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Wednesday, April 23, 2014


Art
 

11:00 AM - 4:30 PM, April 23



International Art from the Permanent Collection
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Highlighting the breadth of the collections' encyclopedic holdings and exploring international artists and themes, these new displays explore the genres of photography, prints, paintings and sculpture. Two of the exhibitions on display in the Print and Photo Study Galleries will highlight the University's vast holdings of historical Japanese photographs and prints. The third exhibition will examine artwork created by international artists who have immigrated to the United States.

America's Calling, presented in the Gallery of American Art, is an exhibition of 16 works of art by 15 foreign-born artists, including Ben Shahn, Yasuo Kuniyoshi, and Josef Albers. The artists included in the exhibition, or their families, were drawn to the United States because it offered opportunities unavailable in their homelands. A variety of media is presented in the display, including painting, ceramics, sculpture and printmaking that are handled using often innovative techniques. Cumulatively, these artists had a profound and permanent effect on the evolution of American art.

The Photo Study Room will present Visions for Sale: Photographs of Nineteenth Century Japan, an exhibition of 22 hand-colored albumen prints from the 19th century exploring the country's people, land and environment that was quickly changing due to modernization. European photographers such as Felice Beato and Baron Raimond Stillfield traveled to Japan to document the nation's exotic landscape and historically idiosyncratic jobs before they were swept away by the tide of modernism.

Ukiyo-e to Shin Hanga: Japanese Woodcuts from the Syracuse University Art Collection will be installed in the Print Study Room and draws from the University's collection of over 300 examples from this important and hugely influential art movement. The prints on view date from the height of color Ukiyo-e printmaking (c1780-1868) through Japan's Meiji period (1868-1912) to 20th century impressions of the Shin Hanga movement (1915-1940s). Masters of this medium are represented, including the work of Utamaro, Kuniyoshi, Hokusai, Hiroshida, Tsuchiya Koitsu and Yoshida Hiroshi. The prints exemplify the soft, painterly style that is synonymous with the Japanese woodcut, and illustrates the wide range of subjects from courtesans to Kabuki theater and the Japanese landscape.


 

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