuries-old traditions in European landscape painting, draw the viewer's eye deep into the landscape and generate a sense of awe for each place. The photographs in this exhibit were taken along the outlying areas of Moscow where the human need to find solace away from the city collides with urban sprawl, and the fragility of nature.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

This exhibition was curated by English Professor Cassandra Jackson and Gallery Director Sarah Cunningham, both from The College of New Jersey (TCNJ). The exhibition was on view in the TCNJ Art Gallery in 2011. The central ideas of the exhibit are rooted in Jackson's most recent book, Violence, Visual Culture, and the Black Male Body (Routledge, 2010). Her book deals with the ways in which the black male body has been visually exploited, and the ways in which contemporary artists have called into question the paradigmatic construction of the black body in American society. The exhibit displays 31 photographs by 19 contemporary artists of African descent, 17 from the United States, two from Britain. Their work comments on the various representations of black bodies in Western visual culture. These artists confront stereotypes about black male appearance, sexuality, violence, and family, and highlight the ways that visual culture has contributed to the marginalization and exclusion of the black community.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Featuring works by Bang Geul Han, Mark McLoughlin, Jan Nagle, Matthew Walker, and Karen Brummund.