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Events for Sunday, April 15, 2018
11:00 AM-4:00 PM
I [Heart] Ceramic Surface Gandee Gallery
11:00 AM-4:00 PM
The War to End All Wars: Onondaga County Encounters World War I Onondaga Historical Association
11:00 AM-4:30 PM
Crisis: A Visual Exploration of Conflict Syracuse University Art Museum
11:00 AM-4:30 PM
Symphony in Black and White: The Prints of James McNeill Whistler Syracuse University Art Museum
11:00 AM-4:30 PM
Hiding in Plain Sight Syracuse University Art Museum
11:00 AM-4:30 PM
In Gratitude: The Museum Project Syracuse University Art Museum
11:00 AM-4:30 PM
Americans in Venice: Late 19th and Early 20th Century Prints Syracuse University Art Museum
12:00 PM-5:00 PM
Edie Fake: Structures Shift Everson Museum of Art
12:00 PM-5:00 PM
Focus Everson Museum of Art
12:00 PM-5:00 PM
Sheila Pepe: Hot Mess Formalism Everson Museum of Art
12:00 PM-5:00 PM
Jeff Donaldson: Dig Everson Museum of Art (Read a review!)
12:00 PM-5:00 PM
From Funk to Punk: Left Coast Ceramics Everson Museum of Art
12:00 PM-5:00 PM
The Art of the Tile Everson Museum of Art
1:00 PM-9:00 PM
Karolina Karlic: Rubberlands Light Work Gallery
1:00 PM-9:00 PM
2018 Newhouse Photography Annual Light Work Gallery
2:00 PM
Chess Central New York Playhouse (Read a review!)
2:00 PM
Bullets Over Broadway Onondaga Central Jr./Sr. High School
2:00 PM
Little Shop of Horrors Open Hand Theater
2:00 PM
The Snow Queen Redhouse
2:00 PM
Madama Butterfly Syracuse Opera
3:00 PM
All-Mozart Concert Onondaga Civic Symphony Orchestra, featuring Norman Wanzer, bassoon
3:00 PM
Two Silent Films with The Mighty Wurlitzer Syracuse Wurlitzer
Events for Monday, April 16, 2018
9:00 AM-4:00 PM
Natural Passions Baltimore Woods Weeks Art Gallery
9:00 AM-5:00 PM
Goudy @ Syracuse: A Legacy by Design Syracuse University Library Special Collections Research Center
10:00 AM-9:00 PM
2018 Newhouse Photography Annual Light Work Gallery
10:00 AM-9:00 PM
Karolina Karlic: Rubberlands Light Work Gallery
7:30 PM
Evan Osnos Rosamond Gifford Lecture Series
7:30 PM
Western Double Feature Syracuse Cinephile Society
Events for Tuesday, April 17, 2018
9:00 AM-4:00 PM
Natural Passions Baltimore Woods Weeks Art Gallery
9:00 AM-5:00 PM
IPA: 23 Craft Potters Clayscapes Pottery Gallery
9:00 AM-5:00 PM
Goudy @ Syracuse: A Legacy by Design Syracuse University Library Special Collections Research Center
10:00 AM-5:00 PM
Hiding in Plain Sight Community Folk Art Center
10:00 AM-9:00 PM
2018 Newhouse Photography Annual Light Work Gallery
10:00 AM-9:00 PM
Karolina Karlic: Rubberlands Light Work Gallery
11:00 AM-4:30 PM
Americans in Venice: Late 19th and Early 20th Century Prints Syracuse University Art Museum
11:00 AM-4:30 PM
In Gratitude: The Museum Project Syracuse University Art Museum
11:00 AM-4:30 PM
Hiding in Plain Sight Syracuse University Art Museum
11:00 AM-4:30 PM
Symphony in Black and White: The Prints of James McNeill Whistler Syracuse University Art Museum
11:00 AM-4:30 PM
Crisis: A Visual Exploration of Conflict Syracuse University Art Museum
12:00 PM-5:00 PM
Hiding in Plain Sight Point of Contact Gallery
7:30 PM
Stomp Broadway in Syracuse
Events for Wednesday, April 18, 2018
9:00 AM-4:00 PM
Natural Passions Baltimore Woods Weeks Art Gallery
9:00 AM-5:00 PM
IPA: 23 Craft Potters Clayscapes Pottery Gallery
9:00 AM-7:00 PM
Goudy @ Syracuse: A Legacy by Design Syracuse University Library Special Collections Research Center
10:00 AM-5:00 PM
Hiding in Plain Sight Community Folk Art Center
10:00 AM-9:00 PM
2018 Newhouse Photography Annual Light Work Gallery
10:00 AM-9:00 PM
Karolina Karlic: Rubberlands Light Work Gallery
10:00 AM-4:00 PM
The War to End All Wars: Onondaga County Encounters World War I Onondaga Historical Association
11:00 AM-4:30 PM
In Gratitude: The Museum Project Syracuse University Art Museum
11:00 AM-4:30 PM
Americans in Venice: Late 19th and Early 20th Century Prints Syracuse University Art Museum
11:00 AM-4:30 PM
Crisis: A Visual Exploration of Conflict Syracuse University Art Museum
11:00 AM-4:30 PM
Symphony in Black and White: The Prints of James McNeill Whistler Syracuse University Art Museum
11:00 AM-4:30 PM
Hiding in Plain Sight Syracuse University Art Museum
12:00 PM-2:00 PM
Jazz at the Plaza: LuBossa CNY Jazz Arts Foundation
12:00 PM-5:00 PM
The Art of the Tile Everson Museum of Art
12:00 PM-5:00 PM
Jeff Donaldson: Dig Everson Museum of Art (Read a review!)
12:00 PM-5:00 PM
Sheila Pepe: Hot Mess Formalism Everson Museum of Art
12:00 PM-5:00 PM
Focus Everson Museum of Art
12:00 PM-5:00 PM
Edie Fake: Structures Shift Everson Museum of Art
12:00 PM-5:00 PM
Hiding in Plain Sight Point of Contact Gallery
12:15 PM
*CANCELLED* Singers from the Setnor School of Music Vocal Studio of Kathleen Roland-Silverstein Civic Morning Musicals
12:15 PM
Lunchtime Lecture: Gallery Tour of James McNeill Whistler Syracuse University Art Museum
2:00 PM-7:00 PM
Within Our Gates: Site and Memory in the American Landscape, the Paintings of Keith Morris Washington ArtRage Gallery (Read a review!)
5:30 PM-8:30 PM
Jazz at the Cavalier: Novak/Nanni CNY Jazz Arts Foundation
6:00 PM
One Day in the Life of Javier Antonio La Casita Cultural Center
7:30 PM
Stomp Broadway in Syracuse
Events for Thursday, April 19, 2018
9:00 AM-4:00 PM
Natural Passions Baltimore Woods Weeks Art Gallery
9:00 AM-5:00 PM
IPA: 23 Craft Potters Clayscapes Pottery Gallery
9:00 AM-5:00 PM
Goudy @ Syracuse: A Legacy by Design Syracuse University Library Special Collections Research Center
10:00 AM-5:00 PM
Hiding in Plain Sight Community Folk Art Center
10:00 AM-9:00 PM
2018 Newhouse Photography Annual Light Work Gallery
10:00 AM-9:00 PM
Karolina Karlic: Rubberlands Light Work Gallery
10:00 AM-4:00 PM
The War to End All Wars: Onondaga County Encounters World War I Onondaga Historical Association
11:00 AM-5:00 PM
I [Heart] Ceramic Surface Gandee Gallery
11:00 AM-8:00 PM
Hiding in Plain Sight Syracuse University Art Museum
11:00 AM-8:00 PM
Symphony in Black and White: The Prints of James McNeill Whistler Syracuse University Art Museum
11:00 AM-8:00 PM
Crisis: A Visual Exploration of Conflict Syracuse University Art Museum
11:00 AM-8:00 PM
Americans in Venice: Late 19th and Early 20th Century Prints Syracuse University Art Museum
11:00 AM-8:00 PM
In Gratitude: The Museum Project Syracuse University Art Museum
12:00 PM-8:00 PM
The Art of the Tile Everson Museum of Art
12:00 PM-8:00 PM
Edie Fake: Structures Shift Everson Museum of Art
12:00 PM-8:00 PM
Focus Everson Museum of Art
12:00 PM-8:00 PM
Sheila Pepe: Hot Mess Formalism Everson Museum of Art
12:00 PM-8:00 PM
Jeff Donaldson: Dig Everson Museum of Art (Read a review!)
12:00 PM-5:00 PM
Hiding in Plain Sight Point of Contact Gallery
2:00 PM-7:00 PM
Within Our Gates: Site and Memory in the American Landscape, the Paintings of Keith Morris Washington ArtRage Gallery (Read a review!)
5:30 PM
Screening + Q&A with Ben Russell: Good Luck Urban Video Project
5:45 PM-8:00 PM
Israel Independence Day Celebration
6:00 PM
Docent-led Tour: Shelia Pepe and Edie Fake Everson Museum of Art
6:00 PM
Cruel April: José Sanjinés Point of Contact Gallery
6:00 PM
2018 Poster Series Unveiling Syracuse Poster Project
6:45 PM
A Spoonful of Poison Acme Mystery Company
7:30 PM
I Wanna Dance With Somebody LeMoyne College
7:30 PM
OCC Choral Concert Onondaga Community College
8:00 PM
Chess Central New York Playhouse (Read a review!)
8:15 PM-11:00 PM
Ben Russell: Good Luck (Portraits) Urban Video Project
Events for Friday, April 20, 2018
9:00 AM-4:00 PM
Natural Passions Baltimore Woods Weeks Art Gallery
9:00 AM-5:00 PM
IPA: 23 Craft Potters Clayscapes Pottery Gallery
9:00 AM-5:00 PM
Goudy @ Syracuse: A Legacy by Design Syracuse University Library Special Collections Research Center
9:30 AM-6:00 PM
Annual High School Seniors' Exhibit Edgewood Gallery
10:00 AM-5:00 PM
Hiding in Plain Sight Community Folk Art Center
10:00 AM-6:00 PM
2018 Newhouse Photography Annual Light Work Gallery
10:00 AM-6:00 PM
Karolina Karlic: Rubberlands Light Work Gallery
10:00 AM-4:00 PM
The War to End All Wars: Onondaga County Encounters World War I Onondaga Historical Association
11:00 AM-5:00 PM
I [Heart] Ceramic Surface Gandee Gallery
11:00 AM-4:30 PM
In Gratitude: The Museum Project Syracuse University Art Museum
11:00 AM-4:30 PM
Americans in Venice: Late 19th and Early 20th Century Prints Syracuse University Art Museum
11:00 AM-4:30 PM
Hiding in Plain Sight Syracuse University Art Museum
11:00 AM-4:30 PM
Crisis: A Visual Exploration of Conflict Syracuse University Art Museum
11:00 AM-4:30 PM
Symphony in Black and White: The Prints of James McNeill Whistler Syracuse University Art Museum
12:00 PM-5:00 PM
The Art of the Tile Everson Museum of Art
12:00 PM-5:00 PM
Jeff Donaldson: Dig Everson Museum of Art (Read a review!)
12:00 PM-5:00 PM
Sheila Pepe: Hot Mess Formalism Everson Museum of Art
12:00 PM-5:00 PM
Focus Everson Museum of Art
12:00 PM-5:00 PM
Edie Fake: Structures Shift Everson Museum of Art
12:00 PM-5:00 PM
Hiding in Plain Sight Point of Contact Gallery
2:00 PM-7:00 PM
Within Our Gates: Site and Memory in the American Landscape, the Paintings of Keith Morris Washington ArtRage Gallery (Read a review!)
2:00 PM
Airborn Paul Robeson Performing Arts Company
6:00 PM
Stone Canoe #12 Release Party Downtown Writer's Center
7:30 PM
Gov't Mule Landmark Theatre
7:30 PM
I Wanna Dance With Somebody LeMoyne College
7:30 PM
Fanfare & Filigree NYS Baroque
7:30 PM
Spark Series: Film & Music Syracuse Orchestra (formerly Symphoria)
8:00 PM
Chess Central New York Playhouse (Read a review!)
8:00 PM
Melissa Greener Folkus Project
8:00 PM
Airborn Paul Robeson Performing Arts Company
8:00 PM
Defying Gravity: The Songs of Stephen Schwartz Rarely Done Productions (Read a review!)
8:15 PM-11:00 PM
Ben Russell: Good Luck (Portraits) Urban Video Project
Events for Saturday, April 21, 2018
9:00 AM-1:00 PM
IPA: 23 Craft Potters Clayscapes Pottery Gallery
10:00 AM-4:00 PM
Natural Passions Baltimore Woods Weeks Art Gallery
10:00 AM-2:00 PM
Annual High School Seniors' Exhibit Edgewood Gallery
10:00 AM-5:00 PM
The Art of the Tile Everson Museum of Art
10:00 AM-5:00 PM
Edie Fake: Structures Shift Everson Museum of Art
10:00 AM-5:00 PM
Focus Everson Museum of Art
10:00 AM-5:00 PM
Sheila Pepe: Hot Mess Formalism Everson Museum of Art
10:00 AM-5:00 PM
Jeff Donaldson: Dig Everson Museum of Art (Read a review!)
11:00 AM-5:00 PM
Hiding in Plain Sight Community Folk Art Center
11:00 AM-5:00 PM
I [Heart] Ceramic Surface Gandee Gallery
11:00 AM-4:00 PM
The War to End All Wars: Onondaga County Encounters World War I Onondaga Historical Association
11:00 AM-4:30 PM
Americans in Venice: Late 19th and Early 20th Century Prints Syracuse University Art Museum
11:00 AM-4:30 PM
In Gratitude: The Museum Project Syracuse University Art Museum
11:00 AM-4:30 PM
Hiding in Plain Sight Syracuse University Art Museum
11:00 AM-4:30 PM
Symphony in Black and White: The Prints of James McNeill Whistler Syracuse University Art Museum
11:00 AM-4:30 PM
Crisis: A Visual Exploration of Conflict Syracuse University Art Museum
12:00 PM-4:00 PM
Within Our Gates: Site and Memory in the American Landscape, the Paintings of Keith Morris Washington ArtRage Gallery (Read a review!)
12:00 PM-5:00 PM
Hiding in Plain Sight Point of Contact Gallery
12:30 PM
Hansel and Gretel Magic Circle Children's Theatre
1:00 PM
Arte Joven/Young Art 2018 La Casita Cultural Center
1:00 PM-9:00 PM
2018 Newhouse Photography Annual Light Work Gallery
1:00 PM-9:00 PM
Karolina Karlic: Rubberlands Light Work Gallery
6:00 PM-8:00 PM
Parties in the Plaza: Novak/Nanni Duo CNY Jazz Arts Foundation
7:00 PM
Roll Over Fest Palace Theatre
7:30 PM
I Wanna Dance With Somebody LeMoyne College
7:30 PM
Little Shop of Horrors Open Hand Theater
7:30 PM
Cinemagogue: Hava Nagila Temple Society of Concord
8:00 PM
Chess Central New York Playhouse (Read a review!)
8:00 PM
Defying Gravity: The Songs of Stephen Schwartz Rarely Done Productions (Read a review!)
8:15 PM-11:00 PM
Ben Russell: Good Luck (Portraits) Urban Video Project
Events for Sunday, April 22, 2018
11:00 AM-4:00 PM
I [Heart] Ceramic Surface Gandee Gallery
11:00 AM-4:00 PM
The War to End All Wars: Onondaga County Encounters World War I Onondaga Historical Association
11:00 AM-4:30 PM
In Gratitude: The Museum Project Syracuse University Art Museum
11:00 AM-4:30 PM
Americans in Venice: Late 19th and Early 20th Century Prints Syracuse University Art Museum
11:00 AM-4:30 PM
Crisis: A Visual Exploration of Conflict Syracuse University Art Museum
11:00 AM-4:30 PM
Symphony in Black and White: The Prints of James McNeill Whistler Syracuse University Art Museum
11:00 AM-4:30 PM
Hiding in Plain Sight Syracuse University Art Museum
12:00 PM-5:00 PM
Jeff Donaldson: Dig Everson Museum of Art (Read a review!)
12:00 PM-5:00 PM
Sheila Pepe: Hot Mess Formalism Everson Museum of Art
12:00 PM-5:00 PM
Focus Everson Museum of Art
12:00 PM-5:00 PM
Edie Fake: Structures Shift Everson Museum of Art
12:00 PM-5:00 PM
The Art of the Tile Everson Museum of Art
1:00 PM-9:00 PM
Karolina Karlic: Rubberlands Light Work Gallery
1:00 PM-9:00 PM
2018 Newhouse Photography Annual Light Work Gallery
2:00 PM-5:00 PM
Jazz on Tap: Cookie Coogan CNY Jazz Arts Foundation
2:00 PM
Chess Central New York Playhouse (Read a review!)
2:00 PM
CMM In Recital Live! Voices of the Shoah Civic Morning Musicals
2:00 PM
Little Shop of Horrors Open Hand Theater
2:00 PM
Russia, Putin, and "Putinism" Strathmore Speakers Series, featuring Brian Taylor
3:00 PM
Spring Concert Syracuse University Brass Ensemble
4:00 PM
Liamna and Daniel: Strella do Dia Schola Cantorum of Syracuse
Sunday, April 15, 2018
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11:00 AM - 4:00 PM, April 15 |
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I [Heart] Ceramic Surface Gandee Gallery
Gandee Gallery
7846 Main St.,
Fabius
The exhibition features ceramic artists who go all out when it comes to their surfaces. Inlay, silk-screen resist, texture, decal, carving, slip trailing, sgraffito... This group does it all and then some. Participating artist include Kyle Carpenter, Andrea Denniston, Maria Dondero, Rachel Donner, Shanna Fliegel, Jennifer Gandee, Brian Giniewski, David MacDonald, Colleen McCall, Andrew McIntyre, Brooke Millecchia, Brooke Noble, Eric Pardue, Jeremy Randall, and Grace Sheese.
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11:00 AM - 4:00 PM, April 15 |
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The War to End All Wars: Onondaga County Encounters World War I Onondaga Historical Association
Price: Free Onondaga Historical Association
321 Montgomery St.,
Syracuse
To commemorate the 100th anniversary of the United States' entry into World War I, Onondaga Historical Association will present an exhibit on Onondaga County's role in the Great War. The exhibit will feature photographs, posters, uniforms, gas masks, helmets and other military accoutrements, war souvenirs, home-front conservation items, letters, diaries, and other archival material and objects. These items will illustrate the impact World War I had on Onondaga County and the world at large. The exhibit will focus on the people, places, and events at home and abroad including military personnel and units, the nurse corps, Camp Syracuse, food conservation, the Split Rock munitions explosion, and the Spanish Influenza epidemic.
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11:00 AM - 4:30 PM, April 15 |
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Crisis: A Visual Exploration of Conflict Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Crisis" investigates how visual artists have captured, reacted, and explained physical acts of conflict, issues of identity, and the evolving conceptual methodologies in art itself.
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11:00 AM - 4:30 PM, April 15 |
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Symphony in Black and White: The Prints of James McNeill Whistler Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
This exhibition explores a selection of Whistler's etchings and lithographs describing major European cities, their waterways, and the working class people living there.
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11:00 AM - 4:30 PM, April 15 |
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Hiding in Plain Sight Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, the M.F.A. exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center.
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11:00 AM - 4:30 PM, April 15 |
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In Gratitude: The Museum Project Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.
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11:00 AM - 4:30 PM, April 15 |
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Americans in Venice: Late 19th and Early 20th Century Prints Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.
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12:00 PM - 5:00 PM, April 15 |
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Edie Fake: Structures Shift Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Based in Los Angeles, Edie Fake explores themes of gender, sexuality, and identity through illustration, painting, and comic book design. This exhibition presents a selection of Fake's meticulously rendered gouache and ink architectural drawings, which focus on facade and ornamentation as a way to understand our bodies, selves, and the importance of the spaces we inhabit.
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12:00 PM - 5:00 PM, April 15 |
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Focus Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
A new exhibition series at the Everson, FOCUS presents a few selected works from the museum's collection in order to spark dialogue about how objects relate to one another across time, medium, and subject matter.
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12:00 PM - 5:00 PM, April 15 |
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Sheila Pepe: Hot Mess Formalism Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
For over 20 years, Sheila Pepe has constructed large-scale, ephemeral installations and sculpture made out of domestic and industrial fibrous materials. This exhibition, the first mid-career survey of Pepe's work, examines how the artist often plays with feminist and craft traditions to counter patriarchal notions of recognized or accepted forms of art making. Hot Mess Formalism is organized by the Phoenix Art Museum and is accompanied by a fully illustrated catalog.
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12:00 PM - 5:00 PM, April 15 |
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Jeff Donaldson: Dig Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
This exhibition, the first museum retrospective of American artist Jeff Donaldson (1932-2004), explores four decades of the artist's career, spanning from his activist roots in Chicago as a founding member of the AfriCOBRA movement to his influence on future generations of artists as a professor at Howard University. Donaldson's work is an amalgamation of energetic colors, intricate patterns, and African iconography that celebrates the history of African art and the roots of black culture. Featuring paintings, prints, and mixed media works, the exhibition reflects on Donaldson's deep belief in the responsibility of an artist to create work that is both socially relevant and visually striking, as well as his tireless fight for equality and pride in his heritage.
Read a review!
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12:00 PM - 5:00 PM, April 15 |
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From Funk to Punk: Left Coast Ceramics Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
"From Funk to Punk: Left Coast Ceramics" highlights the rich continuing history of California, Oregon, and Washington artists working in a wide variety of aesthetics, scale, and conceptual styles. The exhibition surveys iconic works from the Museum's collection beginning in the 1950s, to works created in today's dynamic cultural and artistic landscape, capturing the spirit and innovations synonymous with West Coast art over the last six decades.
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12:00 PM - 5:00 PM, April 15 |
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The Art of the Tile Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Ceramic tiles are one of the world's oldest decorative art forms, dating back to at least the fourth millennium BCE. Tiles served both an ornamental and functional purpose, covering interior and exterior building surfaces as well as tabletops and other pieces of furniture. The Everson's expansive ceramics collection includes over 500 tiles made in countries around the world between the 17th and 20th centuries. This exhibition presents a selection of these tiles, many of which have never before been on view.
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1:00 PM - 9:00 PM, April 15 |
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Karolina Karlic: Rubberlands Light Work Gallery
Price: Free Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Karolina Karlic's "Rubberlands" is an ongoing photographic survey that maps the social and ecological impacts of rubber manufacturing. Following the trajectory of the artist's earlier work exploring the automobile industry in Michigan, "Rubberlands" proceeds from Midwest cities like Detroit and Akron, Ohio — once auto capitals of the world and now entry points for commodities through globalized networks. Connecting the company archives of Henry Ford, Goodyear, Goodrich, General Tire, and Firestone, Karlic traces the evolution of an industry that relies heavily on outsourcing of the Hevea brasiliensis (Amazonian rubber tree). Her photographic fieldwork in Brazil has taken her to manufacturing plants in Salvador and Itaparica, Michelin rubber plantations in the Atlantic forest, a fisherman's village on the coastal rivers of Itubera in Bahia, and the vestiges of Fordlândia, Henry Ford's planned community in the Amazon. Karlic reveals threatened landscapes, sites of reforestation, and working factories against the backdrop of their surrounding communities — scenes where living things are transformed into assets and removed from their lifeworlds to supply the demands of capital. By weaving together historical archives and contemporary renderings of environs that production has largely shaped, Karlic moves beyond capturing a static place and time, instead configuring a dynamic space for contemplating the inextricable social and personal bonds that surround labor and natural resources. Here, she invites the viewer into a new imaginary where historical consciousness is critical in reflecting on our relationship to consumption.
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1:00 PM - 9:00 PM, April 15 |
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2018 Newhouse Photography Annual Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Light Work is pleased to announce the 2018 Newhouse Photography Annual featuring work by photography students in S.I. Newhouse School of Public Communications at Syracuse University. Exhibiting students include Marianne Barthelemy, Colleen Cambier, Bryan Cereijo, Haoyu Deng, Kathleen Flynn, Shweta Gulati, Chase Guttman, Shuran Huang, Joshua Ives, Eva Jenkins, Zachary Krahmer, Fiona Lenz, Tingjun Long, Claudia Mccann, Todd Michalek, Moriah Ratner, Erika Sternard, Ashley Tucker, Austin Wallace, and Cassie Zhang.
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Music |
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3:00 PM, April 15 |
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All-Mozart Concert Onondaga Civic Symphony Orchestra
Syracuse Chorale
Syracuse Chorale Erik Kibelsbeck, conductor Featuring Norman Wanzer, bassoon
Price: $15 regular, $12 students/seniors, free for 18 and under Dewitt Community Church
3600 Erie Blvd. East,
Dewitt
Mozart La Finta Giardinera Overture Mozart Bassoon Concerto Mozart Requiem
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3:00 PM, April 15 |
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Two Silent Films with The Mighty Wurlitzer Syracuse Wurlitzer
Empire Theater
New York State Fairgrounds,
Geddes
Two silent films featuring Avery Tunningley — "The Nut" and "Bare Knees", with live music.
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Opera |
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2:00 PM, April 15 |
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Madama Butterfly Syracuse Opera
Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St.,
Syracuse
In Puccini's Madama Butterfly, set in turn-of-the-century Japan, 15-year-old geisha Cio-Cio-San renounces her occupation and religion so that she may marry the American naval officer B. F. Pinkerton. Following their wedding night, Pinkerton must leave but promises to return "when the robins build their nests." Three long years pass and Pinkerton does indeed return, but not to re-unite with the ever-faithful Butterfly. Instead, he wishes to take from her the last bit of happiness she possesses. Soprano Toni Marie Palmertree, having debuted the role of Butterfly at San Francisco Opera in 2016, will reprise the role for Syracuse Opera. CNY native Dinyar Vania returns to play Pinkerton, with baritone Troy Cook (Eugene Onegin) as Sharpless, the American Consul. Glenn Lewis of Pittsburgh Opera will conduct, with Alison Moritz making her Syracuse Opera debut as stage director. Musial theater aficionados will recognize the plot of Madama Butterfly as the inspiration for Claude-Michael Schönberg's Miss Saigon. Sung in Italian with English surtitles.
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Theater |
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2:00 PM, April 15 |
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Chess Central New York Playhouse Robert G. Searle, director
Price: $25 CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage),
Dewitt
Chess is a musical, with music by Benny Andersson and Björn Ulvaeus of the pop group ABBA, and with lyrics by Tim Rice. The story involves a politically driven, Cold War-era chess tournament between two men—an American grandmaster and a Soviet grandmaster—and their fight over a woman who manages one and falls in love with the other. Chess was a significant and powerful piece of music theater for its time as it allegorically reflected the Cold War tensions present in the 1980s, with the show embodying the government manipulations and paranoia, and the xenophobic attitudes present in the political climate of the time. The musical has been referred to as a metaphor for the whole Cold War, with the insinuation being made that the Cold War is itself a manipulative game. Released and staged at the height of the strong anti-communist agenda that came to be known as the "Reagan Doctrine," Chess played a powerful role in addressing and satirizing the hostile political atmosphere of the 1980s.
Read a Review!
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2:00 PM, April 15 |
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Bullets Over Broadway Onondaga Central Jr./Sr. High School
Price: $7 adults, $4 children Onondaga Central Junior/Senior High School
4479 S. Onondaga Rd.,
Nedrow
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2:00 PM, April 15 |
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Little Shop of Horrors Open Hand Theater
Price: $25 regular, $21 studens/seniors Open Hand Theater
Shoppingtown Mall, Entrance No. 1 (formerly Dick's entrance),
Dewitt
Open Hand presents its debut musical, Little Shop of Horrors, placing its own special hallmark on this deviously delicious sci-fi smash musical that has devoured the hearts of theatre goers for over 30 years. This special production is for an adult audience, and has live actors as well as four handcrafted puppet of the ever-growing "Audrey II". The new theater provides an unique and intimate setting for perennial favorite.
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2:00 PM, April 15 |
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The Snow Queen Redhouse
Redhouse at City Center Mainstage
400 S. Salina St.,
Syracuse
Be spirited away by this new musical adaptation of Hans Christian Andersen's fantastical coming-of-age adventure that inspired the hit Disney movie Frozen. Join Gerda on a dangerous and whimsical quest to save her best friend, Kai, before he is trapped forever in the Snow Queen's palace. With an original pop rock score, alluring ballads, and urban steam punk flair, you'll soon see this is not your average bedtime story.
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Monday, April 16, 2018
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Art |
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9:00 AM - 4:00 PM, April 16 |
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Natural Passions Baltimore Woods Weeks Art Gallery
Price: Free Baltimore Woods Nature Center
4007 Bishop Hill Rd.,
Marcellus
Photography by Diana Whiting and drawings by Gail Norwood.
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9:00 AM - 5:00 PM, April 16 |
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Goudy @ Syracuse: A Legacy by Design Syracuse University Library Special Collections Research Center
Price: Free Bird Library, 6th Floor
Syracuse University,
Syracuse
"Goudy @ Syracuse: A Legacy by Design" tells the story of the preeminent American designer and typographer Frederic W. Goudy and his long connection to Syracuse University. Through a selection of rare books, printed ephemera, and other archival materials, as well as original sketches and markups for the 2016 Sherman design, this exhibition explores the impact and importance of the famed type designer, and celebrates the strong historical ties and entwined legacy of Goudy and Syracuse University.
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10:00 AM - 9:00 PM, April 16 |
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2018 Newhouse Photography Annual Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Light Work is pleased to announce the 2018 Newhouse Photography Annual featuring work by photography students in S.I. Newhouse School of Public Communications at Syracuse University. Exhibiting students include Marianne Barthelemy, Colleen Cambier, Bryan Cereijo, Haoyu Deng, Kathleen Flynn, Shweta Gulati, Chase Guttman, Shuran Huang, Joshua Ives, Eva Jenkins, Zachary Krahmer, Fiona Lenz, Tingjun Long, Claudia Mccann, Todd Michalek, Moriah Ratner, Erika Sternard, Ashley Tucker, Austin Wallace, and Cassie Zhang.
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10:00 AM - 9:00 PM, April 16 |
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Karolina Karlic: Rubberlands Light Work Gallery
Price: Free Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Karolina Karlic's "Rubberlands" is an ongoing photographic survey that maps the social and ecological impacts of rubber manufacturing. Following the trajectory of the artist's earlier work exploring the automobile industry in Michigan, "Rubberlands" proceeds from Midwest cities like Detroit and Akron, Ohio — once auto capitals of the world and now entry points for commodities through globalized networks. Connecting the company archives of Henry Ford, Goodyear, Goodrich, General Tire, and Firestone, Karlic traces the evolution of an industry that relies heavily on outsourcing of the Hevea brasiliensis (Amazonian rubber tree). Her photographic fieldwork in Brazil has taken her to manufacturing plants in Salvador and Itaparica, Michelin rubber plantations in the Atlantic forest, a fisherman's village on the coastal rivers of Itubera in Bahia, and the vestiges of Fordlândia, Henry Ford's planned community in the Amazon. Karlic reveals threatened landscapes, sites of reforestation, and working factories against the backdrop of their surrounding communities — scenes where living things are transformed into assets and removed from their lifeworlds to supply the demands of capital. By weaving together historical archives and contemporary renderings of environs that production has largely shaped, Karlic moves beyond capturing a static place and time, instead configuring a dynamic space for contemplating the inextricable social and personal bonds that surround labor and natural resources. Here, she invites the viewer into a new imaginary where historical consciousness is critical in reflecting on our relationship to consumption.
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Film |
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7:30 PM, April 16 |
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Western Double Feature Syracuse Cinephile Society
Price: $3.50 non-members, $3 members Spaghetti Warehouse
689 N. Clinton St.,
Syracuse
Rhythm of the Saddle (1938) Director: George Sherman Cast: Gene Autry, Smiley Burnett, Peggy Moran, Pert Kelton A rodeo star (Autry) suspects that some of the accidents that have been happening to his fellow performers aren't so accidental. A fun mix of action, comedy and music. Leather Burners (1943) Director: Joseph E. Henabery Cast: William Boyd, Andy Clyde, Jay Kirby, Victor Jory, George Givot, George Reeves, Robert Mitchum An excellent "Hopalong Cassidy" adventure, with Hoppy and California hot on the trail of rustlers who have an unusual hiding place for their stolen cattle.
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Lecture |
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7:30 PM, April 16 |
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Evan Osnos Rosamond Gifford Lecture Series
Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St.,
Syracuse
New Yorker staff writer and National Book Award-winning author Evan Osnos specializes in politics and foreign affairs, spanning the U.S., the Middle East, East Asia, and China. He won the National Book Award in 2014 for Age of Ambition: Chasing Fortune, Truth, and Faith in the New China. Osnos has covered pressing American concerns, from modern conservatism and gun control, to the Flint Water Crisis and the 2016 presidential election. He forecasted the implications of a Trump presidency in his extensive New Yorker piece, "President Trump's First Term," one of the magazine's most-read articles of the year. Based on his eight years living in Beijing, Age of Ambition/ is a multi-layered look at the rise of the individual in China and the clash between aspiration and authoritarianism. A Pulitzer Prize-finalist, Age of Ambition/ was called "a splendid and entertaining picture of 21st-century China" by The Wall Street Journal. The Washington Post wrote that "Osnos has portrayed and explained...this new China better than any other writer from the West or the East." In 2003, Osnos embedded himself with the US Marines during the invasion of Iraq and spent two years as the Chicago Tribune's Middle East Correspondent. His piece "The Fallout," about the events and aftermath of the Fukushima nuclear meltdown, won a 2012 Overseas Press Club Award. Prior to joining The New Yorker, Osnos worked as the Beijing Bureau Chief for the Chicago Tribune, where he contributed to a series on the global trade in unsafe imports that won the 2008 Pulitzer Prize for investigative reporting. He was the 2007 recipient of the Livingston Award, the nation's leading prize for young journalists, and the Asia Society's Osborn Elliott Prize for Excellence in Journalism on Asia.
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Tuesday, April 17, 2018
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Art |
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9:00 AM - 4:00 PM, April 17 |
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Natural Passions Baltimore Woods Weeks Art Gallery
Price: Free Baltimore Woods Nature Center
4007 Bishop Hill Rd.,
Marcellus
Photography by Diana Whiting and drawings by Gail Norwood.
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9:00 AM - 5:00 PM, April 17 |
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IPA: 23 Craft Potters Clayscapes Pottery Gallery
Price: Free Clayscapes Pottery Studio
1003 W. Fayette St., Suite L1,
Syracuse
Annual spring show of functional and sculptural ceramics by the Independent Potter's Association.
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9:00 AM - 5:00 PM, April 17 |
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Goudy @ Syracuse: A Legacy by Design Syracuse University Library Special Collections Research Center
Price: Free Bird Library, 6th Floor
Syracuse University,
Syracuse
"Goudy @ Syracuse: A Legacy by Design" tells the story of the preeminent American designer and typographer Frederic W. Goudy and his long connection to Syracuse University. Through a selection of rare books, printed ephemera, and other archival materials, as well as original sketches and markups for the 2016 Sherman design, this exhibition explores the impact and importance of the famed type designer, and celebrates the strong historical ties and entwined legacy of Goudy and Syracuse University.
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10:00 AM - 5:00 PM, April 17 |
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Hiding in Plain Sight Community Folk Art Center
Community Folk Art Center
805 E. Genesee St.,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, the M.F.A. exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center.
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10:00 AM - 9:00 PM, April 17 |
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2018 Newhouse Photography Annual Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Light Work is pleased to announce the 2018 Newhouse Photography Annual featuring work by photography students in S.I. Newhouse School of Public Communications at Syracuse University. Exhibiting students include Marianne Barthelemy, Colleen Cambier, Bryan Cereijo, Haoyu Deng, Kathleen Flynn, Shweta Gulati, Chase Guttman, Shuran Huang, Joshua Ives, Eva Jenkins, Zachary Krahmer, Fiona Lenz, Tingjun Long, Claudia Mccann, Todd Michalek, Moriah Ratner, Erika Sternard, Ashley Tucker, Austin Wallace, and Cassie Zhang.
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10:00 AM - 9:00 PM, April 17 |
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Karolina Karlic: Rubberlands Light Work Gallery
Price: Free Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Karolina Karlic's "Rubberlands" is an ongoing photographic survey that maps the social and ecological impacts of rubber manufacturing. Following the trajectory of the artist's earlier work exploring the automobile industry in Michigan, "Rubberlands" proceeds from Midwest cities like Detroit and Akron, Ohio — once auto capitals of the world and now entry points for commodities through globalized networks. Connecting the company archives of Henry Ford, Goodyear, Goodrich, General Tire, and Firestone, Karlic traces the evolution of an industry that relies heavily on outsourcing of the Hevea brasiliensis (Amazonian rubber tree). Her photographic fieldwork in Brazil has taken her to manufacturing plants in Salvador and Itaparica, Michelin rubber plantations in the Atlantic forest, a fisherman's village on the coastal rivers of Itubera in Bahia, and the vestiges of Fordlândia, Henry Ford's planned community in the Amazon. Karlic reveals threatened landscapes, sites of reforestation, and working factories against the backdrop of their surrounding communities — scenes where living things are transformed into assets and removed from their lifeworlds to supply the demands of capital. By weaving together historical archives and contemporary renderings of environs that production has largely shaped, Karlic moves beyond capturing a static place and time, instead configuring a dynamic space for contemplating the inextricable social and personal bonds that surround labor and natural resources. Here, she invites the viewer into a new imaginary where historical consciousness is critical in reflecting on our relationship to consumption.
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11:00 AM - 4:30 PM, April 17 |
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Americans in Venice: Late 19th and Early 20th Century Prints Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.
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11:00 AM - 4:30 PM, April 17 |
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In Gratitude: The Museum Project Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.
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11:00 AM - 4:30 PM, April 17 |
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Hiding in Plain Sight Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, the M.F.A. exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center.
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11:00 AM - 4:30 PM, April 17 |
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Symphony in Black and White: The Prints of James McNeill Whistler Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
This exhibition explores a selection of Whistler's etchings and lithographs describing major European cities, their waterways, and the working class people living there.
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11:00 AM - 4:30 PM, April 17 |
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Crisis: A Visual Exploration of Conflict Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Crisis" investigates how visual artists have captured, reacted, and explained physical acts of conflict, issues of identity, and the evolving conceptual methodologies in art itself.
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12:00 PM - 5:00 PM, April 17 |
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Hiding in Plain Sight Point of Contact Gallery
Price: Free Point of Contact Gallery
350 W. Fayette St.,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, curator of exhibitions and programs at the Institute of Arab and Islamic Art in New York City, the MFA exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center. The Point of Contact exhibit features the work Eric Charlton, Joan Farrenkopf, Marilyn Koch, Jo Yu Lee, Katie Levesque, and Luxin Zhang. Featuring a diverse array of paintings, sculptures, video and installations, "Hiding in Plain Sight" represents the culmination of a three-year period of critical investigation and introspection, marked by a significant, self-led shift toward multidisciplinary experimentation. The result is a collection of works which, through their staging and materiality, radicalize traditional modes of art-making and subvert our perception of space and reality.
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Theater |
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7:30 PM, April 17 |
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Stomp Broadway in Syracuse
Landmark Theatre
362 S. Salina St.,
Syracuse
"Stomp" is explosive, provocative, sophisticated, sexy, utterly unique, and appeals to audiences of all ages. The international percussion sensation has garnered an armful of awards and rave reviews, and has appeared on numerous national television shows. The eight-member troupe uses everything but conventional percussion instruments—matchboxes, wooden poles, brooms, garbage cans, Zippo lighters, hubcaps—to fill the stage with magnificent rhythms. The return of the percussive hit also brings some new surprises, with some sections of the show now updated and restructured and the addition of two new full-scale routines, utilizing props like tractor tire inner tubes and paint cans. As USA Today says, "STOMP finds beautiful noises in the strangest places." Stomp. See what all the noise is about.
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Wednesday, April 18, 2018
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Art |
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9:00 AM - 4:00 PM, April 18 |
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Natural Passions Baltimore Woods Weeks Art Gallery
Price: Free Baltimore Woods Nature Center
4007 Bishop Hill Rd.,
Marcellus
Photography by Diana Whiting and drawings by Gail Norwood.
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9:00 AM - 5:00 PM, April 18 |
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IPA: 23 Craft Potters Clayscapes Pottery Gallery
Price: Free Clayscapes Pottery Studio
1003 W. Fayette St., Suite L1,
Syracuse
Annual spring show of functional and sculptural ceramics by the Independent Potter's Association.
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Back to list |
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9:00 AM - 7:00 PM, April 18 |
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Goudy @ Syracuse: A Legacy by Design Syracuse University Library Special Collections Research Center
Price: Free Bird Library, 6th Floor
Syracuse University,
Syracuse
"Goudy @ Syracuse: A Legacy by Design" tells the story of the preeminent American designer and typographer Frederic W. Goudy and his long connection to Syracuse University. Through a selection of rare books, printed ephemera, and other archival materials, as well as original sketches and markups for the 2016 Sherman design, this exhibition explores the impact and importance of the famed type designer, and celebrates the strong historical ties and entwined legacy of Goudy and Syracuse University.
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Back to list |
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10:00 AM - 5:00 PM, April 18 |
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Hiding in Plain Sight Community Folk Art Center
Community Folk Art Center
805 E. Genesee St.,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, the M.F.A. exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center.
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10:00 AM - 9:00 PM, April 18 |
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2018 Newhouse Photography Annual Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Light Work is pleased to announce the 2018 Newhouse Photography Annual featuring work by photography students in S.I. Newhouse School of Public Communications at Syracuse University. Exhibiting students include Marianne Barthelemy, Colleen Cambier, Bryan Cereijo, Haoyu Deng, Kathleen Flynn, Shweta Gulati, Chase Guttman, Shuran Huang, Joshua Ives, Eva Jenkins, Zachary Krahmer, Fiona Lenz, Tingjun Long, Claudia Mccann, Todd Michalek, Moriah Ratner, Erika Sternard, Ashley Tucker, Austin Wallace, and Cassie Zhang.
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10:00 AM - 9:00 PM, April 18 |
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Karolina Karlic: Rubberlands Light Work Gallery
Price: Free Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Karolina Karlic's "Rubberlands" is an ongoing photographic survey that maps the social and ecological impacts of rubber manufacturing. Following the trajectory of the artist's earlier work exploring the automobile industry in Michigan, "Rubberlands" proceeds from Midwest cities like Detroit and Akron, Ohio — once auto capitals of the world and now entry points for commodities through globalized networks. Connecting the company archives of Henry Ford, Goodyear, Goodrich, General Tire, and Firestone, Karlic traces the evolution of an industry that relies heavily on outsourcing of the Hevea brasiliensis (Amazonian rubber tree). Her photographic fieldwork in Brazil has taken her to manufacturing plants in Salvador and Itaparica, Michelin rubber plantations in the Atlantic forest, a fisherman's village on the coastal rivers of Itubera in Bahia, and the vestiges of Fordlândia, Henry Ford's planned community in the Amazon. Karlic reveals threatened landscapes, sites of reforestation, and working factories against the backdrop of their surrounding communities — scenes where living things are transformed into assets and removed from their lifeworlds to supply the demands of capital. By weaving together historical archives and contemporary renderings of environs that production has largely shaped, Karlic moves beyond capturing a static place and time, instead configuring a dynamic space for contemplating the inextricable social and personal bonds that surround labor and natural resources. Here, she invites the viewer into a new imaginary where historical consciousness is critical in reflecting on our relationship to consumption.
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10:00 AM - 4:00 PM, April 18 |
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The War to End All Wars: Onondaga County Encounters World War I Onondaga Historical Association
Price: Free Onondaga Historical Association
321 Montgomery St.,
Syracuse
To commemorate the 100th anniversary of the United States' entry into World War I, Onondaga Historical Association will present an exhibit on Onondaga County's role in the Great War. The exhibit will feature photographs, posters, uniforms, gas masks, helmets and other military accoutrements, war souvenirs, home-front conservation items, letters, diaries, and other archival material and objects. These items will illustrate the impact World War I had on Onondaga County and the world at large. The exhibit will focus on the people, places, and events at home and abroad including military personnel and units, the nurse corps, Camp Syracuse, food conservation, the Split Rock munitions explosion, and the Spanish Influenza epidemic.
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11:00 AM - 4:30 PM, April 18 |
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In Gratitude: The Museum Project Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.
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Back to list |
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11:00 AM - 4:30 PM, April 18 |
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Americans in Venice: Late 19th and Early 20th Century Prints Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.
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Back to list |
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11:00 AM - 4:30 PM, April 18 |
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Crisis: A Visual Exploration of Conflict Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Crisis" investigates how visual artists have captured, reacted, and explained physical acts of conflict, issues of identity, and the evolving conceptual methodologies in art itself.
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Back to list |
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11:00 AM - 4:30 PM, April 18 |
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Symphony in Black and White: The Prints of James McNeill Whistler Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
This exhibition explores a selection of Whistler's etchings and lithographs describing major European cities, their waterways, and the working class people living there.
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Back to list |
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11:00 AM - 4:30 PM, April 18 |
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Hiding in Plain Sight Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, the M.F.A. exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center.
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12:00 PM - 5:00 PM, April 18 |
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The Art of the Tile Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Ceramic tiles are one of the world's oldest decorative art forms, dating back to at least the fourth millennium BCE. Tiles served both an ornamental and functional purpose, covering interior and exterior building surfaces as well as tabletops and other pieces of furniture. The Everson's expansive ceramics collection includes over 500 tiles made in countries around the world between the 17th and 20th centuries. This exhibition presents a selection of these tiles, many of which have never before been on view.
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12:00 PM - 5:00 PM, April 18 |
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Jeff Donaldson: Dig Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
This exhibition, the first museum retrospective of American artist Jeff Donaldson (1932-2004), explores four decades of the artist's career, spanning from his activist roots in Chicago as a founding member of the AfriCOBRA movement to his influence on future generations of artists as a professor at Howard University. Donaldson's work is an amalgamation of energetic colors, intricate patterns, and African iconography that celebrates the history of African art and the roots of black culture. Featuring paintings, prints, and mixed media works, the exhibition reflects on Donaldson's deep belief in the responsibility of an artist to create work that is both socially relevant and visually striking, as well as his tireless fight for equality and pride in his heritage.
Read a review!
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12:00 PM - 5:00 PM, April 18 |
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Sheila Pepe: Hot Mess Formalism Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
For over 20 years, Sheila Pepe has constructed large-scale, ephemeral installations and sculpture made out of domestic and industrial fibrous materials. This exhibition, the first mid-career survey of Pepe's work, examines how the artist often plays with feminist and craft traditions to counter patriarchal notions of recognized or accepted forms of art making. Hot Mess Formalism is organized by the Phoenix Art Museum and is accompanied by a fully illustrated catalog.
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12:00 PM - 5:00 PM, April 18 |
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Focus Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
A new exhibition series at the Everson, FOCUS presents a few selected works from the museum's collection in order to spark dialogue about how objects relate to one another across time, medium, and subject matter.
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Back to list |
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12:00 PM - 5:00 PM, April 18 |
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Edie Fake: Structures Shift Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Based in Los Angeles, Edie Fake explores themes of gender, sexuality, and identity through illustration, painting, and comic book design. This exhibition presents a selection of Fake's meticulously rendered gouache and ink architectural drawings, which focus on facade and ornamentation as a way to understand our bodies, selves, and the importance of the spaces we inhabit.
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12:00 PM - 5:00 PM, April 18 |
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Hiding in Plain Sight Point of Contact Gallery
Price: Free Point of Contact Gallery
350 W. Fayette St.,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, curator of exhibitions and programs at the Institute of Arab and Islamic Art in New York City, the MFA exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center. The Point of Contact exhibit features the work Eric Charlton, Joan Farrenkopf, Marilyn Koch, Jo Yu Lee, Katie Levesque, and Luxin Zhang. Featuring a diverse array of paintings, sculptures, video and installations, "Hiding in Plain Sight" represents the culmination of a three-year period of critical investigation and introspection, marked by a significant, self-led shift toward multidisciplinary experimentation. The result is a collection of works which, through their staging and materiality, radicalize traditional modes of art-making and subvert our perception of space and reality.
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2:00 PM - 7:00 PM, April 18 |
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Within Our Gates: Site and Memory in the American Landscape, the Paintings of Keith Morris Washington ArtRage Gallery
Price: Free ArtRage Gallery
505 Hawley Ave.,
Syracuse
The practice of human sacrifice, known as lynching, has been carried out openly, as a public social ritual, in the United States from the very founding of the Republic. "Within Our Gates: Site and Memory in the American Landscape" is designed to inform a broad audience about this phenomenon of lynching as human sacrifice within the context of the landscape. The term lynching faded from popular usage with the advent of the 1960s civil rights movement. However, death by lynching is still exercised today as evidenced by the murders of James Byrd, Jr., Matthew Shepherd, Billy Jack Gaither, and Raynard Johnson. Only the taboo nature of this ritual has changed. — excerpt from Keith Morris Washington's artist statement
Read a review!
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Film |
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6:00 PM, April 18 |
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One Day in the Life of Javier Antonio La Casita Cultural Center
Price: Free La Casita Cultural Center
109 Otisco St.,
Syracuse
A film by Dashel Hernández (2017, 23 minutes, Spanish with English subtitles) Dashel is a visual artist from Camagüey, Cuba; a writer, educator, and a graduate student at the Maxwell School of Citizenship and Public Affairs (EMPA candidate) at Syracuse University. He grew up in Cuba during the late 1970s and early '80s and was caught up in the Cuban-Soviet ideological struggle of the Cold War. As a boy at school he played out his fantasies of the space race. At night, he dreamed of the snow his mother would bring back, in a tiny box, on her return from Moscow. Fueled by the power of oral storytelling, 'One Day in the Life of Javier Antonio' is an exercise in non-resistance contemplation of childhood memories and, by extension, a generation's collective memory of a difficult time in Cuba. Film screening will be followed by a discussion with filmmaker.
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Lecture |
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12:15 PM, April 18 |
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Lunchtime Lecture: Gallery Tour of James McNeill Whistler Syracuse University Art Museum
Price: Free Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
Join Department of Art and Music Histories professor Sascha Scott for a gallery tour of James McNeill Whistler.
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Music |
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12:00 PM - 2:00 PM, April 18 |
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Jazz at the Plaza: LuBossa CNY Jazz Arts Foundation
Price: Free LeMoyne Plaza
1135 Salt Springs Rd.,
Syracuse
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12:15 PM, April 18 |
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*CANCELLED* Singers from the Setnor School of Music Vocal Studio of Kathleen Roland-Silverstein Civic Morning Musicals
Price: Free Grace Episcopal Church
819 Madison St.,
Syracuse
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5:30 PM - 8:30 PM, April 18 |
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Jazz at the Cavalier: Novak/Nanni CNY Jazz Arts Foundation
Price: No cover charge Marriott Hotel Syracuse Cavalier Room
500 S. Warren St.,
Syracuse
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Theater |
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7:30 PM, April 18 |
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Stomp Broadway in Syracuse
Landmark Theatre
362 S. Salina St.,
Syracuse
"Stomp" is explosive, provocative, sophisticated, sexy, utterly unique, and appeals to audiences of all ages. The international percussion sensation has garnered an armful of awards and rave reviews, and has appeared on numerous national television shows. The eight-member troupe uses everything but conventional percussion instruments—matchboxes, wooden poles, brooms, garbage cans, Zippo lighters, hubcaps—to fill the stage with magnificent rhythms. The return of the percussive hit also brings some new surprises, with some sections of the show now updated and restructured and the addition of two new full-scale routines, utilizing props like tractor tire inner tubes and paint cans. As USA Today says, "STOMP finds beautiful noises in the strangest places." Stomp. See what all the noise is about.
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Thursday, April 19, 2018
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Art |
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9:00 AM - 4:00 PM, April 19 |
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Natural Passions Baltimore Woods Weeks Art Gallery
Price: Free Baltimore Woods Nature Center
4007 Bishop Hill Rd.,
Marcellus
Photography by Diana Whiting and drawings by Gail Norwood.
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9:00 AM - 5:00 PM, April 19 |
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IPA: 23 Craft Potters Clayscapes Pottery Gallery
Price: Free Clayscapes Pottery Studio
1003 W. Fayette St., Suite L1,
Syracuse
Annual spring show of functional and sculptural ceramics by the Independent Potter's Association.
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9:00 AM - 5:00 PM, April 19 |
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Goudy @ Syracuse: A Legacy by Design Syracuse University Library Special Collections Research Center
Price: Free Bird Library, 6th Floor
Syracuse University,
Syracuse
"Goudy @ Syracuse: A Legacy by Design" tells the story of the preeminent American designer and typographer Frederic W. Goudy and his long connection to Syracuse University. Through a selection of rare books, printed ephemera, and other archival materials, as well as original sketches and markups for the 2016 Sherman design, this exhibition explores the impact and importance of the famed type designer, and celebrates the strong historical ties and entwined legacy of Goudy and Syracuse University.
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10:00 AM - 5:00 PM, April 19 |
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Hiding in Plain Sight Community Folk Art Center
Community Folk Art Center
805 E. Genesee St.,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, the M.F.A. exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center.
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10:00 AM - 9:00 PM, April 19 |
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2018 Newhouse Photography Annual Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Light Work is pleased to announce the 2018 Newhouse Photography Annual featuring work by photography students in S.I. Newhouse School of Public Communications at Syracuse University. Exhibiting students include Marianne Barthelemy, Colleen Cambier, Bryan Cereijo, Haoyu Deng, Kathleen Flynn, Shweta Gulati, Chase Guttman, Shuran Huang, Joshua Ives, Eva Jenkins, Zachary Krahmer, Fiona Lenz, Tingjun Long, Claudia Mccann, Todd Michalek, Moriah Ratner, Erika Sternard, Ashley Tucker, Austin Wallace, and Cassie Zhang.
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10:00 AM - 9:00 PM, April 19 |
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Karolina Karlic: Rubberlands Light Work Gallery
Price: Free Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Karolina Karlic's "Rubberlands" is an ongoing photographic survey that maps the social and ecological impacts of rubber manufacturing. Following the trajectory of the artist's earlier work exploring the automobile industry in Michigan, "Rubberlands" proceeds from Midwest cities like Detroit and Akron, Ohio — once auto capitals of the world and now entry points for commodities through globalized networks. Connecting the company archives of Henry Ford, Goodyear, Goodrich, General Tire, and Firestone, Karlic traces the evolution of an industry that relies heavily on outsourcing of the Hevea brasiliensis (Amazonian rubber tree). Her photographic fieldwork in Brazil has taken her to manufacturing plants in Salvador and Itaparica, Michelin rubber plantations in the Atlantic forest, a fisherman's village on the coastal rivers of Itubera in Bahia, and the vestiges of Fordlândia, Henry Ford's planned community in the Amazon. Karlic reveals threatened landscapes, sites of reforestation, and working factories against the backdrop of their surrounding communities — scenes where living things are transformed into assets and removed from their lifeworlds to supply the demands of capital. By weaving together historical archives and contemporary renderings of environs that production has largely shaped, Karlic moves beyond capturing a static place and time, instead configuring a dynamic space for contemplating the inextricable social and personal bonds that surround labor and natural resources. Here, she invites the viewer into a new imaginary where historical consciousness is critical in reflecting on our relationship to consumption.
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10:00 AM - 4:00 PM, April 19 |
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The War to End All Wars: Onondaga County Encounters World War I Onondaga Historical Association
Price: Free Onondaga Historical Association
321 Montgomery St.,
Syracuse
To commemorate the 100th anniversary of the United States' entry into World War I, Onondaga Historical Association will present an exhibit on Onondaga County's role in the Great War. The exhibit will feature photographs, posters, uniforms, gas masks, helmets and other military accoutrements, war souvenirs, home-front conservation items, letters, diaries, and other archival material and objects. These items will illustrate the impact World War I had on Onondaga County and the world at large. The exhibit will focus on the people, places, and events at home and abroad including military personnel and units, the nurse corps, Camp Syracuse, food conservation, the Split Rock munitions explosion, and the Spanish Influenza epidemic.
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11:00 AM - 5:00 PM, April 19 |
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I [Heart] Ceramic Surface Gandee Gallery
Gandee Gallery
7846 Main St.,
Fabius
The exhibition features ceramic artists who go all out when it comes to their surfaces. Inlay, silk-screen resist, texture, decal, carving, slip trailing, sgraffito... This group does it all and then some. Participating artist include Kyle Carpenter, Andrea Denniston, Maria Dondero, Rachel Donner, Shanna Fliegel, Jennifer Gandee, Brian Giniewski, David MacDonald, Colleen McCall, Andrew McIntyre, Brooke Millecchia, Brooke Noble, Eric Pardue, Jeremy Randall, and Grace Sheese.
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11:00 AM - 8:00 PM, April 19 |
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Hiding in Plain Sight Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, the M.F.A. exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center.
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11:00 AM - 8:00 PM, April 19 |
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Symphony in Black and White: The Prints of James McNeill Whistler Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
This exhibition explores a selection of Whistler's etchings and lithographs describing major European cities, their waterways, and the working class people living there.
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11:00 AM - 8:00 PM, April 19 |
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Crisis: A Visual Exploration of Conflict Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Crisis" investigates how visual artists have captured, reacted, and explained physical acts of conflict, issues of identity, and the evolving conceptual methodologies in art itself.
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11:00 AM - 8:00 PM, April 19 |
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Americans in Venice: Late 19th and Early 20th Century Prints Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.
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11:00 AM - 8:00 PM, April 19 |
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In Gratitude: The Museum Project Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.
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12:00 PM - 8:00 PM, April 19 |
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The Art of the Tile Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Ceramic tiles are one of the world's oldest decorative art forms, dating back to at least the fourth millennium BCE. Tiles served both an ornamental and functional purpose, covering interior and exterior building surfaces as well as tabletops and other pieces of furniture. The Everson's expansive ceramics collection includes over 500 tiles made in countries around the world between the 17th and 20th centuries. This exhibition presents a selection of these tiles, many of which have never before been on view.
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12:00 PM - 8:00 PM, April 19 |
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Edie Fake: Structures Shift Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Based in Los Angeles, Edie Fake explores themes of gender, sexuality, and identity through illustration, painting, and comic book design. This exhibition presents a selection of Fake's meticulously rendered gouache and ink architectural drawings, which focus on facade and ornamentation as a way to understand our bodies, selves, and the importance of the spaces we inhabit.
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Back to list |
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12:00 PM - 8:00 PM, April 19 |
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Focus Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
A new exhibition series at the Everson, FOCUS presents a few selected works from the museum's collection in order to spark dialogue about how objects relate to one another across time, medium, and subject matter.
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12:00 PM - 8:00 PM, April 19 |
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Sheila Pepe: Hot Mess Formalism Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
For over 20 years, Sheila Pepe has constructed large-scale, ephemeral installations and sculpture made out of domestic and industrial fibrous materials. This exhibition, the first mid-career survey of Pepe's work, examines how the artist often plays with feminist and craft traditions to counter patriarchal notions of recognized or accepted forms of art making. Hot Mess Formalism is organized by the Phoenix Art Museum and is accompanied by a fully illustrated catalog.
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Back to list |
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12:00 PM - 8:00 PM, April 19 |
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Jeff Donaldson: Dig Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
This exhibition, the first museum retrospective of American artist Jeff Donaldson (1932-2004), explores four decades of the artist's career, spanning from his activist roots in Chicago as a founding member of the AfriCOBRA movement to his influence on future generations of artists as a professor at Howard University. Donaldson's work is an amalgamation of energetic colors, intricate patterns, and African iconography that celebrates the history of African art and the roots of black culture. Featuring paintings, prints, and mixed media works, the exhibition reflects on Donaldson's deep belief in the responsibility of an artist to create work that is both socially relevant and visually striking, as well as his tireless fight for equality and pride in his heritage.
Read a review!
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12:00 PM - 5:00 PM, April 19 |
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Hiding in Plain Sight Point of Contact Gallery
Price: Free Point of Contact Gallery
350 W. Fayette St.,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, curator of exhibitions and programs at the Institute of Arab and Islamic Art in New York City, the MFA exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center. The Point of Contact exhibit features the work Eric Charlton, Joan Farrenkopf, Marilyn Koch, Jo Yu Lee, Katie Levesque, and Luxin Zhang. Featuring a diverse array of paintings, sculptures, video and installations, "Hiding in Plain Sight" represents the culmination of a three-year period of critical investigation and introspection, marked by a significant, self-led shift toward multidisciplinary experimentation. The result is a collection of works which, through their staging and materiality, radicalize traditional modes of art-making and subvert our perception of space and reality.
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2:00 PM - 7:00 PM, April 19 |
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Within Our Gates: Site and Memory in the American Landscape, the Paintings of Keith Morris Washington ArtRage Gallery
Price: Free ArtRage Gallery
505 Hawley Ave.,
Syracuse
The practice of human sacrifice, known as lynching, has been carried out openly, as a public social ritual, in the United States from the very founding of the Republic. "Within Our Gates: Site and Memory in the American Landscape" is designed to inform a broad audience about this phenomenon of lynching as human sacrifice within the context of the landscape. The term lynching faded from popular usage with the advent of the 1960s civil rights movement. However, death by lynching is still exercised today as evidenced by the murders of James Byrd, Jr., Matthew Shepherd, Billy Jack Gaither, and Raynard Johnson. Only the taboo nature of this ritual has changed. — excerpt from Keith Morris Washington's artist statement
Read a review!
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6:00 PM, April 19 |
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2018 Poster Series Unveiling Syracuse Poster Project
Price: Free City Hall Commons Atrium
201 East Washington St.,
Syracuse
The poets and artists of this year's series gather with friends, family, and other supporters of public art for a celebration of the new posters. We'll have food, drink, music, and of course, a display of the new posters. We'll also be selling prints of the new work.
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8:15 PM - 11:00 PM, April 19 |
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Ben Russell: Good Luck (Portraits) Urban Video Project
Price: Free Everson Museum of Art Plaza
401 Harrison St.,
Syracuse
Ben Russell (b.1976, USA) is a media artist and curator whose films, installations, and performances foster a deep engagement with the history and semiotics of the moving image. Formal investigations of the historical and conceptual relationships between early cinema, documentary practices, and structuralist filmmaking result in immersive experiences concerned at once with ritual, communal spectatorship and the pursuit of a "psychedelic ethnography." Screening begins at dusk.
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Dance |
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7:30 PM, April 19 |
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I Wanna Dance With Somebody LeMoyne College LeMoyne Student Dance Company
Coyne Center for the Performing Arts
LeMoyne College,
Syracuse
The Le Moyne Student Dance Company presents more than a dozen dances with over 40 performers.
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Festival |
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5:45 PM - 8:00 PM, April 19 |
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Israel Independence Day Celebration
Price: Free Temple Adeth Yeshurun
450 Kimber Rd.,
DeWitt
Live music by Symphoria, Syracuse Pops Chorus, Community Cantors, and Adult and Children's Choir, plus children's activities, photo booth, Israeli market, wine tasting, and more.
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Film |
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5:30 PM, April 19 |
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Screening + Q&A with Ben Russell: Good Luck Urban Video Project
Price: Free Hosmer Auditorium, Everson Museum
401 Harrison St.,
Syracuse
A special indoor screening of Ben Russell's latest feature-length film Good Luck. The screening, opening with an introduction by the filmmaker, will start promptly at 5:30 pm. Ben Russell will join us in-person to introduce the film and for a brief a Q&A following the screening. Note: Due to the 140-minute duration of the piece, the reception will precede the film at 5 pm. This event is held in conjunction with the exhibition of the related newly-commissioned work Good Luck (Portraits) at UVP's outdoor architectural projection venue on the Everson Museum, through May 26.
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Lecture |
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6:00 PM, April 19 |
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Docent-led Tour: Shelia Pepe and Edie Fake Everson Museum of Art
Price: Free Everson Museum of Art
401 Harrison St.,
Syracuse
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Music |
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7:30 PM, April 19 |
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OCC Choral Concert Onondaga Community College
OCC Recital Hall
Onondaga Community College,
Syracuse
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Poetry/Reading |
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6:00 PM, April 19 |
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Cruel April: José Sanjinés Point of Contact Gallery
Price: Free Point of Contact Gallery
350 W. Fayette St.,
Syracuse
The reading will be followed by a reception and informal dialogue with the poet. The event is presented as part of the release of Point of Contact's annual poetry publication, Corresponding Voices, Vol. 11. Free parking is available in the Syracuse University lot on the corner of West Street and Fayette Street.
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Theater |
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6:45 PM, April 19 |
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A Spoonful of Poison Acme Mystery Company
Spaghetti Warehouse
689 N. Clinton St.,
Syracuse
Murder is so terribly impolite but that's the problem everyone's favorite nanny, Mary Popouts, must face. The children have grown up but Michael's rise to the top of the Dependable Depository Bank has left a trail of mysterious deaths in its wake. How terribly rude! Is Michael a murderer? Is Bart, the chimney sweep, cleaning up? What exactly does sister Jane do in the evenings? Or is there something extra special in Mary's magical bag? Be there when Scotland Yard crashes Michael's surprise party. Though practically perfect in every way, Mary Popouts will need your help!
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8:00 PM, April 19 |
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Chess Central New York Playhouse Robert G. Searle, director
Price: $25 CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage),
Dewitt
Chess is a musical, with music by Benny Andersson and Björn Ulvaeus of the pop group ABBA, and with lyrics by Tim Rice. The story involves a politically driven, Cold War-era chess tournament between two men—an American grandmaster and a Soviet grandmaster—and their fight over a woman who manages one and falls in love with the other. Chess was a significant and powerful piece of music theater for its time as it allegorically reflected the Cold War tensions present in the 1980s, with the show embodying the government manipulations and paranoia, and the xenophobic attitudes present in the political climate of the time. The musical has been referred to as a metaphor for the whole Cold War, with the insinuation being made that the Cold War is itself a manipulative game. Released and staged at the height of the strong anti-communist agenda that came to be known as the "Reagan Doctrine," Chess played a powerful role in addressing and satirizing the hostile political atmosphere of the 1980s.
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Friday, April 20, 2018
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Art |
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9:00 AM - 4:00 PM, April 20 |
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Natural Passions Baltimore Woods Weeks Art Gallery
Price: Free Baltimore Woods Nature Center
4007 Bishop Hill Rd.,
Marcellus
Photography by Diana Whiting and drawings by Gail Norwood.
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9:00 AM - 5:00 PM, April 20 |
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IPA: 23 Craft Potters Clayscapes Pottery Gallery
Price: Free Clayscapes Pottery Studio
1003 W. Fayette St., Suite L1,
Syracuse
Annual spring show of functional and sculptural ceramics by the Independent Potter's Association.
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9:00 AM - 5:00 PM, April 20 |
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Goudy @ Syracuse: A Legacy by Design Syracuse University Library Special Collections Research Center
Price: Free Bird Library, 6th Floor
Syracuse University,
Syracuse
"Goudy @ Syracuse: A Legacy by Design" tells the story of the preeminent American designer and typographer Frederic W. Goudy and his long connection to Syracuse University. Through a selection of rare books, printed ephemera, and other archival materials, as well as original sketches and markups for the 2016 Sherman design, this exhibition explores the impact and importance of the famed type designer, and celebrates the strong historical ties and entwined legacy of Goudy and Syracuse University.
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9:30 AM - 6:00 PM, April 20 |
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Annual High School Seniors' Exhibit Edgewood Gallery
Edgewood Gallery
216 Tecumseh Rd.,
Syracuse
Works by high school seniors within a 30-mile radius are on display in this exhibit juried by the CNY Art Guild.
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10:00 AM - 5:00 PM, April 20 |
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Hiding in Plain Sight Community Folk Art Center
Community Folk Art Center
805 E. Genesee St.,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, the M.F.A. exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center.
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10:00 AM - 6:00 PM, April 20 |
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2018 Newhouse Photography Annual Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Light Work is pleased to announce the 2018 Newhouse Photography Annual featuring work by photography students in S.I. Newhouse School of Public Communications at Syracuse University. Exhibiting students include Marianne Barthelemy, Colleen Cambier, Bryan Cereijo, Haoyu Deng, Kathleen Flynn, Shweta Gulati, Chase Guttman, Shuran Huang, Joshua Ives, Eva Jenkins, Zachary Krahmer, Fiona Lenz, Tingjun Long, Claudia Mccann, Todd Michalek, Moriah Ratner, Erika Sternard, Ashley Tucker, Austin Wallace, and Cassie Zhang.
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10:00 AM - 6:00 PM, April 20 |
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Karolina Karlic: Rubberlands Light Work Gallery
Price: Free Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Karolina Karlic's "Rubberlands" is an ongoing photographic survey that maps the social and ecological impacts of rubber manufacturing. Following the trajectory of the artist's earlier work exploring the automobile industry in Michigan, "Rubberlands" proceeds from Midwest cities like Detroit and Akron, Ohio — once auto capitals of the world and now entry points for commodities through globalized networks. Connecting the company archives of Henry Ford, Goodyear, Goodrich, General Tire, and Firestone, Karlic traces the evolution of an industry that relies heavily on outsourcing of the Hevea brasiliensis (Amazonian rubber tree). Her photographic fieldwork in Brazil has taken her to manufacturing plants in Salvador and Itaparica, Michelin rubber plantations in the Atlantic forest, a fisherman's village on the coastal rivers of Itubera in Bahia, and the vestiges of Fordlândia, Henry Ford's planned community in the Amazon. Karlic reveals threatened landscapes, sites of reforestation, and working factories against the backdrop of their surrounding communities — scenes where living things are transformed into assets and removed from their lifeworlds to supply the demands of capital. By weaving together historical archives and contemporary renderings of environs that production has largely shaped, Karlic moves beyond capturing a static place and time, instead configuring a dynamic space for contemplating the inextricable social and personal bonds that surround labor and natural resources. Here, she invites the viewer into a new imaginary where historical consciousness is critical in reflecting on our relationship to consumption.
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10:00 AM - 4:00 PM, April 20 |
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The War to End All Wars: Onondaga County Encounters World War I Onondaga Historical Association
Price: Free Onondaga Historical Association
321 Montgomery St.,
Syracuse
To commemorate the 100th anniversary of the United States' entry into World War I, Onondaga Historical Association will present an exhibit on Onondaga County's role in the Great War. The exhibit will feature photographs, posters, uniforms, gas masks, helmets and other military accoutrements, war souvenirs, home-front conservation items, letters, diaries, and other archival material and objects. These items will illustrate the impact World War I had on Onondaga County and the world at large. The exhibit will focus on the people, places, and events at home and abroad including military personnel and units, the nurse corps, Camp Syracuse, food conservation, the Split Rock munitions explosion, and the Spanish Influenza epidemic.
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11:00 AM - 5:00 PM, April 20 |
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I [Heart] Ceramic Surface Gandee Gallery
Gandee Gallery
7846 Main St.,
Fabius
The exhibition features ceramic artists who go all out when it comes to their surfaces. Inlay, silk-screen resist, texture, decal, carving, slip trailing, sgraffito... This group does it all and then some. Participating artist include Kyle Carpenter, Andrea Denniston, Maria Dondero, Rachel Donner, Shanna Fliegel, Jennifer Gandee, Brian Giniewski, David MacDonald, Colleen McCall, Andrew McIntyre, Brooke Millecchia, Brooke Noble, Eric Pardue, Jeremy Randall, and Grace Sheese.
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11:00 AM - 4:30 PM, April 20 |
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In Gratitude: The Museum Project Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.
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11:00 AM - 4:30 PM, April 20 |
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Americans in Venice: Late 19th and Early 20th Century Prints Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.
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11:00 AM - 4:30 PM, April 20 |
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Hiding in Plain Sight Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, the M.F.A. exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center.
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11:00 AM - 4:30 PM, April 20 |
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Crisis: A Visual Exploration of Conflict Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Crisis" investigates how visual artists have captured, reacted, and explained physical acts of conflict, issues of identity, and the evolving conceptual methodologies in art itself.
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11:00 AM - 4:30 PM, April 20 |
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Symphony in Black and White: The Prints of James McNeill Whistler Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
This exhibition explores a selection of Whistler's etchings and lithographs describing major European cities, their waterways, and the working class people living there.
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12:00 PM - 5:00 PM, April 20 |
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The Art of the Tile Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Ceramic tiles are one of the world's oldest decorative art forms, dating back to at least the fourth millennium BCE. Tiles served both an ornamental and functional purpose, covering interior and exterior building surfaces as well as tabletops and other pieces of furniture. The Everson's expansive ceramics collection includes over 500 tiles made in countries around the world between the 17th and 20th centuries. This exhibition presents a selection of these tiles, many of which have never before been on view.
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12:00 PM - 5:00 PM, April 20 |
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Jeff Donaldson: Dig Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
This exhibition, the first museum retrospective of American artist Jeff Donaldson (1932-2004), explores four decades of the artist's career, spanning from his activist roots in Chicago as a founding member of the AfriCOBRA movement to his influence on future generations of artists as a professor at Howard University. Donaldson's work is an amalgamation of energetic colors, intricate patterns, and African iconography that celebrates the history of African art and the roots of black culture. Featuring paintings, prints, and mixed media works, the exhibition reflects on Donaldson's deep belief in the responsibility of an artist to create work that is both socially relevant and visually striking, as well as his tireless fight for equality and pride in his heritage.
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12:00 PM - 5:00 PM, April 20 |
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Sheila Pepe: Hot Mess Formalism Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
For over 20 years, Sheila Pepe has constructed large-scale, ephemeral installations and sculpture made out of domestic and industrial fibrous materials. This exhibition, the first mid-career survey of Pepe's work, examines how the artist often plays with feminist and craft traditions to counter patriarchal notions of recognized or accepted forms of art making. Hot Mess Formalism is organized by the Phoenix Art Museum and is accompanied by a fully illustrated catalog.
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12:00 PM - 5:00 PM, April 20 |
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Focus Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
A new exhibition series at the Everson, FOCUS presents a few selected works from the museum's collection in order to spark dialogue about how objects relate to one another across time, medium, and subject matter.
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12:00 PM - 5:00 PM, April 20 |
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Edie Fake: Structures Shift Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Based in Los Angeles, Edie Fake explores themes of gender, sexuality, and identity through illustration, painting, and comic book design. This exhibition presents a selection of Fake's meticulously rendered gouache and ink architectural drawings, which focus on facade and ornamentation as a way to understand our bodies, selves, and the importance of the spaces we inhabit.
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12:00 PM - 5:00 PM, April 20 |
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Hiding in Plain Sight Point of Contact Gallery
Price: Free Point of Contact Gallery
350 W. Fayette St.,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, curator of exhibitions and programs at the Institute of Arab and Islamic Art in New York City, the MFA exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center. The Point of Contact exhibit features the work Eric Charlton, Joan Farrenkopf, Marilyn Koch, Jo Yu Lee, Katie Levesque, and Luxin Zhang. Featuring a diverse array of paintings, sculptures, video and installations, "Hiding in Plain Sight" represents the culmination of a three-year period of critical investigation and introspection, marked by a significant, self-led shift toward multidisciplinary experimentation. The result is a collection of works which, through their staging and materiality, radicalize traditional modes of art-making and subvert our perception of space and reality.
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2:00 PM - 7:00 PM, April 20 |
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Within Our Gates: Site and Memory in the American Landscape, the Paintings of Keith Morris Washington ArtRage Gallery
Price: Free ArtRage Gallery
505 Hawley Ave.,
Syracuse
The practice of human sacrifice, known as lynching, has been carried out openly, as a public social ritual, in the United States from the very founding of the Republic. "Within Our Gates: Site and Memory in the American Landscape" is designed to inform a broad audience about this phenomenon of lynching as human sacrifice within the context of the landscape. The term lynching faded from popular usage with the advent of the 1960s civil rights movement. However, death by lynching is still exercised today as evidenced by the murders of James Byrd, Jr., Matthew Shepherd, Billy Jack Gaither, and Raynard Johnson. Only the taboo nature of this ritual has changed. — excerpt from Keith Morris Washington's artist statement
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8:15 PM - 11:00 PM, April 20 |
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Ben Russell: Good Luck (Portraits) Urban Video Project
Price: Free Everson Museum of Art Plaza
401 Harrison St.,
Syracuse
Ben Russell (b.1976, USA) is a media artist and curator whose films, installations, and performances foster a deep engagement with the history and semiotics of the moving image. Formal investigations of the historical and conceptual relationships between early cinema, documentary practices, and structuralist filmmaking result in immersive experiences concerned at once with ritual, communal spectatorship and the pursuit of a "psychedelic ethnography." Screening begins at dusk.
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Dance |
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7:30 PM, April 20 |
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I Wanna Dance With Somebody LeMoyne College LeMoyne Student Dance Company
Coyne Center for the Performing Arts
LeMoyne College,
Syracuse
The Le Moyne Student Dance Company presents more than a dozen dances with over 40 performers.
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Music |
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7:30 PM, April 20 |
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Gov't Mule Landmark Theatre
Landmark Theatre
362 S. Salina St.,
Syracuse
Gov't Mule is touring behind the release of their acclaimed 10th studio album "Revolution Come ... Revolution Go" [Fantasy Records]. Spanning rock, blues, soul, jazz and country, the album won over fans and critics alike and, upon its release, shot up the rock charts, racked up over 1.5 million streams, and nabbed the band their highest-selling debut week ever. Their most diverse offering to date, "Revolution Come ... Revolution Go" showcases the band's evocative songwriting, incendiary playing, cleverly-crafted songs and timely lyrical commentary. While Gov't Mule's storytelling has always been inspired in part by American struggles and experiences, "Revolution Come ... Revolution Go" finds the band's finger directly on the pulse of our very divided political climate. The band began recording the album on Election Day 2016, and the songs continue to be more timely than ever, poignantly capturing the tension and emotions felt by Americans regardless of political affiliation. These lyrical observations are threaded together with a resounding message of unity. Gov't Mule – GRAMMY Award-winning vocalist, songwriter, guitar legend Warren Haynes [vocals, guitar], Matt Abts [drums], Danny Louis [keyboards, guitar, and backing vocals], and Jorgen Carlsson [bass] – has galvanized a global fan base with their music and improvisational virtuosity, leading them to be recognized as one of the most timeless, revered and active bands in the world whose spot amongst rock titans remains unshakable. Tickets available online through Ticketmaster.
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7:30 PM, April 20 |
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Fanfare & Filigree NYS Baroque
Price: $35 regular, $30 seniors, $15 college students, children free First Unitarian Universalist Society of Syracuse
109 Waring Rd. (at the corner of Nottingham Rd.),
Dewitt
This program of music for winds and strings celebrates the new peace of early 18th century Europe; music by Zelenka, Hasse, Marais, and others, performed by Geoffrey Burgess & Meg Owens, oboes; Stephanie Corwin, bassoon; Becca Humphrey, cello; Leon Schelhase, harpsichord; Deborah Fox, theorbo There will be a pre-concert talk at 6:45 pm.
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7:30 PM, April 20 |
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Spark Series: Film & Music Syracuse Orchestra (formerly Symphoria) Heather Buchman, conductor
Price: $25 regular, $20 senior, $5 student, children under 18 free Palace Theater
2384 James St.,
Syracuse
Silent films meet symphonic masterpieces in this performance. Symphoria begins its celebration of women's suffrage with this performance showcasing symphonic and chamber music selections of award-winning women composers and film-makers, including Rachel Portman, Lisa Gerrard, Amy Beach, Julia Wolfe, and Jennifer Higdon. In addition, a new film entitled "Make Your Change," by Marcellus High School student Violet Moncavage (winner of Symphoria's 2018 film contest), will be premiered with a live performance of "Sky Rising", written by Pulitzer Prize winning composer Jennifer Higdon.
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8:00 PM, April 20 |
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Melissa Greener Folkus Project
Price: $12 members, $15 non-members May Memorial Unitarian Society
3800 E. Genesee St.,
Syracuse
Nashville based singer-songwriter Melissa Greener has that distinct equine quality of being able to magnify and reflect your senses back at you, forcing you to confront, and surrender to them. A seeker through song, she fixes her gaze inward only to discover the universality in us all; dancing the blurred line between the defects and the divine.
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Poetry/Reading |
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6:00 PM, April 20 |
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Stone Canoe #12 Release Party Downtown Writer's Center
Price: Free Point of Contact Gallery
350 W. Fayette St.,
Syracuse
We were snowed out in March, but we're joining forces with our friends at Point of Contact for a re-scheduled event! Join us to celebrate the release of the latest issue of Stone Canoe, the only literary journal focused on the work of authors and artists from Upstate New York. We'll have refreshments and enjoy readings by several contributors to the issue.
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Theater |
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2:00 PM, April 20 |
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Airborn Paul Robeson Performing Arts Company
Bethany Baptist Church
149 Beattie St.,
Syracuse
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8:00 PM, April 20 |
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Chess Central New York Playhouse Robert G. Searle, director
Price: $28 CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage),
Dewitt
Chess is a musical, with music by Benny Andersson and Björn Ulvaeus of the pop group ABBA, and with lyrics by Tim Rice. The story involves a politically driven, Cold War-era chess tournament between two men—an American grandmaster and a Soviet grandmaster—and their fight over a woman who manages one and falls in love with the other. Chess was a significant and powerful piece of music theater for its time as it allegorically reflected the Cold War tensions present in the 1980s, with the show embodying the government manipulations and paranoia, and the xenophobic attitudes present in the political climate of the time. The musical has been referred to as a metaphor for the whole Cold War, with the insinuation being made that the Cold War is itself a manipulative game. Released and staged at the height of the strong anti-communist agenda that came to be known as the "Reagan Doctrine," Chess played a powerful role in addressing and satirizing the hostile political atmosphere of the 1980s.
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8:00 PM, April 20 |
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Airborn Paul Robeson Performing Arts Company
Bethany Baptist Church
149 Beattie St.,
Syracuse
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8:00 PM, April 20 |
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Defying Gravity: The Songs of Stephen Schwartz Rarely Done Productions
Jazz Central
441 E. Washington St.,
Syracuse
What do the shows Godspell, Pippin, The Magic Show, and Wicked, and the Disney movies Hunchback of Notre Dame and Enchanted have in common? Music written by Stephen Schwartz, songwriting legend, 50-year veteran of Broadway and the silver screen, with a star on the Hollywood Walk of Fame, and membership in the Theatre Hall of Fame and Songwriters Hall of Fame. Add this to his 3 Oscars, 4 Grammys, and 4 Drama Desk Awards, and his contribution to the theater arts becomes, arguably, second to none among America's active contributors to the Great American Songbook. Local theatergoers will get their first-ever chance to experience the very best of Schwartz's oeuvre with Defying Gravity, titled after his signature tune from Wicked as well as his recent biography. The production will benefit Helping Hounds Dog Rescue, a non-profit organization that works to find permanent homes for rescue dogs in the Central New York area.
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Saturday, April 21, 2018
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Art |
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9:00 AM - 1:00 PM, April 21 |
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IPA: 23 Craft Potters Clayscapes Pottery Gallery
Price: Free Clayscapes Pottery Studio
1003 W. Fayette St., Suite L1,
Syracuse
Annual spring show of functional and sculptural ceramics by the Independent Potter's Association.
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10:00 AM - 4:00 PM, April 21 |
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Natural Passions Baltimore Woods Weeks Art Gallery
Price: Free Baltimore Woods Nature Center
4007 Bishop Hill Rd.,
Marcellus
Photography by Diana Whiting and drawings by Gail Norwood.
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10:00 AM - 2:00 PM, April 21 |
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Annual High School Seniors' Exhibit Edgewood Gallery
Edgewood Gallery
216 Tecumseh Rd.,
Syracuse
Works by high school seniors within a 30-mile radius are on display in this exhibit juried by the CNY Art Guild.
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10:00 AM - 5:00 PM, April 21 |
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The Art of the Tile Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Ceramic tiles are one of the world's oldest decorative art forms, dating back to at least the fourth millennium BCE. Tiles served both an ornamental and functional purpose, covering interior and exterior building surfaces as well as tabletops and other pieces of furniture. The Everson's expansive ceramics collection includes over 500 tiles made in countries around the world between the 17th and 20th centuries. This exhibition presents a selection of these tiles, many of which have never before been on view.
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10:00 AM - 5:00 PM, April 21 |
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Edie Fake: Structures Shift Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Based in Los Angeles, Edie Fake explores themes of gender, sexuality, and identity through illustration, painting, and comic book design. This exhibition presents a selection of Fake's meticulously rendered gouache and ink architectural drawings, which focus on facade and ornamentation as a way to understand our bodies, selves, and the importance of the spaces we inhabit.
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10:00 AM - 5:00 PM, April 21 |
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Focus Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
A new exhibition series at the Everson, FOCUS presents a few selected works from the museum's collection in order to spark dialogue about how objects relate to one another across time, medium, and subject matter.
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10:00 AM - 5:00 PM, April 21 |
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Sheila Pepe: Hot Mess Formalism Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
For over 20 years, Sheila Pepe has constructed large-scale, ephemeral installations and sculpture made out of domestic and industrial fibrous materials. This exhibition, the first mid-career survey of Pepe's work, examines how the artist often plays with feminist and craft traditions to counter patriarchal notions of recognized or accepted forms of art making. Hot Mess Formalism is organized by the Phoenix Art Museum and is accompanied by a fully illustrated catalog.
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Back to list |
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10:00 AM - 5:00 PM, April 21 |
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Jeff Donaldson: Dig Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
This exhibition, the first museum retrospective of American artist Jeff Donaldson (1932-2004), explores four decades of the artist's career, spanning from his activist roots in Chicago as a founding member of the AfriCOBRA movement to his influence on future generations of artists as a professor at Howard University. Donaldson's work is an amalgamation of energetic colors, intricate patterns, and African iconography that celebrates the history of African art and the roots of black culture. Featuring paintings, prints, and mixed media works, the exhibition reflects on Donaldson's deep belief in the responsibility of an artist to create work that is both socially relevant and visually striking, as well as his tireless fight for equality and pride in his heritage.
Read a review!
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11:00 AM - 5:00 PM, April 21 |
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Hiding in Plain Sight Community Folk Art Center
Community Folk Art Center
805 E. Genesee St.,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, the M.F.A. exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center.
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11:00 AM - 5:00 PM, April 21 |
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I [Heart] Ceramic Surface Gandee Gallery
Gandee Gallery
7846 Main St.,
Fabius
The exhibition features ceramic artists who go all out when it comes to their surfaces. Inlay, silk-screen resist, texture, decal, carving, slip trailing, sgraffito... This group does it all and then some. Participating artist include Kyle Carpenter, Andrea Denniston, Maria Dondero, Rachel Donner, Shanna Fliegel, Jennifer Gandee, Brian Giniewski, David MacDonald, Colleen McCall, Andrew McIntyre, Brooke Millecchia, Brooke Noble, Eric Pardue, Jeremy Randall, and Grace Sheese.
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11:00 AM - 4:00 PM, April 21 |
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The War to End All Wars: Onondaga County Encounters World War I Onondaga Historical Association
Price: Free Onondaga Historical Association
321 Montgomery St.,
Syracuse
To commemorate the 100th anniversary of the United States' entry into World War I, Onondaga Historical Association will present an exhibit on Onondaga County's role in the Great War. The exhibit will feature photographs, posters, uniforms, gas masks, helmets and other military accoutrements, war souvenirs, home-front conservation items, letters, diaries, and other archival material and objects. These items will illustrate the impact World War I had on Onondaga County and the world at large. The exhibit will focus on the people, places, and events at home and abroad including military personnel and units, the nurse corps, Camp Syracuse, food conservation, the Split Rock munitions explosion, and the Spanish Influenza epidemic.
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11:00 AM - 4:30 PM, April 21 |
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Americans in Venice: Late 19th and Early 20th Century Prints Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.
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11:00 AM - 4:30 PM, April 21 |
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In Gratitude: The Museum Project Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.
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11:00 AM - 4:30 PM, April 21 |
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Hiding in Plain Sight Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, the M.F.A. exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center.
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11:00 AM - 4:30 PM, April 21 |
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Symphony in Black and White: The Prints of James McNeill Whistler Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
This exhibition explores a selection of Whistler's etchings and lithographs describing major European cities, their waterways, and the working class people living there.
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11:00 AM - 4:30 PM, April 21 |
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Crisis: A Visual Exploration of Conflict Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Crisis" investigates how visual artists have captured, reacted, and explained physical acts of conflict, issues of identity, and the evolving conceptual methodologies in art itself.
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12:00 PM - 4:00 PM, April 21 |
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Within Our Gates: Site and Memory in the American Landscape, the Paintings of Keith Morris Washington ArtRage Gallery
Price: Free ArtRage Gallery
505 Hawley Ave.,
Syracuse
The practice of human sacrifice, known as lynching, has been carried out openly, as a public social ritual, in the United States from the very founding of the Republic. "Within Our Gates: Site and Memory in the American Landscape" is designed to inform a broad audience about this phenomenon of lynching as human sacrifice within the context of the landscape. The term lynching faded from popular usage with the advent of the 1960s civil rights movement. However, death by lynching is still exercised today as evidenced by the murders of James Byrd, Jr., Matthew Shepherd, Billy Jack Gaither, and Raynard Johnson. Only the taboo nature of this ritual has changed. — excerpt from Keith Morris Washington's artist statement
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12:00 PM - 5:00 PM, April 21 |
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Hiding in Plain Sight Point of Contact Gallery
Price: Free Point of Contact Gallery
350 W. Fayette St.,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, curator of exhibitions and programs at the Institute of Arab and Islamic Art in New York City, the MFA exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center. The Point of Contact exhibit features the work Eric Charlton, Joan Farrenkopf, Marilyn Koch, Jo Yu Lee, Katie Levesque, and Luxin Zhang. Featuring a diverse array of paintings, sculptures, video and installations, "Hiding in Plain Sight" represents the culmination of a three-year period of critical investigation and introspection, marked by a significant, self-led shift toward multidisciplinary experimentation. The result is a collection of works which, through their staging and materiality, radicalize traditional modes of art-making and subvert our perception of space and reality.
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1:00 PM, April 21 |
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Arte Joven/Young Art 2018 La Casita Cultural Center
Price: Free La Casita Cultural Center
109 Otisco St.,
Syracuse
A showcase of the talent and achievements of youth enrolled in La Casita's arts education programs this year, including visual and language arts, music, and dance.
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1:00 PM - 9:00 PM, April 21 |
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2018 Newhouse Photography Annual Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Light Work is pleased to announce the 2018 Newhouse Photography Annual featuring work by photography students in S.I. Newhouse School of Public Communications at Syracuse University. Exhibiting students include Marianne Barthelemy, Colleen Cambier, Bryan Cereijo, Haoyu Deng, Kathleen Flynn, Shweta Gulati, Chase Guttman, Shuran Huang, Joshua Ives, Eva Jenkins, Zachary Krahmer, Fiona Lenz, Tingjun Long, Claudia Mccann, Todd Michalek, Moriah Ratner, Erika Sternard, Ashley Tucker, Austin Wallace, and Cassie Zhang.
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1:00 PM - 9:00 PM, April 21 |
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Karolina Karlic: Rubberlands Light Work Gallery
Price: Free Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Karolina Karlic's "Rubberlands" is an ongoing photographic survey that maps the social and ecological impacts of rubber manufacturing. Following the trajectory of the artist's earlier work exploring the automobile industry in Michigan, "Rubberlands" proceeds from Midwest cities like Detroit and Akron, Ohio — once auto capitals of the world and now entry points for commodities through globalized networks. Connecting the company archives of Henry Ford, Goodyear, Goodrich, General Tire, and Firestone, Karlic traces the evolution of an industry that relies heavily on outsourcing of the Hevea brasiliensis (Amazonian rubber tree). Her photographic fieldwork in Brazil has taken her to manufacturing plants in Salvador and Itaparica, Michelin rubber plantations in the Atlantic forest, a fisherman's village on the coastal rivers of Itubera in Bahia, and the vestiges of Fordlândia, Henry Ford's planned community in the Amazon. Karlic reveals threatened landscapes, sites of reforestation, and working factories against the backdrop of their surrounding communities — scenes where living things are transformed into assets and removed from their lifeworlds to supply the demands of capital. By weaving together historical archives and contemporary renderings of environs that production has largely shaped, Karlic moves beyond capturing a static place and time, instead configuring a dynamic space for contemplating the inextricable social and personal bonds that surround labor and natural resources. Here, she invites the viewer into a new imaginary where historical consciousness is critical in reflecting on our relationship to consumption.
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8:15 PM - 11:00 PM, April 21 |
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Ben Russell: Good Luck (Portraits) Urban Video Project
Price: Free Everson Museum of Art Plaza
401 Harrison St.,
Syracuse
Ben Russell (b.1976, USA) is a media artist and curator whose films, installations, and performances foster a deep engagement with the history and semiotics of the moving image. Formal investigations of the historical and conceptual relationships between early cinema, documentary practices, and structuralist filmmaking result in immersive experiences concerned at once with ritual, communal spectatorship and the pursuit of a "psychedelic ethnography." Screening begins at dusk.
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Dance |
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7:30 PM, April 21 |
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I Wanna Dance With Somebody LeMoyne College LeMoyne Student Dance Company
Coyne Center for the Performing Arts
LeMoyne College,
Syracuse
The Le Moyne Student Dance Company presents more than a dozen dances with over 40 performers.
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Film |
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7:30 PM, April 21 |
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Cinemagogue: Hava Nagila Temple Society of Concord
Temple Society of Concord
910 Madison St.,
Syracuse
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Music |
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6:00 PM - 8:00 PM, April 21 |
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Parties in the Plaza: Novak/Nanni Duo CNY Jazz Arts Foundation
Price: Free LeMoyne Plaza
1135 Salt Springs Rd.,
Syracuse
Jess Novak (violin, guitar, vocals) with Mark Nanni of Los Blancos on piano, organ, accordion and vocals. Bluesy, breezy and funky.
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7:00 PM, April 21 |
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Roll Over Fest Palace Theatre
Price: $20 Palace Theater
2384 James St.,
Syracuse
Roll Over Fest will feature three bands paying tribute to music of The Doors, The Grateful Dead, and Pink Floyd. The Barndogs: Doors tribute Dark Hollow: Grateful Dead tribute Radio Floyd: Pink Floyd tribute For tickets, visit cnytix.com/events/RollOverFest.
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Theater |
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12:30 PM, April 21 |
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Hansel and Gretel Magic Circle Children's Theatre
Price: $6 Spaghetti Warehouse
689 N. Clinton St.,
Syracuse
Interactive retelling of the children's classic tale.
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7:30 PM, April 21 |
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Little Shop of Horrors Open Hand Theater
Price: $25 regular, $21 studens/seniors Open Hand Theater
Shoppingtown Mall, Entrance No. 1 (formerly Dick's entrance),
Dewitt
Open Hand presents its debut musical, Little Shop of Horrors, placing its own special hallmark on this deviously delicious sci-fi smash musical that has devoured the hearts of theatre goers for over 30 years. This special production is for an adult audience, and has live actors as well as four handcrafted puppet of the ever-growing "Audrey II". The new theater provides an unique and intimate setting for perennial favorite.
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8:00 PM, April 21 |
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Chess Central New York Playhouse Robert G. Searle, director
Price: $28 CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage),
Dewitt
Chess is a musical, with music by Benny Andersson and Björn Ulvaeus of the pop group ABBA, and with lyrics by Tim Rice. The story involves a politically driven, Cold War-era chess tournament between two men—an American grandmaster and a Soviet grandmaster—and their fight over a woman who manages one and falls in love with the other. Chess was a significant and powerful piece of music theater for its time as it allegorically reflected the Cold War tensions present in the 1980s, with the show embodying the government manipulations and paranoia, and the xenophobic attitudes present in the political climate of the time. The musical has been referred to as a metaphor for the whole Cold War, with the insinuation being made that the Cold War is itself a manipulative game. Released and staged at the height of the strong anti-communist agenda that came to be known as the "Reagan Doctrine," Chess played a powerful role in addressing and satirizing the hostile political atmosphere of the 1980s.
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8:00 PM, April 21 |
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Defying Gravity: The Songs of Stephen Schwartz Rarely Done Productions
Jazz Central
441 E. Washington St.,
Syracuse
What do the shows Godspell, Pippin, The Magic Show, and Wicked, and the Disney movies Hunchback of Notre Dame and Enchanted have in common? Music written by Stephen Schwartz, songwriting legend, 50-year veteran of Broadway and the silver screen, with a star on the Hollywood Walk of Fame, and membership in the Theatre Hall of Fame and Songwriters Hall of Fame. Add this to his 3 Oscars, 4 Grammys, and 4 Drama Desk Awards, and his contribution to the theater arts becomes, arguably, second to none among America's active contributors to the Great American Songbook. Local theatergoers will get their first-ever chance to experience the very best of Schwartz's oeuvre with Defying Gravity, titled after his signature tune from Wicked as well as his recent biography. The production will benefit Helping Hounds Dog Rescue, a non-profit organization that works to find permanent homes for rescue dogs in the Central New York area.
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Sunday, April 22, 2018
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Art |
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11:00 AM - 4:00 PM, April 22 |
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I [Heart] Ceramic Surface Gandee Gallery
Gandee Gallery
7846 Main St.,
Fabius
The exhibition features ceramic artists who go all out when it comes to their surfaces. Inlay, silk-screen resist, texture, decal, carving, slip trailing, sgraffito... This group does it all and then some. Participating artist include Kyle Carpenter, Andrea Denniston, Maria Dondero, Rachel Donner, Shanna Fliegel, Jennifer Gandee, Brian Giniewski, David MacDonald, Colleen McCall, Andrew McIntyre, Brooke Millecchia, Brooke Noble, Eric Pardue, Jeremy Randall, and Grace Sheese.
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11:00 AM - 4:00 PM, April 22 |
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The War to End All Wars: Onondaga County Encounters World War I Onondaga Historical Association
Price: Free Onondaga Historical Association
321 Montgomery St.,
Syracuse
To commemorate the 100th anniversary of the United States' entry into World War I, Onondaga Historical Association will present an exhibit on Onondaga County's role in the Great War. The exhibit will feature photographs, posters, uniforms, gas masks, helmets and other military accoutrements, war souvenirs, home-front conservation items, letters, diaries, and other archival material and objects. These items will illustrate the impact World War I had on Onondaga County and the world at large. The exhibit will focus on the people, places, and events at home and abroad including military personnel and units, the nurse corps, Camp Syracuse, food conservation, the Split Rock munitions explosion, and the Spanish Influenza epidemic.
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11:00 AM - 4:30 PM, April 22 |
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In Gratitude: The Museum Project Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.
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11:00 AM - 4:30 PM, April 22 |
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Americans in Venice: Late 19th and Early 20th Century Prints Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.
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11:00 AM - 4:30 PM, April 22 |
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Crisis: A Visual Exploration of Conflict Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Crisis" investigates how visual artists have captured, reacted, and explained physical acts of conflict, issues of identity, and the evolving conceptual methodologies in art itself.
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11:00 AM - 4:30 PM, April 22 |
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Symphony in Black and White: The Prints of James McNeill Whistler Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
This exhibition explores a selection of Whistler's etchings and lithographs describing major European cities, their waterways, and the working class people living there.
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11:00 AM - 4:30 PM, April 22 |
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Hiding in Plain Sight Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
In an age where judgement is shaped by "alternative facts," the artworks in "Hiding in Plain Sight" do not attempt to offer any absolute truths or solutions, because the truth is unimaginable. "Hiding in Plain Sight" features the work of Syracuse University's 2018 MFA candidates from the College of Visual and Performing Arts' School of Art and Department of Transmedia. The artworks represent the culmination of a three-year period of critical investigation and introspection, marked by a new, self-led shift toward interdisciplinary experimentation. The result is an array of artworks spanning a wide range of mediums and forms that blur the boundaries between traditional modes of art-making, and through their process, material, and staging, subvert our perception of reality. Curated by Shehab Awad, the M.F.A. exhibition is divided among three Syracuse University exhibition spaces and features 31 artists. The participating venues include SUArt Galleries, Point of Contact Gallery, and Community Folk Art Center.
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12:00 PM - 5:00 PM, April 22 |
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Jeff Donaldson: Dig Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
This exhibition, the first museum retrospective of American artist Jeff Donaldson (1932-2004), explores four decades of the artist's career, spanning from his activist roots in Chicago as a founding member of the AfriCOBRA movement to his influence on future generations of artists as a professor at Howard University. Donaldson's work is an amalgamation of energetic colors, intricate patterns, and African iconography that celebrates the history of African art and the roots of black culture. Featuring paintings, prints, and mixed media works, the exhibition reflects on Donaldson's deep belief in the responsibility of an artist to create work that is both socially relevant and visually striking, as well as his tireless fight for equality and pride in his heritage.
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12:00 PM - 5:00 PM, April 22 |
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Sheila Pepe: Hot Mess Formalism Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
For over 20 years, Sheila Pepe has constructed large-scale, ephemeral installations and sculpture made out of domestic and industrial fibrous materials. This exhibition, the first mid-career survey of Pepe's work, examines how the artist often plays with feminist and craft traditions to counter patriarchal notions of recognized or accepted forms of art making. Hot Mess Formalism is organized by the Phoenix Art Museum and is accompanied by a fully illustrated catalog.
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12:00 PM - 5:00 PM, April 22 |
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Focus Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
A new exhibition series at the Everson, FOCUS presents a few selected works from the museum's collection in order to spark dialogue about how objects relate to one another across time, medium, and subject matter.
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12:00 PM - 5:00 PM, April 22 |
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Edie Fake: Structures Shift Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Based in Los Angeles, Edie Fake explores themes of gender, sexuality, and identity through illustration, painting, and comic book design. This exhibition presents a selection of Fake's meticulously rendered gouache and ink architectural drawings, which focus on facade and ornamentation as a way to understand our bodies, selves, and the importance of the spaces we inhabit.
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12:00 PM - 5:00 PM, April 22 |
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The Art of the Tile Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Ceramic tiles are one of the world's oldest decorative art forms, dating back to at least the fourth millennium BCE. Tiles served both an ornamental and functional purpose, covering interior and exterior building surfaces as well as tabletops and other pieces of furniture. The Everson's expansive ceramics collection includes over 500 tiles made in countries around the world between the 17th and 20th centuries. This exhibition presents a selection of these tiles, many of which have never before been on view.
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1:00 PM - 9:00 PM, April 22 |
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Karolina Karlic: Rubberlands Light Work Gallery
Price: Free Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Karolina Karlic's "Rubberlands" is an ongoing photographic survey that maps the social and ecological impacts of rubber manufacturing. Following the trajectory of the artist's earlier work exploring the automobile industry in Michigan, "Rubberlands" proceeds from Midwest cities like Detroit and Akron, Ohio — once auto capitals of the world and now entry points for commodities through globalized networks. Connecting the company archives of Henry Ford, Goodyear, Goodrich, General Tire, and Firestone, Karlic traces the evolution of an industry that relies heavily on outsourcing of the Hevea brasiliensis (Amazonian rubber tree). Her photographic fieldwork in Brazil has taken her to manufacturing plants in Salvador and Itaparica, Michelin rubber plantations in the Atlantic forest, a fisherman's village on the coastal rivers of Itubera in Bahia, and the vestiges of Fordlândia, Henry Ford's planned community in the Amazon. Karlic reveals threatened landscapes, sites of reforestation, and working factories against the backdrop of their surrounding communities — scenes where living things are transformed into assets and removed from their lifeworlds to supply the demands of capital. By weaving together historical archives and contemporary renderings of environs that production has largely shaped, Karlic moves beyond capturing a static place and time, instead configuring a dynamic space for contemplating the inextricable social and personal bonds that surround labor and natural resources. Here, she invites the viewer into a new imaginary where historical consciousness is critical in reflecting on our relationship to consumption.
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1:00 PM - 9:00 PM, April 22 |
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2018 Newhouse Photography Annual Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Light Work is pleased to announce the 2018 Newhouse Photography Annual featuring work by photography students in S.I. Newhouse School of Public Communications at Syracuse University. Exhibiting students include Marianne Barthelemy, Colleen Cambier, Bryan Cereijo, Haoyu Deng, Kathleen Flynn, Shweta Gulati, Chase Guttman, Shuran Huang, Joshua Ives, Eva Jenkins, Zachary Krahmer, Fiona Lenz, Tingjun Long, Claudia Mccann, Todd Michalek, Moriah Ratner, Erika Sternard, Ashley Tucker, Austin Wallace, and Cassie Zhang.
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Lecture |
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2:00 PM, April 22 |
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Russia, Putin, and "Putinism" Strathmore Speakers Series Featuring Brian Taylor
Price: Free Onondaga Park Fire Barn
W. Colvin St. and Summit Ave.,
Syracuse
Professor Brian Taylor is Professor and Chair of Political Science in the Maxwell School at Syracuse University. Taylor is the author of three books on Russian politics: The Code of Putinism; State Building in Putin's Russia: Policing and Coercion after Communism and Politics and the Russian Army: Civil-Military Relations, 1689-2000. He received his B.A. from the University of Iowa, a M.Sc. from the London School of Economics and Political Science, and a Ph.D. from the Massachusetts Institute of Technology.
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Music |
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2:00 PM, April 22 |
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CMM In Recital Live! Voices of the Shoah Civic Morning Musicals
Price: $20 adults, students free Park Central Presbyterian Church
504 E. Fayette St.,
Syracuse
Kathleen Roland and Angky Budjardjono, voice; with Cantor Paula Pepperstone; Lana Stafford, flute; Laura Bossert, violin; Gregory Wood, cello; Steve Heyman and Ida Tili-Trebicka, pianos Lori Laitman I Never Saw Another Butterfly, for soprano and clarinet Joan Burstyn Summer After the Holocaust (May 16th, 1946) Jake Heggie For a Look or a Touch, for baritone, flute, clarinet, violin, cello and piano Joan Burstyn The Day of Mourning (June 16th, 1946), Before "Operation Crossroads, 1946 (June 30th, 1946) Lori Laitman The Seed of Dream for mezzo-soprano, cello and piano
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2:00 PM - 5:00 PM, April 22 |
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Jazz on Tap: Cookie Coogan CNY Jazz Arts Foundation
Finger Lakes On Tap
35 Fennell St.,
Skaneateles
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3:00 PM, April 22 |
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Spring Concert Syracuse University Brass Ensemble James T. Spencer, conductor
Price: Free United Church of Fayetteville
310 E. Genesee St.,
Fayetteville
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4:00 PM, April 22 |
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Liamna and Daniel: Strella do Dia Schola Cantorum of Syracuse
Price: $15 regular, $10 seniors and under age 30, $5 students, children free Pebble Hill Presbyterian Church
5299 Jamesville Rd.,
Dewitt
A program illustrating the rich cultural mix of Medieval Spain, with Mozarabe singing, Aribigo-Andaluza and Sefardi music, and more.
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Theater |
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2:00 PM, April 22 |
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Chess Central New York Playhouse Robert G. Searle, director
Price: $25 CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage),
Dewitt
Chess is a musical, with music by Benny Andersson and Björn Ulvaeus of the pop group ABBA, and with lyrics by Tim Rice. The story involves a politically driven, Cold War-era chess tournament between two men—an American grandmaster and a Soviet grandmaster—and their fight over a woman who manages one and falls in love with the other. Chess was a significant and powerful piece of music theater for its time as it allegorically reflected the Cold War tensions present in the 1980s, with the show embodying the government manipulations and paranoia, and the xenophobic attitudes present in the political climate of the time. The musical has been referred to as a metaphor for the whole Cold War, with the insinuation being made that the Cold War is itself a manipulative game. Released and staged at the height of the strong anti-communist agenda that came to be known as the "Reagan Doctrine," Chess played a powerful role in addressing and satirizing the hostile political atmosphere of the 1980s.
Read a Review!
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2:00 PM, April 22 |
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Little Shop of Horrors Open Hand Theater
Price: $25 regular, $21 studens/seniors Open Hand Theater
Shoppingtown Mall, Entrance No. 1 (formerly Dick's entrance),
Dewitt
Open Hand presents its debut musical, Little Shop of Horrors, placing its own special hallmark on this deviously delicious sci-fi smash musical that has devoured the hearts of theatre goers for over 30 years. This special production is for an adult audience, and has live actors as well as four handcrafted puppet of the ever-growing "Audrey II". The new theater provides an unique and intimate setting for perennial favorite.
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